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Color name
CMYK 25 / 0 / 51 / 25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 25 / 0 / 51 / 25 it is the complementary color CMYK 30 / 60 / 0 / 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 25 / 0 / 51 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 25 / 0 / 51 / 25 shade: CMYK 23 / 0 / 53 / 25, CMYK 21 / 0 / 48 / 18, CMYK 20 / 0 / 44 / 11, CMYK 19 / 0 / 40 / 4 and CMYK 15 / 0 / 35 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 25 / 0 / 51 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 25 / 0 / 51 / 25 shade: CMYK 25 / 0 / 51 / 25, CMYK 27 / 0 / 57 / 32, CMYK 30 / 0 / 64 / 39, CMYK 33 / 0 / 73 / 46 and CMYK 37 / 0 / 85 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 25 / 0 / 51 / 25 shade: CMYK 25 / 0 / 51 / 25, CMYK 12 / 0 / 51 / 25, CMYK 0 / 3 / 51 / 25, CMYK 0 / 16 / 51 / 25 and CMYK 0 / 30 / 51 / 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 25 / 0 / 51 / 25 shade: CMYK 25 / 0 / 51 / 25, CMYK 39 / 0 / 51 / 25, CMYK 51 / 0 / 49 / 25, CMYK 51 / 0 / 36 / 25 and CMYK 51 / 0 / 22 / 25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 25 / 0 / 51 / 25 shade matches the following richer shades: CMYK 25 / 0 / 51 / 25, CMYK 32 / 0 / 64 / 18, CMYK 37 / 0 / 74 / 11 and CMYK 42 / 0 / 84 / 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 25 / 0 / 51 / 25 shade: CMYK 25 / 0 / 51 / 25, CMYK 17 / 0 / 35 / 33, CMYK 8 / 0 / 16 / 40, CMYK 5 / 9 / 0 / 42 and CMYK 15 / 29 / 0 / 35

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 25 / 0 / 51 / 25 shade: CMYK 0 / 3 / 51 / 25, CMYK 11 / 0 / 51 / 25, CMYK 25 / 0 / 51 / 25, CMYK 38 / 0 / 51 / 25 and CMYK 51 / 0 / 50 / 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 25 / 0 / 51 / 25 shade: CMYK 30 / 0 / 61 / 43, CMYK 30 / 0 / 60 / 32, CMYK 25 / 0 / 51 / 25, CMYK 19 / 0 / 39 / 21 and CMYK 14 / 0 / 29 / 16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 25 / 0 / 51 / 25 shade: CMYK 25 / 0 / 51 / 25, CMYK 51 / 0 / 16 / 25 and CMYK 0 / 51 / 4 / 25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 25 / 0 / 51 / 25 shade: CMYK 25 / 0 / 51 / 25, CMYK 51 / 25 / 0 / 25 and CMYK 0 / 51 / 25 / 25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 25 / 0 / 51 / 25 shade: CMYK 25 / 0 / 51 / 25, CMYK 51 / 0 / 16 / 25, CMYK 26 / 51 / 0 / 25 and CMYK 0 / 51 / 35 / 25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 25 / 0 / 51 / 25 shade: CMYK 25 / 0 / 51 / 25, CMYK 51 / 0 / 1 / 25, CMYK 26 / 51 / 0 / 25 and CMYK 0 / 51 / 50 / 25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 51 / 25

HEX #8FBF5E

RGB 143 191 94

HSL 89.69, 0.43%, 0.56%

LAB 72.17, -32.28, 43.52

 

Complementary color

CMYK 30 / 60 / 0 / 37

HEX #7040A1

RGB 112 64 161

HSL 269.69, 0.43%, 0.44%

LAB 37.27, 40.28, -44.9

 

CMYK 23 / 0 / 53 / 25

HEX #94BF59

RGB 148 191 89

HSL 85.29, 0.44%, 0.55%

LAB 72.41, -30.93, 46.29

 

CMYK 21 / 0 / 48 / 18

HEX #A5D16C

RGB 165 209 108

HSL 86.14, 0.52%, 0.62%

LAB 78.86, -31.01, 45.17

 

CMYK 20 / 0 / 44 / 11

HEX #B6E37F

RGB 182 227 127

HSL 87, 0.64%, 0.69%

LAB 85.21, -31.03, 44.02

 

CMYK 19 / 0 / 40 / 4

HEX #C7F592

RGB 199 245 146

HSL 87.88, 0.83%, 0.77%

LAB 91.47, -31.02, 42.88

 

CMYK 15 / 0 / 35 / 0

HEX #D8FFA5

RGB 216 255 165

HSL 86, 1%, 0.82%

LAB 95.51, -27.26, 38.99

 

CMYK 25 / 0 / 51 / 25

HEX #8FBF5E

RGB 143 191 94

HSL 89.69, 0.43%, 0.56%

LAB 72.17, -32.28, 43.52

 

