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Color name
CMYK 2 / 0 / 31 / 2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 2 / 0 / 31 / 2 it is the complementary color CMYK 88 / 94 / 0 / 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 2 / 0 / 31 / 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 2 / 0 / 31 / 2 shade: CMYK 0 / 0 / 33 / 2, CMYK 0 / 0 / 27 / 0, CMYK 0 / 0 / 20 / 0, CMYK 0 / 0 / 12 / 0 and CMYK 0 / 0 / 5 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 2 / 0 / 31 / 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 2 / 0 / 31 / 2 shade: CMYK 2 / 0 / 31 / 2, CMYK 2 / 0 / 34 / 9, CMYK 1 / 0 / 37 / 16, CMYK 1 / 0 / 41 / 23 and CMYK 1 / 0 / 46 / 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 2 / 0 / 31 / 2 shade: CMYK 2 / 0 / 31 / 2, CMYK 0 / 6 / 31 / 2, CMYK 0 / 15 / 31 / 2, CMYK 0 / 23 / 31 / 2 and CMYK 0 / 31 / 31 / 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 2 / 0 / 31 / 2 shade: CMYK 2 / 0 / 31 / 2, CMYK 10 / 0 / 31 / 2, CMYK 19 / 0 / 31 / 2, CMYK 27 / 0 / 31 / 2 and CMYK 31 / 0 / 26 / 2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 2 / 0 / 31 / 2 shade matches the following richer shades: CMYK 2 / 0 / 31 / 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 2 / 0 / 31 / 2 shade: CMYK 2 / 0 / 31 / 2, CMYK 2 / 0 / 26 / 5, CMYK 1 / 0 / 21 / 7, CMYK 1 / 0 / 15 / 10 and CMYK 1 / 0 / 9 / 13

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 2 / 0 / 31 / 2 shade: CMYK 0 / 15 / 31 / 2, CMYK 0 / 7 / 31 / 2, CMYK 2 / 0 / 31 / 2, CMYK 10 / 0 / 31 / 2 and CMYK 18 / 0 / 31 / 2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 2 / 0 / 31 / 2 shade: CMYK 4 / 0 / 61 / 4, CMYK 3 / 0 / 46 / 3, CMYK 2 / 0 / 31 / 2, CMYK 1 / 0 / 16 / 1 and CMYK 0 / 0 / 1 / 0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 2 / 0 / 31 / 2 shade: CMYK 2 / 0 / 31 / 2, CMYK 31 / 0 / 23 / 2 and CMYK 11 / 31 / 0 / 2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 2 / 0 / 31 / 2 shade: CMYK 2 / 0 / 31 / 2, CMYK 31 / 2 / 0 / 2 and CMYK 0 / 31 / 2 / 2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 2 / 0 / 31 / 2 shade: CMYK 2 / 0 / 31 / 2, CMYK 31 / 0 / 23 / 2, CMYK 30 / 31 / 0 / 2 and CMYK 0 / 31 / 8 / 2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 2 / 0 / 31 / 2 shade: CMYK 2 / 0 / 31 / 2, CMYK 31 / 0 / 14 / 2, CMYK 30 / 31 / 0 / 2 and CMYK 0 / 31 / 17 / 2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 31 / 2

HEX #F5FAAC

RGB 245 250 172

HSL 63.85, 0.89%, 0.83%

LAB 96.31, -13.42, 36.94

 

Complementary color

CMYK 88 / 94 / 0 / 67

HEX #0A0553

RGB 10 5 83

HSL 243.85, 0.89%, 0.17%

LAB 7.2, 31.78, -44.61

 

CMYK 0 / 0 / 33 / 2

HEX #FAFAA7

RGB 250 250 167

HSL 60, 0.89%, 0.82%

LAB 96.61, -12.15, 39.88

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBA

RGB 255 255 186

HSL 60, 1%, 0.86%

LAB 98.56, -10.45, 33.08

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCD

RGB 255 255 205

HSL 60, 1%, 0.9%

LAB 98.9, -7.91, 23.96

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF3

RGB 255 255 243

HSL 60, 1%, 0.98%

LAB 99.71, -2.05, 5.72

 

CMYK 2 / 0 / 31 / 2

HEX #F5FAAC

RGB 245 250 172

HSL 63.85, 0.89%, 0.83%

LAB 96.31, -13.42, 36.94

 

CMYK 2 / 0 / 34 / 9

HEX #E4E899

RGB 228 232 153

HSL 63.04, 0.63%, 0.75%

LAB 90.09, -13.2, 38.04

 

