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Color name
CMYK 16 / 43 / 0 / 25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 16 / 43 / 0 / 25 it is the complementary color CMYK 36 / 0 / 56 / 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 16 / 43 / 0 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 16 / 43 / 0 / 25 shade: CMYK 11 / 41 / 0 / 27, CMYK 11 / 38 / 0 / 20, CMYK 11 / 35 / 0 / 12, CMYK 11 / 33 / 0 / 5 and CMYK 8 / 29 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 16 / 43 / 0 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 16 / 43 / 0 / 25 shade: CMYK 16 / 43 / 0 / 25, CMYK 16 / 47 / 0 / 33, CMYK 17 / 52 / 0 / 40, CMYK 18 / 59 / 0 / 47 and CMYK 19 / 68 / 0 / 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 16 / 43 / 0 / 25 shade: CMYK 16 / 43 / 0 / 25, CMYK 4 / 43 / 0 / 25, CMYK 0 / 43 / 7 / 25, CMYK 0 / 43 / 19 / 25 and CMYK 0 / 43 / 30 / 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 16 / 43 / 0 / 25 shade: CMYK 16 / 43 / 0 / 25, CMYK 27 / 43 / 0 / 25, CMYK 39 / 43 / 0 / 25 and CMYK 43 / 43 / 0 / 25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 16 / 43 / 0 / 25 shade matches the following richer shades: CMYK 16 / 43 / 0 / 25, CMYK 21 / 56 / 0 / 18, CMYK 24 / 67 / 0 / 12 and CMYK 27 / 76 / 0 / 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 16 / 43 / 0 / 25 shade: CMYK 16 / 43 / 0 / 25, CMYK 10 / 28 / 0 / 32, CMYK 3 / 9 / 0 / 38, CMYK 8 / 0 / 13 / 37 and CMYK 19 / 0 / 31 / 31

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 16 / 43 / 0 / 25 shade: CMYK 39 / 43 / 0 / 25, CMYK 27 / 43 / 0 / 25, CMYK 16 / 43 / 0 / 25, CMYK 4 / 43 / 0 / 25 and CMYK 0 / 43 / 7 / 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 16 / 43 / 0 / 25 shade: CMYK 21 / 56 / 0 / 41, CMYK 20 / 54 / 0 / 30, CMYK 16 / 43 / 0 / 25, CMYK 12 / 32 / 0 / 20 and CMYK 8 / 23 / 0 / 15

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 16 / 43 / 0 / 25 shade: CMYK 16 / 43 / 0 / 25, CMYK 0 / 43 / 36 / 25 and CMYK 43 / 0 / 33 / 25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 16 / 43 / 0 / 25 shade: CMYK 16 / 43 / 0 / 25, CMYK 0 / 16 / 43 / 25 and CMYK 43 / 0 / 16 / 25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 16 / 43 / 0 / 25 shade: CMYK 16 / 43 / 0 / 25, CMYK 0 / 43 / 36 / 25, CMYK 27 / 0 / 43 / 25 and CMYK 43 / 0 / 7 / 25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 16 / 43 / 0 / 25 shade: CMYK 16 / 43 / 0 / 25, CMYK 0 / 37 / 43 / 25, CMYK 27 / 0 / 43 / 25 and CMYK 43 / 6 / 0 / 25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 43 / 0 / 25

HEX #A16DBF

RGB 161 109 191

HSL 278.05, 0.39%, 0.59%

LAB 54.32, 35.7, -35.12

 

Complementary color

CMYK 36 / 0 / 56 / 43

HEX #5E9240

RGB 94 146 64

HSL 98.05, 0.39%, 0.41%

LAB 55.39, -32.67, 37.55

 

CMYK 11 / 41 / 0 / 27

HEX #A66DBA

RGB 166 109 186

HSL 284.42, 0.36%, 0.58%

LAB 54.65, 36.14, -31.7

 

CMYK 11 / 38 / 0 / 20

HEX #B77FCD

RGB 183 127 205

HSL 283.08, 0.44%, 0.65%

LAB 61.35, 35.36, -31.93

 

CMYK 11 / 35 / 0 / 12

HEX #C891E0

RGB 200 145 224

HSL 281.77, 0.56%, 0.72%

LAB 67.96, 34.63, -32.15

 

CMYK 11 / 33 / 0 / 5

HEX #D9A3F3

RGB 217 163 243

HSL 280.5, 0.77%, 0.8%

LAB 74.46, 33.93, -32.36

 

CMYK 8 / 29 / 0 / 0

HEX #EAB5FF

RGB 234 181 255

HSL 282.97, 1%, 0.85%

LAB 80.61, 31.89, -29.23

 

