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Color name
CMYK 29 / 0 / 94 / 6

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 29 / 0 / 94 / 6 it is the complementary color CMYK 65 / 94 / 0 / 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 29 / 0 / 94 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 29 / 0 / 94 / 6 shade: CMYK 27 / 0 / 96 / 6, CMYK 25 / 0 / 89 / 0, CMYK 18 / 0 / 82 / 0, CMYK 11 / 0 / 74 / 0 and CMYK 5 / 0 / 67 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 29 / 0 / 94 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 29 / 0 / 94 / 6 shade: CMYK 29 / 0 / 94 / 6, CMYK 31 / 0 / 100 / 13, CMYK 33 / 0 / 100 / 20, CMYK 36 / 0 / 100 / 27 and CMYK 39 / 0 / 100 / 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 29 / 0 / 94 / 6 shade: CMYK 29 / 0 / 94 / 6, CMYK 4 / 0 / 94 / 6, CMYK 0 / 22 / 94 / 6, CMYK 0 / 47 / 94 / 6 and CMYK 0 / 73 / 94 / 6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 29 / 0 / 94 / 6 shade: CMYK 29 / 0 / 94 / 6, CMYK 55 / 0 / 94 / 6, CMYK 80 / 0 / 94 / 6, CMYK 94 / 0 / 83 / 6 and CMYK 94 / 0 / 58 / 6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 29 / 0 / 94 / 6 shade matches the following richer shades: CMYK 29 / 0 / 94 / 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 29 / 0 / 94 / 6 shade: CMYK 29 / 0 / 94 / 6, CMYK 26 / 0 / 85 / 14, CMYK 23 / 0 / 72 / 22, CMYK 18 / 0 / 58 / 30 and CMYK 12 / 0 / 39 / 38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 29 / 0 / 94 / 6 shade: CMYK 0 / 22 / 94 / 6, CMYK 3 / 0 / 94 / 6, CMYK 28 / 0 / 94 / 6, CMYK 53 / 0 / 94 / 6 and CMYK 79 / 0 / 94 / 6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 29 / 0 / 94 / 6 shade: CMYK 29 / 0 / 94 / 36, CMYK 29 / 0 / 95 / 21, CMYK 29 / 0 / 94 / 6, CMYK 24 / 0 / 78 / 5 and CMYK 20 / 0 / 62 / 4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 29 / 0 / 94 / 6 shade: CMYK 29 / 0 / 94 / 6, CMYK 94 / 0 / 47 / 6 and CMYK 9 / 94 / 0 / 6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 29 / 0 / 94 / 6 shade: CMYK 29 / 0 / 94 / 6, CMYK 94 / 28 / 0 / 6 and CMYK 0 / 94 / 28 / 6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 29 / 0 / 94 / 6 shade: CMYK 29 / 0 / 94 / 6, CMYK 94 / 0 / 47 / 6, CMYK 66 / 94 / 0 / 6 and CMYK 0 / 94 / 47 / 6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 29 / 0 / 94 / 6 shade: CMYK 29 / 0 / 94 / 6, CMYK 94 / 0 / 19 / 6, CMYK 66 / 94 / 0 / 6 and CMYK 0 / 94 / 75 / 6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 94 / 6

HEX #AAF00E

RGB 170 240 14

HSL 78.58, 0.89%, 0.5%

LAB 87.44, -48.18, 83.58

 

Complementary color

CMYK 65 / 94 / 0 / 5

HEX #550FF1

RGB 85 15 241

HSL 258.58, 0.89%, 0.5%

LAB 35.25, 75.47, -94.95

 

CMYK 27 / 0 / 96 / 6

HEX #AFF009

RGB 175 240 9

HSL 76.88, 0.93%, 0.49%

LAB 87.71, -46.39, 84.34

 

CMYK 25 / 0 / 89 / 0

HEX #C0FF1C

RGB 192 255 28

HSL 76.65, 1%, 0.55%

LAB 92.93, -46.15, 86.77

 

CMYK 18 / 0 / 82 / 0

HEX #D1FF2F

RGB 209 255 47

HSL 73.27, 1%, 0.59%

LAB 94, -39.2, 84.45

 

CMYK 11 / 0 / 74 / 0

HEX #E2FF42

RGB 226 255 66

HSL 69.21, 1%, 0.63%

LAB 95.2, -31.86, 80.81

 

CMYK 5 / 0 / 67 / 0

HEX #F3FF55

RGB 243 255 85

HSL 64.24, 1%, 0.67%

LAB 96.5, -24.21, 76.11

 

