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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 31 / 0 / 83 / 22 it is the complementary color CMYK 47 / 75 / 0 / 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 31 / 0 / 83 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 31 / 0 / 83 / 22 shade: CMYK 29 / 0 / 85 / 22, CMYK 27 / 0 / 78 / 15, CMYK 25 / 0 / 71 / 8, CMYK 24 / 0 / 66 / 1 and CMYK 18 / 0 / 59 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 31 / 0 / 83 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 31 / 0 / 83 / 22 shade: CMYK 31 / 0 / 83 / 22, CMYK 34 / 0 / 92 / 29, CMYK 37 / 0 / 100 / 36, CMYK 41 / 0 / 100 / 43 and CMYK 46 / 0 / 100 / 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 31 / 0 / 83 / 22 shade: CMYK 32 / 0 / 83 / 22, CMYK 9 / 0 / 83 / 22, CMYK 0 / 14 / 83 / 22, CMYK 0 / 36 / 83 / 22 and CMYK 0 / 59 / 83 / 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 31 / 0 / 83 / 22 shade: CMYK 32 / 0 / 83 / 22, CMYK 54 / 0 / 83 / 22, CMYK 76 / 0 / 83 / 22, CMYK 83 / 0 / 68 / 22 and CMYK 83 / 0 / 46 / 22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 31 / 0 / 83 / 22 shade matches the following richer shades: CMYK 32 / 0 / 83 / 22 and CMYK 35 / 0 / 93 / 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 31 / 0 / 83 / 22 shade: CMYK 32 / 0 / 83 / 22, CMYK 27 / 0 / 71 / 29, CMYK 21 / 0 / 56 / 36, CMYK 14 / 0 / 37 / 44 and CMYK 4 / 0 / 12 / 51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 31 / 0 / 83 / 22 shade: CMYK 0 / 14 / 83 / 22, CMYK 9 / 0 / 83 / 22, CMYK 31 / 0 / 83 / 22, CMYK 53 / 0 / 83 / 22 and CMYK 75 / 0 / 83 / 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 31 / 0 / 83 / 22 shade: CMYK 32 / 0 / 83 / 49, CMYK 32 / 0 / 83 / 35, CMYK 32 / 0 / 83 / 22, CMYK 29 / 0 / 76 / 13 and CMYK 23 / 0 / 60 / 11

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 31 / 0 / 83 / 22 shade: CMYK 31 / 0 / 83 / 22, CMYK 83 / 0 / 36 / 22 and CMYK 3 / 83 / 0 / 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 31 / 0 / 83 / 22 shade: CMYK 31 / 0 / 83 / 22, CMYK 83 / 31 / 0 / 22 and CMYK 0 / 83 / 31 / 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 31 / 0 / 83 / 22 shade: CMYK 31 / 0 / 83 / 22, CMYK 83 / 0 / 36 / 22, CMYK 53 / 83 / 0 / 22 and CMYK 0 / 83 / 47 / 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 31 / 0 / 83 / 22 shade: CMYK 31 / 0 / 83 / 22, CMYK 83 / 0 / 11 / 22, CMYK 53 / 83 / 0 / 22 and CMYK 0 / 83 / 72 / 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 83 / 22

HEX #89C722

RGB 137 199 34

HSL 82.55, 0.71%, 0.46%

LAB 73.73, -42.48, 68.19

 

Complementary color

CMYK 47 / 75 / 0 / 13

HEX #7638DD

RGB 118 56 221

HSL 262.55, 0.71%, 0.54%

LAB 41.06, 60.76, -73.87

 

CMYK 29 / 0 / 85 / 22

HEX #8EC71D

RGB 142 199 29

HSL 80.12, 0.75%, 0.45%

LAB 73.99, -40.77, 69.68

 

CMYK 27 / 0 / 78 / 15

HEX #9FD930

RGB 159 217 48

HSL 80.59, 0.69%, 0.52%

LAB 80.3, -41.49, 70.81

 

CMYK 25 / 0 / 71 / 8

HEX #B0EB43

RGB 176 235 67

HSL 81.07, 0.81%, 0.59%

LAB 86.53, -42.04, 71.07

 

CMYK 24 / 0 / 66 / 1

HEX #C1FD56

RGB 193 253 86

HSL 81.56, 0.98%, 0.66%

LAB 92.69, -42.46, 70.78

 

CMYK 18 / 0 / 59 / 0

HEX #D2FF69

RGB 210 255 105

HSL 78, 1%, 0.71%

LAB 94.42, -35.67, 65.36

 

