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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 27 / 0 / 4 / 78 it is the complementary color CMYK 0 / 7 / 6 / 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 27 / 0 / 4 / 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 27 / 0 / 4 / 78 shade: CMYK 18 / 0 / 13 / 78, CMYK 15 / 0 / 8 / 71, CMYK 13 / 0 / 5 / 64, CMYK 12 / 0 / 4 / 57 and CMYK 11 / 0 / 2 / 50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 27 / 0 / 4 / 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 27 / 0 / 4 / 78 shade: CMYK 27 / 0 / 4 / 78, CMYK 37 / 0 / 8 / 85, CMYK 65 / 0 / 20 / 92 and CMYK 100 / 0 / 100 / 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 27 / 0 / 4 / 78 shade: CMYK 25 / 0 / 4 / 78, CMYK 25 / 0 / 11 / 78, CMYK 25 / 0 / 18 / 78, CMYK 25 / 0 / 24 / 78 and CMYK 20 / 0 / 25 / 78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 27 / 0 / 4 / 78 shade: CMYK 25 / 0 / 4 / 78, CMYK 25 / 4 / 0 / 78, CMYK 25 / 11 / 0 / 78, CMYK 25 / 18 / 0 / 78 and CMYK 25 / 25 / 0 / 78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 27 / 0 / 4 / 78 shade matches the following richer shades: CMYK 25 / 0 / 4 / 78, CMYK 48 / 0 / 6 / 75, CMYK 65 / 0 / 8 / 72, CMYK 78 / 0 / 10 / 69 and CMYK 90 / 0 / 13 / 66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 27 / 0 / 4 / 78 shade: CMYK 25 / 0 / 4 / 78, CMYK 0 / 4 / 2 / 81, CMYK 0 / 29 / 25 / 78, CMYK 0 / 50 / 44 / 75 and CMYK 0 / 67 / 58 / 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 27 / 0 / 4 / 78 shade: CMYK 25 / 0 / 16 / 78, CMYK 25 / 0 / 11 / 78, CMYK 25 / 0 / 4 / 78, CMYK 25 / 4 / 0 / 78 and CMYK 25 / 11 / 0 / 78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 27 / 0 / 4 / 78 shade: CMYK 25 / 0 / 13 / 97, CMYK 26 / 0 / 3 / 88, CMYK 25 / 0 / 4 / 78, CMYK 27 / 0 / 4 / 69 and CMYK 26 / 0 / 4 / 60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 27 / 0 / 4 / 78 shade: CMYK 27 / 0 / 4 / 78, CMYK 24 / 25 / 0 / 78 and CMYK 0 / 15 / 25 / 78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 27 / 0 / 4 / 78 shade: CMYK 27 / 0 / 4 / 78, CMYK 4 / 25 / 0 / 78 and CMYK 0 / 4 / 25 / 78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 27 / 0 / 4 / 78 shade: CMYK 27 / 0 / 4 / 78, CMYK 24 / 25 / 0 / 78, CMYK 0 / 25 / 22 / 78 and CMYK 2 / 0 / 25 / 78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 27 / 0 / 4 / 78 shade: CMYK 27 / 0 / 4 / 78, CMYK 16 / 25 / 0 / 78, CMYK 0 / 25 / 22 / 78 and CMYK 9 / 0 / 25 / 78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 4 / 78

HEX #293836

RGB 41 56 54

HSL 172, 0.15%, 0.19%

LAB 22.18, -6.66, -0.77

 

Complementary color

CMYK 0 / 7 / 6 / 16

HEX #D6C7C9

RGB 214 199 201

HSL 352, 0.15%, 0.81%

LAB 81.49, 5.58, 0.88

 

CMYK 18 / 0 / 13 / 78

HEX #2E3831

RGB 46 56 49

HSL 138, 0.1%, 0.2%

LAB 22.41, -5.9, 2.98

 

CMYK 15 / 0 / 8 / 71

HEX #3F4A44

RGB 63 74 68

HSL 147.27, 0.08%, 0.27%

LAB 30.33, -5.82, 2.09

 

CMYK 13 / 0 / 5 / 64

HEX #505C57

RGB 80 92 87

HSL 155, 0.07%, 0.34%

LAB 37.93, -5.78, 1.3

 

CMYK 12 / 0 / 4 / 57

HEX #616E6A

RGB 97 110 106

HSL 161.54, 0.06%, 0.41%

LAB 45.27, -5.76, 0.56

 

CMYK 11 / 0 / 2 / 50

HEX #72807D

RGB 114 128 125

HSL 167.14, 0.06%, 0.47%

LAB 52.39, -5.77, -0.13

 