CMYK 27 / 0 / 57 / 32

HEX #7EAD4B

RGB 126 173 75

HSL 88.78, 0.4%, 0.49%

LAB 65.62, -32.22, 44.64

 

CMYK 30 / 0 / 64 / 39

HEX #6D9B38

RGB 109 155 56

HSL 87.88, 0.47%, 0.41%

LAB 58.96, -32.06, 45.6

 

CMYK 33 / 0 / 73 / 46

HEX #5C8925

RGB 92 137 37

HSL 87, 0.57%, 0.34%

LAB 52.17, -31.74, 46.18

 

CMYK 37 / 0 / 85 / 53

HEX #4B7712

RGB 75 119 18

HSL 86.14, 0.74%, 0.27%

LAB 45.27, -31.17, 45.84

 

CMYK 25 / 0 / 51 / 25

HEX #8FBF5E

RGB 143 191 94

HSL 89.69, 0.43%, 0.56%

LAB 72.17, -32.28, 43.52

 

CMYK 12 / 0 / 51 / 25

HEX #A9BF5E

RGB 169 191 94

HSL 73.61, 0.43%, 0.56%

LAB 73.87, -22.25, 45.97

 

CMYK 0 / 3 / 51 / 25

HEX #BFBA5E

RGB 191 186 94

HSL 56.91, 0.43%, 0.56%

LAB 74.19, -10.76, 46.77

 

CMYK 0 / 16 / 51 / 25

HEX #BFA05E

RGB 191 160 94

HSL 40.82, 0.43%, 0.56%

LAB 67.3, 2.98, 38.44

 

CMYK 0 / 30 / 51 / 25

HEX #BF865E

RGB 191 134 94

HSL 24.74, 0.43%, 0.56%

LAB 60.72, 17.24, 30.18

 

CMYK 25 / 0 / 51 / 25

HEX #8FBF5E

RGB 143 191 94

HSL 89.69, 0.43%, 0.56%

LAB 72.17, -32.28, 43.52

 

CMYK 39 / 0 / 51 / 25

HEX #75BF5E

RGB 117 191 94

HSL 105.77, 0.43%, 0.56%

LAB 70.77, -41.36, 41.5

 

CMYK 51 / 0 / 49 / 25

HEX #5EBF61

RGB 94 191 97

HSL 121.86, 0.43%, 0.56%

LAB 69.83, -47.87, 38.64

 

CMYK 51 / 0 / 36 / 25

HEX #5EBF7B

RGB 94 191 123

HSL 137.94, 0.43%, 0.56%

LAB 70.23, -43.7, 25.79

 

CMYK 51 / 0 / 22 / 25

HEX #5EBF95

RGB 94 191 149

HSL 154.02, 0.43%, 0.56%

LAB 70.74, -38.55, 12.56

 

CMYK 25 / 0 / 51 / 25

HEX #8FBF5E

RGB 143 191 94

HSL 89.69, 0.43%, 0.56%

LAB 72.17, -32.28, 43.52

 

CMYK 32 / 0 / 64 / 18

HEX #8FD14C

RGB 143 209 76

HSL 89.77, 0.59%, 0.56%

LAB 77.26, -42.12, 57.5

 

CMYK 37 / 0 / 74 / 11

HEX #8FE33A

RGB 143 227 58

HSL 89.82, 0.75%, 0.56%

LAB 82.42, -50.92, 69.46

 

CMYK 42 / 0 / 84 / 4

HEX #8FF528

RGB 143 245 40

HSL 89.85, 0.91%, 0.56%

LAB 87.63, -58.83, 79.11

 

CMYK 25 / 0 / 51 / 25

HEX #8FBF5E

RGB 143 191 94

HSL 89.69, 0.43%, 0.56%

LAB 72.17, -32.28, 43.52

 

CMYK 17 / 0 / 35 / 33

HEX #8FAC70

RGB 143 172 112

HSL 89, 0.27%, 0.56%

LAB 66.91, -20.75, 27.68

 

CMYK 8 / 0 / 16 / 40

HEX #8E9A82

RGB 142 154 130

HSL 90, 0.11%, 0.56%

LAB 62.06, -8.84, 11.16

 

CMYK 5 / 9 / 0 / 42

HEX #8E8895

RGB 142 136 149

HSL 267.69, 0.06%, 0.56%

LAB 57.59, 4.81, -6.13

 

CMYK 15 / 29 / 0 / 35

HEX #8E76A7

RGB 142 118 167

HSL 269.39, 0.22%, 0.56%

LAB 53.49, 19.15, -22.72

 

CMYK 0 / 3 / 51 / 25

HEX #BFBA5E

RGB 191 186 94

HSL 56.91, 0.43%, 0.56%

LAB 74.19, -10.76, 46.77

 