CMYK 16 / 43 / 0 / 25

HEX #A16DBF

RGB 161 109 191

HSL 278.05, 0.39%, 0.59%

LAB 54.32, 35.7, -35.12

 

CMYK 16 / 47 / 0 / 33

HEX #905BAC

RGB 144 91 172

HSL 279.26, 0.33%, 0.52%

LAB 47.48, 36.54, -34.97

 

CMYK 17 / 52 / 0 / 40

HEX #7F4999

RGB 127 73 153

HSL 280.5, 0.35%, 0.44%

LAB 40.54, 37.39, -34.77

 

CMYK 18 / 59 / 0 / 47

HEX #6E3786

RGB 110 55 134

HSL 281.77, 0.42%, 0.37%

LAB 33.5, 38.18, -34.49

 

CMYK 19 / 68 / 0 / 55

HEX #5D2573

RGB 93 37 115

HSL 283.08, 0.51%, 0.3%

LAB 26.41, 38.75, -33.99

 

CMYK 16 / 43 / 0 / 25

HEX #A16DBF

RGB 161 109 191

HSL 278.05, 0.39%, 0.59%

LAB 54.32, 35.7, -35.12

 

CMYK 4 / 43 / 0 / 25

HEX #B76DBF

RGB 183 109 191

HSL 294.15, 0.39%, 0.59%

LAB 56.85, 42.33, -30.99

 

CMYK 0 / 43 / 7 / 25

HEX #BF6DB1

RGB 191 109 177

HSL 310.24, 0.39%, 0.59%

LAB 57.26, 42.24, -22.25

 

CMYK 0 / 43 / 19 / 25

HEX #BF6D9B

RGB 191 109 155

HSL 326.34, 0.39%, 0.59%

LAB 56.47, 38.61, -10.72

 

CMYK 0 / 43 / 30 / 25

HEX #BF6D85

RGB 191 109 133

HSL 342.44, 0.39%, 0.59%

LAB 55.79, 35.41, 1.11

 

CMYK 16 / 43 / 0 / 25

HEX #A16DBF

RGB 161 109 191

HSL 278.05, 0.39%, 0.59%

LAB 54.32, 35.7, -35.12

 

CMYK 27 / 43 / 0 / 25

HEX #8B6DBF

RGB 139 109 191

HSL 261.95, 0.39%, 0.59%

LAB 52.05, 29.25, -38.85

 

CMYK 39 / 43 / 0 / 25

HEX #756DBF

RGB 117 109 191

HSL 245.85, 0.39%, 0.59%

LAB 50.07, 23.16, -42.1

 

CMYK 43 / 43 / 0 / 25

HEX #6D6DBF

RGB 109 109 191

HSL 240, 0.39%, 0.59%

LAB 49.44, 21.08, -43.15

 

CMYK 16 / 43 / 0 / 25

HEX #A16DBF

RGB 161 109 191

HSL 278.05, 0.39%, 0.59%

LAB 54.32, 35.7, -35.12

 

CMYK 21 / 56 / 0 / 18

HEX #A55CD0

RGB 165 92 208

HSL 277.76, 0.55%, 0.59%

LAB 52.07, 49.76, -48.37

 

CMYK 24 / 67 / 0 / 12

HEX #AA4BE1

RGB 170 75 225

HSL 278, 0.71%, 0.59%

LAB 50.7, 62.78, -60.18

 

CMYK 27 / 76 / 0 / 5

HEX #AF3AF1

RGB 175 58 241

HSL 278.36, 0.87%, 0.59%

LAB 50.09, 73.76, -70.17

 

CMYK 16 / 43 / 0 / 25

HEX #A16DBF

RGB 161 109 191

HSL 278.05, 0.39%, 0.59%

LAB 54.32, 35.7, -35.12

 

CMYK 10 / 28 / 0 / 32

HEX #9C7EAE

RGB 156 126 174

HSL 277.5, 0.23%, 0.59%

LAB 57.12, 20.7, -21.07

 

CMYK 3 / 9 / 0 / 38

HEX #988F9D

RGB 152 143 157

HSL 278.57, 0.07%, 0.59%

LAB 60.56, 6.03, -6.2

 

CMYK 8 / 0 / 13 / 37

HEX #93A08C

RGB 147 160 140

HSL 99, 0.1%, 0.59%

LAB 64.35, -8.44, 8.86

 

CMYK 19 / 0 / 31 / 31

HEX #8FB17B

RGB 143 177 123

HSL 97.78, 0.26%, 0.59%

LAB 68.54, -21.63, 23.96

 

CMYK 39 / 43 / 0 / 25

HEX #756DBF

RGB 117 109 191

HSL 245.85, 0.39%, 0.59%

LAB 50.07, 23.16, -42.1

 