CMYK 29 / 0 / 94 / 6

HEX #AAF00E

RGB 170 240 14

HSL 78.58, 0.89%, 0.5%

LAB 87.44, -48.18, 83.58

 

CMYK 31 / 0 / 100 / 13

HEX #99DE00

RGB 153 222 0

HSL 78.65, 1%, 0.44%

LAB 81.3, -47.03, 79.61

 

CMYK 33 / 0 / 100 / 20

HEX #88CC00

RGB 136 204 0

HSL 80, 1%, 0.4%

LAB 75.09, -45.71, 74.44

 

CMYK 36 / 0 / 100 / 27

HEX #77BA00

RGB 119 186 0

HSL 81.61, 1%, 0.36%

LAB 68.78, -44.36, 69.19

 

CMYK 39 / 0 / 100 / 34

HEX #66A800

RGB 102 168 0

HSL 83.57, 1%, 0.33%

LAB 62.36, -42.97, 63.86

 

CMYK 29 / 0 / 94 / 6

HEX #AAF00E

RGB 170 240 14

HSL 78.58, 0.89%, 0.5%

LAB 87.44, -48.18, 83.58

 

CMYK 4 / 0 / 94 / 6

HEX #E7F00E

RGB 231 240 14

HSL 62.39, 0.89%, 0.5%

LAB 91.39, -24.19, 88.35

 

CMYK 0 / 22 / 94 / 6

HEX #F0BC0E

RGB 240 188 14

HSL 46.19, 0.89%, 0.5%

LAB 78.77, 5.64, 79.3

 

CMYK 0 / 47 / 94 / 6

HEX #F07F0E

RGB 240 127 14

HSL 30, 0.89%, 0.5%

LAB 64.75, 37.56, 69.43

 

CMYK 0 / 73 / 94 / 6

HEX #F0420E

RGB 240 66 14

HSL 13.81, 0.89%, 0.5%

LAB 54.5, 64.32, 62.89

 

CMYK 29 / 0 / 94 / 6

HEX #AAF00E

RGB 170 240 14

HSL 78.58, 0.89%, 0.5%

LAB 87.44, -48.18, 83.58

 

CMYK 55 / 0 / 94 / 6

HEX #6DF00E

RGB 109 240 14

HSL 94.78, 0.89%, 0.5%

LAB 84.79, -67.59, 80.35

 

CMYK 80 / 0 / 94 / 6

HEX #30F00E

RGB 48 240 14

HSL 110.97, 0.89%, 0.5%

LAB 83.43, -79.1, 78.68

 

CMYK 94 / 0 / 83 / 6

HEX #0EF028

RGB 14 240 40

HSL 126.9, 0.89%, 0.5%

LAB 83.21, -80.81, 74.08

 

CMYK 94 / 0 / 58 / 6

HEX #0EF066

RGB 14 240 102

HSL 143.36, 0.89%, 0.5%

LAB 83.64, -75.45, 52.64

 

CMYK 29 / 0 / 94 / 6

HEX #AAF00E

RGB 170 240 14

HSL 78.58, 0.89%, 0.5%

LAB 87.44, -48.18, 83.58

 

CMYK 29 / 0 / 94 / 6

HEX #AAF00E

RGB 170 240 14

HSL 78.58, 0.89%, 0.5%

LAB 87.44, -48.18, 83.58

 

CMYK 26 / 0 / 85 / 14

HEX #A2DC22

RGB 162 220 34

HSL 78.71, 0.73%, 0.5%

LAB 81.28, -42.2, 75.29

 

CMYK 23 / 0 / 72 / 22

HEX #9AC737

RGB 154 199 55

HSL 78.75, 0.57%, 0.5%

LAB 74.82, -35.01, 63.26

 

CMYK 18 / 0 / 58 / 30

HEX #93B34B

RGB 147 179 75

HSL 78.46, 0.41%, 0.5%

LAB 68.72, -26.92, 48.54

 

CMYK 12 / 0 / 39 / 38

HEX #8B9E60

RGB 139 158 96

HSL 78.39, 0.24%, 0.5%

LAB 62.33, -17.32, 30.19

 

CMYK 0 / 22 / 94 / 6

HEX #F0BC0E

RGB 240 188 14

HSL 46.19, 0.89%, 0.5%

LAB 78.77, 5.64, 79.3

 

CMYK 3 / 0 / 94 / 6

HEX #E9F00E

RGB 233 240 14

HSL 61.86, 0.89%, 0.5%

LAB 91.54, -23.37, 88.53

 