CMYK 27 / 0 / 4 / 78

HEX #293836

RGB 41 56 54

HSL 172, 0.15%, 0.19%

LAB 22.18, -6.66, -0.77

 

CMYK 37 / 0 / 8 / 85

HEX #182623

RGB 24 38 35

HSL 167.14, 0.23%, 0.12%

LAB 13.84, -6.83, 0.06

 

CMYK 65 / 0 / 20 / 92

HEX #071410

RGB 7 20 16

HSL 161.54, 0.48%, 0.05%

LAB 5.27, -5.03, 0.78

 

CMYK 100 / 0 / 100 / 99

HEX #000200

RGB 0 2 0

HSL 120, 1%, 0%

LAB 0.39, -0.8, 0.57

 

CMYK 25 / 0 / 4 / 78

HEX #293735

RGB 41 55 53

HSL 171.43, 0.15%, 0.19%

LAB 21.8, -6.29, -0.65

 

CMYK 25 / 0 / 11 / 78

HEX #293731

RGB 41 55 49

HSL 154.29, 0.15%, 0.19%

LAB 21.67, -7.32, 1.87

 

CMYK 25 / 0 / 18 / 78

HEX #29372D

RGB 41 55 45

HSL 137.14, 0.15%, 0.19%

LAB 21.55, -8.3, 4.39

 

CMYK 25 / 0 / 24 / 78

HEX #29372A

RGB 41 55 42

HSL 124.29, 0.15%, 0.19%

LAB 21.47, -8.98, 6.29

 

CMYK 20 / 0 / 25 / 78

HEX #2C3729

RGB 44 55 41

HSL 107.14, 0.15%, 0.19%

LAB 21.68, -7.91, 7.29

 

CMYK 25 / 0 / 4 / 78

HEX #293735

RGB 41 55 53

HSL 171.43, 0.15%, 0.19%

LAB 21.8, -6.29, -0.65

 

CMYK 25 / 4 / 0 / 78

HEX #293537

RGB 41 53 55

HSL 188.57, 0.15%, 0.19%

LAB 21.18, -4.44, -2.92

 

CMYK 25 / 11 / 0 / 78

HEX #293137

RGB 41 49 55

HSL 205.71, 0.15%, 0.19%

LAB 19.82, -1.78, -4.95

 

CMYK 25 / 18 / 0 / 78

HEX #292D37

RGB 41 45 55

HSL 222.86, 0.15%, 0.19%

LAB 18.47, 0.95, -6.98

 

CMYK 25 / 25 / 0 / 78

HEX #292937

RGB 41 41 55

HSL 240, 0.15%, 0.19%

LAB 17.15, 3.75, -8.99

 

CMYK 25 / 0 / 4 / 78

HEX #293735

RGB 41 55 53

HSL 171.43, 0.15%, 0.19%

LAB 21.8, -6.29, -0.65

 

CMYK 48 / 0 / 6 / 75

HEX #213F3B

RGB 33 63 59

HSL 172, 0.31%, 0.19%

LAB 24.3, -12.37, -1.06

 

CMYK 65 / 0 / 8 / 72

HEX #194741

RGB 25 71 65

HSL 172.17, 0.48%, 0.19%

LAB 27, -17.31, -1.08

 

CMYK 78 / 0 / 10 / 69

HEX #114F47

RGB 17 79 71

HSL 172.26, 0.65%, 0.19%

LAB 29.83, -21.26, -0.85

 

CMYK 90 / 0 / 13 / 66

HEX #09574C

RGB 9 87 76

HSL 171.54, 0.81%, 0.19%

LAB 32.69, -24.74, 0.15

 

CMYK 25 / 0 / 4 / 78

HEX #293735

RGB 41 55 53

HSL 171.43, 0.15%, 0.19%

LAB 21.8, -6.29, -0.65

 

CMYK 0 / 4 / 2 / 81

HEX #312F30

RGB 49 47 48

HSL 330, 0.02%, 0.19%

LAB 19.64, 1.12, -0.33

 

CMYK 0 / 29 / 25 / 78

HEX #38282A

RGB 56 40 42

HSL 352.5, 0.17%, 0.19%

LAB 18.03, 7.87, 1.61

 

CMYK 0 / 50 / 44 / 75

HEX #402024

RGB 64 32 36

HSL 352.5, 0.33%, 0.19%

LAB 16.75, 15.96, 4.16

 

CMYK 0 / 67 / 58 / 72

HEX #48181E

RGB 72 24 30

HSL 352.5, 0.5%, 0.19%

LAB 16.13, 23.53, 7.79

 

CMYK 25 / 0 / 16 / 78

HEX #29372E

RGB 41 55 46

HSL 141.43, 0.15%, 0.19%

LAB 21.58, -8.06, 3.76

 

