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Color name
CMYK 10 / 12 / 0 / 24

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 10 / 12 / 0 / 24 it is the complementary color CMYK 4 / 0 / 27 / 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 10 / 12 / 0 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 10 / 12 / 0 / 24 shade: CMYK 5 / 10 / 0 / 26, CMYK 6 / 9 / 0 / 18, CMYK 6 / 9 / 0 / 11, CMYK 7 / 9 / 0 / 4 and CMYK 3 / 5 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 10 / 12 / 0 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 10 / 12 / 0 / 24 shade: CMYK 10 / 12 / 0 / 24, CMYK 10 / 13 / 0 / 31, CMYK 10 / 13 / 0 / 39, CMYK 10 / 15 / 0 / 46 and CMYK 10 / 16 / 0 / 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 10 / 12 / 0 / 24 shade: CMYK 10 / 12 / 0 / 24, CMYK 7 / 12 / 0 / 24, CMYK 4 / 12 / 0 / 24, CMYK 1 / 12 / 0 / 24 and CMYK 0 / 12 / 3 / 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 10 / 12 / 0 / 24 shade: CMYK 10 / 12 / 0 / 24 and CMYK 12 / 12 / 0 / 24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 10 / 12 / 0 / 24 shade matches the following richer shades: CMYK 10 / 12 / 0 / 24, CMYK 19 / 22 / 0 / 19, CMYK 28 / 32 / 0 / 15, CMYK 35 / 40 / 0 / 10 and CMYK 41 / 48 / 0 / 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 10 / 12 / 0 / 24 shade: CMYK 10 / 12 / 0 / 24, CMYK 0 / 0 / 0 / 28, CMYK 2 / 0 / 12 / 24, CMYK 3 / 0 / 22 / 19 and CMYK 4 / 0 / 32 / 15

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 10 / 12 / 0 / 24 shade: CMYK 12 / 7 / 0 / 24, CMYK 12 / 10 / 0 / 24, CMYK 11 / 12 / 0 / 24, CMYK 8 / 12 / 0 / 24 and CMYK 4 / 12 / 0 / 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 10 / 12 / 0 / 24 shade: CMYK 19 / 23 / 0 / 37, CMYK 14 / 16 / 0 / 31, CMYK 10 / 12 / 0 / 24, CMYK 7 / 8 / 0 / 17 and CMYK 3 / 4 / 0 / 10

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 10 / 12 / 0 / 24 shade: CMYK 10 / 12 / 0 / 24, CMYK 0 / 12 / 4 / 24 and CMYK 9 / 0 / 12 / 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 10 / 12 / 0 / 24 shade: CMYK 10 / 12 / 0 / 24, CMYK 0 / 11 / 12 / 24 and CMYK 12 / 0 / 11 / 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 10 / 12 / 0 / 24 shade: CMYK 10 / 12 / 0 / 24, CMYK 0 / 12 / 4 / 24, CMYK 2 / 0 / 12 / 24 and CMYK 12 / 0 / 8 / 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 10 / 12 / 0 / 24 shade: CMYK 10 / 12 / 0 / 24, CMYK 0 / 12 / 8 / 24, CMYK 2 / 0 / 12 / 24 and CMYK 12 / 0 / 5 / 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 12 / 0 / 24

HEX #AEABC2

RGB 174 171 194

HSL 247.83, 0.16%, 0.72%

LAB 70.88, 5.6, -11.34

 

Complementary color

CMYK 4 / 0 / 27 / 67

HEX #51543D

RGB 81 84 61

HSL 67.83, 0.16%, 0.28%

LAB 34.86, -5.65, 13.08

 

CMYK 5 / 10 / 0 / 26

HEX #B3ABBD

RGB 179 171 189

HSL 266.67, 0.12%, 0.71%

LAB 71.13, 6.28, -8.17

 

CMYK 6 / 9 / 0 / 18

HEX #C4BDD0

RGB 196 189 208

HSL 262.11, 0.17%, 0.78%

LAB 77.69, 6.02, -8.65

 

CMYK 6 / 9 / 0 / 11

HEX #D5CFE3

RGB 213 207 227

HSL 258, 0.26%, 0.85%

LAB 84.13, 5.77, -9.13

 

CMYK 7 / 9 / 0 / 4

HEX #E6E1F6

RGB 230 225 246

HSL 254.29, 0.54%, 0.92%

LAB 90.47, 5.54, -9.59

 

CMYK 3 / 5 / 0 / 0

HEX #F7F3FF

RGB 247 243 255

HSL 260, 1%, 0.98%

LAB 96.45, 3.47, -5.29

 

