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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 43 / 10 / 0 / 19 it is the complementary color CMYK 0 / 50 / 65 / 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 43 / 10 / 0 / 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 43 / 10 / 0 / 19 shade: CMYK 39 / 8 / 0 / 21, CMYK 37 / 8 / 0 / 13, CMYK 35 / 8 / 0 / 6, CMYK 32 / 6 / 0 / 0 and CMYK 25 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 43 / 10 / 0 / 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 43 / 10 / 0 / 19 shade: CMYK 43 / 10 / 0 / 19, CMYK 46 / 11 / 0 / 26, CMYK 50 / 11 / 0 / 34, CMYK 55 / 12 / 0 / 41 and CMYK 62 / 13 / 0 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 43 / 10 / 0 / 19 shade: CMYK 43 / 10 / 0 / 19, CMYK 43 / 22 / 0 / 19, CMYK 43 / 33 / 0 / 19, CMYK 41 / 43 / 0 / 19 and CMYK 29 / 43 / 0 / 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 43 / 10 / 0 / 19 shade: CMYK 43 / 10 / 0 / 19, CMYK 43 / 22 / 0 / 19, CMYK 43 / 33 / 0 / 19 and CMYK 43 / 43 / 0 / 19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 43 / 10 / 0 / 19 shade matches the following richer shades: CMYK 43 / 10 / 0 / 19, CMYK 53 / 13 / 0 / 13, CMYK 62 / 14 / 0 / 7 and CMYK 71 / 17 / 0 / 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 43 / 10 / 0 / 19 shade: CMYK 43 / 10 / 0 / 19, CMYK 31 / 7 / 0 / 25, CMYK 16 / 4 / 0 / 31, CMYK 0 / 1 / 1 / 36 and CMYK 0 / 13 / 17 / 30

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 43 / 10 / 0 / 19 shade: CMYK 43 / 0 / 13 / 19, CMYK 43 / 0 / 1 / 19, CMYK 43 / 10 / 0 / 19, CMYK 43 / 21 / 0 / 19 and CMYK 43 / 33 / 0 / 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 43 / 10 / 0 / 19 shade: CMYK 65 / 16 / 0 / 29, CMYK 55 / 13 / 0 / 23, CMYK 43 / 10 / 0 / 19, CMYK 31 / 7 / 0 / 15 and CMYK 21 / 5 / 0 / 11

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 43 / 10 / 0 / 19 shade: CMYK 43 / 10 / 0 / 19, CMYK 24 / 43 / 0 / 19 and CMYK 0 / 7 / 43 / 19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 43 / 10 / 0 / 19 shade: CMYK 43 / 10 / 0 / 19, CMYK 0 / 43 / 10 / 19 and CMYK 10 / 0 / 43 / 19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 43 / 10 / 0 / 19 shade: CMYK 43 / 10 / 0 / 19, CMYK 24 / 43 / 0 / 19, CMYK 0 / 33 / 43 / 19 and CMYK 18 / 0 / 43 / 19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 43 / 10 / 0 / 19 shade: CMYK 43 / 10 / 0 / 19, CMYK 12 / 43 / 0 / 19, CMYK 0 / 33 / 43 / 19 and CMYK 31 / 0 / 43 / 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 10 / 0 / 19

HEX #76BACF

RGB 118 186 207

HSL 194.16, 0.48%, 0.64%

LAB 71.88, -16.03, -17.33

 

Complementary color

CMYK 0 / 50 / 65 / 46

HEX #894530

RGB 137 69 48

HSL 14.16, 0.48%, 0.36%

LAB 37.46, 27.04, 25.68

 

CMYK 39 / 8 / 0 / 21

HEX #7BBACA

RGB 123 186 202

HSL 192.15, 0.43%, 0.64%

LAB 71.96, -16.06, -14.46

 

CMYK 37 / 8 / 0 / 13

HEX #8CCCDD

RGB 140 204 221

HSL 192.59, 0.54%, 0.71%

LAB 78.45, -16.1, -14.9

 

CMYK 35 / 8 / 0 / 6

HEX #9DDEF0

RGB 157 222 240

HSL 193.01, 0.73%, 0.78%

LAB 84.84, -16.12, -15.33

 

CMYK 32 / 6 / 0 / 0

HEX #AEF0FF

RGB 174 240 255

HSL 191.11, 1%, 0.84%

LAB 91.03, -17.07, -13.85

 

CMYK 25 / 0 / 0 / 0

HEX #BFFFFF

RGB 191 255 255

HSL 180, 1%, 0.87%

LAB 95.92, -19.77, -6.48

 