CMYK 11 / 0 / 51 / 25

HEX #AABF5E

RGB 170 191 94

HSL 72.99, 0.43%, 0.56%

LAB 73.94, -21.85, 46.08

 

CMYK 25 / 0 / 51 / 25

HEX #90BF5E

RGB 144 191 94

HSL 89.07, 0.43%, 0.56%

LAB 72.23, -31.9, 43.61

 

CMYK 38 / 0 / 51 / 25

HEX #76BF5E

RGB 118 191 94

HSL 105.15, 0.43%, 0.56%

LAB 70.82, -41.03, 41.57

 

CMYK 51 / 0 / 50 / 25

HEX #5EBF60

RGB 94 191 96

HSL 121.24, 0.43%, 0.56%

LAB 69.81, -48.01, 39.12

 

CMYK 30 / 0 / 61 / 43

HEX #659139

RGB 101 145 57

HSL 90, 0.44%, 0.4%

LAB 55.39, -30.33, 41.05

 

CMYK 30 / 0 / 60 / 32

HEX #7AAE45

RGB 122 174 69

HSL 89.71, 0.43%, 0.48%

LAB 65.62, -34.76, 47.36

 

CMYK 25 / 0 / 51 / 25

HEX #8FBF5E

RGB 143 191 94

HSL 89.69, 0.43%, 0.56%

LAB 72.17, -32.28, 43.52

 

CMYK 19 / 0 / 39 / 21

HEX #A3CA7C

RGB 163 202 124

HSL 90, 0.42%, 0.64%

LAB 76.97, -26.47, 34.79

 

CMYK 14 / 0 / 29 / 16

HEX #B8D699

RGB 184 214 153

HSL 89.51, 0.43%, 0.72%

LAB 82.15, -20.63, 26.93

 

CMYK 25 / 0 / 51 / 25

HEX #8FBF5E

RGB 143 191 94

HSL 89.69, 0.43%, 0.56%

LAB 72.17, -32.28, 43.52

 

CMYK 51 / 0 / 16 / 25

HEX #5EBFA0

RGB 94 191 160

HSL 160.82, 0.43%, 0.56%

LAB 70.99, -36.09, 6.94

 

CMYK 0 / 51 / 4 / 25

HEX #BF5EB7

RGB 191 94 183

HSL 304.95, 0.43%, 0.56%

LAB 54.55, 50.95, -29.88

 

CMYK 25 / 0 / 51 / 25

HEX #8FBF5E

RGB 143 191 94

HSL 89.69, 0.43%, 0.56%

LAB 72.17, -32.28, 43.52

 

CMYK 51 / 25 / 0 / 25

HEX #5E90BF

RGB 94 144 191

HSL 209.07, 0.43%, 0.56%

LAB 58.12, -3.48, -29.59

 

CMYK 0 / 51 / 25 / 25

HEX #BF5E90

RGB 191 94 144

HSL 329.07, 0.43%, 0.56%

LAB 53.05, 44.75, -9.4

 

CMYK 25 / 0 / 51 / 25

HEX #8FBF5E

RGB 143 191 94

HSL 89.69, 0.43%, 0.56%

LAB 72.17, -32.28, 43.52

 

CMYK 51 / 0 / 16 / 25

HEX #5EBFA0

RGB 94 191 160

HSL 160.82, 0.43%, 0.56%

LAB 70.99, -36.09, 6.94

 

CMYK 26 / 51 / 0 / 25

HEX #8D5EBF

RGB 141 94 191

HSL 269.07, 0.43%, 0.56%

LAB 48.8, 38.44, -43.98

 

CMYK 0 / 51 / 35 / 25

HEX #BF5E7D

RGB 191 94 125

HSL 340.82, 0.43%, 0.56%

LAB 52.47, 42.22, 0.99

 

CMYK 25 / 0 / 51 / 25

HEX #8FBF5E

RGB 143 191 94

HSL 89.69, 0.43%, 0.56%

LAB 72.17, -32.28, 43.52

 

CMYK 51 / 0 / 1 / 25

HEX #5EBFBD

RGB 94 191 189

HSL 178.76, 0.43%, 0.56%

LAB 71.77, -28.92, -7.76

 

CMYK 26 / 51 / 0 / 25

HEX #8D5EBF

RGB 141 94 191

HSL 269.07, 0.43%, 0.56%

LAB 48.8, 38.44, -43.98

 

CMYK 0 / 51 / 50 / 25

HEX #BF5E60

RGB 191 94 96

HSL 358.76, 0.43%, 0.56%

LAB 51.75, 39.06, 17.19

 

Description

Color code: CMYK 25 / 0 / 51 / 25 | qconv.com Color code: CMYK 25 / 0 / 51 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 191 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 191 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 51 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 51% 25% C M Y K

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Provide designers and agencies with accurate color values.

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