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Color name
CMYK 45 / 0 / 91 / 9

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 45 / 0 / 91 / 9 it is the complementary color CMYK 46 / 90 / 0 / 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 45 / 0 / 91 / 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 45 / 0 / 91 / 9 shade: CMYK 43 / 0 / 93 / 9, CMYK 40 / 0 / 86 / 2, CMYK 35 / 0 / 79 / 0, CMYK 28 / 0 / 71 / 0 and CMYK 21 / 0 / 64 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 45 / 0 / 91 / 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 45 / 0 / 91 / 9 shade: CMYK 45 / 0 / 91 / 9, CMYK 48 / 0 / 99 / 16, CMYK 52 / 0 / 100 / 23, CMYK 57 / 0 / 100 / 30 and CMYK 63 / 0 / 100 / 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 45 / 0 / 91 / 9 shade: CMYK 45 / 0 / 91 / 9, CMYK 20 / 0 / 91 / 9, CMYK 0 / 4 / 91 / 9, CMYK 0 / 29 / 91 / 9 and CMYK 0 / 53 / 91 / 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 45 / 0 / 91 / 9 shade: CMYK 45 / 0 / 91 / 9, CMYK 70 / 0 / 91 / 9, CMYK 91 / 0 / 88 / 9, CMYK 91 / 0 / 64 / 9 and CMYK 91 / 0 / 39 / 9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 45 / 0 / 91 / 9 shade matches the following richer shades: CMYK 45 / 0 / 91 / 9 and CMYK 49 / 0 / 100 / 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 45 / 0 / 91 / 9 shade: CMYK 45 / 0 / 91 / 9, CMYK 40 / 0 / 80 / 17, CMYK 33 / 0 / 68 / 25, CMYK 25 / 0 / 51 / 33 and CMYK 15 / 0 / 31 / 41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 45 / 0 / 91 / 9 shade: CMYK 0 / 5 / 91 / 9, CMYK 20 / 0 / 91 / 9, CMYK 44 / 0 / 91 / 9, CMYK 68 / 0 / 91 / 9 and CMYK 91 / 0 / 89 / 9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 45 / 0 / 91 / 9 shade: CMYK 45 / 0 / 91 / 38, CMYK 45 / 0 / 91 / 24, CMYK 45 / 0 / 91 / 9, CMYK 37 / 0 / 75 / 7 and CMYK 30 / 0 / 60 / 6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 45 / 0 / 91 / 9 shade: CMYK 45 / 0 / 91 / 9, CMYK 91 / 0 / 29 / 9 and CMYK 0 / 91 / 8 / 9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 45 / 0 / 91 / 9 shade: CMYK 45 / 0 / 91 / 9, CMYK 91 / 44 / 0 / 9 and CMYK 0 / 91 / 44 / 9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 45 / 0 / 91 / 9 shade: CMYK 45 / 0 / 91 / 9, CMYK 91 / 0 / 29 / 9, CMYK 47 / 91 / 0 / 9 and CMYK 0 / 91 / 62 / 9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 45 / 0 / 91 / 9 shade: CMYK 45 / 0 / 91 / 9, CMYK 91 / 0 / 2 / 9, CMYK 47 / 91 / 0 / 9 and CMYK 0 / 91 / 89 / 9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 91 / 9

HEX #80E815

RGB 128 232 21

HSL 89.57, 0.83%, 0.5%

LAB 83.1, -59.17, 78.43

 

Complementary color

CMYK 46 / 90 / 0 / 8

HEX #7F17EA

RGB 127 23 234

HSL 269.57, 0.83%, 0.5%

LAB 39.69, 75.59, -83.48

 

CMYK 43 / 0 / 93 / 9

HEX #85E810

RGB 133 232 16

HSL 87.5, 0.87%, 0.49%

LAB 83.3, -57.69, 79.31

 

CMYK 40 / 0 / 86 / 2

HEX #96FA23

RGB 150 250 35

HSL 87.91, 0.96%, 0.56%

LAB 89.38, -58.66, 81.76

 

CMYK 35 / 0 / 79 / 0

HEX #A7FF36

RGB 167 255 54

HSL 86.27, 1%, 0.61%

LAB 91.69, -54.28, 79.75

 

CMYK 28 / 0 / 71 / 0

HEX #B8FF49

RGB 184 255 73

HSL 83.41, 1%, 0.64%

LAB 92.66, -47.38, 75.23

 

CMYK 21 / 0 / 64 / 0

HEX #C9FF5C

RGB 201 255 92

HSL 79.88, 1%, 0.68%

LAB 93.76, -39.98, 69.75

 

