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Color name
CMYK 0 / 30 / 71 / 12

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 30 / 71 / 12 it is the complementary color CMYK 84 / 48 / 0 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 30 / 71 / 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 30 / 71 / 12 shade: CMYK 0 / 31 / 74 / 10, CMYK 0 / 29 / 68 / 4, CMYK 0 / 24 / 62 / 0, CMYK 0 / 17 / 54 / 0 and CMYK 0 / 10 / 47 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 30 / 71 / 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 30 / 71 / 12 shade: CMYK 0 / 30 / 71 / 12, CMYK 0 / 33 / 78 / 19, CMYK 0 / 36 / 86 / 25, CMYK 0 / 40 / 95 / 32 and CMYK 0 / 46 / 100 / 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 30 / 71 / 12 shade: CMYK 0 / 30 / 71 / 12, CMYK 0 / 49 / 71 / 12, CMYK 0 / 68 / 71 / 12 and CMYK 0 / 71 / 71 / 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 30 / 71 / 12 shade: CMYK 0 / 30 / 71 / 12, CMYK 0 / 11 / 71 / 12, CMYK 8 / 0 / 71 / 12, CMYK 27 / 0 / 71 / 12 and CMYK 46 / 0 / 71 / 12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 30 / 71 / 12 shade matches the following richer shades: CMYK 0 / 30 / 71 / 12 and CMYK 0 / 34 / 80 / 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 30 / 71 / 12 shade: CMYK 0 / 30 / 71 / 12, CMYK 0 / 25 / 59 / 19, CMYK 0 / 19 / 46 / 26, CMYK 0 / 13 / 30 / 33 and CMYK 0 / 5 / 10 / 40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 30 / 71 / 12 shade: CMYK 0 / 68 / 71 / 12, CMYK 0 / 50 / 71 / 12, CMYK 0 / 31 / 71 / 12, CMYK 0 / 12 / 71 / 12 and CMYK 7 / 0 / 71 / 12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 30 / 71 / 12 shade: CMYK 0 / 36 / 84 / 30, CMYK 0 / 36 / 84 / 16, CMYK 0 / 30 / 71 / 12, CMYK 0 / 23 / 56 / 10 and CMYK 0 / 17 / 42 / 8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 30 / 71 / 12 shade: CMYK 0 / 30 / 71 / 12, CMYK 54 / 0 / 71 / 12 and CMYK 59 / 71 / 0 / 12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 30 / 71 / 12 shade: CMYK 0 / 30 / 71 / 12, CMYK 71 / 0 / 31 / 12 and CMYK 31 / 71 / 0 / 12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 30 / 71 / 12 shade: CMYK 0 / 30 / 71 / 12, CMYK 54 / 0 / 71 / 12, CMYK 71 / 40 / 0 / 12 and CMYK 17 / 71 / 0 / 12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 30 / 71 / 12 shade: CMYK 0 / 30 / 71 / 12, CMYK 71 / 0 / 66 / 12, CMYK 71 / 40 / 0 / 12 and CMYK 0 / 71 / 5 / 12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 71 / 12

HEX #E09D41

RGB 224 157 65

HSL 34.72, 0.72%, 0.57%

LAB 69.71, 16.61, 56.12

 

Complementary color

CMYK 84 / 48 / 0 / 25

HEX #1F62BE

RGB 31 98 190

HSL 214.72, 0.72%, 0.43%

LAB 42.38, 13.86, -54.09

 

CMYK 0 / 31 / 74 / 10

HEX #E59D3C

RGB 229 157 60

HSL 34.44, 0.76%, 0.57%

LAB 70.24, 18.49, 58.99

 

CMYK 0 / 29 / 68 / 4

HEX #F6AF4F

RGB 246 175 79

HSL 34.49, 0.9%, 0.64%

LAB 76.57, 17.02, 57.89

 

CMYK 0 / 24 / 62 / 0

HEX #FFC162

RGB 255 193 98

HSL 36.31, 1%, 0.69%

LAB 81.99, 12.45, 55.46

 

CMYK 0 / 17 / 54 / 0

HEX #FFD375

RGB 255 211 117

HSL 40.87, 1%, 0.73%

LAB 86.57, 4.52, 51.81

 

CMYK 0 / 10 / 47 / 0

HEX #FFE588

RGB 255 229 136

HSL 46.89, 1%, 0.77%

LAB 91.27, -3.01, 48.37

 

