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Color name
CMYK 0 / 26 / 89 / 44

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 26 / 89 / 44 it is the complementary color CMYK 53 / 38 / 0 / 6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 26 / 89 / 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 26 / 89 / 44 shade: CMYK 0 / 28 / 93 / 42, CMYK 0 / 25 / 82 / 35, CMYK 0 / 22 / 73 / 29, CMYK 0 / 20 / 66 / 22 and CMYK 0 / 18 / 60 / 15

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 26 / 89 / 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 26 / 89 / 44 shade: CMYK 0 / 26 / 89 / 44, CMYK 0 / 30 / 100 / 51, CMYK 0 / 36 / 100 / 57, CMYK 0 / 43 / 100 / 64 and CMYK 0 / 55 / 100 / 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 26 / 89 / 44 shade: CMYK 0 / 26 / 89 / 44, CMYK 0 / 50 / 89 / 44, CMYK 0 / 74 / 89 / 44 and CMYK 0 / 89 / 89 / 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 26 / 89 / 44 shade: CMYK 0 / 26 / 89 / 44, CMYK 0 / 2 / 89 / 44, CMYK 23 / 0 / 89 / 44, CMYK 46 / 0 / 89 / 44 and CMYK 70 / 0 / 89 / 44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 26 / 89 / 44 shade matches the following richer shades: CMYK 0 / 26 / 89 / 44 and CMYK 0 / 29 / 98 / 39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 26 / 89 / 44 shade: CMYK 0 / 26 / 89 / 44, CMYK 0 / 22 / 78 / 49, CMYK 0 / 19 / 65 / 55, CMYK 0 / 14 / 48 / 60 and CMYK 0 / 8 / 27 / 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 26 / 89 / 44 shade: CMYK 0 / 75 / 89 / 44, CMYK 0 / 51 / 89 / 44, CMYK 0 / 27 / 89 / 44, CMYK 0 / 3 / 89 / 44 and CMYK 21 / 0 / 89 / 44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 26 / 89 / 44 shade: CMYK 0 / 26 / 90 / 73, CMYK 0 / 27 / 90 / 59, CMYK 0 / 26 / 89 / 44, CMYK 0 / 26 / 89 / 30 and CMYK 0 / 26 / 89 / 15

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 26 / 89 / 44 shade: CMYK 0 / 26 / 89 / 44, CMYK 80 / 0 / 89 / 44 and CMYK 63 / 89 / 0 / 44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 26 / 89 / 44 shade: CMYK 0 / 26 / 89 / 44, CMYK 89 / 0 / 27 / 44 and CMYK 27 / 89 / 0 / 44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 26 / 89 / 44 shade: CMYK 0 / 26 / 89 / 44, CMYK 80 / 0 / 89 / 44, CMYK 89 / 63 / 0 / 44 and CMYK 9 / 89 / 0 / 44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 26 / 89 / 44 shade: CMYK 0 / 26 / 89 / 44, CMYK 89 / 0 / 71 / 44, CMYK 89 / 63 / 0 / 44 and CMYK 0 / 89 / 18 / 44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 89 / 44

HEX #8F6A10

RGB 143 106 16

HSL 42.52, 0.8%, 0.31%

LAB 47.22, 6.86, 50.38

 

Complementary color

CMYK 53 / 38 / 0 / 6

HEX #7095EF

RGB 112 149 239

HSL 222.52, 0.8%, 0.69%

LAB 62.65, 12.44, -49.22

 

CMYK 0 / 28 / 93 / 42

HEX #946A0B

RGB 148 106 11

HSL 41.61, 0.86%, 0.31%

LAB 47.79, 9.1, 52.33

 

CMYK 0 / 25 / 82 / 35

HEX #A57C1E

RGB 165 124 30

HSL 41.78, 0.69%, 0.38%

LAB 54.56, 7.24, 53.22

 

CMYK 0 / 22 / 73 / 29

HEX #B68E31

RGB 182 142 49

HSL 41.95, 0.58%, 0.45%

LAB 61.23, 5.71, 52.86

 

CMYK 0 / 20 / 66 / 22

HEX #C7A044

RGB 199 160 68

HSL 42.14, 0.54%, 0.52%

LAB 67.8, 4.43, 51.94

 

CMYK 0 / 18 / 60 / 15

HEX #D8B257

RGB 216 178 87

HSL 42.33, 0.62%, 0.59%

LAB 74.27, 3.35, 50.78

 

