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Color name
CMYK 28 / 0 / 41 / 25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 28 / 0 / 41 / 25 it is the complementary color CMYK 18 / 55 / 0 / 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 28 / 0 / 41 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 28 / 0 / 41 / 25 shade: CMYK 25 / 0 / 43 / 25, CMYK 23 / 0 / 39 / 18, CMYK 22 / 0 / 36 / 11, CMYK 21 / 0 / 33 / 4 and CMYK 17 / 0 / 28 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 28 / 0 / 41 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 28 / 0 / 41 / 25 shade: CMYK 28 / 0 / 41 / 25, CMYK 30 / 0 / 46 / 32, CMYK 33 / 0 / 52 / 39, CMYK 36 / 0 / 59 / 46 and CMYK 41 / 0 / 69 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 28 / 0 / 41 / 25 shade: CMYK 27 / 0 / 40 / 25, CMYK 17 / 0 / 40 / 25, CMYK 6 / 0 / 40 / 25, CMYK 0 / 5 / 40 / 25 and CMYK 0 / 16 / 40 / 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 28 / 0 / 41 / 25 shade: CMYK 27 / 0 / 40 / 25, CMYK 38 / 0 / 40 / 25, CMYK 40 / 0 / 31 / 25, CMYK 40 / 0 / 20 / 25 and CMYK 40 / 0 / 9 / 25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 28 / 0 / 41 / 25 shade matches the following richer shades: CMYK 27 / 0 / 40 / 25, CMYK 36 / 0 / 53 / 18, CMYK 43 / 0 / 64 / 12 and CMYK 50 / 0 / 73 / 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 28 / 0 / 41 / 25 shade: CMYK 27 / 0 / 40 / 25, CMYK 17 / 0 / 26 / 31, CMYK 5 / 0 / 7 / 38, CMYK 4 / 13 / 0 / 36 and CMYK 10 / 31 / 0 / 29

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 28 / 0 / 41 / 25 shade: CMYK 5 / 0 / 40 / 25, CMYK 16 / 0 / 40 / 25, CMYK 27 / 0 / 40 / 25, CMYK 38 / 0 / 40 / 25 and CMYK 40 / 0 / 32 / 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 28 / 0 / 41 / 25 shade: CMYK 38 / 0 / 55 / 40, CMYK 35 / 0 / 52 / 30, CMYK 27 / 0 / 40 / 25, CMYK 21 / 0 / 30 / 20 and CMYK 15 / 0 / 21 / 15

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 28 / 0 / 41 / 25 shade: CMYK 28 / 0 / 41 / 25, CMYK 40 / 0 / 5 / 25 and CMYK 0 / 40 / 10 / 25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 28 / 0 / 41 / 25 shade: CMYK 28 / 0 / 41 / 25, CMYK 40 / 27 / 0 / 25 and CMYK 0 / 40 / 27 / 25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 28 / 0 / 41 / 25 shade: CMYK 28 / 0 / 41 / 25, CMYK 40 / 0 / 5 / 25, CMYK 14 / 40 / 0 / 25 and CMYK 0 / 40 / 35 / 25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 28 / 0 / 41 / 25 shade: CMYK 28 / 0 / 41 / 25, CMYK 40 / 7 / 0 / 25, CMYK 14 / 40 / 0 / 25 and CMYK 0 / 34 / 40 / 25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 41 / 25

HEX #8ABF71

RGB 138 191 113

HSL 100.77, 0.38%, 0.6%

LAB 72.13, -31.71, 33.89

 

Complementary color

CMYK 18 / 55 / 0 / 44

HEX #75408E

RGB 117 64 142

HSL 280.77, 0.38%, 0.4%

LAB 36.75, 37.03, -34.19

 

CMYK 25 / 0 / 43 / 25

HEX #8FBF6C

RGB 143 191 108

HSL 94.7, 0.39%, 0.59%

LAB 72.35, -30.6, 36.79

 

CMYK 23 / 0 / 39 / 18

HEX #A0D17F

RGB 160 209 127

HSL 95.85, 0.47%, 0.66%

LAB 78.81, -30.5, 35.61

 

CMYK 22 / 0 / 36 / 11

HEX #B1E392

RGB 177 227 146

HSL 97.04, 0.59%, 0.73%

LAB 85.18, -30.38, 34.47

 

CMYK 21 / 0 / 33 / 4

HEX #C2F5A5

RGB 194 245 165

HSL 98.25, 0.8%, 0.8%

LAB 91.46, -30.26, 33.38

 

CMYK 17 / 0 / 28 / 0

HEX #D3FFB8

RGB 211 255 184

HSL 97.18, 1%, 0.86%

LAB 95.51, -26.38, 29.45

 

