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Color name
CMYK 40 / 0 / 78 / 10

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 40 / 0 / 78 / 10 it is the complementary color CMYK 43 / 88 / 0 / 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 40 / 0 / 78 / 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 40 / 0 / 78 / 10 shade: CMYK 38 / 0 / 80 / 10, CMYK 35 / 0 / 74 / 3, CMYK 31 / 0 / 67 / 0, CMYK 24 / 0 / 60 / 0 and CMYK 17 / 0 / 53 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 40 / 0 / 78 / 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 40 / 0 / 78 / 10 shade: CMYK 40 / 0 / 78 / 10, CMYK 43 / 0 / 85 / 17, CMYK 46 / 0 / 94 / 24, CMYK 51 / 0 / 100 / 31 and CMYK 56 / 0 / 100 / 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 40 / 0 / 78 / 10 shade: CMYK 40 / 0 / 78 / 10, CMYK 19 / 0 / 78 / 10, CMYK 0 / 2 / 78 / 10, CMYK 0 / 23 / 78 / 10 and CMYK 0 / 44 / 78 / 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 40 / 0 / 78 / 10 shade: CMYK 40 / 0 / 78 / 10, CMYK 61 / 0 / 78 / 10, CMYK 78 / 0 / 74 / 10, CMYK 78 / 0 / 53 / 10 and CMYK 78 / 0 / 32 / 10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 40 / 0 / 78 / 10 shade matches the following richer shades: CMYK 40 / 0 / 78 / 10 and CMYK 45 / 0 / 87 / 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 40 / 0 / 78 / 10 shade: CMYK 40 / 0 / 78 / 10, CMYK 35 / 0 / 67 / 17, CMYK 28 / 0 / 55 / 25, CMYK 20 / 0 / 39 / 32 and CMYK 10 / 0 / 19 / 39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 40 / 0 / 78 / 10 shade: CMYK 0 / 3 / 78 / 10, CMYK 18 / 0 / 78 / 10, CMYK 39 / 0 / 78 / 10, CMYK 60 / 0 / 78 / 10 and CMYK 78 / 0 / 76 / 10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 40 / 0 / 78 / 10 shade: CMYK 45 / 0 / 88 / 31, CMYK 45 / 0 / 88 / 17, CMYK 40 / 0 / 78 / 10, CMYK 32 / 0 / 63 / 8 and CMYK 24 / 0 / 48 / 7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 40 / 0 / 78 / 10 shade: CMYK 40 / 0 / 78 / 10, CMYK 78 / 0 / 23 / 10 and CMYK 0 / 78 / 8 / 10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 40 / 0 / 78 / 10 shade: CMYK 40 / 0 / 78 / 10, CMYK 78 / 39 / 0 / 10 and CMYK 0 / 78 / 39 / 10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 40 / 0 / 78 / 10 shade: CMYK 40 / 0 / 78 / 10, CMYK 78 / 0 / 23 / 10, CMYK 39 / 78 / 0 / 10 and CMYK 0 / 78 / 55 / 10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 40 / 0 / 78 / 10 shade: CMYK 40 / 0 / 78 / 10, CMYK 78 / 0 / 0 / 10, CMYK 39 / 78 / 0 / 10 and CMYK 0 / 78 / 78 / 10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 78 / 10

HEX #8AE632

RGB 138 230 50

HSL 90.67, 0.78%, 0.55%

LAB 83.03, -54.21, 72.38

 

Complementary color

CMYK 43 / 88 / 0 / 20

HEX #7519CD

RGB 117 25 205

HSL 270.67, 0.78%, 0.45%

LAB 35.76, 67.71, -73.33

 

CMYK 38 / 0 / 80 / 10

HEX #8FE62D

RGB 143 230 45

HSL 88.22, 0.79%, 0.54%

LAB 83.24, -52.77, 74.02

 

CMYK 35 / 0 / 74 / 3

HEX #A0F840

RGB 160 248 64

HSL 88.7, 0.93%, 0.61%

LAB 89.38, -53.35, 74.55

 

CMYK 31 / 0 / 67 / 0

HEX #B1FF53

RGB 177 255 83

HSL 87.21, 1%, 0.66%

LAB 92.35, -49.23, 71.27

 

CMYK 24 / 0 / 60 / 0

HEX #C2FF66

RGB 194 255 102

HSL 83.92, 1%, 0.7%

LAB 93.43, -41.79, 65.24

 

CMYK 17 / 0 / 53 / 0

HEX #D3FF79

RGB 211 255 121

HSL 79.7, 1%, 0.74%

LAB 94.63, -33.93, 58.68

 