CMYK 0 / 30 / 71 / 12

HEX #E09D41

RGB 224 157 65

HSL 34.72, 0.72%, 0.57%

LAB 69.71, 16.61, 56.12

 

CMYK 0 / 33 / 78 / 19

HEX #CF8B2E

RGB 207 139 46

HSL 34.66, 0.64%, 0.5%

LAB 63.28, 18.2, 57.04

 

CMYK 0 / 36 / 86 / 25

HEX #BE791B

RGB 190 121 27

HSL 34.6, 0.75%, 0.43%

LAB 56.78, 20.04, 57.3

 

CMYK 0 / 40 / 95 / 32

HEX #AD6708

RGB 173 103 8

HSL 34.55, 0.91%, 0.35%

LAB 50.22, 22.16, 56.18

 

CMYK 0 / 46 / 100 / 39

HEX #9C5500

RGB 156 85 0

HSL 32.69, 1%, 0.31%

LAB 43.6, 24.58, 52.54

 

CMYK 0 / 30 / 71 / 12

HEX #E09D42

RGB 224 157 66

HSL 34.56, 0.72%, 0.57%

LAB 69.72, 16.66, 55.69

 

CMYK 0 / 49 / 71 / 12

HEX #E07342

RGB 224 115 66

HSL 18.61, 0.72%, 0.57%

LAB 60.34, 38.82, 45.61

 

CMYK 0 / 68 / 71 / 12

HEX #E04842

RGB 224 72 66

HSL 2.28, 0.72%, 0.57%

LAB 52.81, 58.47, 37.06

 

CMYK 0 / 71 / 71 / 12

HEX #E04242

RGB 224 66 66

HSL 0, 0.72%, 0.57%

LAB 51.99, 60.72, 36.1

 

CMYK 0 / 30 / 71 / 12

HEX #E09D42

RGB 224 157 66

HSL 34.56, 0.72%, 0.57%

LAB 69.72, 16.66, 55.69

 

CMYK 0 / 11 / 71 / 12

HEX #E0C842

RGB 224 200 66

HSL 50.89, 0.72%, 0.57%

LAB 80.49, -5.97, 66.62

 

CMYK 8 / 0 / 71 / 12

HEX #CDE042

RGB 205 224 66

HSL 67.22, 0.72%, 0.57%

LAB 85.34, -25.76, 70.89

 

CMYK 27 / 0 / 71 / 12

HEX #A3E042

RGB 163 224 66

HSL 83.16, 0.72%, 0.57%

LAB 82.64, -42.11, 67.31

 

CMYK 46 / 0 / 71 / 12

HEX #78E042

RGB 120 224 66

HSL 99.49, 0.72%, 0.57%

LAB 80.57, -56.56, 64.54

 

CMYK 0 / 30 / 71 / 12

HEX #E09D42

RGB 224 157 66

HSL 34.56, 0.72%, 0.57%

LAB 69.72, 16.66, 55.69

 

CMYK 0 / 34 / 80 / 5

HEX #F2A030

RGB 242 160 48

HSL 34.64, 0.88%, 0.57%

LAB 72.38, 21.92, 66.2

 

CMYK 0 / 30 / 71 / 12

HEX #E09D42

RGB 224 157 66

HSL 34.56, 0.72%, 0.57%

LAB 69.72, 16.66, 55.69

 

CMYK 0 / 25 / 59 / 19

HEX #CE9A54

RGB 206 154 84

HSL 34.43, 0.55%, 0.57%

LAB 67.18, 11.76, 43.76

 

CMYK 0 / 19 / 46 / 26

HEX #BC9865

RGB 188 152 101

HSL 35.17, 0.39%, 0.57%

LAB 65.03, 6.76, 31.84

 

CMYK 0 / 13 / 30 / 33

HEX #AB9577

RGB 171 149 119

HSL 34.62, 0.24%, 0.57%

LAB 62.91, 3.55, 18.87

 

CMYK 0 / 5 / 10 / 40

HEX #999289

RGB 153 146 137

HSL 33.75, 0.07%, 0.57%

LAB 60.9, 0.95, 5.68

 

CMYK 0 / 68 / 71 / 12

HEX #E04742

RGB 224 71 66

HSL 1.9, 0.72%, 0.57%

LAB 52.67, 58.86, 36.9

 

CMYK 0 / 50 / 71 / 12

HEX #E07142

RGB 224 113 66

HSL 17.85, 0.72%, 0.57%

LAB 59.93, 39.83, 45.16

 