CMYK 1 / 0 / 37 / 16

HEX #D3D686

RGB 211 214 134

HSL 62.25, 0.49%, 0.68%

LAB 83.79, -12.93, 39.17

 

CMYK 1 / 0 / 41 / 23

HEX #C2C473

RGB 194 196 115

HSL 61.48, 0.41%, 0.61%

LAB 77.39, -12.62, 40.35

 

CMYK 1 / 0 / 46 / 30

HEX #B1B260

RGB 177 178 96

HSL 60.73, 0.35%, 0.54%

LAB 70.89, -12.23, 41.55

 

CMYK 2 / 0 / 31 / 2

HEX #F5FAAD

RGB 245 250 173

HSL 63.9, 0.89%, 0.83%

LAB 96.33, -13.3, 36.46

 

CMYK 0 / 6 / 31 / 2

HEX #FAEAAD

RGB 250 234 173

HSL 47.53, 0.89%, 0.83%

LAB 92.66, -3.48, 31.64

 

CMYK 0 / 15 / 31 / 2

HEX #FAD5AD

RGB 250 213 173

HSL 31.17, 0.89%, 0.83%

LAB 87.45, 7.26, 24.58

 

CMYK 0 / 23 / 31 / 2

HEX #FAC0AD

RGB 250 192 173

HSL 14.81, 0.89%, 0.83%

LAB 82.4, 18.21, 17.6

 

CMYK 0 / 31 / 31 / 2

HEX #FAADAD

RGB 250 173 173

HSL 0, 0.89%, 0.83%

LAB 78.01, 28.21, 11.42

 

CMYK 2 / 0 / 31 / 2

HEX #F5FAAD

RGB 245 250 173

HSL 63.9, 0.89%, 0.83%

LAB 96.33, -13.3, 36.46

 

CMYK 10 / 0 / 31 / 2

HEX #E0FAAD

RGB 224 250 173

HSL 80.26, 0.89%, 0.83%

LAB 94.84, -20.97, 34.22

 

CMYK 19 / 0 / 31 / 2

HEX #CBFAAD

RGB 203 250 173

HSL 96.62, 0.89%, 0.83%

LAB 93.49, -28.37, 32.17

 

CMYK 27 / 0 / 31 / 2

HEX #B6FAAD

RGB 182 250 173

HSL 112.99, 0.89%, 0.83%

LAB 92.28, -35.39, 30.34

 

CMYK 31 / 0 / 26 / 2

HEX #ADFAB8

RGB 173 250 184

HSL 128.57, 0.89%, 0.83%

LAB 92.01, -36.45, 24.31

 

CMYK 2 / 0 / 31 / 2

HEX #F5FAAD

RGB 245 250 173

HSL 63.9, 0.89%, 0.83%

LAB 96.33, -13.3, 36.46

 

CMYK 2 / 0 / 31 / 2

HEX #F5FAAD

RGB 245 250 173

HSL 63.9, 0.89%, 0.83%

LAB 96.33, -13.3, 36.46

 

CMYK 2 / 0 / 26 / 5

HEX #EFF3B4

RGB 239 243 180

HSL 63.81, 0.72%, 0.83%

LAB 94.2, -11.17, 30.02

 

CMYK 1 / 0 / 21 / 7

HEX #E9ECBB

RGB 233 236 187

HSL 63.67, 0.56%, 0.83%

LAB 92.09, -8.91, 23.49

 

CMYK 1 / 0 / 15 / 10

HEX #E2E5C2

RGB 226 229 194

HSL 65.14, 0.4%, 0.83%

LAB 89.91, -6.86, 16.75

 

CMYK 1 / 0 / 9 / 13

HEX #DCDEC9

RGB 220 222 201

HSL 65.71, 0.24%, 0.83%

LAB 87.81, -4.3, 10.06

 

CMYK 0 / 15 / 31 / 2

HEX #FAD4AD

RGB 250 212 173

HSL 30.39, 0.89%, 0.83%

LAB 87.21, 7.77, 24.25

 

CMYK 0 / 7 / 31 / 2

HEX #FAE9AD

RGB 250 233 173

HSL 46.75, 0.89%, 0.83%

LAB 92.41, -2.97, 31.3

 

CMYK 2 / 0 / 31 / 2

HEX #F6FAAD

RGB 246 250 173

HSL 63.12, 0.89%, 0.83%

LAB 96.4, -12.93, 36.58

 

