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Color name
CMYK 0 / 2 / 60 / 16

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 2 / 60 / 16 it is the complementary color CMYK 76 / 73 / 0 / 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 2 / 60 / 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 2 / 60 / 16 shade: CMYK 0 / 4 / 63 / 14, CMYK 0 / 3 / 58 / 7, CMYK 0 / 3 / 53 / 1, CMYK 0 / 0 / 46 / 0 and CMYK 0 / 0 / 38 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 2 / 60 / 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 2 / 60 / 16 shade: CMYK 0 / 2 / 60 / 16, CMYK 0 / 3 / 66 / 23, CMYK 0 / 3 / 73 / 29, CMYK 0 / 4 / 82 / 36 and CMYK 0 / 5 / 93 / 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 2 / 60 / 16 shade: CMYK 0 / 2 / 60 / 16, CMYK 0 / 18 / 60 / 16, CMYK 0 / 34 / 60 / 16, CMYK 0 / 50 / 60 / 16 and CMYK 0 / 60 / 60 / 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 2 / 60 / 16 shade: CMYK 0 / 2 / 60 / 16, CMYK 14 / 0 / 60 / 16, CMYK 30 / 0 / 60 / 16, CMYK 46 / 0 / 60 / 16 and CMYK 60 / 0 / 57 / 16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 2 / 60 / 16 shade matches the following richer shades: CMYK 0 / 2 / 60 / 16, CMYK 0 / 2 / 70 / 9 and CMYK 0 / 3 / 79 / 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 2 / 60 / 16 shade: CMYK 0 / 2 / 60 / 16, CMYK 0 / 2 / 48 / 23, CMYK 0 / 1 / 33 / 29, CMYK 0 / 1 / 16 / 36 and CMYK 5 / 5 / 0 / 40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 2 / 60 / 16 shade: CMYK 0 / 34 / 60 / 16, CMYK 0 / 18 / 60 / 16, CMYK 0 / 2 / 60 / 16, CMYK 14 / 0 / 60 / 16 and CMYK 30 / 0 / 60 / 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 2 / 60 / 16 shade: CMYK 0 / 2 / 76 / 31, CMYK 0 / 2 / 74 / 19, CMYK 0 / 2 / 60 / 16, CMYK 0 / 1 / 46 / 13 and CMYK 0 / 1 / 33 / 10

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 2 / 60 / 16 shade: CMYK 0 / 2 / 60 / 16, CMYK 60 / 0 / 50 / 16 and CMYK 26 / 60 / 0 / 16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 2 / 60 / 16 shade: CMYK 0 / 2 / 60 / 16, CMYK 60 / 0 / 2 / 16 and CMYK 2 / 60 / 0 / 16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 2 / 60 / 16 shade: CMYK 0 / 2 / 60 / 16, CMYK 60 / 0 / 50 / 16, CMYK 60 / 58 / 0 / 16 and CMYK 0 / 60 / 10 / 16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 2 / 60 / 16 shade: CMYK 0 / 2 / 60 / 16, CMYK 60 / 0 / 32 / 16, CMYK 60 / 58 / 0 / 16 and CMYK 0 / 60 / 28 / 16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 60 / 16

HEX #D6D256

RGB 214 210 86

HSL 58.13, 0.61%, 0.59%

LAB 82.41, -14.05, 60.27

 

Complementary color

CMYK 76 / 73 / 0 / 34

HEX #292DA9

RGB 41 45 169

HSL 238.13, 0.61%, 0.41%

LAB 27.33, 41.24, -66.18

 

CMYK 0 / 4 / 63 / 14

HEX #DBD251

RGB 219 210 81

HSL 56.09, 0.66%, 0.59%

LAB 82.78, -12.31, 62.89

 

CMYK 0 / 3 / 58 / 7

HEX #ECE464

RGB 236 228 100

HSL 56.47, 0.78%, 0.66%

LAB 89.04, -13.05, 62.02

 

CMYK 0 / 3 / 53 / 1

HEX #FDF677

RGB 253 246 119

HSL 56.87, 0.97%, 0.73%

LAB 95.21, -13.68, 61.01

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF8A

RGB 255 255 138

HSL 60, 1%, 0.77%

LAB 97.88, -15.67, 55.52

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9D

RGB 255 255 157

HSL 60, 1%, 0.81%

LAB 98.12, -13.81, 46.8

 

CMYK 0 / 2 / 60 / 16

HEX #D6D256

RGB 214 210 86

HSL 58.13, 0.61%, 0.59%

LAB 82.41, -14.05, 60.27

 