CMYK 40 / 0 / 78 / 10

HEX #8AE632

RGB 138 230 50

HSL 90.67, 0.78%, 0.55%

LAB 83.03, -54.21, 72.38

 

CMYK 43 / 0 / 85 / 17

HEX #79D41F

RGB 121 212 31

HSL 90.17, 0.74%, 0.48%

LAB 76.83, -53.47, 71.29

 

CMYK 46 / 0 / 94 / 24

HEX #68C20C

RGB 104 194 12

HSL 89.67, 0.88%, 0.4%

LAB 70.56, -52.47, 68.94

 

CMYK 51 / 0 / 100 / 31

HEX #57B000

RGB 87 176 0

HSL 90.34, 1%, 0.35%

LAB 64.22, -51.12, 65.02

 

CMYK 56 / 0 / 100 / 38

HEX #469E00

RGB 70 158 0

HSL 93.42, 1%, 0.31%

LAB 57.8, -49.42, 59.71

 

CMYK 40 / 0 / 78 / 10

HEX #8AE532

RGB 138 229 50

HSL 90.5, 0.77%, 0.55%

LAB 82.74, -53.81, 72.11

 

CMYK 19 / 0 / 78 / 10

HEX #BAE532

RGB 186 229 50

HSL 74.41, 0.77%, 0.55%

LAB 85.36, -36.39, 75.47

 

CMYK 0 / 2 / 78 / 10

HEX #E5E032

RGB 229 224 50

HSL 58.32, 0.77%, 0.55%

LAB 87.09, -16.54, 78.2

 

CMYK 0 / 23 / 78 / 10

HEX #E5B032

RGB 229 176 50

HSL 42.23, 0.77%, 0.55%

LAB 74.79, 7.99, 67.15

 

CMYK 0 / 44 / 78 / 10

HEX #E58032

RGB 229 128 50

HSL 26.15, 0.77%, 0.55%

LAB 63.61, 33.43, 56.7

 

CMYK 40 / 0 / 78 / 10

HEX #8AE532

RGB 138 229 50

HSL 90.5, 0.77%, 0.55%

LAB 82.74, -53.81, 72.11

 

CMYK 61 / 0 / 78 / 10

HEX #59E532

RGB 89 229 50

HSL 106.93, 0.77%, 0.55%

LAB 80.96, -67.51, 69.8

 

CMYK 78 / 0 / 74 / 10

HEX #32E53B

RGB 50 229 59

HSL 123.02, 0.77%, 0.55%

LAB 80.2, -73.74, 65.99

 

CMYK 78 / 0 / 53 / 10

HEX #32E56C

RGB 50 229 108

HSL 139.44, 0.77%, 0.55%

LAB 80.63, -68.51, 46.37

 

CMYK 78 / 0 / 32 / 10

HEX #32E59C

RGB 50 229 156

HSL 155.53, 0.77%, 0.55%

LAB 81.36, -60.11, 23.43

 

CMYK 40 / 0 / 78 / 10

HEX #8AE532

RGB 138 229 50

HSL 90.5, 0.77%, 0.55%

LAB 82.74, -53.81, 72.11

 

CMYK 45 / 0 / 87 / 3

HEX #89F820

RGB 137 248 32

HSL 90.83, 0.94%, 0.55%

LAB 88.24, -62.08, 81.12

 

CMYK 40 / 0 / 78 / 10

HEX #8AE532

RGB 138 229 50

HSL 90.5, 0.77%, 0.55%

LAB 82.74, -53.81, 72.11

 

CMYK 35 / 0 / 67 / 17

HEX #8AD345

RGB 138 211 69

HSL 90.85, 0.62%, 0.55%

LAB 77.53, -45.29, 60.53

 

CMYK 28 / 0 / 55 / 25

HEX #8BC057

RGB 139 192 87

HSL 90.29, 0.45%, 0.55%

LAB 72.15, -34.96, 46.79

 

CMYK 20 / 0 / 39 / 32

HEX #8BAE6A

RGB 139 174 106

HSL 90.88, 0.3%, 0.55%

LAB 67.13, -24.1, 31.09

 

CMYK 10 / 0 / 19 / 39

HEX #8B9B7D

RGB 139 155 125

HSL 92, 0.13%, 0.55%

LAB 62.01, -11.38, 13.86

 

CMYK 0 / 3 / 78 / 10

HEX #E5DF32

RGB 229 223 50

HSL 57.99, 0.77%, 0.55%

LAB 86.83, -16.05, 77.96

 

CMYK 18 / 0 / 78 / 10

HEX #BBE532

RGB 187 229 50

HSL 74.08, 0.77%, 0.55%

LAB 85.42, -36, 75.55

 