CMYK 45 / 0 / 91 / 9

HEX #80E815

RGB 128 232 21

HSL 89.57, 0.83%, 0.5%

LAB 83.1, -59.17, 78.43

 

CMYK 48 / 0 / 99 / 16

HEX #6FD602

RGB 111 214 2

HSL 89.15, 0.98%, 0.42%

LAB 76.97, -57.98, 75.22

 

CMYK 52 / 0 / 100 / 23

HEX #5EC400

RGB 94 196 0

HSL 91.22, 1%, 0.38%

LAB 70.77, -56.44, 70.28

 

CMYK 57 / 0 / 100 / 30

HEX #4DB200

RGB 77 178 0

HSL 94.04, 1%, 0.35%

LAB 64.5, -54.72, 65.08

 

CMYK 63 / 0 / 100 / 37

HEX #3CA000

RGB 60 160 0

HSL 97.5, 1%, 0.31%

LAB 58.13, -52.78, 59.83

 

CMYK 45 / 0 / 91 / 9

HEX #81E915

RGB 129 233 21

HSL 89.43, 0.83%, 0.5%

LAB 83.44, -59.23, 78.73

 

CMYK 20 / 0 / 91 / 9

HEX #BAE915

RGB 186 233 21

HSL 73.3, 0.83%, 0.5%

LAB 86.39, -39, 82.34

 

CMYK 0 / 4 / 91 / 9

HEX #E9DF15

RGB 233 223 21

HSL 57.17, 0.83%, 0.5%

LAB 87.07, -15.05, 84.33

 

CMYK 0 / 29 / 91 / 9

HEX #E9A615

RGB 233 166 21

HSL 41.04, 0.83%, 0.5%

LAB 72.66, 14.28, 73.39

 

CMYK 0 / 53 / 91 / 9

HEX #E96D15

RGB 233 109 21

HSL 24.91, 0.83%, 0.5%

LAB 60.17, 43.88, 64.25

 

CMYK 45 / 0 / 91 / 9

HEX #81E915

RGB 129 233 21

HSL 89.43, 0.83%, 0.5%

LAB 83.44, -59.23, 78.73

 

CMYK 70 / 0 / 91 / 9

HEX #47E915

RGB 71 233 21

HSL 105.85, 0.83%, 0.5%

LAB 81.66, -73.57, 76.53

 

CMYK 91 / 0 / 88 / 9

HEX #15E91C

RGB 21 233 28

HSL 121.98, 0.83%, 0.5%

LAB 81.03, -79.09, 74.62

 

CMYK 91 / 0 / 64 / 9

HEX #15E955

RGB 21 233 85

HSL 138.11, 0.83%, 0.5%

LAB 81.34, -75.08, 57.34

 

CMYK 91 / 0 / 39 / 9

HEX #15E98E

RGB 21 233 142

HSL 154.25, 0.83%, 0.5%

LAB 82.05, -66.55, 31.48

 

CMYK 45 / 0 / 91 / 9

HEX #81E915

RGB 129 233 21

HSL 89.43, 0.83%, 0.5%

LAB 83.44, -59.23, 78.73

 

CMYK 49 / 0 / 100 / 1

HEX #81FD01

RGB 129 253 1

HSL 89.52, 0.99%, 0.5%

LAB 89.36, -66.79, 85.33

 

CMYK 45 / 0 / 91 / 9

HEX #81E915

RGB 129 233 21

HSL 89.43, 0.83%, 0.5%

LAB 83.44, -59.23, 78.73

 

CMYK 40 / 0 / 80 / 17

HEX #80D42A

RGB 128 212 42

HSL 89.65, 0.67%, 0.5%

LAB 77.19, -50.73, 69.05

 

CMYK 33 / 0 / 68 / 25

HEX #80C03E

RGB 128 192 62

HSL 89.54, 0.51%, 0.5%

LAB 71.31, -41.19, 56.6

 

CMYK 25 / 0 / 51 / 33

HEX #80AB53

RGB 128 171 83

HSL 89.32, 0.35%, 0.5%

LAB 65.23, -29.66, 40.34

 

CMYK 15 / 0 / 31 / 41

HEX #7F9668

RGB 127 150 104

HSL 90, 0.18%, 0.5%

LAB 59.27, -16.73, 21.66

 

CMYK 0 / 5 / 91 / 9

HEX #E9DE15

RGB 233 222 21

HSL 56.89, 0.83%, 0.5%

LAB 86.81, -14.56, 84.13

 

CMYK 20 / 0 / 91 / 9

HEX #BBE915

RGB 187 233 21

HSL 73.02, 0.83%, 0.5%

LAB 86.45, -38.61, 82.42

 