CMYK 0 / 31 / 71 / 12

HEX #E09B42

RGB 224 155 66

HSL 33.8, 0.72%, 0.57%

LAB 69.24, 17.73, 55.19

 

CMYK 0 / 12 / 71 / 12

HEX #E0C542

RGB 224 197 66

HSL 49.75, 0.72%, 0.57%

LAB 79.71, -4.43, 65.86

 

CMYK 7 / 0 / 71 / 12

HEX #D0E042

RGB 208 224 66

HSL 66.08, 0.72%, 0.57%

LAB 85.56, -24.54, 71.17

 

CMYK 0 / 36 / 84 / 30

HEX #B3731D

RGB 179 115 29

HSL 34.4, 0.72%, 0.41%

LAB 53.96, 18.58, 53.68

 

CMYK 0 / 36 / 84 / 16

HEX #D68A22

RGB 214 138 34

HSL 34.67, 0.73%, 0.49%

LAB 63.83, 21.36, 62.17

 

CMYK 0 / 30 / 71 / 12

HEX #E09D42

RGB 224 157 66

HSL 34.56, 0.72%, 0.57%

LAB 69.72, 16.66, 55.69

 

CMYK 0 / 23 / 56 / 10

HEX #E6B065

RGB 230 176 101

HSL 34.88, 0.72%, 0.65%

LAB 75.33, 11.3, 45.57

 

CMYK 0 / 17 / 42 / 8

HEX #EBC289

RGB 235 194 137

HSL 34.9, 0.71%, 0.73%

LAB 80.77, 7.16, 34.13

 

CMYK 0 / 30 / 71 / 12

HEX #E09D41

RGB 224 157 65

HSL 34.72, 0.72%, 0.57%

LAB 69.71, 16.61, 56.12

 

CMYK 54 / 0 / 71 / 12

HEX #67E042

RGB 103 224 66

HSL 105.95, 0.72%, 0.57%

LAB 79.95, -61.32, 63.71

 

CMYK 59 / 71 / 0 / 12

HEX #5C42E0

RGB 92 66 224

HSL 249.87, 0.72%, 0.57%

LAB 40.5, 52.96, -76.6

 

CMYK 0 / 30 / 71 / 12

HEX #E09D41

RGB 224 157 65

HSL 34.72, 0.72%, 0.57%

LAB 69.71, 16.61, 56.12

 

CMYK 71 / 0 / 31 / 12

HEX #42E09B

RGB 66 224 155

HSL 153.8, 0.72%, 0.57%

LAB 80.09, -56.41, 22.25

 

CMYK 31 / 71 / 0 / 12

HEX #9B42E0

RGB 155 66 224

HSL 273.8, 0.72%, 0.57%

LAB 47.3, 63.47, -65.22

 

CMYK 0 / 30 / 71 / 12

HEX #E09D41

RGB 224 157 65

HSL 34.72, 0.72%, 0.57%

LAB 69.71, 16.61, 56.12

 

CMYK 54 / 0 / 71 / 12

HEX #67E042

RGB 103 224 66

HSL 105.95, 0.72%, 0.57%

LAB 79.95, -61.32, 63.71

 

CMYK 71 / 40 / 0 / 12

HEX #4286E0

RGB 66 134 224

HSL 214.18, 0.72%, 0.57%

LAB 55.68, 8.08, -52.1

 

CMYK 17 / 71 / 0 / 12

HEX #BB42E0

RGB 187 66 224

HSL 285.95, 0.72%, 0.57%

LAB 51.66, 69.78, -57.96

 

CMYK 0 / 30 / 71 / 12

HEX #E09D41

RGB 224 157 65

HSL 34.72, 0.72%, 0.57%

LAB 69.71, 16.61, 56.12

 

CMYK 71 / 0 / 66 / 12

HEX #42E04C

RGB 66 224 76

HSL 123.8, 0.72%, 0.57%

LAB 79.04, -68.43, 58.62

 

CMYK 71 / 40 / 0 / 12

HEX #4286E0

RGB 66 134 224

HSL 214.18, 0.72%, 0.57%

LAB 55.68, 8.08, -52.1

 

CMYK 0 / 71 / 5 / 12

HEX #E042D5

RGB 224 66 213

HSL 304.18, 0.72%, 0.57%

LAB 56.63, 75.76, -43.46

 

Description

Color code: CMYK 0 / 30 / 71 / 12 | qconv.com Color code: CMYK 0 / 30 / 71 / 12 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 157 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 157 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 71 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 71% 12% C M Y K

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Provide designers and agencies with accurate color values.

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