CMYK 0 / 3 / 66 / 23

HEX #C5C043

RGB 197 192 67

HSL 57.69, 0.53%, 0.52%

LAB 76.05, -13.28, 61.01

 

CMYK 0 / 3 / 73 / 29

HEX #B4AE30

RGB 180 174 48

HSL 57.27, 0.58%, 0.45%

LAB 69.6, -12.34, 61.33

 

CMYK 0 / 4 / 82 / 36

HEX #A39C1D

RGB 163 156 29

HSL 56.87, 0.7%, 0.38%

LAB 63.05, -11.2, 60.89

 

CMYK 0 / 5 / 93 / 43

HEX #928A0A

RGB 146 138 10

HSL 56.47, 0.87%, 0.31%

LAB 56.4, -9.8, 59.05

 

CMYK 0 / 2 / 60 / 16

HEX #D6D256

RGB 214 210 86

HSL 58.13, 0.61%, 0.59%

LAB 82.41, -14.05, 60.27

 

CMYK 0 / 18 / 60 / 16

HEX #D6AF56

RGB 214 175 86

HSL 41.72, 0.61%, 0.59%

LAB 73.3, 4.02, 50.1

 

CMYK 0 / 34 / 60 / 16

HEX #D68D56

RGB 214 141 86

HSL 25.78, 0.61%, 0.59%

LAB 64.98, 22.31, 40.34

 

CMYK 0 / 50 / 60 / 16

HEX #D66B56

RGB 214 107 86

HSL 9.84, 0.61%, 0.59%

LAB 57.54, 40.25, 31.19

 

CMYK 0 / 60 / 60 / 16

HEX #D65656

RGB 214 86 86

HSL 0, 0.61%, 0.59%

LAB 53.63, 50.38, 26.19

 

CMYK 0 / 2 / 60 / 16

HEX #D6D256

RGB 214 210 86

HSL 58.13, 0.61%, 0.59%

LAB 82.41, -14.05, 60.27

 

CMYK 14 / 0 / 60 / 16

HEX #B7D656

RGB 183 214 86

HSL 74.53, 0.61%, 0.59%

LAB 81.2, -28.53, 58.28

 

CMYK 30 / 0 / 60 / 16

HEX #95D656

RGB 149 214 86

HSL 90.47, 0.61%, 0.59%

LAB 79.13, -41.31, 55.4

 

CMYK 46 / 0 / 60 / 16

HEX #73D656

RGB 115 214 86

HSL 106.41, 0.61%, 0.59%

LAB 77.53, -52.43, 53.15

 

CMYK 60 / 0 / 57 / 16

HEX #56D65C

RGB 86 214 92

HSL 122.81, 0.61%, 0.59%

LAB 76.58, -59.34, 49.12

 

CMYK 0 / 2 / 60 / 16

HEX #D6D256

RGB 214 210 86

HSL 58.13, 0.61%, 0.59%

LAB 82.41, -14.05, 60.27

 

CMYK 0 / 2 / 70 / 9

HEX #E7E245

RGB 231 226 69

HSL 58.15, 0.77%, 0.59%

LAB 87.88, -15.93, 72.98

 

CMYK 0 / 3 / 79 / 3

HEX #F8F134

RGB 248 241 52

HSL 57.86, 0.93%, 0.59%

LAB 93.06, -16.89, 83.48

 

CMYK 0 / 2 / 60 / 16

HEX #D6D256

RGB 214 210 86

HSL 58.13, 0.61%, 0.59%

LAB 82.41, -14.05, 60.27

 

CMYK 0 / 2 / 48 / 23

HEX #C5C267

RGB 197 194 103

HSL 58.09, 0.45%, 0.59%

LAB 76.94, -11.59, 45.8

 

CMYK 0 / 1 / 33 / 29

HEX #B4B278

RGB 180 178 120

HSL 58, 0.29%, 0.59%

LAB 71.49, -8.33, 29.96

 

CMYK 0 / 1 / 16 / 36

HEX #A3A289

RGB 163 162 137

HSL 57.69, 0.12%, 0.59%

LAB 66.08, -4.03, 13.16

 

CMYK 5 / 5 / 0 / 40

HEX #92929A

RGB 146 146 154

HSL 240, 0.04%, 0.59%

LAB 60.78, 1.59, -4.22

 

CMYK 0 / 34 / 60 / 16

HEX #D68D56

RGB 214 141 86

HSL 25.78, 0.61%, 0.59%

LAB 64.98, 22.31, 40.34

 

CMYK 0 / 18 / 60 / 16

HEX #D6AF56

RGB 214 175 86

HSL 41.72, 0.61%, 0.59%

LAB 73.3, 4.02, 50.1

 