CMYK 0 / 26 / 89 / 44

HEX #8F6A10

RGB 143 106 16

HSL 42.52, 0.8%, 0.31%

LAB 47.22, 6.86, 50.38

 

CMYK 0 / 30 / 100 / 51

HEX #7E5800

RGB 126 88 0

HSL 41.9, 1%, 0.25%

LAB 40.27, 8.94, 48.38

 

CMYK 0 / 36 / 100 / 57

HEX #6D4600

RGB 109 70 0

HSL 38.53, 1%, 0.21%

LAB 33.2, 11.48, 42.6

 

CMYK 0 / 43 / 100 / 64

HEX #5C3400

RGB 92 52 0

HSL 33.91, 1%, 0.18%

LAB 25.96, 14.2, 35.94

 

CMYK 0 / 55 / 100 / 71

HEX #4B2200

RGB 75 34 0

HSL 27.2, 1%, 0.15%

LAB 18.54, 17.05, 27.3

 

CMYK 0 / 26 / 89 / 44

HEX #8E690F

RGB 142 105 15

HSL 42.52, 0.81%, 0.31%

LAB 46.83, 6.94, 50.29

 

CMYK 0 / 50 / 89 / 44

HEX #8E470F

RGB 142 71 15

HSL 26.46, 0.81%, 0.31%

LAB 38.36, 26.53, 43.47

 

CMYK 0 / 74 / 89 / 44

HEX #8E250F

RGB 142 37 15

HSL 10.39, 0.81%, 0.31%

LAB 32.05, 43.03, 38.38

 

CMYK 0 / 89 / 89 / 44

HEX #8E0F0F

RGB 142 15 15

HSL 0, 0.81%, 0.31%

LAB 29.73, 49.56, 36.51

 

CMYK 0 / 26 / 89 / 44

HEX #8E690F

RGB 142 105 15

HSL 42.52, 0.81%, 0.31%

LAB 46.83, 6.94, 50.29

 

CMYK 0 / 2 / 89 / 44

HEX #8E8B0F

RGB 142 139 15

HSL 58.58, 0.81%, 0.31%

LAB 56.34, -12.07, 57.94

 

CMYK 23 / 0 / 89 / 44

HEX #6E8E0F

RGB 110 142 15

HSL 75.12, 0.81%, 0.31%

LAB 54.76, -27.82, 55.62

 

CMYK 46 / 0 / 89 / 44

HEX #4C8E0F

RGB 76 142 15

HSL 91.18, 0.81%, 0.31%

LAB 52.86, -40.92, 53.26

 

CMYK 70 / 0 / 89 / 44

HEX #2A8E0F

RGB 42 142 15

HSL 107.24, 0.81%, 0.31%

LAB 51.69, -50.25, 51.8

 

CMYK 0 / 26 / 89 / 44

HEX #8E690F

RGB 142 105 15

HSL 42.52, 0.81%, 0.31%

LAB 46.83, 6.94, 50.29

 

CMYK 0 / 29 / 98 / 39

HEX #9B6E03

RGB 155 110 3

HSL 42.24, 0.96%, 0.31%

LAB 49.65, 9.94, 55.76

 

CMYK 0 / 26 / 89 / 44

HEX #8E690F

RGB 142 105 15

HSL 42.52, 0.81%, 0.31%

LAB 46.83, 6.94, 50.29

 

CMYK 0 / 22 / 78 / 49

HEX #81641C

RGB 129 100 28

HSL 42.77, 0.64%, 0.31%

LAB 44.04, 4.13, 42.8

 

CMYK 0 / 19 / 65 / 55

HEX #745E29

RGB 116 94 41

HSL 42.4, 0.48%, 0.31%

LAB 41.02, 2.27, 33.08

 

CMYK 0 / 14 / 48 / 60

HEX #675936

RGB 103 89 54

HSL 42.86, 0.31%, 0.31%

LAB 38.37, 0.37, 22.31

 

CMYK 0 / 8 / 27 / 64

HEX #5B5442

RGB 91 84 66

HSL 43.2, 0.16%, 0.31%

LAB 35.9, -0.41, 11.58

 

CMYK 0 / 75 / 89 / 44

HEX #8E240F

RGB 142 36 15

HSL 9.92, 0.81%, 0.31%

LAB 31.91, 43.42, 38.27

 

CMYK 0 / 51 / 89 / 44

HEX #8E460F

RGB 142 70 15

HSL 25.98, 0.81%, 0.31%

LAB 38.14, 27.08, 43.29

 

