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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 44 / 36 / 0 / 63 it is the complementary color CMYK 0 / 3 / 20 / 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 44 / 36 / 0 / 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 44 / 36 / 0 / 63 shade: CMYK 35 / 33 / 0 / 65, CMYK 31 / 28 / 0 / 58, CMYK 28 / 24 / 0 / 50, CMYK 25 / 22 / 0 / 43 and CMYK 24 / 20 / 0 / 35

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 44 / 36 / 0 / 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 44 / 36 / 0 / 63 shade: CMYK 44 / 36 / 0 / 63, CMYK 52 / 44 / 0 / 71, CMYK 66 / 57 / 0 / 78, CMYK 95 / 84 / 0 / 85 and CMYK 100 / 100 / 0 / 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 44 / 36 / 0 / 63 shade: CMYK 44 / 36 / 0 / 63, CMYK 39 / 44 / 0 / 63, CMYK 28 / 44 / 0 / 63, CMYK 16 / 44 / 0 / 63 and CMYK 4 / 44 / 0 / 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 44 / 36 / 0 / 63 shade: CMYK 44 / 36 / 0 / 63 and CMYK 44 / 44 / 0 / 63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 44 / 36 / 0 / 63 shade matches the following richer shades: CMYK 44 / 36 / 0 / 63, CMYK 61 / 51 / 0 / 58, CMYK 75 / 63 / 0 / 54, CMYK 87 / 72 / 0 / 49 and CMYK 96 / 80 / 0 / 44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 44 / 36 / 0 / 63 shade: CMYK 44 / 36 / 0 / 63, CMYK 21 / 17 / 0 / 68, CMYK 0 / 1 / 9 / 70, CMYK 0 / 7 / 35 / 65 and CMYK 0 / 10 / 54 / 60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 44 / 36 / 0 / 63 shade: CMYK 44 / 13 / 0 / 63, CMYK 44 / 24 / 0 / 63, CMYK 44 / 36 / 0 / 63, CMYK 40 / 44 / 0 / 63 and CMYK 29 / 44 / 0 / 63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 44 / 36 / 0 / 63 shade: CMYK 44 / 37 / 0 / 84, CMYK 44 / 37 / 0 / 73, CMYK 44 / 36 / 0 / 63, CMYK 44 / 36 / 0 / 53 and CMYK 44 / 37 / 0 / 42

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 44 / 36 / 0 / 63 shade: CMYK 44 / 36 / 0 / 63, CMYK 0 / 44 / 1 / 63 and CMYK 18 / 0 / 44 / 63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 44 / 36 / 0 / 63 shade: CMYK 44 / 36 / 0 / 63, CMYK 0 / 44 / 36 / 63 and CMYK 36 / 0 / 44 / 63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 44 / 36 / 0 / 63 shade: CMYK 44 / 36 / 0 / 63, CMYK 0 / 44 / 1 / 63, CMYK 0 / 7 / 44 / 63 and CMYK 44 / 0 / 44 / 63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 44 / 36 / 0 / 63 shade: CMYK 44 / 36 / 0 / 63, CMYK 0 / 44 / 14 / 63, CMYK 0 / 7 / 44 / 63 and CMYK 44 / 0 / 30 / 63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 36 / 0 / 63

HEX #353C5E

RGB 53 60 94

HSL 229.76, 0.28%, 0.29%

LAB 26.15, 6.97, -21.17

 

Complementary color

CMYK 0 / 3 / 20 / 21

HEX #CAC3A1

RGB 202 195 161

HSL 49.76, 0.28%, 0.71%

LAB 78.55, -3.12, 17.99

 

CMYK 35 / 33 / 0 / 65

HEX #3A3C59

RGB 58 60 89

HSL 236.13, 0.21%, 0.29%

LAB 26.31, 7, -17.63

 

CMYK 31 / 28 / 0 / 58

HEX #4B4E6C

RGB 75 78 108

HSL 234.55, 0.18%, 0.36%

LAB 34.04, 6.43, -17.7

 

CMYK 28 / 24 / 0 / 50

HEX #5C607F

RGB 92 96 127

HSL 233.14, 0.16%, 0.43%

LAB 41.49, 5.97, -17.83

 

CMYK 25 / 22 / 0 / 43

HEX #6D7292

RGB 109 114 146

HSL 231.89, 0.15%, 0.5%

LAB 48.71, 5.58, -18.02

 

CMYK 24 / 20 / 0 / 35

HEX #7E84A5

RGB 126 132 165

HSL 230.77, 0.18%, 0.57%

LAB 55.74, 5.25, -18.24

 