CMYK 10 / 12 / 0 / 24

HEX #AEABC2

RGB 174 171 194

HSL 247.83, 0.16%, 0.72%

LAB 70.88, 5.6, -11.34

 

CMYK 10 / 13 / 0 / 31

HEX #9D99AF

RGB 157 153 175

HSL 250.91, 0.12%, 0.64%

LAB 64.2, 5.86, -10.92

 

CMYK 10 / 13 / 0 / 39

HEX #8C879C

RGB 140 135 156

HSL 254.29, 0.1%, 0.57%

LAB 57.37, 6.15, -10.5

 

CMYK 10 / 15 / 0 / 46

HEX #7B7589

RGB 123 117 137

HSL 258, 0.08%, 0.5%

LAB 50.38, 6.46, -10.07

 

CMYK 10 / 16 / 0 / 54

HEX #6A6376

RGB 106 99 118

HSL 262.11, 0.09%, 0.43%

LAB 43.21, 6.81, -9.65

 

CMYK 10 / 12 / 0 / 24

HEX #AFACC3

RGB 175 172 195

HSL 247.83, 0.16%, 0.72%

LAB 71.25, 5.59, -11.33

 

CMYK 7 / 12 / 0 / 24

HEX #B5ACC3

RGB 181 172 195

HSL 263.48, 0.16%, 0.72%

LAB 71.74, 7.61, -10.56

 

CMYK 4 / 12 / 0 / 24

HEX #BBACC3

RGB 187 172 195

HSL 279.13, 0.16%, 0.72%

LAB 72.24, 9.65, -9.76

 

CMYK 1 / 12 / 0 / 24

HEX #C1ACC3

RGB 193 172 195

HSL 294.78, 0.16%, 0.72%

LAB 72.75, 11.71, -8.94

 

CMYK 0 / 12 / 3 / 24

HEX #C3ACBE

RGB 195 172 190

HSL 313.04, 0.16%, 0.72%

LAB 72.78, 11.47, -6.13

 

CMYK 10 / 12 / 0 / 24

HEX #AFACC3

RGB 175 172 195

HSL 247.83, 0.16%, 0.72%

LAB 71.25, 5.59, -11.33

 

CMYK 12 / 12 / 0 / 24

HEX #ACACC3

RGB 172 172 195

HSL 240, 0.16%, 0.72%

LAB 71.02, 4.59, -11.7

 

CMYK 10 / 12 / 0 / 24

HEX #AFACC3

RGB 175 172 195

HSL 247.83, 0.16%, 0.72%

LAB 71.25, 5.59, -11.33

 

CMYK 19 / 22 / 0 / 19

HEX #A6A0CE

RGB 166 160 206

HSL 247.83, 0.32%, 0.72%

LAB 67.8, 11.71, -22.69

 

CMYK 28 / 32 / 0 / 15

HEX #9E95DA

RGB 158 149 218

HSL 247.83, 0.48%, 0.72%

LAB 64.82, 18.35, -33.98

 

CMYK 35 / 40 / 0 / 10

HEX #9589E5

RGB 149 137 229

HSL 247.83, 0.64%, 0.72%

LAB 61.6, 25.54, -45.19

 

CMYK 41 / 48 / 0 / 5

HEX #8D7DF1

RGB 141 125 241

HSL 248.28, 0.81%, 0.72%

LAB 58.68, 33.73, -56.52

 

CMYK 10 / 12 / 0 / 24

HEX #AFACC3

RGB 175 172 195

HSL 247.83, 0.16%, 0.72%

LAB 71.25, 5.59, -11.33

 

CMYK 0 / 0 / 0 / 28

HEX #B7B7B7

RGB 183 183 183

HSL 0, 0%, 0.72%

LAB 74.42, 0, -0.01

 

CMYK 2 / 0 / 12 / 24

HEX #C0C3AB

RGB 192 195 171

HSL 67.5, 0.17%, 0.72%

LAB 77.98, -5.25, 11.71

 

CMYK 3 / 0 / 22 / 19

HEX #C8CEA0

RGB 200 206 160

HSL 67.83, 0.32%, 0.72%

LAB 81.27, -9.71, 22.25

 

CMYK 4 / 0 / 32 / 15

HEX #D1DA94

RGB 209 218 148

HSL 67.71, 0.49%, 0.72%

LAB 84.91, -14.04, 33.5

 

CMYK 12 / 7 / 0 / 24

HEX #ACB5C3

RGB 172 181 195

HSL 216.52, 0.16%, 0.72%

LAB 73.39, -0.31, -8.17

 

CMYK 12 / 10 / 0 / 24

HEX #ACAFC3

RGB 172 175 195

HSL 232.17, 0.16%, 0.72%

LAB 71.81, 2.95, -10.53

 

