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Color name
CMYK 0 / 34 / 57 / 25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 34 / 57 / 25 it is the complementary color CMYK 63 / 25 / 0 / 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 34 / 57 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 34 / 57 / 25 shade: CMYK 0 / 36 / 61 / 23, CMYK 0 / 32 / 55 / 16, CMYK 0 / 30 / 50 / 10, CMYK 0 / 27 / 46 / 3 and CMYK 0 / 22 / 40 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 34 / 57 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 34 / 57 / 25 shade: CMYK 0 / 34 / 57 / 25, CMYK 0 / 38 / 64 / 32, CMYK 0 / 43 / 72 / 38, CMYK 0 / 49 / 82 / 45 and CMYK 0 / 56 / 95 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 34 / 57 / 25 shade: CMYK 0 / 34 / 57 / 25, CMYK 0 / 49 / 57 / 25 and CMYK 0 / 57 / 57 / 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 34 / 57 / 25 shade: CMYK 0 / 34 / 57 / 25, CMYK 0 / 18 / 57 / 25, CMYK 0 / 3 / 57 / 25, CMYK 12 / 0 / 57 / 25 and CMYK 27 / 0 / 57 / 25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 34 / 57 / 25 shade matches the following richer shades: CMYK 0 / 34 / 57 / 25, CMYK 0 / 41 / 70 / 18, CMYK 0 / 48 / 80 / 10 and CMYK 0 / 53 / 90 / 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 34 / 57 / 25 shade: CMYK 0 / 34 / 57 / 25, CMYK 0 / 24 / 41 / 33, CMYK 0 / 12 / 21 / 40, CMYK 4 / 1 / 0 / 45 and CMYK 28 / 11 / 0 / 38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 34 / 57 / 25 shade: CMYK 0 / 57 / 49 / 25, CMYK 0 / 49 / 57 / 25, CMYK 0 / 34 / 57 / 25, CMYK 0 / 19 / 57 / 25 and CMYK 0 / 4 / 57 / 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 34 / 57 / 25 shade: CMYK 0 / 38 / 63 / 45, CMYK 0 / 38 / 63 / 33, CMYK 0 / 34 / 57 / 25, CMYK 0 / 26 / 44 / 21 and CMYK 0 / 19 / 33 / 16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 34 / 57 / 25 shade: CMYK 0 / 34 / 57 / 25, CMYK 34 / 0 / 57 / 25 and CMYK 57 / 57 / 0 / 25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 34 / 57 / 25 shade: CMYK 0 / 34 / 57 / 25, CMYK 57 / 0 / 34 / 25 and CMYK 34 / 57 / 0 / 25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 34 / 57 / 25 shade: CMYK 0 / 34 / 57 / 25, CMYK 34 / 0 / 57 / 25, CMYK 57 / 23 / 0 / 25 and CMYK 23 / 57 / 0 / 25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 34 / 57 / 25 shade: CMYK 0 / 34 / 57 / 25, CMYK 51 / 0 / 57 / 25, CMYK 57 / 23 / 0 / 25 and CMYK 6 / 57 / 0 / 25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 57 / 25

HEX #BF7E52

RGB 191 126 82

HSL 24.22, 0.46%, 0.54%

LAB 58.61, 20.61, 34.06

 

Complementary color

CMYK 63 / 25 / 0 / 32

HEX #4081AD

RGB 64 129 173

HSL 204.22, 0.46%, 0.46%

LAB 51.62, -6.97, -29.51

 

CMYK 0 / 36 / 61 / 23

HEX #C47E4D

RGB 196 126 77

HSL 24.71, 0.5%, 0.54%

LAB 59.15, 22.32, 37.55

 

CMYK 0 / 32 / 55 / 16

HEX #D59060

RGB 213 144 96

HSL 24.62, 0.58%, 0.61%

LAB 65.7, 21.05, 35.93

 

CMYK 0 / 30 / 50 / 10

HEX #E6A273

RGB 230 162 115

HSL 24.52, 0.7%, 0.68%

LAB 72.16, 19.94, 34.42

 

CMYK 0 / 27 / 46 / 3

HEX #F7B486

RGB 247 180 134

HSL 24.42, 0.88%, 0.75%

LAB 78.54, 18.97, 33.01

 

CMYK 0 / 22 / 40 / 0

HEX #FFC699

RGB 255 198 153

HSL 26.47, 1%, 0.8%

LAB 83.94, 14.62, 30.35

 

CMYK 0 / 34 / 57 / 25

HEX #BF7E52

RGB 191 126 82

HSL 24.22, 0.46%, 0.54%

LAB 58.61, 20.61, 34.06

 