CMYK 44 / 36 / 0 / 63

HEX #353C5E

RGB 53 60 94

HSL 229.76, 0.28%, 0.29%

LAB 26.15, 6.97, -21.17

 

CMYK 52 / 44 / 0 / 71

HEX #242A4B

RGB 36 42 75

HSL 230.77, 0.35%, 0.22%

LAB 18.09, 7.93, -21.33

 

CMYK 66 / 57 / 0 / 78

HEX #131838

RGB 19 24 56

HSL 231.89, 0.49%, 0.15%

LAB 9.62, 9.42, -21.65

 

CMYK 95 / 84 / 0 / 85

HEX #020625

RGB 2 6 37

HSL 233.14, 0.9%, 0.08%

LAB 2.5, 6.6, -18.88

 

CMYK 100 / 100 / 0 / 93

HEX #000012

RGB 0 0 18

HSL 240, 1%, 0.04%

LAB 0.39, 2.77, -7.54

 

CMYK 44 / 36 / 0 / 63

HEX #353C5E

RGB 53 60 94

HSL 229.76, 0.28%, 0.29%

LAB 26.15, 6.97, -21.17

 

CMYK 39 / 44 / 0 / 63

HEX #39355E

RGB 57 53 94

HSL 245.85, 0.28%, 0.29%

LAB 24.4, 12.97, -23.89

 

CMYK 28 / 44 / 0 / 63

HEX #44355E

RGB 68 53 94

HSL 261.95, 0.28%, 0.29%

LAB 25.51, 16.52, -22.07

 

CMYK 16 / 44 / 0 / 63

HEX #4F355E

RGB 79 53 94

HSL 278.05, 0.28%, 0.29%

LAB 26.78, 20.25, -19.99

 

CMYK 4 / 44 / 0 / 63

HEX #5A355E

RGB 90 53 94

HSL 294.15, 0.28%, 0.29%

LAB 28.19, 24.08, -17.69

 

CMYK 44 / 36 / 0 / 63

HEX #353C5E

RGB 53 60 94

HSL 229.76, 0.28%, 0.29%

LAB 26.15, 6.97, -21.17

 

CMYK 44 / 44 / 0 / 63

HEX #35355E

RGB 53 53 94

HSL 240, 0.28%, 0.29%

LAB 24.04, 11.75, -24.49

 

CMYK 44 / 36 / 0 / 63

HEX #353C5E

RGB 53 60 94

HSL 229.76, 0.28%, 0.29%

LAB 26.15, 6.97, -21.17

 

CMYK 61 / 51 / 0 / 58

HEX #29346A

RGB 41 52 106

HSL 229.85, 0.44%, 0.29%

LAB 23.57, 13.55, -33.09

 

CMYK 75 / 63 / 0 / 54

HEX #1D2C76

RGB 29 44 118

HSL 229.89, 0.61%, 0.29%

LAB 21.47, 21.72, -44.23

 

CMYK 87 / 72 / 0 / 49

HEX #112482

RGB 17 36 130

HSL 229.91, 0.77%, 0.29%

LAB 20.01, 30.75, -54.26

 

CMYK 96 / 80 / 0 / 44

HEX #051C8E

RGB 5 28 142

HSL 229.93, 0.93%, 0.29%

LAB 19.29, 39.63, -63

 

CMYK 44 / 36 / 0 / 63

HEX #353C5E

RGB 53 60 94

HSL 229.76, 0.28%, 0.29%

LAB 26.15, 6.97, -21.17

 

CMYK 21 / 17 / 0 / 68

HEX #414452

RGB 65 68 82

HSL 229.41, 0.12%, 0.29%

LAB 29.08, 2.22, -8.79

 

CMYK 0 / 1 / 9 / 70

HEX #4D4C46

RGB 77 76 70

HSL 51.43, 0.05%, 0.29%

LAB 32.23, -0.84, 3.71

 

CMYK 0 / 7 / 35 / 65

HEX #59533A

RGB 89 83 58

HSL 48.39, 0.21%, 0.29%

LAB 35.23, -1.93, 15.56

 

CMYK 0 / 10 / 54 / 60

HEX #655B2E

RGB 101 91 46

HSL 49.09, 0.37%, 0.29%

LAB 38.63, -2.62, 27.18

 

CMYK 44 / 13 / 0 / 63

HEX #35525E

RGB 53 82 94

HSL 197.56, 0.28%, 0.29%

LAB 33.13, -7.26, -10.41

 