CMYK 28 / 0 / 41 / 25

HEX #8ABF71

RGB 138 191 113

HSL 100.77, 0.38%, 0.6%

LAB 72.13, -31.71, 33.89

 

CMYK 30 / 0 / 46 / 32

HEX #79AD5E

RGB 121 173 94

HSL 99.49, 0.33%, 0.52%

LAB 65.56, -31.85, 35.11

 

CMYK 33 / 0 / 52 / 39

HEX #689B4B

RGB 104 155 75

HSL 98.25, 0.35%, 0.45%

LAB 58.88, -31.93, 36.34

 

CMYK 36 / 0 / 59 / 46

HEX #578938

RGB 87 137 56

HSL 97.04, 0.42%, 0.38%

LAB 52.07, -31.93, 37.52

 

CMYK 41 / 0 / 69 / 53

HEX #467725

RGB 70 119 37

HSL 95.85, 0.53%, 0.31%

LAB 45.12, -31.77, 38.48

 

CMYK 27 / 0 / 40 / 25

HEX #8BBF72

RGB 139 191 114

HSL 100.52, 0.38%, 0.6%

LAB 72.21, -31.22, 33.48

 

CMYK 17 / 0 / 40 / 25

HEX #9FBF72

RGB 159 191 114

HSL 84.94, 0.38%, 0.6%

LAB 73.45, -23.89, 35.33

 

CMYK 6 / 0 / 40 / 25

HEX #B4BF72

RGB 180 191 114

HSL 68.57, 0.38%, 0.6%

LAB 74.94, -15.76, 37.53

 

CMYK 0 / 5 / 40 / 25

HEX #BFB572

RGB 191 181 114

HSL 52.21, 0.38%, 0.6%

LAB 73.11, -6.18, 35.39

 

CMYK 0 / 16 / 40 / 25

HEX #BFA072

RGB 191 160 114

HSL 35.84, 0.38%, 0.6%

LAB 67.6, 5.04, 28.24

 

CMYK 27 / 0 / 40 / 25

HEX #8BBF72

RGB 139 191 114

HSL 100.52, 0.38%, 0.6%

LAB 72.21, -31.22, 33.48

 

CMYK 38 / 0 / 40 / 25

HEX #76BF72

RGB 118 191 114

HSL 116.88, 0.38%, 0.6%

LAB 71.1, -38.27, 31.83

 

CMYK 40 / 0 / 31 / 25

HEX #72BF83

RGB 114 191 131

HSL 133.25, 0.38%, 0.6%

LAB 71.2, -36.69, 23

 

CMYK 40 / 0 / 20 / 25

HEX #72BF98

RGB 114 191 152

HSL 149.61, 0.38%, 0.6%

LAB 71.63, -32.65, 12.3

 

CMYK 40 / 0 / 9 / 25

HEX #72BFAD

RGB 114 191 173

HSL 165.97, 0.38%, 0.6%

LAB 72.13, -28.06, 1.6

 

CMYK 27 / 0 / 40 / 25

HEX #8BBF72

RGB 139 191 114

HSL 100.52, 0.38%, 0.6%

LAB 72.21, -31.22, 33.48

 

CMYK 36 / 0 / 53 / 18

HEX #85D061

RGB 133 208 97

HSL 100.54, 0.54%, 0.6%

LAB 76.66, -43.1, 47.34

 

CMYK 43 / 0 / 64 / 12

HEX #7FE051

RGB 127 224 81

HSL 100.7, 0.7%, 0.6%

LAB 80.97, -53.24, 59.25

 

CMYK 50 / 0 / 73 / 5

HEX #79F140

RGB 121 241 64

HSL 100.68, 0.86%, 0.6%

LAB 85.68, -62.75, 70.37

 

CMYK 27 / 0 / 40 / 25

HEX #8BBF72

RGB 139 191 114

HSL 100.52, 0.38%, 0.6%

LAB 72.21, -31.22, 33.48

 

CMYK 17 / 0 / 26 / 31

HEX #91AF82

RGB 145 175 130

HSL 100, 0.22%, 0.6%

LAB 68.23, -18.77, 19.78

 

CMYK 5 / 0 / 7 / 38

HEX #969E93

RGB 150 158 147

HSL 103.64, 0.05%, 0.6%

LAB 64.2, -4.98, 4.75

 

CMYK 4 / 13 / 0 / 36

HEX #9C8EA3

RGB 156 142 163

HSL 280, 0.1%, 0.6%

LAB 60.83, 9.23, -9.17

 

CMYK 10 / 31 / 0 / 29

HEX #A27DB4

RGB 162 125 180

HSL 280.36, 0.27%, 0.6%

LAB 57.7, 24.55, -23.57

 

CMYK 5 / 0 / 40 / 25

HEX #B5BF72

RGB 181 191 114

HSL 67.79, 0.38%, 0.6%

LAB 75.01, -15.36, 37.64

 

