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Color name
CMYK 0 / 26 / 81 / 6

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 26 / 81 / 6 it is the complementary color CMYK 93 / 63 / 0 / 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 26 / 81 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 26 / 81 / 6 shade: CMYK 0 / 28 / 83 / 4, CMYK 0 / 24 / 76 / 0, CMYK 0 / 16 / 69 / 0, CMYK 0 / 9 / 62 / 0 and CMYK 0 / 2 / 54 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 26 / 81 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 26 / 81 / 6 shade: CMYK 0 / 26 / 81 / 6, CMYK 0 / 29 / 88 / 13, CMYK 0 / 32 / 96 / 19, CMYK 0 / 35 / 100 / 26 and CMYK 0 / 39 / 100 / 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 26 / 81 / 6 shade: CMYK 0 / 26 / 81 / 6, CMYK 0 / 48 / 81 / 6, CMYK 0 / 70 / 81 / 6 and CMYK 0 / 81 / 81 / 6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 26 / 81 / 6 shade: CMYK 0 / 26 / 81 / 6, CMYK 0 / 5 / 81 / 6, CMYK 18 / 0 / 81 / 6, CMYK 40 / 0 / 81 / 6 and CMYK 61 / 0 / 81 / 6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 26 / 81 / 6 shade matches the following richer shades: CMYK 0 / 26 / 81 / 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 26 / 81 / 6 shade: CMYK 0 / 26 / 81 / 6, CMYK 0 / 23 / 72 / 13, CMYK 0 / 20 / 60 / 20, CMYK 0 / 15 / 46 / 27 and CMYK 0 / 10 / 30 / 35

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 26 / 81 / 6 shade: CMYK 0 / 70 / 81 / 6, CMYK 0 / 49 / 81 / 6, CMYK 0 / 27 / 81 / 6, CMYK 0 / 5 / 81 / 6 and CMYK 16 / 0 / 81 / 6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 26 / 81 / 6 shade: CMYK 0 / 30 / 93 / 26, CMYK 0 / 30 / 93 / 11, CMYK 0 / 26 / 81 / 6, CMYK 0 / 21 / 66 / 5 and CMYK 0 / 16 / 50 / 4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 26 / 81 / 6 shade: CMYK 0 / 26 / 81 / 6, CMYK 70 / 0 / 81 / 6 and CMYK 60 / 81 / 0 / 6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 26 / 81 / 6 shade: CMYK 0 / 26 / 81 / 6, CMYK 81 / 0 / 27 / 6 and CMYK 27 / 81 / 0 / 6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 26 / 81 / 6 shade: CMYK 0 / 26 / 81 / 6, CMYK 70 / 0 / 81 / 6, CMYK 81 / 54 / 0 / 6 and CMYK 11 / 81 / 0 / 6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 26 / 81 / 6 shade: CMYK 0 / 26 / 81 / 6, CMYK 81 / 0 / 68 / 6, CMYK 81 / 54 / 0 / 6 and CMYK 0 / 81 / 14 / 6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 81 / 6

HEX #F0B12E

RGB 240 177 46

HSL 40.52, 0.87%, 0.56%

LAB 76.17, 12.04, 70.15

 

Complementary color

CMYK 93 / 63 / 0 / 18

HEX #0F4ED1

RGB 15 78 209

HSL 220.52, 0.87%, 0.44%

LAB 38.12, 33.47, -72.04

 

CMYK 0 / 28 / 83 / 4

HEX #F5B129

RGB 245 177 41

HSL 40, 0.91%, 0.56%

LAB 76.69, 14.03, 72.33

 

CMYK 0 / 24 / 76 / 0

HEX #FFC33C

RGB 255 195 60

HSL 41.54, 1%, 0.62%

LAB 82.17, 9.47, 71.47

 

CMYK 0 / 16 / 69 / 0

HEX #FFD54F

RGB 255 213 79

HSL 45.68, 1%, 0.65%

LAB 86.71, 1.05, 68.77

 

CMYK 0 / 9 / 62 / 0

HEX #FFE762

RGB 255 231 98

HSL 50.83, 1%, 0.69%

LAB 91.37, -6.95, 65.89

 

CMYK 0 / 2 / 54 / 0

HEX #FFF975

RGB 255 249 117

HSL 57.39, 1%, 0.73%

LAB 96.12, -14.5, 62.98

 

