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Color name
CMYK 24 / 0 / 55 / 16

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 24 / 0 / 55 / 16 it is the complementary color CMYK 42 / 74 / 0 / 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 24 / 0 / 55 / 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 24 / 0 / 55 / 16 shade: CMYK 21 / 0 / 57 / 16, CMYK 20 / 0 / 53 / 9, CMYK 19 / 0 / 48 / 2, CMYK 14 / 0 / 42 / 0 and CMYK 7 / 0 / 35 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 24 / 0 / 55 / 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 24 / 0 / 55 / 16 shade: CMYK 24 / 0 / 55 / 16, CMYK 26 / 0 / 61 / 23, CMYK 28 / 0 / 67 / 30, CMYK 30 / 0 / 76 / 37 and CMYK 33 / 0 / 86 / 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 24 / 0 / 55 / 16 shade: CMYK 24 / 0 / 55 / 16, CMYK 9 / 0 / 55 / 16, CMYK 0 / 6 / 55 / 16, CMYK 0 / 21 / 55 / 16 and CMYK 0 / 36 / 55 / 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 24 / 0 / 55 / 16 shade: CMYK 24 / 0 / 55 / 16, CMYK 39 / 0 / 55 / 16, CMYK 53 / 0 / 55 / 16, CMYK 55 / 0 / 42 / 16 and CMYK 55 / 0 / 27 / 16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 24 / 0 / 55 / 16 shade matches the following richer shades: CMYK 24 / 0 / 55 / 16, CMYK 28 / 0 / 65 / 10 and CMYK 32 / 0 / 74 / 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 24 / 0 / 55 / 16 shade: CMYK 24 / 0 / 55 / 16, CMYK 19 / 0 / 43 / 22, CMYK 13 / 0 / 29 / 29, CMYK 5 / 0 / 12 / 35 and CMYK 4 / 7 / 0 / 37

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 24 / 0 / 55 / 16 shade: CMYK 0 / 7 / 55 / 16, CMYK 8 / 0 / 55 / 16, CMYK 23 / 0 / 55 / 16, CMYK 37 / 0 / 55 / 16 and CMYK 52 / 0 / 55 / 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 24 / 0 / 55 / 16 shade: CMYK 32 / 0 / 75 / 29, CMYK 30 / 0 / 69 / 20, CMYK 24 / 0 / 55 / 16, CMYK 18 / 0 / 42 / 13 and CMYK 13 / 0 / 30 / 9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 24 / 0 / 55 / 16 shade: CMYK 24 / 0 / 55 / 16, CMYK 55 / 0 / 21 / 16 and CMYK 0 / 55 / 1 / 16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 24 / 0 / 55 / 16 shade: CMYK 24 / 0 / 55 / 16, CMYK 55 / 23 / 0 / 16 and CMYK 0 / 55 / 23 / 16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 24 / 0 / 55 / 16 shade: CMYK 24 / 0 / 55 / 16, CMYK 55 / 0 / 21 / 16, CMYK 32 / 55 / 0 / 16 and CMYK 0 / 55 / 34 / 16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 24 / 0 / 55 / 16 shade: CMYK 24 / 0 / 55 / 16, CMYK 55 / 0 / 5 / 16, CMYK 32 / 55 / 0 / 16 and CMYK 0 / 55 / 50 / 16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 55 / 16

HEX #A3D660

RGB 163 214 96

HSL 85.93, 0.59%, 0.61%

LAB 80.02, -35.3, 52.17

 

Complementary color

CMYK 42 / 74 / 0 / 38

HEX #5C299F

RGB 92 41 159

HSL 265.93, 0.59%, 0.39%

LAB 30.31, 47.42, -55.07

 

CMYK 21 / 0 / 57 / 16

HEX #A8D65B

RGB 168 214 91

HSL 82.44, 0.6%, 0.6%

LAB 80.28, -33.9, 54.79

 

CMYK 20 / 0 / 53 / 9

HEX #B9E86E

RGB 185 232 110

HSL 83.11, 0.73%, 0.67%

LAB 86.58, -34.06, 53.78

 

CMYK 19 / 0 / 48 / 2

HEX #CAFA81

RGB 202 250 129

HSL 83.8, 0.92%, 0.74%

LAB 92.8, -34.16, 52.7

 

CMYK 14 / 0 / 42 / 0

HEX #DBFF94

RGB 219 255 148

HSL 80.19, 1%, 0.79%

LAB 95.46, -28.22, 47.24

 

CMYK 7 / 0 / 35 / 0

HEX #ECFFA7

RGB 236 255 167

HSL 72.95, 1%, 0.83%

LAB 96.88, -19.78, 40.04

 