CMYK 31 / 0 / 83 / 22

HEX #89C722

RGB 137 199 34

HSL 82.55, 0.71%, 0.46%

LAB 73.73, -42.48, 68.19

 

CMYK 34 / 0 / 92 / 29

HEX #78B50F

RGB 120 181 15

HSL 82.05, 0.85%, 0.38%

LAB 67.33, -41.61, 66.22

 

CMYK 37 / 0 / 100 / 36

HEX #67A300

RGB 103 163 0

HSL 82.09, 1%, 0.32%

LAB 60.85, -40.49, 62.71

 

CMYK 41 / 0 / 100 / 43

HEX #569100

RGB 86 145 0

HSL 84.41, 1%, 0.28%

LAB 54.27, -39.06, 57.23

 

CMYK 46 / 0 / 100 / 50

HEX #457F00

RGB 69 127 0

HSL 87.4, 1%, 0.25%

LAB 47.55, -37.54, 51.65

 

CMYK 32 / 0 / 83 / 22

HEX #89C822

RGB 137 200 34

HSL 82.77, 0.71%, 0.46%

LAB 74.02, -42.91, 68.46

 

CMYK 9 / 0 / 83 / 22

HEX #B6C822

RGB 182 200 34

HSL 66.51, 0.71%, 0.46%

LAB 76.9, -25.02, 72.07

 

CMYK 0 / 14 / 83 / 22

HEX #C8AD22

RGB 200 173 34

HSL 50.24, 0.71%, 0.46%

LAB 71.06, -3.57, 67.71

 

CMYK 0 / 36 / 83 / 22

HEX #C88022

RGB 200 128 34

HSL 33.98, 0.71%, 0.46%

LAB 59.74, 20.75, 57.98

 

CMYK 0 / 59 / 83 / 22

HEX #C85322

RGB 200 83 34

HSL 17.71, 0.71%, 0.46%

LAB 50.19, 44.18, 49.54

 

CMYK 32 / 0 / 83 / 22

HEX #89C822

RGB 137 200 34

HSL 82.77, 0.71%, 0.46%

LAB 74.02, -42.91, 68.46

 

CMYK 54 / 0 / 83 / 22

HEX #5DC822

RGB 93 200 34

HSL 98.67, 0.71%, 0.46%

LAB 72.06, -57.28, 65.97

 

CMYK 76 / 0 / 83 / 22

HEX #30C822

RGB 48 200 34

HSL 114.94, 0.71%, 0.46%

LAB 70.91, -66.85, 64.49

 

CMYK 83 / 0 / 68 / 22

HEX #22C840

RGB 34 200 64

HSL 130.84, 0.71%, 0.46%

LAB 70.88, -66.39, 54.48

 

CMYK 83 / 0 / 46 / 22

HEX #22C86D

RGB 34 200 109

HSL 147.11, 0.71%, 0.46%

LAB 71.39, -60.31, 34.29

 

CMYK 32 / 0 / 83 / 22

HEX #89C822

RGB 137 200 34

HSL 82.77, 0.71%, 0.46%

LAB 74.02, -42.91, 68.46

 

CMYK 35 / 0 / 93 / 14

HEX #8EDB0F

RGB 142 219 15

HSL 82.65, 0.87%, 0.46%

LAB 79.87, -49.55, 76.83

 

CMYK 32 / 0 / 83 / 22

HEX #89C822

RGB 137 200 34

HSL 82.77, 0.71%, 0.46%

LAB 74.02, -42.91, 68.46

 

CMYK 27 / 0 / 71 / 29

HEX #85B534

RGB 133 181 52

HSL 82.33, 0.55%, 0.46%

LAB 68.23, -35.11, 57.38

 

CMYK 21 / 0 / 56 / 36

HEX #80A247

RGB 128 162 71

HSL 82.42, 0.39%, 0.46%

LAB 62.41, -26.58, 42.86

 

CMYK 14 / 0 / 37 / 44

HEX #7B8F5A

RGB 123 143 90

HSL 82.64, 0.23%, 0.46%

LAB 56.68, -16.68, 25.89

 

CMYK 4 / 0 / 12 / 51

HEX #777C6D

RGB 119 124 109

HSL 80, 0.06%, 0.46%

LAB 51.2, -4.8, 7.55

 

CMYK 0 / 14 / 83 / 22

HEX #C8AC22

RGB 200 172 34

HSL 49.88, 0.71%, 0.46%

LAB 70.8, -3.04, 67.48

 

CMYK 9 / 0 / 83 / 22

HEX #B7C822

RGB 183 200 34

HSL 66.14, 0.71%, 0.46%

LAB 76.98, -24.6, 72.16

 

