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Color name
CMYK 48 / 0 / 59 / 16

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 48 / 0 / 59 / 16 it is the complementary color CMYK 14 / 75 / 0 / 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 48 / 0 / 59 / 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 48 / 0 / 59 / 16 shade: CMYK 46 / 0 / 61 / 16, CMYK 43 / 0 / 56 / 9, CMYK 40 / 0 / 52 / 2, CMYK 35 / 0 / 45 / 0 and CMYK 28 / 0 / 38 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 48 / 0 / 59 / 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 48 / 0 / 59 / 16 shade: CMYK 48 / 0 / 59 / 16, CMYK 52 / 0 / 65 / 23, CMYK 57 / 0 / 72 / 30, CMYK 63 / 0 / 81 / 37 and CMYK 70 / 0 / 92 / 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 48 / 0 / 59 / 16 shade: CMYK 49 / 0 / 60 / 16, CMYK 33 / 0 / 60 / 16, CMYK 17 / 0 / 60 / 16, CMYK 0 / 0 / 60 / 16 and CMYK 0 / 16 / 60 / 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 48 / 0 / 59 / 16 shade: CMYK 49 / 0 / 60 / 16, CMYK 60 / 0 / 55 / 16, CMYK 60 / 0 / 38 / 16, CMYK 60 / 0 / 22 / 16 and CMYK 60 / 0 / 7 / 16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 48 / 0 / 59 / 16 shade matches the following richer shades: CMYK 49 / 0 / 60 / 16, CMYK 57 / 0 / 70 / 9 and CMYK 65 / 0 / 79 / 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 48 / 0 / 59 / 16 shade: CMYK 49 / 0 / 60 / 16, CMYK 39 / 0 / 48 / 23, CMYK 27 / 0 / 33 / 29, CMYK 13 / 0 / 16 / 36 and CMYK 1 / 5 / 0 / 40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 48 / 0 / 59 / 16 shade: CMYK 17 / 0 / 60 / 16, CMYK 33 / 0 / 60 / 16, CMYK 49 / 0 / 60 / 16, CMYK 60 / 0 / 55 / 16 and CMYK 60 / 0 / 39 / 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 48 / 0 / 59 / 16 shade: CMYK 62 / 0 / 76 / 31, CMYK 61 / 0 / 74 / 19, CMYK 49 / 0 / 60 / 16, CMYK 38 / 0 / 46 / 13 and CMYK 27 / 0 / 33 / 10

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 48 / 0 / 59 / 16 shade: CMYK 48 / 0 / 59 / 16, CMYK 60 / 1 / 0 / 16 and CMYK 0 / 60 / 25 / 16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 48 / 0 / 59 / 16 shade: CMYK 48 / 0 / 59 / 16, CMYK 60 / 49 / 0 / 16 and CMYK 0 / 60 / 49 / 16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 48 / 0 / 59 / 16 shade: CMYK 48 / 0 / 59 / 16, CMYK 60 / 1 / 0 / 16, CMYK 11 / 60 / 0 / 16 and CMYK 0 / 59 / 60 / 16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 48 / 0 / 59 / 16 shade: CMYK 48 / 0 / 59 / 16, CMYK 60 / 19 / 0 / 16, CMYK 11 / 60 / 0 / 16 and CMYK 0 / 41 / 60 / 16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 59 / 16

HEX #6FD658

RGB 111 214 88

HSL 109.05, 0.61%, 0.59%

LAB 77.39, -53.38, 52.07

 

Complementary color

CMYK 14 / 75 / 0 / 35

HEX #9029A7

RGB 144 41 167

HSL 289.05, 0.61%, 0.41%

LAB 38.38, 59.31, -46.47

 

CMYK 46 / 0 / 61 / 16

HEX #74D653

RGB 116 214 83

HSL 104.89, 0.62%, 0.58%

LAB 77.54, -52.43, 54.48

 

CMYK 43 / 0 / 56 / 9

HEX #85E866

RGB 133 232 102

HSL 105.69, 0.74%, 0.65%

LAB 83.79, -52.55, 53.46

 

CMYK 40 / 0 / 52 / 2

HEX #96FA79

RGB 150 250 121

HSL 106.51, 0.93%, 0.73%

LAB 89.97, -52.56, 52.34

 

CMYK 35 / 0 / 45 / 0

HEX #A7FF8C

RGB 167 255 140

HSL 105.91, 1%, 0.77%

LAB 92.41, -47.05, 46.61

 

CMYK 28 / 0 / 38 / 0

HEX #B8FF9F

RGB 184 255 159

HSL 104.38, 1%, 0.81%

LAB 93.54, -39.04, 39.02

 