CMYK 0 / 27 / 89 / 44

HEX #8E680F

RGB 142 104 15

HSL 42.05, 0.81%, 0.31%

LAB 46.56, 7.52, 50.08

 

CMYK 0 / 3 / 89 / 44

HEX #8E8A0F

RGB 142 138 15

HSL 58.11, 0.81%, 0.31%

LAB 56.05, -11.54, 57.71

 

CMYK 21 / 0 / 89 / 44

HEX #708E0F

RGB 112 142 15

HSL 74.17, 0.81%, 0.31%

LAB 54.89, -26.98, 55.79

 

CMYK 0 / 26 / 90 / 73

HEX #443207

RGB 68 50 7

HSL 42.3, 0.81%, 0.15%

LAB 22.04, 3.39, 28.07

 

CMYK 0 / 27 / 90 / 59

HEX #694D0B

RGB 105 77 11

HSL 42.13, 0.81%, 0.23%

LAB 34.67, 5.53, 39.68

 

CMYK 0 / 26 / 89 / 44

HEX #8E690F

RGB 142 105 15

HSL 42.52, 0.81%, 0.31%

LAB 46.83, 6.94, 50.29

 

CMYK 0 / 26 / 89 / 30

HEX #B38413

RGB 179 132 19

HSL 42.38, 0.81%, 0.39%

LAB 58.16, 8.85, 60.08

 

CMYK 0 / 26 / 89 / 15

HEX #D8A018

RGB 216 160 24

HSL 42.5, 0.8%, 0.47%

LAB 69.33, 10.15, 69.43

 

CMYK 0 / 26 / 89 / 44

HEX #8F6A10

RGB 143 106 16

HSL 42.52, 0.8%, 0.31%

LAB 47.22, 6.86, 50.38

 

CMYK 80 / 0 / 89 / 44

HEX #1C8E0F

RGB 28 142 15

HSL 113.86, 0.81%, 0.31%

LAB 51.41, -52.67, 51.44

 

CMYK 63 / 89 / 0 / 44

HEX #350F8E

RGB 53 15 142

HSL 257.95, 0.81%, 0.31%

LAB 20.25, 48.45, -61.32

 

CMYK 0 / 26 / 89 / 44

HEX #8F6A10

RGB 143 106 16

HSL 42.52, 0.8%, 0.31%

LAB 47.22, 6.86, 50.38

 

CMYK 89 / 0 / 27 / 44

HEX #0F8E68

RGB 15 142 104

HSL 162.05, 0.81%, 0.31%

LAB 52.34, -41.19, 11.43

 

CMYK 27 / 89 / 0 / 44

HEX #680F8E

RGB 104 15 142

HSL 282.05, 0.81%, 0.31%

LAB 27.4, 54.82, -49.31

 

CMYK 0 / 26 / 89 / 44

HEX #8F6A10

RGB 143 106 16

HSL 42.52, 0.8%, 0.31%

LAB 47.22, 6.86, 50.38

 

CMYK 80 / 0 / 89 / 44

HEX #1C8E0F

RGB 28 142 15

HSL 113.86, 0.81%, 0.31%

LAB 51.41, -52.67, 51.44

 

CMYK 89 / 63 / 0 / 44

HEX #0F358E

RGB 15 53 142

HSL 222.05, 0.81%, 0.31%

LAB 25.57, 23.75, -52.64

 

CMYK 9 / 89 / 0 / 44

HEX #810F8E

RGB 129 15 142

HSL 293.86, 0.81%, 0.31%

LAB 31.72, 59.04, -42.11

 

CMYK 0 / 26 / 89 / 44

HEX #8F6A10

RGB 143 106 16

HSL 42.52, 0.8%, 0.31%

LAB 47.22, 6.86, 50.38

 

CMYK 89 / 0 / 71 / 44

HEX #0F8E29

RGB 15 142 41

HSL 132.28, 0.81%, 0.31%

LAB 51.39, -52.33, 42.98

 

CMYK 89 / 63 / 0 / 44

HEX #0F358E

RGB 15 53 142

HSL 222.05, 0.81%, 0.31%

LAB 25.57, 23.75, -52.64

 

CMYK 0 / 89 / 18 / 44

HEX #8E0F74

RGB 142 15 116

HSL 312.28, 0.81%, 0.31%

LAB 32.6, 57.56, -24.28

 

Description

Color code: CMYK 0 / 26 / 89 / 44 | qconv.com Color code: CMYK 0 / 26 / 89 / 44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 106 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 106 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 89 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 89% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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