CMYK 44 / 0 / 91 / 9

HEX #83E915

RGB 131 233 21

HSL 88.87, 0.83%, 0.5%

LAB 83.53, -58.61, 78.83

 

CMYK 68 / 0 / 91 / 9

HEX #4AE915

RGB 74 233 21

HSL 105, 0.83%, 0.5%

LAB 81.72, -73.03, 76.6

 

CMYK 91 / 0 / 89 / 9

HEX #15E919

RGB 21 233 25

HSL 121.13, 0.83%, 0.5%

LAB 81.02, -79.19, 75.12

 

CMYK 45 / 0 / 91 / 38

HEX #579D0E

RGB 87 157 14

HSL 89.37, 0.84%, 0.34%

LAB 58.2, -43.37, 58.17

 

CMYK 45 / 0 / 91 / 24

HEX #6CC312

RGB 108 195 18

HSL 89.49, 0.83%, 0.42%

LAB 71.05, -51.44, 68.58

 

CMYK 45 / 0 / 91 / 9

HEX #81E915

RGB 129 233 21

HSL 89.43, 0.83%, 0.5%

LAB 83.44, -59.23, 78.73

 

CMYK 37 / 0 / 75 / 7

HEX #95EC3B

RGB 149 236 59

HSL 89.49, 0.82%, 0.58%

LAB 85.35, -52.49, 72.06

 

CMYK 30 / 0 / 60 / 6

HEX #A9F061

RGB 169 240 97

HSL 89.79, 0.83%, 0.66%

LAB 87.78, -44.58, 60.67

 

CMYK 45 / 0 / 91 / 9

HEX #80E815

RGB 128 232 21

HSL 89.57, 0.83%, 0.5%

LAB 83.1, -59.17, 78.43

 

CMYK 91 / 0 / 29 / 9

HEX #15E9A6

RGB 21 233 166

HSL 161.04, 0.83%, 0.5%

LAB 82.48, -61.62, 19.75

 

CMYK 0 / 91 / 8 / 9

HEX #E915D7

RGB 233 21 215

HSL 305.09, 0.83%, 0.5%

LAB 54.83, 87.65, -47.36

 

CMYK 45 / 0 / 91 / 9

HEX #80E815

RGB 128 232 21

HSL 89.57, 0.83%, 0.5%

LAB 83.1, -59.17, 78.43

 

CMYK 91 / 44 / 0 / 9

HEX #1583E9

RGB 21 131 233

HSL 208.87, 0.83%, 0.5%

LAB 54.32, 9.09, -59.36

 

CMYK 0 / 91 / 44 / 9

HEX #E91583

RGB 233 21 131

HSL 328.87, 0.83%, 0.5%

LAB 51.27, 78.3, -3.54

 

CMYK 45 / 0 / 91 / 9

HEX #80E815

RGB 128 232 21

HSL 89.57, 0.83%, 0.5%

LAB 83.1, -59.17, 78.43

 

CMYK 91 / 0 / 29 / 9

HEX #15E9A6

RGB 21 233 166

HSL 161.04, 0.83%, 0.5%

LAB 82.48, -61.62, 19.75

 

CMYK 47 / 91 / 0 / 9

HEX #7B15E9

RGB 123 21 233

HSL 268.87, 0.83%, 0.5%

LAB 38.95, 75.37, -84.15

 

CMYK 0 / 91 / 62 / 9

HEX #E91558

RGB 233 21 88

HSL 341.04, 0.83%, 0.5%

LAB 50.17, 75.3, 21.12

 

CMYK 45 / 0 / 91 / 9

HEX #80E815

RGB 128 232 21

HSL 89.57, 0.83%, 0.5%

LAB 83.1, -59.17, 78.43

 

CMYK 91 / 0 / 2 / 9

HEX #15E9E5

RGB 21 233 229

HSL 178.87, 0.83%, 0.5%

LAB 84.01, -45.51, -11.14

 

CMYK 47 / 91 / 0 / 9

HEX #7B15E9

RGB 123 21 233

HSL 268.87, 0.83%, 0.5%

LAB 38.95, 75.37, -84.15

 

CMYK 0 / 91 / 89 / 9

HEX #E91519

RGB 233 21 25

HSL 358.87, 0.83%, 0.5%

LAB 49.41, 73.16, 55.29

 

Description

Color code: CMYK 45 / 0 / 91 / 9 | qconv.com Color code: CMYK 45 / 0 / 91 / 9 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 232 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 232 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 91 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 91% 9% C M Y K

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Provide designers and agencies with accurate color values.

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