CMYK 24 / 0 / 55 / 16

HEX #A3D660

RGB 163 214 96

HSL 85.93, 0.59%, 0.61%

LAB 80.02, -35.3, 52.17

 

CMYK 26 / 0 / 61 / 23

HEX #92C44D

RGB 146 196 77

HSL 85.21, 0.5%, 0.54%

LAB 73.63, -35.14, 53.13

 

CMYK 28 / 0 / 67 / 30

HEX #81B23A

RGB 129 178 58

HSL 84.5, 0.51%, 0.46%

LAB 67.14, -34.87, 53.86

 

CMYK 30 / 0 / 76 / 37

HEX #70A027

RGB 112 160 39

HSL 83.8, 0.61%, 0.39%

LAB 60.55, -34.44, 54.08

 

CMYK 33 / 0 / 86 / 44

HEX #5F8E14

RGB 95 142 20

HSL 83.11, 0.75%, 0.32%

LAB 53.85, -33.78, 53.33

 

CMYK 24 / 0 / 55 / 16

HEX #A3D660

RGB 163 214 96

HSL 85.93, 0.59%, 0.61%

LAB 80.02, -35.3, 52.17

 

CMYK 9 / 0 / 55 / 16

HEX #C3D660

RGB 195 214 96

HSL 69.66, 0.59%, 0.61%

LAB 82.13, -22.98, 55.15

 

CMYK 0 / 6 / 55 / 16

HEX #D6C960

RGB 214 201 96

HSL 53.39, 0.59%, 0.61%

LAB 80.13, -8.78, 53.24

 

CMYK 0 / 21 / 55 / 16

HEX #D6AA60

RGB 214 170 96

HSL 37.63, 0.59%, 0.61%

LAB 72.15, 7.45, 43.86

 

CMYK 0 / 36 / 55 / 16

HEX #D68A60

RGB 214 138 96

HSL 21.36, 0.59%, 0.61%

LAB 64.42, 24.7, 34.34

 

CMYK 24 / 0 / 55 / 16

HEX #A3D660

RGB 163 214 96

HSL 85.93, 0.59%, 0.61%

LAB 80.02, -35.3, 52.17

 

CMYK 39 / 0 / 55 / 16

HEX #83D660

RGB 131 214 96

HSL 102.2, 0.59%, 0.61%

LAB 78.32, -46.42, 49.75

 

CMYK 53 / 0 / 55 / 16

HEX #64D660

RGB 100 214 96

HSL 117.97, 0.59%, 0.61%

LAB 77.07, -55.46, 47.96

 

CMYK 55 / 0 / 42 / 16

HEX #60D67D

RGB 96 214 125

HSL 134.75, 0.59%, 0.61%

LAB 77.32, -52.33, 34.11

 

CMYK 55 / 0 / 27 / 16

HEX #60D69C

RGB 96 214 156

HSL 150.51, 0.59%, 0.61%

LAB 77.86, -46.64, 18.78

 

CMYK 24 / 0 / 55 / 16

HEX #A3D660

RGB 163 214 96

HSL 85.93, 0.59%, 0.61%

LAB 80.02, -35.3, 52.17

 

CMYK 28 / 0 / 65 / 10

HEX #A5E650

RGB 165 230 80

HSL 86, 0.75%, 0.61%

LAB 84.57, -43.05, 64.08

 

CMYK 32 / 0 / 74 / 4

HEX #A7F640

RGB 167 246 64

HSL 86.04, 0.91%, 0.61%

LAB 89.16, -50.13, 74.45

 

CMYK 24 / 0 / 55 / 16

HEX #A3D660

RGB 163 214 96

HSL 85.93, 0.59%, 0.61%

LAB 80.02, -35.3, 52.17

 

CMYK 19 / 0 / 43 / 22

HEX #A1C670

RGB 161 198 112

HSL 85.81, 0.43%, 0.61%

LAB 75.54, -26.8, 39.02

 

CMYK 13 / 0 / 29 / 29

HEX #9FB681

RGB 159 182 129

HSL 86.04, 0.27%, 0.61%

LAB 71.15, -17.32, 24.44

 

CMYK 5 / 0 / 12 / 35

HEX #9CA591

RGB 156 165 145

HSL 87, 0.1%, 0.61%

LAB 66.54, -6.93, 9.28

 

CMYK 4 / 7 / 0 / 37

HEX #9A95A1

RGB 154 149 161

HSL 265, 0.06%, 0.61%

LAB 62.46, 4.17, -5.64

 

CMYK 0 / 7 / 55 / 16

HEX #D6C860

RGB 214 200 96

HSL 52.88, 0.59%, 0.61%

LAB 79.87, -8.27, 52.94

 