CMYK 10 / 0 / 31 / 2

HEX #E1FAAD

RGB 225 250 173

HSL 79.48, 0.89%, 0.83%

LAB 94.91, -20.61, 34.32

 

CMYK 18 / 0 / 31 / 2

HEX #CDFAAD

RGB 205 250 173

HSL 95.06, 0.89%, 0.83%

LAB 93.61, -27.68, 32.36

 

CMYK 4 / 0 / 61 / 4

HEX #ECF55F

RGB 236 245 95

HSL 63.6, 0.88%, 0.67%

LAB 93.43, -21.66, 68.92

 

CMYK 3 / 0 / 46 / 3

HEX #F0F786

RGB 240 247 134

HSL 63.72, 0.88%, 0.75%

LAB 94.64, -17.96, 53.2

 

CMYK 2 / 0 / 31 / 2

HEX #F5FAAD

RGB 245 250 173

HSL 63.9, 0.89%, 0.83%

LAB 96.33, -13.3, 36.46

 

CMYK 1 / 0 / 16 / 1

HEX #F9FCD4

RGB 249 252 212

HSL 64.5, 0.87%, 0.91%

LAB 97.84, -7.53, 18.85

 

CMYK 0 / 0 / 1 / 0

HEX #FEFEFB

RGB 254 254 251

HSL 60, 0.6%, 0.99%

LAB 99.58, -0.52, 1.42

 

CMYK 2 / 0 / 31 / 2

HEX #F5FAAC

RGB 245 250 172

HSL 63.85, 0.89%, 0.83%

LAB 96.31, -13.42, 36.94

 

CMYK 31 / 0 / 23 / 2

HEX #ADFAC0

RGB 173 250 192

HSL 134.81, 0.89%, 0.83%

LAB 92.16, -35.07, 20.44

 

CMYK 11 / 31 / 0 / 2

HEX #DFADFA

RGB 223 173 250

HSL 278.96, 0.89%, 0.83%

LAB 77.57, 31.8, -31.3

 

CMYK 2 / 0 / 31 / 2

HEX #F5FAAC

RGB 245 250 172

HSL 63.85, 0.89%, 0.83%

LAB 96.31, -13.42, 36.94

 

CMYK 31 / 2 / 0 / 2

HEX #ADF6FA

RGB 173 246 250

HSL 183.12, 0.89%, 0.83%

LAB 92.44, -21.45, -9.15

 

CMYK 0 / 31 / 2 / 2

HEX #FAADF6

RGB 250 173 246

HSL 303.12, 0.89%, 0.83%

LAB 80.1, 39.44, -25.03

 

CMYK 2 / 0 / 31 / 2

HEX #F5FAAC

RGB 245 250 172

HSL 63.85, 0.89%, 0.83%

LAB 96.31, -13.42, 36.94

 

CMYK 31 / 0 / 23 / 2

HEX #ADFAC0

RGB 173 250 192

HSL 134.81, 0.89%, 0.83%

LAB 92.16, -35.07, 20.44

 

CMYK 30 / 31 / 0 / 2

HEX #B0ADFA

RGB 176 173 250

HSL 242.34, 0.89%, 0.83%

LAB 73.56, 17.88, -37.82

 

CMYK 0 / 31 / 8 / 2

HEX #FAADE6

RGB 250 173 230

HSL 315.58, 0.89%, 0.83%

LAB 79.57, 36.67, -17.21

 

CMYK 2 / 0 / 31 / 2

HEX #F5FAAC

RGB 245 250 172

HSL 63.85, 0.89%, 0.83%

LAB 96.31, -13.42, 36.94

 

CMYK 31 / 0 / 14 / 2

HEX #ADFAD7

RGB 173 250 215

HSL 152.73, 0.89%, 0.83%

LAB 92.65, -30.78, 9.3

 

CMYK 30 / 31 / 0 / 2

HEX #B0ADFA

RGB 176 173 250

HSL 242.34, 0.89%, 0.83%

LAB 73.56, 17.88, -37.82

 

CMYK 0 / 31 / 17 / 2

HEX #FAADCF

RGB 250 173 207

HSL 333.51, 0.89%, 0.83%

LAB 78.88, 32.98, -5.79

 

Description

Color code: CMYK 2 / 0 / 31 / 2 | qconv.com Color code: CMYK 2 / 0 / 31 / 2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 250 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 250 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 31 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 31% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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