CMYK 43 / 10 / 0 / 19

HEX #76BACF

RGB 118 186 207

HSL 194.16, 0.48%, 0.64%

LAB 71.88, -16.03, -17.33

 

CMYK 46 / 11 / 0 / 26

HEX #65A8BC

RGB 101 168 188

HSL 193.79, 0.39%, 0.57%

LAB 65.28, -15.9, -16.91

 

CMYK 50 / 11 / 0 / 34

HEX #5496A9

RGB 84 150 169

HSL 193.41, 0.34%, 0.5%

LAB 58.57, -15.7, -16.47

 

CMYK 55 / 12 / 0 / 41

HEX #438496

RGB 67 132 150

HSL 193.01, 0.38%, 0.43%

LAB 51.72, -15.42, -16

 

CMYK 62 / 13 / 0 / 49

HEX #327283

RGB 50 114 131

HSL 192.59, 0.45%, 0.35%

LAB 44.73, -14.99, -15.49

 

CMYK 43 / 10 / 0 / 19

HEX #77BACF

RGB 119 186 207

HSL 194.32, 0.48%, 0.64%

LAB 71.92, -15.78, -17.26

 

CMYK 43 / 22 / 0 / 19

HEX #77A2CF

RGB 119 162 207

HSL 210.68, 0.48%, 0.64%

LAB 65.17, -2.81, -27.55

 

CMYK 43 / 33 / 0 / 19

HEX #778ACF

RGB 119 138 207

HSL 227.05, 0.48%, 0.64%

LAB 58.61, 10.95, -37.75

 

CMYK 41 / 43 / 0 / 19

HEX #7B77CF

RGB 123 119 207

HSL 242.73, 0.48%, 0.64%

LAB 53.93, 23.26, -45.1

 

CMYK 29 / 43 / 0 / 19

HEX #9277CF

RGB 146 119 207

HSL 258.41, 0.48%, 0.64%

LAB 55.9, 29.45, -41.87

 

CMYK 43 / 10 / 0 / 19

HEX #77BACF

RGB 119 186 207

HSL 194.32, 0.48%, 0.64%

LAB 71.92, -15.78, -17.26

 

CMYK 43 / 22 / 0 / 19

HEX #77A2CF

RGB 119 162 207

HSL 210.68, 0.48%, 0.64%

LAB 65.17, -2.81, -27.55

 

CMYK 43 / 33 / 0 / 19

HEX #778ACF

RGB 119 138 207

HSL 227.05, 0.48%, 0.64%

LAB 58.61, 10.95, -37.75

 

CMYK 43 / 43 / 0 / 19

HEX #7777CF

RGB 119 119 207

HSL 240, 0.48%, 0.64%

LAB 53.62, 22.25, -45.61

 

CMYK 43 / 10 / 0 / 19

HEX #77BACF

RGB 119 186 207

HSL 194.32, 0.48%, 0.64%

LAB 71.92, -15.78, -17.26

 

CMYK 53 / 13 / 0 / 13

HEX #68C2DE

RGB 104 194 222

HSL 194.24, 0.64%, 0.64%

LAB 74.06, -19.26, -22.23

 

CMYK 62 / 14 / 0 / 7

HEX #59CAEC

RGB 89 202 236

HSL 193.88, 0.79%, 0.64%

LAB 76.33, -22.08, -26.38

 

CMYK 71 / 17 / 0 / 2

HEX #4AD1FB

RGB 74 209 251

HSL 194.24, 0.96%, 0.64%

LAB 78.47, -23.27, -31.15

 

CMYK 43 / 10 / 0 / 19

HEX #77BACF

RGB 119 186 207

HSL 194.32, 0.48%, 0.64%

LAB 71.92, -15.78, -17.26

 

CMYK 31 / 7 / 0 / 25

HEX #85B2C0

RGB 133 178 192

HSL 194.24, 0.32%, 0.64%

LAB 69.92, -11.59, -11.97

 

CMYK 16 / 4 / 0 / 31

HEX #94AAB1

RGB 148 170 177

HSL 194.48, 0.16%, 0.64%

LAB 68.18, -6.11, -6.17

 

CMYK 0 / 1 / 1 / 36

HEX #A3A2A2

RGB 163 162 162

HSL 0, 0.01%, 0.64%

LAB 66.7, 0.36, 0.12

 

CMYK 0 / 13 / 17 / 30

HEX #B29B93

RGB 178 155 147

HSL 15.48, 0.17%, 0.64%

LAB 65.76, 7.15, 7.31

 

CMYK 43 / 0 / 13 / 19

HEX #77CFB4

RGB 119 207 180

HSL 161.59, 0.48%, 0.64%

LAB 77.19, -32.81, 5.17

 