CMYK 39 / 0 / 78 / 10

HEX #8CE532

RGB 140 229 50

HSL 89.83, 0.77%, 0.55%

LAB 82.83, -53.15, 72.23

 

CMYK 60 / 0 / 78 / 10

HEX #5CE532

RGB 92 229 50

HSL 105.92, 0.77%, 0.55%

LAB 81.04, -66.83, 69.91

 

CMYK 78 / 0 / 76 / 10

HEX #32E538

RGB 50 229 56

HSL 122.01, 0.77%, 0.55%

LAB 80.18, -73.96, 66.94

 

CMYK 45 / 0 / 88 / 31

HEX #61B015

RGB 97 176 21

HSL 90.58, 0.79%, 0.39%

LAB 64.68, -47.47, 62.5

 

CMYK 45 / 0 / 88 / 17

HEX #75D41A

RGB 117 212 26

HSL 90.65, 0.78%, 0.47%

LAB 76.64, -54.91, 72.06

 

CMYK 40 / 0 / 78 / 10

HEX #8AE532

RGB 138 229 50

HSL 90.5, 0.77%, 0.55%

LAB 82.74, -53.81, 72.11

 

CMYK 32 / 0 / 63 / 8

HEX #9FEA57

RGB 159 234 87

HSL 90.61, 0.78%, 0.63%

LAB 85.46, -46.34, 62.12

 

CMYK 24 / 0 / 48 / 7

HEX #B4EE7C

RGB 180 238 124

HSL 90.53, 0.77%, 0.71%

LAB 88.12, -37.14, 49.04

 

CMYK 40 / 0 / 78 / 10

HEX #8AE632

RGB 138 230 50

HSL 90.67, 0.78%, 0.55%

LAB 83.03, -54.21, 72.38

 

CMYK 78 / 0 / 23 / 10

HEX #32E5B0

RGB 50 229 176

HSL 162.23, 0.77%, 0.55%

LAB 81.76, -55.72, 13.56

 

CMYK 0 / 78 / 8 / 10

HEX #E532D3

RGB 229 50 211

HSL 306.03, 0.77%, 0.55%

LAB 55.73, 81.14, -43.7

 

CMYK 40 / 0 / 78 / 10

HEX #8AE632

RGB 138 230 50

HSL 90.67, 0.78%, 0.55%

LAB 83.03, -54.21, 72.38

 

CMYK 78 / 39 / 0 / 10

HEX #328CE5

RGB 50 140 229

HSL 209.83, 0.77%, 0.55%

LAB 57.16, 4.29, -52.55

 

CMYK 0 / 78 / 39 / 10

HEX #E5328C

RGB 229 50 140

HSL 329.83, 0.77%, 0.55%

LAB 52.77, 72.54, -6.81

 

CMYK 40 / 0 / 78 / 10

HEX #8AE632

RGB 138 230 50

HSL 90.67, 0.78%, 0.55%

LAB 83.03, -54.21, 72.38

 

CMYK 78 / 0 / 23 / 10

HEX #32E5B0

RGB 50 229 176

HSL 162.23, 0.77%, 0.55%

LAB 81.76, -55.72, 13.56

 

CMYK 39 / 78 / 0 / 10

HEX #8C32E5

RGB 140 50 229

HSL 270.17, 0.77%, 0.55%

LAB 43.53, 68.4, -74.28

 

CMYK 0 / 78 / 55 / 10

HEX #E53268

RGB 229 50 104

HSL 341.9, 0.77%, 0.55%

LAB 51.77, 69.5, 13.43

 

CMYK 40 / 0 / 78 / 10

HEX #8AE632

RGB 138 230 50

HSL 90.67, 0.78%, 0.55%

LAB 83.03, -54.21, 72.38

 

CMYK 78 / 0 / 0 / 10

HEX #32E5E5

RGB 50 229 229

HSL 180, 0.77%, 0.55%

LAB 83.11, -41.95, -12.46

 

CMYK 39 / 78 / 0 / 10

HEX #8C32E5

RGB 140 50 229

HSL 270.17, 0.77%, 0.55%

LAB 43.53, 68.4, -74.28

 

CMYK 0 / 78 / 78 / 10

HEX #E53232

RGB 229 50 50

HSL 0, 0.77%, 0.55%

LAB 50.88, 66.74, 44.06

 

Description

Color code: CMYK 40 / 0 / 78 / 10 | qconv.com Color code: CMYK 40 / 0 / 78 / 10 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 230 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 230 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 78 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 78% 10% C M Y K

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Provide designers and agencies with accurate color values.

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