CMYK 44 / 24 / 0 / 63

HEX #35475E

RGB 53 71 94

HSL 213.66, 0.28%, 0.29%

LAB 29.59, -0.33, -15.82

 

CMYK 44 / 36 / 0 / 63

HEX #353C5E

RGB 53 60 94

HSL 229.76, 0.28%, 0.29%

LAB 26.15, 6.97, -21.17

 

CMYK 40 / 44 / 0 / 63

HEX #38355E

RGB 56 53 94

HSL 244.39, 0.28%, 0.29%

LAB 24.31, 12.66, -24.05

 

CMYK 29 / 44 / 0 / 63

HEX #43355E

RGB 67 53 94

HSL 260.49, 0.28%, 0.29%

LAB 25.41, 16.18, -22.24

 

CMYK 44 / 37 / 0 / 84

HEX #171A29

RGB 23 26 41

HSL 230, 0.28%, 0.13%

LAB 9.65, 3.32, -10.64

 

CMYK 44 / 37 / 0 / 73

HEX #262B44

RGB 38 43 68

HSL 230, 0.28%, 0.21%

LAB 18.18, 5.38, -16.41

 

CMYK 44 / 36 / 0 / 63

HEX #353C5E

RGB 53 60 94

HSL 229.76, 0.28%, 0.29%

LAB 26.15, 6.97, -21.17

 

CMYK 44 / 36 / 0 / 53

HEX #444D79

RGB 68 77 121

HSL 229.81, 0.28%, 0.37%

LAB 33.81, 8.8, -26.22

 

CMYK 44 / 37 / 0 / 42

HEX #525D93

RGB 82 93 147

HSL 229.85, 0.28%, 0.45%

LAB 40.78, 10.6, -31.07

 

CMYK 44 / 36 / 0 / 63

HEX #353C5E

RGB 53 60 94

HSL 229.76, 0.28%, 0.29%

LAB 26.15, 6.97, -21.17

 

CMYK 0 / 44 / 1 / 63

HEX #5E355D

RGB 94 53 93

HSL 301.46, 0.28%, 0.29%

LAB 28.68, 25.28, -16.23

 

CMYK 18 / 0 / 44 / 63

HEX #4D5E35

RGB 77 94 53

HSL 84.88, 0.28%, 0.29%

LAB 37.55, -14.43, 21.38

 

CMYK 44 / 36 / 0 / 63

HEX #353C5E

RGB 53 60 94

HSL 229.76, 0.28%, 0.29%

LAB 26.15, 6.97, -21.17

 

CMYK 0 / 44 / 36 / 63

HEX #5E353C

RGB 94 53 60

HSL 349.76, 0.28%, 0.29%

LAB 27.44, 19.35, 3.59

 

CMYK 36 / 0 / 44 / 63

HEX #3C5E35

RGB 60 94 53

HSL 109.76, 0.28%, 0.29%

LAB 36.41, -21.35, 19.68

 

CMYK 44 / 36 / 0 / 63

HEX #353C5E

RGB 53 60 94

HSL 229.76, 0.28%, 0.29%

LAB 26.15, 6.97, -21.17

 

CMYK 0 / 44 / 1 / 63

HEX #5E355D

RGB 94 53 93

HSL 301.46, 0.28%, 0.29%

LAB 28.68, 25.28, -16.23

 

CMYK 0 / 7 / 44 / 63

HEX #5E5735

RGB 94 87 53

HSL 49.76, 0.28%, 0.29%

LAB 36.84, -2.72, 20.77

 

CMYK 44 / 0 / 44 / 63

HEX #355E35

RGB 53 94 53

HSL 120, 0.28%, 0.29%

LAB 36.02, -23.9, 19.1

 

CMYK 44 / 36 / 0 / 63

HEX #353C5E

RGB 53 60 94

HSL 229.76, 0.28%, 0.29%

LAB 26.15, 6.97, -21.17

 

CMYK 0 / 44 / 14 / 63

HEX #5E3551

RGB 94 53 81

HSL 319.02, 0.28%, 0.29%

LAB 28.17, 22.88, -9.2

 

CMYK 0 / 7 / 44 / 63

HEX #5E5735

RGB 94 87 53

HSL 49.76, 0.28%, 0.29%

LAB 36.84, -2.72, 20.77

 

CMYK 44 / 0 / 30 / 63

HEX #355E42

RGB 53 94 66

HSL 139.02, 0.28%, 0.29%

LAB 36.28, -21.37, 11.65

 

Description

Color code: CMYK 44 / 36 / 0 / 63 | qconv.com Color code: CMYK 44 / 36 / 0 / 63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 60 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 60 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 36 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 36% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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