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Color name
CMYK 0 / 38 / 1 / 30

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 38 / 1 / 30 it is the complementary color CMYK 47 / 0 / 46 / 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 38 / 1 / 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 38 / 1 / 30 shade: CMYK 0 / 40 / 7 / 28, CMYK 0 / 36 / 5 / 21, CMYK 0 / 33 / 4 / 15, CMYK 0 / 30 / 3 / 8 and CMYK 0 / 27 / 2 / 1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 38 / 1 / 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 38 / 1 / 30 shade: CMYK 0 / 38 / 1 / 30, CMYK 0 / 43 / 2 / 36, CMYK 0 / 48 / 4 / 43, CMYK 0 / 55 / 6 / 50 and CMYK 0 / 65 / 9 / 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 38 / 1 / 30 shade: CMYK 0 / 38 / 1 / 30, CMYK 0 / 38 / 11 / 30, CMYK 0 / 38 / 22 / 30, CMYK 0 / 38 / 32 / 30 and CMYK 0 / 38 / 38 / 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 38 / 1 / 30 shade: CMYK 0 / 38 / 1 / 30, CMYK 9 / 38 / 0 / 30, CMYK 20 / 38 / 0 / 30, CMYK 30 / 38 / 0 / 30 and CMYK 38 / 38 / 0 / 30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 38 / 1 / 30 shade matches the following richer shades: CMYK 0 / 38 / 1 / 30, CMYK 0 / 53 / 2 / 23, CMYK 0 / 65 / 2 / 16, CMYK 0 / 75 / 2 / 9 and CMYK 0 / 84 / 2 / 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 38 / 1 / 30 shade: CMYK 0 / 38 / 1 / 30, CMYK 0 / 20 / 1 / 37, CMYK 2 / 0 / 2 / 43, CMYK 23 / 0 / 23 / 36 and CMYK 41 / 0 / 40 / 29

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 38 / 1 / 30 shade: CMYK 20 / 38 / 0 / 30, CMYK 9 / 38 / 0 / 30, CMYK 0 / 38 / 1 / 30, CMYK 0 / 38 / 11 / 30 and CMYK 0 / 38 / 21 / 30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 38 / 1 / 30 shade: CMYK 0 / 48 / 1 / 47, CMYK 0 / 47 / 1 / 36, CMYK 0 / 38 / 1 / 30, CMYK 0 / 28 / 1 / 24 and CMYK 0 / 20 / 0 / 19

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 38 / 1 / 30 shade: CMYK 0 / 38 / 1 / 30, CMYK 0 / 30 / 38 / 30 and CMYK 38 / 0 / 15 / 30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 38 / 1 / 30 shade: CMYK 0 / 38 / 1 / 30, CMYK 1 / 0 / 38 / 30 and CMYK 38 / 1 / 0 / 30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 38 / 1 / 30 shade: CMYK 0 / 38 / 1 / 30, CMYK 0 / 30 / 38 / 30, CMYK 38 / 0 / 37 / 30 and CMYK 38 / 8 / 0 / 30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 38 / 1 / 30 shade: CMYK 0 / 38 / 1 / 30, CMYK 0 / 18 / 38 / 30, CMYK 38 / 0 / 37 / 30 and CMYK 38 / 20 / 0 / 30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 1 / 30

HEX #B36FB1

RGB 179 111 177

HSL 301.76, 0.31%, 0.57%

LAB 56.21, 37.33, -23.97

 

Complementary color

CMYK 47 / 0 / 46 / 44

HEX #4C904E

RGB 76 144 78

HSL 121.76, 0.31%, 0.43%

LAB 54.06, -35.88, 28.49

 

CMYK 0 / 40 / 7 / 28

HEX #B86FAC

RGB 184 111 172

HSL 309.86, 0.34%, 0.58%

LAB 56.62, 38.03, -20.41

 

CMYK 0 / 36 / 5 / 21

HEX #C981BF

RGB 201 129 191

HSL 308.33, 0.4%, 0.65%

LAB 63.24, 37.27, -20.96

 

CMYK 0 / 33 / 4 / 15

HEX #DA93D2

RGB 218 147 210

HSL 306.76, 0.49%, 0.72%

LAB 69.77, 36.54, -21.45

 

CMYK 0 / 30 / 3 / 8

HEX #EBA5E5

RGB 235 165 229

HSL 305.14, 0.64%, 0.78%

LAB 76.21, 35.85, -21.91

 

CMYK 0 / 27 / 2 / 1

HEX #FCB7F8

RGB 252 183 248

HSL 303.48, 0.92%, 0.85%

LAB 82.56, 35.19, -22.34

 

CMYK 0 / 38 / 1 / 30

HEX #B36FB1

RGB 179 111 177

HSL 301.76, 0.31%, 0.57%

LAB 56.21, 37.33, -23.97

 