CMYK 43 / 0 / 1 / 19

HEX #77CFCC

RGB 119 207 204

HSL 177.95, 0.48%, 0.64%

LAB 77.82, -27.16, -6.8

 

CMYK 43 / 10 / 0 / 19

HEX #77BACF

RGB 119 186 207

HSL 194.32, 0.48%, 0.64%

LAB 71.92, -15.78, -17.26

 

CMYK 43 / 21 / 0 / 19

HEX #77A3CF

RGB 119 163 207

HSL 210, 0.48%, 0.64%

LAB 65.45, -3.37, -27.12

 

CMYK 43 / 33 / 0 / 19

HEX #778BCF

RGB 119 139 207

HSL 226.36, 0.48%, 0.64%

LAB 58.87, 10.37, -37.33

 

CMYK 65 / 16 / 0 / 29

HEX #3F98B4

RGB 63 152 180

HSL 194.36, 0.48%, 0.48%

LAB 58.8, -17.67, -22.43

 

CMYK 55 / 13 / 0 / 23

HEX #58ABC4

RGB 88 171 196

HSL 193.89, 0.48%, 0.56%

LAB 65.89, -18.13, -20.47

 

CMYK 43 / 10 / 0 / 19

HEX #77BACF

RGB 119 186 207

HSL 194.32, 0.48%, 0.64%

LAB 71.92, -15.78, -17.26

 

CMYK 31 / 7 / 0 / 15

HEX #95C9D9

RGB 149 201 217

HSL 194.12, 0.47%, 0.72%

LAB 77.98, -13.06, -13.41

 

CMYK 21 / 5 / 0 / 11

HEX #B4D9E4

RGB 180 217 228

HSL 193.75, 0.47%, 0.8%

LAB 84.45, -9.75, -9.43

 

CMYK 43 / 10 / 0 / 19

HEX #76BACF

RGB 118 186 207

HSL 194.16, 0.48%, 0.64%

LAB 71.88, -16.03, -17.33

 

CMYK 24 / 43 / 0 / 19

HEX #9D77CF

RGB 157 119 207

HSL 265.91, 0.48%, 0.64%

LAB 56.95, 32.56, -40.14

 

CMYK 0 / 7 / 43 / 19

HEX #CFC077

RGB 207 192 119

HSL 49.77, 0.48%, 0.64%

LAB 77.46, -4.91, 38.63

 

CMYK 43 / 10 / 0 / 19

HEX #76BACF

RGB 118 186 207

HSL 194.16, 0.48%, 0.64%

LAB 71.88, -16.03, -17.33

 

CMYK 0 / 43 / 10 / 19

HEX #CF77BA

RGB 207 119 186

HSL 314.32, 0.48%, 0.64%

LAB 61.66, 43.65, -20.48

 

CMYK 10 / 0 / 43 / 19

HEX #BACF77

RGB 186 207 119

HSL 74.32, 0.48%, 0.64%

LAB 79.84, -20.84, 41.29

 

CMYK 43 / 10 / 0 / 19

HEX #76BACF

RGB 118 186 207

HSL 194.16, 0.48%, 0.64%

LAB 71.88, -16.03, -17.33

 

CMYK 24 / 43 / 0 / 19

HEX #9D77CF

RGB 157 119 207

HSL 265.91, 0.48%, 0.64%

LAB 56.95, 32.56, -40.14

 

CMYK 0 / 33 / 43 / 19

HEX #CF8B77

RGB 207 139 119

HSL 13.64, 0.48%, 0.64%

LAB 64.21, 23.55, 21.26

 

CMYK 18 / 0 / 43 / 19

HEX #A9CF77

RGB 169 207 119

HSL 85.91, 0.48%, 0.64%

LAB 78.69, -27.29, 39.6

 

CMYK 43 / 10 / 0 / 19

HEX #76BACF

RGB 118 186 207

HSL 194.16, 0.48%, 0.64%

LAB 71.88, -16.03, -17.33

 

CMYK 12 / 43 / 0 / 19

HEX #B777CF

RGB 183 119 207

HSL 283.64, 0.48%, 0.64%

LAB 59.68, 40.16, -35.67

 

CMYK 0 / 33 / 43 / 19

HEX #CF8B77

RGB 207 139 119

HSL 13.64, 0.48%, 0.64%

LAB 64.21, 23.55, 21.26

 

CMYK 31 / 0 / 43 / 19

HEX #8ECF77

RGB 142 207 119

HSL 104.32, 0.48%, 0.64%

LAB 77.11, -36.9, 37.26

 

Description

Color code: CMYK 43 / 10 / 0 / 19 | qconv.com Color code: CMYK 43 / 10 / 0 / 19 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 186 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 186 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 10 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 10% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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