CMYK 27 / 43 / 0 / 25

HEX #8B6DBF

RGB 139 109 191

HSL 261.95, 0.39%, 0.59%

LAB 52.05, 29.25, -38.85

 

CMYK 16 / 43 / 0 / 25

HEX #A16DBF

RGB 161 109 191

HSL 278.05, 0.39%, 0.59%

LAB 54.32, 35.7, -35.12

 

CMYK 4 / 43 / 0 / 25

HEX #B76DBF

RGB 183 109 191

HSL 294.15, 0.39%, 0.59%

LAB 56.85, 42.33, -30.99

 

CMYK 0 / 43 / 7 / 25

HEX #BF6DB1

RGB 191 109 177

HSL 310.24, 0.39%, 0.59%

LAB 57.26, 42.24, -22.25

 

CMYK 21 / 56 / 0 / 41

HEX #784297

RGB 120 66 151

HSL 278.12, 0.39%, 0.43%

LAB 38.06, 38.84, -37.54

 

CMYK 20 / 54 / 0 / 30

HEX #8E51B2

RGB 142 81 178

HSL 277.73, 0.39%, 0.51%

LAB 45.43, 42.84, -41.75

 

CMYK 16 / 43 / 0 / 25

HEX #A16DBF

RGB 161 109 191

HSL 278.05, 0.39%, 0.59%

LAB 54.32, 35.7, -35.12

 

CMYK 12 / 32 / 0 / 20

HEX #B38ACB

RGB 179 138 203

HSL 277.85, 0.38%, 0.67%

LAB 63.4, 27.56, -27.67

 

CMYK 8 / 23 / 0 / 15

HEX #C6A7D8

RGB 198 167 216

HSL 277.96, 0.39%, 0.75%

LAB 72.63, 20.26, -20.6

 

CMYK 16 / 43 / 0 / 25

HEX #A16DBF

RGB 161 109 191

HSL 278.05, 0.39%, 0.59%

LAB 54.32, 35.7, -35.12

 

CMYK 0 / 43 / 36 / 25

HEX #BF6D7B

RGB 191 109 123

HSL 349.76, 0.39%, 0.59%

LAB 55.53, 34.12, 6.58

 

CMYK 43 / 0 / 33 / 25

HEX #6DBF80

RGB 109 191 128

HSL 133.9, 0.39%, 0.59%

LAB 70.92, -38.69, 24.18

 

CMYK 16 / 43 / 0 / 25

HEX #A16DBF

RGB 161 109 191

HSL 278.05, 0.39%, 0.59%

LAB 54.32, 35.7, -35.12

 

CMYK 0 / 16 / 43 / 25

HEX #BFA16D

RGB 191 161 109

HSL 38.05, 0.39%, 0.59%

LAB 67.78, 3.95, 31.15

 

CMYK 43 / 0 / 16 / 25

HEX #6DBFA1

RGB 109 191 161

HSL 158.05, 0.39%, 0.59%

LAB 71.61, -32.1, 7.36

 

CMYK 16 / 43 / 0 / 25

HEX #A16DBF

RGB 161 109 191

HSL 278.05, 0.39%, 0.59%

LAB 54.32, 35.7, -35.12

 

CMYK 0 / 43 / 36 / 25

HEX #BF6D7B

RGB 191 109 123

HSL 349.76, 0.39%, 0.59%

LAB 55.53, 34.12, 6.58

 

CMYK 27 / 0 / 43 / 25

HEX #8BBF6D

RGB 139 191 109

HSL 98.05, 0.39%, 0.59%

LAB 72.13, -31.9, 35.95

 

CMYK 43 / 0 / 7 / 25

HEX #6DBFB1

RGB 109 191 177

HSL 169.76, 0.39%, 0.59%

LAB 72.02, -28.42, -0.77

 

CMYK 16 / 43 / 0 / 25

HEX #A16DBF

RGB 161 109 191

HSL 278.05, 0.39%, 0.59%

LAB 54.32, 35.7, -35.12

 

CMYK 0 / 37 / 43 / 25

HEX #BF786D

RGB 191 120 109

HSL 8.05, 0.39%, 0.59%

LAB 57.67, 26.5, 17.7

 

CMYK 27 / 0 / 43 / 25

HEX #8BBF6D

RGB 139 191 109

HSL 98.05, 0.39%, 0.59%

LAB 72.13, -31.9, 35.95

 

CMYK 43 / 6 / 0 / 25

HEX #6DB4BF

RGB 109 180 191

HSL 188.05, 0.39%, 0.59%

LAB 69.22, -19.39, -12.59

 

Description

Color code: CMYK 16 / 43 / 0 / 25 | qconv.com Color code: CMYK 16 / 43 / 0 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 109 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 109 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 43 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 43% 0% 25% C M Y K

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Provide designers and agencies with accurate color values.

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