CMYK 0 / 43 / 2 / 36

HEX #A25D9E

RGB 162 93 158

HSL 303.48, 0.27%, 0.5%

LAB 49.47, 38.1, -23.47

 

CMYK 0 / 48 / 4 / 43

HEX #914B8B

RGB 145 75 139

HSL 305.14, 0.32%, 0.43%

LAB 42.64, 38.86, -22.86

 

CMYK 0 / 55 / 6 / 50

HEX #803978

RGB 128 57 120

HSL 306.76, 0.38%, 0.36%

LAB 35.74, 39.51, -22.08

 

CMYK 0 / 65 / 9 / 56

HEX #6F2765

RGB 111 39 101

HSL 308.33, 0.48%, 0.29%

LAB 28.82, 39.88, -20.99

 

CMYK 0 / 38 / 1 / 30

HEX #B36FB1

RGB 179 111 177

HSL 301.76, 0.31%, 0.57%

LAB 56.21, 37.33, -23.97

 

CMYK 0 / 38 / 11 / 30

HEX #B36F9F

RGB 179 111 159

HSL 317.65, 0.31%, 0.57%

LAB 55.54, 34.08, -14.59

 

CMYK 0 / 38 / 22 / 30

HEX #B36F8C

RGB 179 111 140

HSL 334.41, 0.31%, 0.57%

LAB 54.91, 30.98, -4.45

 

CMYK 0 / 38 / 32 / 30

HEX #B36F7A

RGB 179 111 122

HSL 350.29, 0.31%, 0.57%

LAB 54.4, 28.38, 5.35

 

CMYK 0 / 38 / 38 / 30

HEX #B36F6F

RGB 179 111 111

HSL 0, 0.31%, 0.57%

LAB 54.13, 26.97, 11.41

 

CMYK 0 / 38 / 1 / 30

HEX #B36FB1

RGB 179 111 177

HSL 301.76, 0.31%, 0.57%

LAB 56.21, 37.33, -23.97

 

CMYK 9 / 38 / 0 / 30

HEX #A36FB3

RGB 163 111 179

HSL 285.88, 0.31%, 0.57%

LAB 54.46, 32.61, -27.99

 

CMYK 20 / 38 / 0 / 30

HEX #906FB3

RGB 144 111 179

HSL 269.12, 0.31%, 0.57%

LAB 52.46, 26.66, -31.26

 

CMYK 30 / 38 / 0 / 30

HEX #7E6FB3

RGB 126 111 179

HSL 253.24, 0.31%, 0.57%

LAB 50.76, 21.22, -34.04

 

CMYK 38 / 38 / 0 / 30

HEX #6F6FB3

RGB 111 111 179

HSL 240, 0.31%, 0.57%

LAB 49.5, 16.92, -36.1

 

CMYK 0 / 38 / 1 / 30

HEX #B36FB1

RGB 179 111 177

HSL 301.76, 0.31%, 0.57%

LAB 56.21, 37.33, -23.97

 

CMYK 0 / 53 / 2 / 23

HEX #C55DC2

RGB 197 93 194

HSL 301.73, 0.47%, 0.57%

LAB 55.68, 55.06, -34.39

 

CMYK 0 / 65 / 2 / 16

HEX #D64BD2

RGB 214 75 210

HSL 301.73, 0.63%, 0.57%

LAB 56.07, 69.83, -42.75

 

CMYK 0 / 75 / 2 / 9

HEX #E83AE3

RGB 232 58 227

HSL 301.72, 0.79%, 0.57%

LAB 57.78, 81.97, -49.48

 

CMYK 0 / 84 / 2 / 2

HEX #FA28F4

RGB 250 40 244

HSL 301.71, 0.95%, 0.57%

LAB 60.22, 91.89, -54.94

 

CMYK 0 / 38 / 1 / 30

HEX #B36FB1

RGB 179 111 177

HSL 301.76, 0.31%, 0.57%

LAB 56.21, 37.33, -23.97

 

CMYK 0 / 20 / 1 / 37

HEX #A181A0

RGB 161 129 160

HSL 301.88, 0.15%, 0.57%

LAB 57.86, 17.82, -11.86

 

CMYK 2 / 0 / 2 / 43

HEX #8F928F

RGB 143 146 143

HSL 120, 0.01%, 0.57%

LAB 60.23, -1.67, 1.2

 

CMYK 23 / 0 / 23 / 36

HEX #7EA47F

RGB 126 164 127

HSL 121.58, 0.17%, 0.57%

LAB 63.77, -20.47, 15.06

 

CMYK 41 / 0 / 40 / 29

HEX #6CB66E

RGB 108 182 110

HSL 121.62, 0.34%, 0.57%

LAB 67.85, -37.99, 29.59

 

CMYK 20 / 38 / 0 / 30

HEX #906FB3

RGB 144 111 179

HSL 269.12, 0.31%, 0.57%

LAB 52.46, 26.66, -31.26

 