CMYK 11 / 12 / 0 / 24

HEX #AEACC3

RGB 174 172 195

HSL 245.22, 0.16%, 0.72%

LAB 71.18, 5.26, -11.45

 

CMYK 8 / 12 / 0 / 24

HEX #B4ACC3

RGB 180 172 195

HSL 260.87, 0.16%, 0.72%

LAB 71.66, 7.27, -10.69

 

CMYK 4 / 12 / 0 / 24

HEX #BBACC3

RGB 187 172 195

HSL 279.13, 0.16%, 0.72%

LAB 72.24, 9.65, -9.76

 

CMYK 19 / 23 / 0 / 37

HEX #817CA0

RGB 129 124 160

HSL 248.33, 0.16%, 0.56%

LAB 53.62, 9.69, -18.56

 

CMYK 14 / 16 / 0 / 31

HEX #9894B1

RGB 152 148 177

HSL 248.28, 0.16%, 0.64%

LAB 62.53, 7.42, -14.59

 

CMYK 10 / 12 / 0 / 24

HEX #AFACC3

RGB 175 172 195

HSL 247.83, 0.16%, 0.72%

LAB 71.25, 5.59, -11.33

 

CMYK 7 / 8 / 0 / 17

HEX #C6C4D4

RGB 198 196 212

HSL 247.5, 0.16%, 0.8%

LAB 79.75, 3.72, -7.73

 

CMYK 3 / 4 / 0 / 10

HEX #DDDCE5

RGB 221 220 229

HSL 246.67, 0.15%, 0.88%

LAB 88.07, 1.99, -4.29

 

CMYK 10 / 12 / 0 / 24

HEX #AEABC2

RGB 174 171 194

HSL 247.83, 0.16%, 0.72%

LAB 70.88, 5.6, -11.34

 

CMYK 0 / 12 / 4 / 24

HEX #C3ACBB

RGB 195 172 187

HSL 320.87, 0.16%, 0.72%

LAB 72.69, 10.92, -4.61

 

CMYK 9 / 0 / 12 / 24

HEX #B2C3AC

RGB 178 195 172

HSL 104.35, 0.16%, 0.72%

LAB 76.97, -10.09, 9.59

 

CMYK 10 / 12 / 0 / 24

HEX #AEABC2

RGB 174 171 194

HSL 247.83, 0.16%, 0.72%

LAB 70.88, 5.6, -11.34

 

CMYK 0 / 11 / 12 / 24

HEX #C3AEAC

RGB 195 174 172

HSL 5.22, 0.16%, 0.72%

LAB 72.79, 7.22, 3.78

 

CMYK 12 / 0 / 11 / 24

HEX #ACC3AE

RGB 172 195 174

HSL 125.22, 0.16%, 0.72%

LAB 76.59, -11.82, 7.92

 

CMYK 10 / 12 / 0 / 24

HEX #AEABC2

RGB 174 171 194

HSL 247.83, 0.16%, 0.72%

LAB 70.88, 5.6, -11.34

 

CMYK 0 / 12 / 4 / 24

HEX #C3ACBB

RGB 195 172 187

HSL 320.87, 0.16%, 0.72%

LAB 72.69, 10.92, -4.61

 

CMYK 2 / 0 / 12 / 24

HEX #C0C3AC

RGB 192 195 172

HSL 67.83, 0.16%, 0.72%

LAB 78, -5.08, 11.21

 

CMYK 12 / 0 / 8 / 24

HEX #ACC3B3

RGB 172 195 179

HSL 138.26, 0.16%, 0.72%

LAB 76.71, -10.89, 5.4

 

CMYK 10 / 12 / 0 / 24

HEX #AEABC2

RGB 174 171 194

HSL 247.83, 0.16%, 0.72%

LAB 70.88, 5.6, -11.34

 

CMYK 0 / 12 / 8 / 24

HEX #C3ACB4

RGB 195 172 180

HSL 339.13, 0.16%, 0.72%

LAB 72.5, 9.67, -1.05

 

CMYK 2 / 0 / 12 / 24

HEX #C0C3AC

RGB 192 195 172

HSL 67.83, 0.16%, 0.72%

LAB 78, -5.08, 11.21

 

CMYK 12 / 0 / 5 / 24

HEX #ACC3BA

RGB 172 195 186

HSL 156.52, 0.16%, 0.72%

LAB 76.89, -9.56, 1.87

 

Description

Color code: CMYK 10 / 12 / 0 / 24 | qconv.com Color code: CMYK 10 / 12 / 0 / 24 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 171 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 171 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 12 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 12% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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