CMYK 28 / 0 / 94 / 6

HEX #ACF00E

RGB 172 240 14

HSL 78.05, 0.89%, 0.5%

LAB 87.54, -47.44, 83.71

 

CMYK 53 / 0 / 94 / 6

HEX #70F00E

RGB 112 240 14

HSL 93.98, 0.89%, 0.5%

LAB 84.89, -66.79, 80.48

 

CMYK 79 / 0 / 94 / 6

HEX #33F00E

RGB 51 240 14

HSL 110.18, 0.89%, 0.5%

LAB 83.47, -78.74, 78.73

 

CMYK 29 / 0 / 94 / 36

HEX #73A209

RGB 115 162 9

HSL 78.43, 0.89%, 0.34%

LAB 61.22, -35.27, 62.02

 

CMYK 29 / 0 / 95 / 21

HEX #8FC90B

RGB 143 201 11

HSL 78.32, 0.9%, 0.42%

LAB 74.6, -41.67, 73.1

 

CMYK 29 / 0 / 94 / 6

HEX #AAF00E

RGB 170 240 14

HSL 78.58, 0.89%, 0.5%

LAB 87.44, -48.18, 83.58

 

CMYK 24 / 0 / 78 / 5

HEX #B8F335

RGB 184 243 53

HSL 78.63, 0.89%, 0.58%

LAB 89.18, -43.22, 78.07

 

CMYK 20 / 0 / 62 / 4

HEX #C5F55C

RGB 197 245 92

HSL 78.82, 0.88%, 0.66%

LAB 90.76, -37.01, 66.46

 

CMYK 29 / 0 / 94 / 6

HEX #AAF00E

RGB 170 240 14

HSL 78.58, 0.89%, 0.5%

LAB 87.44, -48.18, 83.58

 

CMYK 94 / 0 / 47 / 6

HEX #0EF07F

RGB 14 240 127

HSL 150, 0.89%, 0.5%

LAB 83.94, -71.8, 41.35

 

CMYK 9 / 94 / 0 / 6

HEX #DA0EF0

RGB 218 14 240

HSL 294.16, 0.89%, 0.5%

LAB 53.5, 89.53, -63.76

 

CMYK 29 / 0 / 94 / 6

HEX #AAF00E

RGB 170 240 14

HSL 78.58, 0.89%, 0.5%

LAB 87.44, -48.18, 83.58

 

CMYK 94 / 28 / 0 / 6

HEX #0EACF0

RGB 14 172 240

HSL 198.05, 0.89%, 0.5%

LAB 66.44, -12.41, -43.99

 

CMYK 0 / 94 / 28 / 6

HEX #F00EAC

RGB 240 14 172

HSL 318.05, 0.89%, 0.5%

LAB 53.83, 84.43, -23.96

 

CMYK 29 / 0 / 94 / 6

HEX #AAF00E

RGB 170 240 14

HSL 78.58, 0.89%, 0.5%

LAB 87.44, -48.18, 83.58

 

CMYK 94 / 0 / 47 / 6

HEX #0EF07F

RGB 14 240 127

HSL 150, 0.89%, 0.5%

LAB 83.94, -71.8, 41.35

 

CMYK 66 / 94 / 0 / 6

HEX #520EF0

RGB 82 14 240

HSL 258.05, 0.89%, 0.5%

LAB 34.8, 75.24, -95.14

 

CMYK 0 / 94 / 47 / 6

HEX #F00E7F

RGB 240 14 127

HSL 330, 0.89%, 0.5%

LAB 52.25, 80.25, 0.49

 

CMYK 29 / 0 / 94 / 6

HEX #AAF00E

RGB 170 240 14

HSL 78.58, 0.89%, 0.5%

LAB 87.44, -48.18, 83.58

 

CMYK 94 / 0 / 19 / 6

HEX #0EF0C3

RGB 14 240 195

HSL 168.05, 0.89%, 0.5%

LAB 85.18, -57.73, 8.43

 

CMYK 66 / 94 / 0 / 6

HEX #520EF0

RGB 82 14 240

HSL 258.05, 0.89%, 0.5%

LAB 34.8, 75.24, -95.14

 

CMYK 0 / 94 / 75 / 6

HEX #F00E3B

RGB 240 14 59

HSL 348.05, 0.89%, 0.5%

LAB 50.87, 76.47, 39.65

 

Description

Color code: CMYK 29 / 0 / 94 / 6 | qconv.com Color code: CMYK 29 / 0 / 94 / 6 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 240 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 240 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 94 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 94% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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