CMYK 9 / 38 / 0 / 30

HEX #A26FB3

RGB 162 111 179

HSL 285, 0.31%, 0.57%

LAB 54.35, 32.3, -28.17

 

CMYK 0 / 38 / 1 / 30

HEX #B36FB2

RGB 179 111 178

HSL 300.88, 0.31%, 0.57%

LAB 56.25, 37.52, -24.49

 

CMYK 0 / 38 / 11 / 30

HEX #B36FA0

RGB 179 111 160

HSL 316.76, 0.31%, 0.57%

LAB 55.57, 34.25, -15.12

 

CMYK 0 / 38 / 21 / 30

HEX #B36F8D

RGB 179 111 141

HSL 333.53, 0.31%, 0.57%

LAB 54.94, 31.13, -4.99

 

CMYK 0 / 48 / 1 / 47

HEX #884786

RGB 136 71 134

HSL 301.85, 0.31%, 0.41%

LAB 40.35, 37.22, -23.47

 

CMYK 0 / 47 / 1 / 36

HEX #A356A1

RGB 163 86 161

HSL 301.56, 0.31%, 0.49%

LAB 48.28, 42.72, -27.07

 

CMYK 0 / 38 / 1 / 30

HEX #B36FB1

RGB 179 111 177

HSL 301.76, 0.31%, 0.57%

LAB 56.21, 37.33, -23.97

 

CMYK 0 / 28 / 1 / 24

HEX #C18ABF

RGB 193 138 191

HSL 302.18, 0.31%, 0.65%

LAB 64.38, 29.72, -19.3

 

CMYK 0 / 20 / 0 / 19

HEX #CFA5CE

RGB 207 165 206

HSL 301.43, 0.3%, 0.73%

LAB 72.65, 22.4, -15

 

CMYK 0 / 38 / 1 / 30

HEX #B36FB1

RGB 179 111 177

HSL 301.76, 0.31%, 0.57%

LAB 56.21, 37.33, -23.97

 

CMYK 0 / 30 / 38 / 30

HEX #B37E6F

RGB 179 126 111

HSL 13.24, 0.31%, 0.57%

LAB 57.71, 18.6, 16.37

 

CMYK 38 / 0 / 15 / 30

HEX #6FB399

RGB 111 179 153

HSL 157.06, 0.31%, 0.57%

LAB 67.96, -27.53, 6.52

 

CMYK 0 / 38 / 1 / 30

HEX #B36FB1

RGB 179 111 177

HSL 301.76, 0.31%, 0.57%

LAB 56.21, 37.33, -23.97

 

CMYK 1 / 0 / 38 / 30

HEX #B2B36F

RGB 178 179 111

HSL 60.88, 0.31%, 0.57%

LAB 71.45, -10.73, 34.61

 

CMYK 38 / 1 / 0 / 30

HEX #6FB2B3

RGB 111 178 179

HSL 180.88, 0.31%, 0.57%

LAB 68.37, -20.93, -7.24

 

CMYK 0 / 38 / 1 / 30

HEX #B36FB1

RGB 179 111 177

HSL 301.76, 0.31%, 0.57%

LAB 56.21, 37.33, -23.97

 

CMYK 0 / 30 / 38 / 30

HEX #B37E6F

RGB 179 126 111

HSL 13.24, 0.31%, 0.57%

LAB 57.71, 18.6, 16.37

 

CMYK 38 / 0 / 37 / 30

HEX #6FB370

RGB 111 179 112

HSL 120.88, 0.31%, 0.57%

LAB 67.12, -35.37, 27.61

 

CMYK 38 / 8 / 0 / 30

HEX #6FA4B3

RGB 111 164 179

HSL 193.24, 0.31%, 0.57%

LAB 64.31, -13.6, -13.3

 

CMYK 0 / 38 / 1 / 30

HEX #B36FB1

RGB 179 111 177

HSL 301.76, 0.31%, 0.57%

LAB 56.21, 37.33, -23.97

 

CMYK 0 / 18 / 38 / 30

HEX #B3926F

RGB 179 146 111

HSL 30.88, 0.31%, 0.57%

LAB 62.75, 7.44, 23.23

 

CMYK 38 / 0 / 37 / 30

HEX #6FB370

RGB 111 179 112

HSL 120.88, 0.31%, 0.57%

LAB 67.12, -35.37, 27.61

 

CMYK 38 / 20 / 0 / 30

HEX #6F90B3

RGB 111 144 179

HSL 210.88, 0.31%, 0.57%

LAB 58.58, -2.56, -22

 

Description

Color code: CMYK 0 / 38 / 1 / 30 | qconv.com Color code: CMYK 0 / 38 / 1 / 30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 111 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 111 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 1 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 1% 30% C M Y K

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Provide designers and agencies with accurate color values.

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