CMYK 8 / 0 / 55 / 16

HEX #C4D660

RGB 196 214 96

HSL 69.15, 0.59%, 0.61%

LAB 82.2, -22.58, 55.25

 

CMYK 23 / 0 / 55 / 16

HEX #A5D660

RGB 165 214 96

HSL 84.92, 0.59%, 0.61%

LAB 80.14, -34.56, 52.34

 

CMYK 37 / 0 / 55 / 16

HEX #86D660

RGB 134 214 96

HSL 100.68, 0.59%, 0.61%

LAB 78.47, -45.45, 49.96

 

CMYK 52 / 0 / 55 / 16

HEX #66D660

RGB 102 214 96

HSL 116.95, 0.59%, 0.61%

LAB 77.14, -54.94, 48.06

 

CMYK 32 / 0 / 75 / 29

HEX #7BB52E

RGB 123 181 46

HSL 85.78, 0.59%, 0.45%

LAB 67.62, -39.27, 58.73

 

CMYK 30 / 0 / 69 / 20

HEX #90CD40

RGB 144 205 64

HSL 85.96, 0.59%, 0.53%

LAB 76.05, -40.92, 61.01

 

CMYK 24 / 0 / 55 / 16

HEX #A3D660

RGB 163 214 96

HSL 85.93, 0.59%, 0.61%

LAB 80.02, -35.3, 52.17

 

CMYK 18 / 0 / 42 / 13

HEX #B6DE81

RGB 182 222 129

HSL 85.81, 0.58%, 0.69%

LAB 83.85, -28.44, 41.32

 

CMYK 13 / 0 / 30 / 9

HEX #C9E7A2

RGB 201 231 162

HSL 86.09, 0.59%, 0.77%

LAB 88.05, -21.54, 30.43

 

CMYK 24 / 0 / 55 / 16

HEX #A3D660

RGB 163 214 96

HSL 85.93, 0.59%, 0.61%

LAB 80.02, -35.3, 52.17

 

CMYK 55 / 0 / 21 / 16

HEX #60D6A9

RGB 96 214 169

HSL 157.12, 0.59%, 0.61%

LAB 78.14, -43.89, 12.29

 

CMYK 0 / 55 / 1 / 16

HEX #D660D4

RGB 214 96 212

HSL 301.02, 0.59%, 0.61%

LAB 59.36, 61.38, -38.71

 

CMYK 24 / 0 / 55 / 16

HEX #A3D660

RGB 163 214 96

HSL 85.93, 0.59%, 0.61%

LAB 80.02, -35.3, 52.17

 

CMYK 55 / 23 / 0 / 16

HEX #60A5D6

RGB 96 165 214

HSL 204.92, 0.59%, 0.61%

LAB 65.16, -7.84, -31.54

 

CMYK 0 / 55 / 23 / 16

HEX #D660A5

RGB 214 96 165

HSL 324.92, 0.59%, 0.61%

LAB 57.44, 54.05, -14.75

 

CMYK 24 / 0 / 55 / 16

HEX #A3D660

RGB 163 214 96

HSL 85.93, 0.59%, 0.61%

LAB 80.02, -35.3, 52.17

 

CMYK 55 / 0 / 21 / 16

HEX #60D6A9

RGB 96 214 169

HSL 157.12, 0.59%, 0.61%

LAB 78.14, -43.89, 12.29

 

CMYK 32 / 55 / 0 / 16

HEX #9160D6

RGB 145 96 214

HSL 264.92, 0.59%, 0.61%

LAB 50.97, 44.03, -53.68

 

CMYK 0 / 55 / 34 / 16

HEX #D6608D

RGB 214 96 141

HSL 337.12, 0.59%, 0.61%

LAB 56.67, 50.94, -1.91

 

CMYK 24 / 0 / 55 / 16

HEX #A3D660

RGB 163 214 96

HSL 85.93, 0.59%, 0.61%

LAB 80.02, -35.3, 52.17

 

CMYK 55 / 0 / 5 / 16

HEX #60D6CC

RGB 96 214 204

HSL 174.92, 0.59%, 0.61%

LAB 79.01, -35.54, -5.14

 

CMYK 32 / 55 / 0 / 16

HEX #9160D6

RGB 145 96 214

HSL 264.92, 0.59%, 0.61%

LAB 50.97, 44.03, -53.68

 

CMYK 0 / 55 / 50 / 16

HEX #D6606A

RGB 214 96 106

HSL 354.92, 0.59%, 0.61%

LAB 55.79, 47.29, 17.38

 

Description

Color code: CMYK 24 / 0 / 55 / 16 | qconv.com Color code: CMYK 24 / 0 / 55 / 16 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 214 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 214 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 55 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 55% 16% C M Y K

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Provide designers and agencies with accurate color values.

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