CMYK 25 / 0 / 11 / 78

HEX #293731

RGB 41 55 49

HSL 154.29, 0.15%, 0.19%

LAB 21.67, -7.32, 1.87

 

CMYK 25 / 0 / 4 / 78

HEX #293735

RGB 41 55 53

HSL 171.43, 0.15%, 0.19%

LAB 21.8, -6.29, -0.65

 

CMYK 25 / 4 / 0 / 78

HEX #293537

RGB 41 53 55

HSL 188.57, 0.15%, 0.19%

LAB 21.18, -4.44, -2.92

 

CMYK 25 / 11 / 0 / 78

HEX #293137

RGB 41 49 55

HSL 205.71, 0.15%, 0.19%

LAB 19.82, -1.78, -4.95

 

CMYK 25 / 0 / 13 / 97

HEX #060807

RGB 6 8 7

HSL 150, 0.14%, 0.03%

LAB 2.06, -0.66, 0.19

 

CMYK 26 / 0 / 3 / 88

HEX #171F1E

RGB 23 31 30

HSL 172.5, 0.15%, 0.11%

LAB 10.96, -3.89, -0.52

 

CMYK 25 / 0 / 4 / 78

HEX #293735

RGB 41 55 53

HSL 171.43, 0.15%, 0.19%

LAB 21.8, -6.29, -0.65

 

CMYK 27 / 0 / 4 / 69

HEX #3A4F4C

RGB 58 79 76

HSL 171.43, 0.15%, 0.27%

LAB 31.84, -8.83, -0.88

 

CMYK 26 / 0 / 4 / 60

HEX #4C6763

RGB 76 103 99

HSL 171.11, 0.15%, 0.35%

LAB 41.43, -10.87, -0.99

 

CMYK 27 / 0 / 4 / 78

HEX #293836

RGB 41 56 54

HSL 172, 0.15%, 0.19%

LAB 22.18, -6.66, -0.77

 

CMYK 24 / 25 / 0 / 78

HEX #2A2937

RGB 42 41 55

HSL 244.29, 0.15%, 0.19%

LAB 17.24, 4.15, -8.84

 

CMYK 0 / 15 / 25 / 78

HEX #372F29

RGB 55 47 41

HSL 25.71, 0.15%, 0.19%

LAB 20.07, 2.43, 5.18

 

CMYK 27 / 0 / 4 / 78

HEX #293836

RGB 41 56 54

HSL 172, 0.15%, 0.19%

LAB 22.18, -6.66, -0.77

 

CMYK 4 / 25 / 0 / 78

HEX #352937

RGB 53 41 55

HSL 291.43, 0.15%, 0.19%

LAB 18.45, 8.67, -6.9

 

CMYK 0 / 4 / 25 / 78

HEX #373529

RGB 55 53 41

HSL 51.43, 0.15%, 0.19%

LAB 22.01, -1.57, 7.9

 

CMYK 27 / 0 / 4 / 78

HEX #293836

RGB 41 56 54

HSL 172, 0.15%, 0.19%

LAB 22.18, -6.66, -0.77

 

CMYK 24 / 25 / 0 / 78

HEX #2A2937

RGB 42 41 55

HSL 244.29, 0.15%, 0.19%

LAB 17.24, 4.15, -8.84

 

CMYK 0 / 25 / 22 / 78

HEX #37292B

RGB 55 41 43

HSL 351.43, 0.15%, 0.19%

LAB 18.24, 6.9, 1.2

 

CMYK 2 / 0 / 25 / 78

HEX #363729

RGB 54 55 41

HSL 64.29, 0.15%, 0.19%

LAB 22.57, -3.35, 8.66

 

CMYK 27 / 0 / 4 / 78

HEX #293836

RGB 41 56 54

HSL 172, 0.15%, 0.19%

LAB 22.18, -6.66, -0.77

 

CMYK 16 / 25 / 0 / 78

HEX #2E2937

RGB 46 41 55

HSL 261.43, 0.15%, 0.19%

LAB 17.66, 5.76, -8.17

 

CMYK 0 / 25 / 22 / 78

HEX #37292B

RGB 55 41 43

HSL 351.43, 0.15%, 0.19%

LAB 18.24, 6.9, 1.2

 

CMYK 9 / 0 / 25 / 78

HEX #323729

RGB 50 55 41

HSL 81.43, 0.15%, 0.19%

LAB 22.2, -5.21, 8.08

 

Description

Color code: CMYK 27 / 0 / 4 / 78 | qconv.com Color code: CMYK 27 / 0 / 4 / 78 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 56 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 56 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 4 yellow and 78 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 4% 78% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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