CMYK 0 / 26 / 81 / 6

HEX #F0B12E

RGB 240 177 46

HSL 40.52, 0.87%, 0.56%

LAB 76.17, 12.04, 70.15

 

CMYK 0 / 29 / 88 / 13

HEX #DF9F1B

RGB 223 159 27

HSL 40.41, 0.78%, 0.49%

LAB 69.87, 13.79, 69.49

 

CMYK 0 / 32 / 96 / 19

HEX #CE8D08

RGB 206 141 8

HSL 40.3, 0.93%, 0.42%

LAB 63.5, 15.79, 67.43

 

CMYK 0 / 35 / 100 / 26

HEX #BD7B00

RGB 189 123 0

HSL 39.05, 1%, 0.37%

LAB 57.06, 18.05, 63.34

 

CMYK 0 / 39 / 100 / 33

HEX #AC6900

RGB 172 105 0

HSL 36.63, 1%, 0.34%

LAB 50.54, 20.49, 58.03

 

CMYK 0 / 26 / 81 / 6

HEX #F0B12D

RGB 240 177 45

HSL 40.62, 0.87%, 0.56%

LAB 76.17, 12.01, 70.46

 

CMYK 0 / 48 / 81 / 6

HEX #F07C2D

RGB 240 124 45

HSL 24.31, 0.87%, 0.56%

LAB 64.27, 39.69, 59.91

 

CMYK 0 / 70 / 81 / 6

HEX #F0472D

RGB 240 71 45

HSL 8, 0.87%, 0.56%

LAB 55.3, 63.14, 51.66

 

CMYK 0 / 81 / 81 / 6

HEX #F02D2D

RGB 240 45 45

HSL 0, 0.87%, 0.56%

LAB 52.5, 70.96, 49.01

 

CMYK 0 / 26 / 81 / 6

HEX #F0B12D

RGB 240 177 45

HSL 40.62, 0.87%, 0.56%

LAB 76.17, 12.01, 70.46

 

CMYK 0 / 5 / 81 / 6

HEX #F0E52D

RGB 240 229 45

HSL 56.62, 0.87%, 0.56%

LAB 89.28, -14.56, 81.74

 

CMYK 18 / 0 / 81 / 6

HEX #C6F02D

RGB 198 240 45

HSL 72.92, 0.87%, 0.56%

LAB 89.17, -36.84, 80.44

 

CMYK 40 / 0 / 81 / 6

HEX #91F02D

RGB 145 240 45

HSL 89.23, 0.87%, 0.56%

LAB 86.27, -56.06, 76.78

 

CMYK 61 / 0 / 81 / 6

HEX #5DF02D

RGB 93 240 45

HSL 105.23, 0.87%, 0.56%

LAB 84.4, -70.5, 74.39

 

CMYK 0 / 26 / 81 / 6

HEX #F0B12D

RGB 240 177 45

HSL 40.62, 0.87%, 0.56%

LAB 76.17, 12.01, 70.46

 

CMYK 0 / 26 / 81 / 6

HEX #F0B12D

RGB 240 177 45

HSL 40.62, 0.87%, 0.56%

LAB 76.17, 12.01, 70.46

 

CMYK 0 / 23 / 72 / 13

HEX #DEAA3F

RGB 222 170 63

HSL 40.38, 0.71%, 0.56%

LAB 72.65, 8.71, 59.91

 

CMYK 0 / 20 / 60 / 20

HEX #CCA451

RGB 204 164 81

HSL 40.49, 0.55%, 0.56%

LAB 69.46, 5.29, 47.83

 

CMYK 0 / 15 / 46 / 27

HEX #B99D63

RGB 185 157 99

HSL 40.47, 0.38%, 0.56%

LAB 66, 2.57, 34.08

 

CMYK 0 / 10 / 30 / 35

HEX #A79775

RGB 167 151 117

HSL 40.8, 0.22%, 0.56%

LAB 63.04, 0.56, 20.09

 

CMYK 0 / 70 / 81 / 6

HEX #F0472D

RGB 240 71 45

HSL 8, 0.87%, 0.56%

LAB 55.3, 63.14, 51.66

 

CMYK 0 / 49 / 81 / 6

HEX #F07B2D

RGB 240 123 45

HSL 24, 0.87%, 0.56%

LAB 64.06, 40.19, 59.73

 

CMYK 0 / 27 / 81 / 6

HEX #F0AF2D

RGB 240 175 45

HSL 40, 0.87%, 0.56%

LAB 75.68, 13.06, 70.04

 