CMYK 31 / 0 / 83 / 22

HEX #8BC822

RGB 139 200 34

HSL 82.05, 0.71%, 0.46%

LAB 74.13, -42.16, 68.59

 

CMYK 53 / 0 / 83 / 22

HEX #5FC822

RGB 95 200 34

HSL 97.95, 0.71%, 0.46%

LAB 72.13, -56.72, 66.06

 

CMYK 75 / 0 / 83 / 22

HEX #32C822

RGB 50 200 34

HSL 114.22, 0.71%, 0.46%

LAB 70.94, -66.55, 64.53

 

CMYK 32 / 0 / 83 / 49

HEX #598216

RGB 89 130 22

HSL 82.78, 0.71%, 0.3%

LAB 49.67, -30.53, 48.94

 

CMYK 32 / 0 / 83 / 35

HEX #71A51C

RGB 113 165 28

HSL 82.77, 0.71%, 0.38%

LAB 62.09, -36.85, 58.92

 

CMYK 32 / 0 / 83 / 22

HEX #89C822

RGB 137 200 34

HSL 82.77, 0.71%, 0.46%

LAB 74.02, -42.91, 68.46

 

CMYK 29 / 0 / 76 / 13

HEX #9EDD36

RGB 158 221 54

HSL 82.63, 0.71%, 0.54%

LAB 81.43, -43.32, 70.04

 

CMYK 23 / 0 / 60 / 11

HEX #AFE35A

RGB 175 227 90

HSL 82.77, 0.71%, 0.62%

LAB 84.38, -37.28, 59.94

 

CMYK 31 / 0 / 83 / 22

HEX #89C722

RGB 137 199 34

HSL 82.55, 0.71%, 0.46%

LAB 73.73, -42.48, 68.19

 

CMYK 83 / 0 / 36 / 22

HEX #22C880

RGB 34 200 128

HSL 153.98, 0.71%, 0.46%

LAB 71.7, -56.74, 24.88

 

CMYK 3 / 83 / 0 / 22

HEX #C322C8

RGB 195 34 200

HSL 298.19, 0.71%, 0.46%

LAB 48.15, 76.67, -49.77

 

CMYK 31 / 0 / 83 / 22

HEX #89C722

RGB 137 199 34

HSL 82.55, 0.71%, 0.46%

LAB 73.73, -42.48, 68.19

 

CMYK 83 / 31 / 0 / 22

HEX #228BC8

RGB 34 139 200

HSL 202.05, 0.71%, 0.46%

LAB 55.05, -7.28, -39.64

 

CMYK 0 / 83 / 31 / 22

HEX #C8228B

RGB 200 34 139

HSL 322.05, 0.71%, 0.46%

LAB 46.03, 69.46, -16.89

 

CMYK 31 / 0 / 83 / 22

HEX #89C722

RGB 137 199 34

HSL 82.55, 0.71%, 0.46%

LAB 73.73, -42.48, 68.19

 

CMYK 83 / 0 / 36 / 22

HEX #22C880

RGB 34 200 128

HSL 153.98, 0.71%, 0.46%

LAB 71.7, -56.74, 24.88

 

CMYK 53 / 83 / 0 / 22

HEX #5F22C8

RGB 95 34 200

HSL 262.05, 0.71%, 0.46%

LAB 33.45, 61.29, -74.32

 

CMYK 0 / 83 / 47 / 22

HEX #C8226A

RGB 200 34 106

HSL 333.98, 0.71%, 0.46%

LAB 44.89, 66.19, 1.68

 

CMYK 31 / 0 / 83 / 22

HEX #89C722

RGB 137 199 34

HSL 82.55, 0.71%, 0.46%

LAB 73.73, -42.48, 68.19

 

CMYK 83 / 0 / 11 / 22

HEX #22C8B2

RGB 34 200 178

HSL 172.05, 0.71%, 0.46%

LAB 72.8, -44.81, -0.4

 

CMYK 53 / 83 / 0 / 22

HEX #5F22C8

RGB 95 34 200

HSL 262.05, 0.71%, 0.46%

LAB 33.45, 61.29, -74.32

 

CMYK 0 / 83 / 72 / 22

HEX #C82238

RGB 200 34 56

HSL 352.05, 0.71%, 0.46%

LAB 43.81, 63, 31.2

 

Description

Color code: CMYK 31 / 0 / 83 / 22 | qconv.com Color code: CMYK 31 / 0 / 83 / 22 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 199 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 199 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 83 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 83% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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