CMYK 0 / 2 / 60 / 16

HEX #D6D156

RGB 214 209 86

HSL 57.66, 0.61%, 0.59%

LAB 82.15, -13.55, 59.98

 

CMYK 14 / 0 / 60 / 16

HEX #B8D656

RGB 184 214 86

HSL 74.06, 0.61%, 0.59%

LAB 81.27, -28.14, 58.37

 

CMYK 30 / 0 / 60 / 16

HEX #96D656

RGB 150 214 86

HSL 90, 0.61%, 0.59%

LAB 79.18, -40.96, 55.48

 

CMYK 0 / 2 / 76 / 31

HEX #AFAB2A

RGB 175 171 42

HSL 58.2, 0.61%, 0.43%

LAB 68.32, -13.24, 62.02

 

CMYK 0 / 2 / 74 / 19

HEX #CEC935

RGB 206 201 53

HSL 58.04, 0.61%, 0.51%

LAB 79.13, -14.7, 69.37

 

CMYK 0 / 2 / 60 / 16

HEX #D6D256

RGB 214 210 86

HSL 58.13, 0.61%, 0.59%

LAB 82.41, -14.05, 60.27

 

CMYK 0 / 1 / 46 / 13

HEX #DEDB77

RGB 222 219 119

HSL 58.25, 0.61%, 0.67%

LAB 85.77, -12.65, 49.21

 

CMYK 0 / 1 / 33 / 10

HEX #E6E399

RGB 230 227 153

HSL 57.66, 0.61%, 0.75%

LAB 88.95, -9.94, 36.57

 

CMYK 0 / 2 / 60 / 16

HEX #D6D256

RGB 214 210 86

HSL 58.13, 0.61%, 0.59%

LAB 82.41, -14.05, 60.27

 

CMYK 60 / 0 / 50 / 16

HEX #56D66B

RGB 86 214 107

HSL 129.84, 0.61%, 0.59%

LAB 76.76, -57.37, 42.27

 

CMYK 26 / 60 / 0 / 16

HEX #9E56D6

RGB 158 86 214

HSL 273.75, 0.61%, 0.59%

LAB 50.43, 52.45, -54.46

 

CMYK 0 / 2 / 60 / 16

HEX #D6D256

RGB 214 210 86

HSL 58.13, 0.61%, 0.59%

LAB 82.41, -14.05, 60.27

 

CMYK 60 / 0 / 2 / 16

HEX #56D6D1

RGB 86 214 209

HSL 177.66, 0.61%, 0.59%

LAB 78.85, -36.06, -8.08

 

CMYK 2 / 60 / 0 / 16

HEX #D156D6

RGB 209 86 214

HSL 297.66, 0.61%, 0.59%

LAB 57.14, 64.85, -43.38

 

CMYK 0 / 2 / 60 / 16

HEX #D6D256

RGB 214 210 86

HSL 58.13, 0.61%, 0.59%

LAB 82.41, -14.05, 60.27

 

CMYK 60 / 0 / 50 / 16

HEX #56D66B

RGB 86 214 107

HSL 129.84, 0.61%, 0.59%

LAB 76.76, -57.37, 42.27

 

CMYK 60 / 58 / 0 / 16

HEX #565AD6

RGB 86 90 214

HSL 238.13, 0.61%, 0.59%

LAB 44.44, 35.03, -64.46

 

CMYK 0 / 60 / 10 / 16

HEX #D656C0

RGB 214 86 192

HSL 310.31, 0.61%, 0.59%

LAB 56.84, 62.52, -31.26

 

CMYK 0 / 2 / 60 / 16

HEX #D6D256

RGB 214 210 86

HSL 58.13, 0.61%, 0.59%

LAB 82.41, -14.05, 60.27

 

CMYK 60 / 0 / 32 / 16

HEX #56D692

RGB 86 214 146

HSL 148.13, 0.61%, 0.59%

LAB 77.37, -50.77, 23.31

 

CMYK 60 / 58 / 0 / 16

HEX #565AD6

RGB 86 90 214

HSL 238.13, 0.61%, 0.59%

LAB 44.44, 35.03, -64.46

 

CMYK 0 / 60 / 28 / 16

HEX #D6569A

RGB 214 86 154

HSL 328.13, 0.61%, 0.59%

LAB 55.36, 57.12, -11.47

 

Description

Color code: CMYK 0 / 2 / 60 / 16 | qconv.com Color code: CMYK 0 / 2 / 60 / 16 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 210 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 210 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 60 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 60% 16% C M Y K

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Provide designers and agencies with accurate color values.

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