CMYK 0 / 5 / 81 / 6

HEX #F0E32D

RGB 240 227 45

HSL 56, 0.87%, 0.56%

LAB 88.76, -13.58, 81.3

 

CMYK 16 / 0 / 81 / 6

HEX #C9F02D

RGB 201 240 45

HSL 72, 0.87%, 0.56%

LAB 89.36, -35.66, 80.69

 

CMYK 0 / 30 / 93 / 26

HEX #BD840D

RGB 189 132 13

HSL 40.57, 0.87%, 0.4%

LAB 59.3, 13.25, 62.71

 

CMYK 0 / 30 / 93 / 11

HEX #E49F0F

RGB 228 159 15

HSL 40.56, 0.88%, 0.48%

LAB 70.4, 15.76, 72.51

 

CMYK 0 / 26 / 81 / 6

HEX #F0B12D

RGB 240 177 45

HSL 40.62, 0.87%, 0.56%

LAB 76.17, 12.01, 70.46

 

CMYK 0 / 21 / 66 / 5

HEX #F3BF53

RGB 243 191 83

HSL 40.5, 0.87%, 0.64%

LAB 80.15, 7.6, 59.87

 

CMYK 0 / 16 / 50 / 4

HEX #F5CD7A

RGB 245 205 122

HSL 40.49, 0.86%, 0.72%

LAB 84.22, 3.99, 46.31

 

CMYK 0 / 26 / 81 / 6

HEX #F0B12E

RGB 240 177 46

HSL 40.52, 0.87%, 0.56%

LAB 76.17, 12.04, 70.15

 

CMYK 70 / 0 / 81 / 6

HEX #47F02D

RGB 71 240 45

HSL 112, 0.87%, 0.56%

LAB 83.89, -74.81, 73.73

 

CMYK 60 / 81 / 0 / 6

HEX #612DF0

RGB 97 45 240

HSL 256, 0.87%, 0.56%

LAB 39.09, 67.66, -87.99

 

CMYK 0 / 26 / 81 / 6

HEX #F0B12E

RGB 240 177 46

HSL 40.52, 0.87%, 0.56%

LAB 76.17, 12.04, 70.15

 

CMYK 81 / 0 / 27 / 6

HEX #2DF0AF

RGB 45 240 175

HSL 160, 0.87%, 0.56%

LAB 84.98, -60.64, 18.6

 

CMYK 27 / 81 / 0 / 6

HEX #AF2DF0

RGB 175 45 240

HSL 280, 0.87%, 0.56%

LAB 48.61, 77.63, -72

 

CMYK 0 / 26 / 81 / 6

HEX #F0B12E

RGB 240 177 46

HSL 40.52, 0.87%, 0.56%

LAB 76.17, 12.04, 70.15

 

CMYK 70 / 0 / 81 / 6

HEX #47F02D

RGB 71 240 45

HSL 112, 0.87%, 0.56%

LAB 83.89, -74.81, 73.73

 

CMYK 81 / 54 / 0 / 6

HEX #2D6EF0

RGB 45 110 240

HSL 220, 0.87%, 0.56%

LAB 49.5, 26.47, -71.04

 

CMYK 11 / 81 / 0 / 6

HEX #D62DF0

RGB 214 45 240

HSL 292, 0.87%, 0.56%

LAB 54.52, 84, -62.17

 

CMYK 0 / 26 / 81 / 6

HEX #F0B12E

RGB 240 177 46

HSL 40.52, 0.87%, 0.56%

LAB 76.17, 12.04, 70.15

 

CMYK 81 / 0 / 68 / 6

HEX #2DF04D

RGB 45 240 77

HSL 129.85, 0.87%, 0.56%

LAB 83.66, -76.09, 63.1

 

CMYK 81 / 54 / 0 / 6

HEX #2D6EF0

RGB 45 110 240

HSL 220, 0.87%, 0.56%

LAB 49.5, 26.47, -71.04

 

CMYK 0 / 81 / 14 / 6

HEX #F02DCF

RGB 240 45 207

HSL 310.15, 0.87%, 0.56%

LAB 56.98, 83.96, -39.31

 

Description

Color code: CMYK 0 / 26 / 81 / 6 | qconv.com Color code: CMYK 0 / 26 / 81 / 6 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 177 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 177 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 81 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 81% 6% C M Y K

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