CMYK 16 / 0 / 40 / 25

HEX #A0BF72

RGB 160 191 114

HSL 84.16, 0.38%, 0.6%

LAB 73.51, -23.52, 35.42

 

CMYK 27 / 0 / 40 / 25

HEX #8CBF72

RGB 140 191 114

HSL 99.74, 0.38%, 0.6%

LAB 72.26, -30.87, 33.57

 

CMYK 38 / 0 / 40 / 25

HEX #77BF72

RGB 119 191 114

HSL 116.1, 0.38%, 0.6%

LAB 71.14, -37.95, 31.9

 

CMYK 40 / 0 / 32 / 25

HEX #72BF81

RGB 114 191 129

HSL 131.69, 0.38%, 0.6%

LAB 71.16, -37.04, 24.01

 

CMYK 38 / 0 / 55 / 40

HEX #609A45

RGB 96 154 69

HSL 100.94, 0.38%, 0.44%

LAB 58.06, -35.04, 38.27

 

CMYK 35 / 0 / 52 / 30

HEX #73B255

RGB 115 178 85

HSL 100.65, 0.38%, 0.52%

LAB 66.63, -37.38, 40.87

 

CMYK 27 / 0 / 40 / 25

HEX #8BBF72

RGB 139 191 114

HSL 100.52, 0.38%, 0.6%

LAB 72.21, -31.22, 33.48

 

CMYK 21 / 0 / 30 / 20

HEX #A2CC8E

RGB 162 204 142

HSL 100.65, 0.38%, 0.68%

LAB 77.77, -25.23, 26.51

 

CMYK 15 / 0 / 21 / 15

HEX #B9D9AB

RGB 185 217 171

HSL 101.74, 0.38%, 0.76%

LAB 83.38, -18.97, 19.22

 

CMYK 28 / 0 / 41 / 25

HEX #8ABF71

RGB 138 191 113

HSL 100.77, 0.38%, 0.6%

LAB 72.13, -31.71, 33.89

 

CMYK 40 / 0 / 5 / 25

HEX #72BFB5

RGB 114 191 181

HSL 172.21, 0.38%, 0.6%

LAB 72.35, -26.17, -2.45

 

CMYK 0 / 40 / 10 / 25

HEX #BF72AB

RGB 191 114 171

HSL 315.58, 0.38%, 0.6%

LAB 58.09, 38.55, -17.53

 

CMYK 28 / 0 / 41 / 25

HEX #8ABF71

RGB 138 191 113

HSL 100.77, 0.38%, 0.6%

LAB 72.13, -31.71, 33.89

 

CMYK 40 / 27 / 0 / 25

HEX #728CBF

RGB 114 140 191

HSL 219.74, 0.38%, 0.6%

LAB 58.13, 3.9, -29.49

 

CMYK 0 / 40 / 27 / 25

HEX #BF728C

RGB 191 114 140

HSL 339.74, 0.38%, 0.6%

LAB 57.08, 33.69, -1.09

 

CMYK 28 / 0 / 41 / 25

HEX #8ABF71

RGB 138 191 113

HSL 100.77, 0.38%, 0.6%

LAB 72.13, -31.71, 33.89

 

CMYK 40 / 0 / 5 / 25

HEX #72BFB5

RGB 114 191 181

HSL 172.21, 0.38%, 0.6%

LAB 72.35, -26.17, -2.45

 

CMYK 14 / 40 / 0 / 25

HEX #A572BF

RGB 165 114 191

HSL 279.74, 0.38%, 0.6%

LAB 55.88, 34.11, -32.65

 

CMYK 0 / 40 / 35 / 25

HEX #BF727C

RGB 191 114 124

HSL 352.21, 0.38%, 0.6%

LAB 56.65, 31.55, 7.6

 

CMYK 28 / 0 / 41 / 25

HEX #8ABF71

RGB 138 191 113

HSL 100.77, 0.38%, 0.6%

LAB 72.13, -31.71, 33.89

 

CMYK 40 / 7 / 0 / 25

HEX #72B2BF

RGB 114 178 191

HSL 190.13, 0.38%, 0.6%

LAB 68.88, -17.08, -13.08

 

CMYK 14 / 40 / 0 / 25

HEX #A572BF

RGB 165 114 191

HSL 279.74, 0.38%, 0.6%

LAB 55.88, 34.11, -32.65

 

CMYK 0 / 34 / 40 / 25

HEX #BF7F72

RGB 191 127 114

HSL 10.13, 0.38%, 0.6%

LAB 59.41, 23.21, 17.22

 

Description

Color code: CMYK 28 / 0 / 41 / 25 | qconv.com Color code: CMYK 28 / 0 / 41 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 191 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 191 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 41 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 41% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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