CMYK 0 / 38 / 64 / 32

HEX #AE6C3F

RGB 174 108 63

HSL 24.32, 0.47%, 0.46%

LAB 51.93, 21.97, 35.77

 

CMYK 0 / 43 / 72 / 38

HEX #9D5A2C

RGB 157 90 44

HSL 24.42, 0.56%, 0.39%

LAB 45.17, 23.56, 37.55

 

CMYK 0 / 49 / 82 / 45

HEX #8C4819

RGB 140 72 25

HSL 24.52, 0.7%, 0.32%

LAB 38.34, 25.41, 39.2

 

CMYK 0 / 56 / 95 / 52

HEX #7B3606

RGB 123 54 6

HSL 24.62, 0.91%, 0.25%

LAB 31.49, 27.5, 40.07

 

CMYK 0 / 34 / 57 / 25

HEX #BF7F53

RGB 191 127 83

HSL 24.44, 0.46%, 0.54%

LAB 58.86, 20.14, 33.84

 

CMYK 0 / 49 / 57 / 25

HEX #BF6253

RGB 191 98 83

HSL 8.33, 0.46%, 0.54%

LAB 52.33, 35.85, 25.56

 

CMYK 0 / 57 / 57 / 25

HEX #BF5353

RGB 191 83 83

HSL 0, 0.46%, 0.54%

LAB 49.36, 43.44, 21.68

 

CMYK 0 / 34 / 57 / 25

HEX #BF7F53

RGB 191 127 83

HSL 24.44, 0.46%, 0.54%

LAB 58.86, 20.14, 33.84

 

CMYK 0 / 18 / 57 / 25

HEX #BF9C53

RGB 191 156 83

HSL 40.56, 0.46%, 0.54%

LAB 66.12, 4.2, 42.62

 

CMYK 0 / 3 / 57 / 25

HEX #BFB953

RGB 191 185 83

HSL 56.67, 0.46%, 0.54%

LAB 73.8, -11.16, 51.52

 

CMYK 12 / 0 / 57 / 25

HEX #A8BF53

RGB 168 191 83

HSL 72.78, 0.46%, 0.54%

LAB 73.68, -23.66, 50.9

 

CMYK 27 / 0 / 57 / 25

HEX #8BBF53

RGB 139 191 83

HSL 88.89, 0.46%, 0.54%

LAB 71.81, -34.91, 48.26

 

CMYK 0 / 34 / 57 / 25

HEX #BF7F53

RGB 191 127 83

HSL 24.44, 0.46%, 0.54%

LAB 58.86, 20.14, 33.84

 

CMYK 0 / 41 / 70 / 18

HEX #D27B40

RGB 210 123 64

HSL 24.25, 0.62%, 0.54%

LAB 60.1, 28.94, 45.81

 

CMYK 0 / 48 / 80 / 10

HEX #E5772D

RGB 229 119 45

HSL 24.13, 0.78%, 0.54%

LAB 61.69, 37.89, 56.98

 

CMYK 0 / 53 / 90 / 3

HEX #F8741A

RGB 248 116 26

HSL 24.32, 0.94%, 0.54%

LAB 63.77, 46.27, 66.52

 

CMYK 0 / 34 / 57 / 25

HEX #BF7F53

RGB 191 127 83

HSL 24.44, 0.46%, 0.54%

LAB 58.86, 20.14, 33.84

 

CMYK 0 / 24 / 41 / 33

HEX #AC8266

RGB 172 130 102

HSL 24, 0.3%, 0.54%

LAB 57.75, 12.4, 21.42

 

CMYK 0 / 12 / 21 / 40

HEX #998679

RGB 153 134 121

HSL 24.38, 0.14%, 0.54%

LAB 57.27, 5.01, 9.63

 

CMYK 4 / 1 / 0 / 45

HEX #868A8C

RGB 134 138 140

HSL 200, 0.03%, 0.54%

LAB 57.21, -1.06, -1.59

 

CMYK 28 / 11 / 0 / 38

HEX #738D9F

RGB 115 141 159

HSL 204.55, 0.19%, 0.54%

LAB 57.27, -4.9, -12.56

 

CMYK 0 / 57 / 49 / 25

HEX #BF5362

RGB 191 83 98

HSL 351.67, 0.46%, 0.54%

LAB 49.67, 44.74, 13.14

 

CMYK 0 / 49 / 57 / 25

HEX #BF6253

RGB 191 98 83

HSL 8.33, 0.46%, 0.54%

LAB 52.33, 35.85, 25.56

 

CMYK 0 / 34 / 57 / 25

HEX #BF7E53

RGB 191 126 83

HSL 23.89, 0.46%, 0.54%

LAB 58.62, 20.69, 33.54

 

CMYK 0 / 19 / 57 / 25

HEX #BF9B53

RGB 191 155 83

HSL 40, 0.46%, 0.54%

LAB 65.86, 4.74, 42.32

 

CMYK 0 / 4 / 57 / 25

HEX #BFB853

RGB 191 184 83

HSL 56.11, 0.46%, 0.54%

LAB 73.53, -10.64, 51.21

 

CMYK 0 / 38 / 63 / 45

HEX #8C5734

RGB 140 87 52

HSL 23.86, 0.46%, 0.38%

LAB 42.22, 18.33, 29.2

 

CMYK 0 / 38 / 63 / 33

HEX #AA6A3F

RGB 170 106 63

HSL 24.11, 0.46%, 0.46%

LAB 50.94, 21.38, 34.46

 

CMYK 0 / 34 / 57 / 25

HEX #BF7F53

RGB 191 127 83

HSL 24.44, 0.46%, 0.54%

LAB 58.86, 20.14, 33.84

 

CMYK 0 / 26 / 44 / 21

HEX #CA9571

RGB 202 149 113

HSL 24.27, 0.46%, 0.62%

LAB 65.94, 15.44, 26.8

 

CMYK 0 / 19 / 33 / 16

HEX #D5AC8F

RGB 213 172 143

HSL 24.86, 0.45%, 0.7%

LAB 73.31, 10.86, 20.58

 

CMYK 0 / 34 / 57 / 25

HEX #BF7E52

RGB 191 126 82

HSL 24.22, 0.46%, 0.54%

LAB 58.61, 20.61, 34.06

 

CMYK 34 / 0 / 57 / 25

HEX #7EBF53

RGB 126 191 83

HSL 96.11, 0.46%, 0.54%

LAB 71.09, -39.58, 47.25

 

CMYK 57 / 57 / 0 / 25

HEX #5353BF

RGB 83 83 191

HSL 240, 0.46%, 0.54%

LAB 40.88, 31.29, -56.97

 

CMYK 0 / 34 / 57 / 25

HEX #BF7E52

RGB 191 126 82

HSL 24.22, 0.46%, 0.54%

LAB 58.61, 20.61, 34.06

 

CMYK 57 / 0 / 34 / 25

HEX #53BF7E

RGB 83 191 126

HSL 143.89, 0.46%, 0.54%

LAB 69.9, -45.83, 23.69

 

CMYK 34 / 57 / 0 / 25

HEX #7E53BF

RGB 126 83 191

HSL 263.89, 0.46%, 0.54%

LAB 44.78, 40.78, -50.49

 

CMYK 0 / 34 / 57 / 25

HEX #BF7E52

RGB 191 126 82

HSL 24.22, 0.46%, 0.54%

LAB 58.61, 20.61, 34.06

 

CMYK 34 / 0 / 57 / 25

HEX #7EBF53

RGB 126 191 83

HSL 96.11, 0.46%, 0.54%

LAB 71.09, -39.58, 47.25

 

CMYK 57 / 23 / 0 / 25

HEX #5394BF

RGB 83 148 191

HSL 203.89, 0.46%, 0.54%

LAB 58.77, -8.2, -28.63

 

CMYK 23 / 57 / 0 / 25

HEX #9453BF

RGB 148 83 191

HSL 276.11, 0.46%, 0.54%

LAB 47.29, 46.3, -46.32

 

CMYK 0 / 34 / 57 / 25

HEX #BF7E52

RGB 191 126 82

HSL 24.22, 0.46%, 0.54%

LAB 58.61, 20.61, 34.06

 

CMYK 51 / 0 / 57 / 25

HEX #5EBF53

RGB 94 191 83

HSL 113.89, 0.46%, 0.54%

LAB 69.66, -49.68, 45.21

 

CMYK 57 / 23 / 0 / 25

HEX #5394BF

RGB 83 148 191

HSL 203.89, 0.46%, 0.54%

LAB 58.77, -8.2, -28.63

 

CMYK 6 / 57 / 0 / 25

HEX #B453BF

RGB 180 83 191

HSL 293.89, 0.46%, 0.54%

LAB 51.44, 54.66, -39.48

 

Description

Color code: CMYK 0 / 34 / 57 / 25 | qconv.com Color code: CMYK 0 / 34 / 57 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 126 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 126 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 57 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 57% 25% C M Y K

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Provide designers and agencies with accurate color values.

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