CMYK 48 / 0 / 59 / 16

HEX #6FD658

RGB 111 214 88

HSL 109.05, 0.61%, 0.59%

LAB 77.39, -53.38, 52.07

 

CMYK 52 / 0 / 65 / 23

HEX #5EC445

RGB 94 196 69

HSL 108.19, 0.52%, 0.52%

LAB 71.07, -53.11, 53.04

 

CMYK 57 / 0 / 72 / 30

HEX #4DB232

RGB 77 178 50

HSL 107.34, 0.56%, 0.45%

LAB 64.68, -52.59, 53.69

 

CMYK 63 / 0 / 81 / 37

HEX #3CA01F

RGB 60 160 31

HSL 106.51, 0.68%, 0.37%

LAB 58.23, -51.67, 53.69

 

CMYK 70 / 0 / 92 / 44

HEX #2B8E0C

RGB 43 142 12

HSL 105.69, 0.84%, 0.3%

LAB 51.71, -50.15, 52.43

 

CMYK 49 / 0 / 60 / 16

HEX #6DD656

RGB 109 214 86

HSL 109.22, 0.61%, 0.59%

LAB 77.29, -54.16, 52.82

 

CMYK 33 / 0 / 60 / 16

HEX #90D656

RGB 144 214 86

HSL 92.81, 0.61%, 0.59%

LAB 78.86, -43.07, 55.03

 

CMYK 17 / 0 / 60 / 16

HEX #B2D656

RGB 178 214 86

HSL 76.88, 0.61%, 0.59%

LAB 80.87, -30.49, 57.82

 

CMYK 0 / 0 / 60 / 16

HEX #D5D656

RGB 213 214 86

HSL 60.47, 0.61%, 0.59%

LAB 83.4, -16.45, 61.31

 

CMYK 0 / 16 / 60 / 16

HEX #D6B456

RGB 214 180 86

HSL 44.06, 0.61%, 0.59%

LAB 74.58, 1.38, 51.55

 

CMYK 49 / 0 / 60 / 16

HEX #6DD656

RGB 109 214 86

HSL 109.22, 0.61%, 0.59%

LAB 77.29, -54.16, 52.82

 

CMYK 60 / 0 / 55 / 16

HEX #56D661

RGB 86 214 97

HSL 125.16, 0.61%, 0.59%

LAB 76.64, -58.72, 46.88

 

CMYK 60 / 0 / 38 / 16

HEX #56D684

RGB 86 214 132

HSL 141.56, 0.61%, 0.59%

LAB 77.12, -53.38, 30.23

 

CMYK 60 / 0 / 22 / 16

HEX #56D6A6

RGB 86 214 166

HSL 157.5, 0.61%, 0.59%

LAB 77.77, -46.6, 13.32

 

CMYK 60 / 0 / 7 / 16

HEX #56D6C8

RGB 86 214 200

HSL 173.44, 0.61%, 0.59%

LAB 78.6, -38.43, -3.63

 

CMYK 49 / 0 / 60 / 16

HEX #6DD656

RGB 109 214 86

HSL 109.22, 0.61%, 0.59%

LAB 77.29, -54.16, 52.82

 

CMYK 57 / 0 / 70 / 9

HEX #63E745

RGB 99 231 69

HSL 108.89, 0.77%, 0.59%

LAB 81.97, -64.58, 64.65

 

CMYK 65 / 0 / 79 / 3

HEX #58F834

RGB 88 248 52

HSL 108.98, 0.93%, 0.59%

LAB 86.73, -73.78, 74.66

 

CMYK 49 / 0 / 60 / 16

HEX #6DD656

RGB 109 214 86

HSL 109.22, 0.61%, 0.59%

LAB 77.29, -54.16, 52.82

 

CMYK 39 / 0 / 48 / 23

HEX #78C567

RGB 120 197 103

HSL 109.15, 0.45%, 0.59%

LAB 72.83, -41.85, 39.64

 

CMYK 27 / 0 / 33 / 29

HEX #83B478

RGB 131 180 120

HSL 109, 0.29%, 0.59%

LAB 68.62, -27.87, 25.54

 

CMYK 13 / 0 / 16 / 36

HEX #8EA389

RGB 142 163 137

HSL 108.46, 0.12%, 0.59%

LAB 64.76, -12.42, 11.07

 

CMYK 1 / 5 / 0 / 40

HEX #98929A

RGB 152 146 154

HSL 285, 0.04%, 0.59%

LAB 61.28, 3.75, -3.43

 

CMYK 17 / 0 / 60 / 16

HEX #B2D656

RGB 178 214 86

HSL 76.88, 0.61%, 0.59%

LAB 80.87, -30.49, 57.82

 

CMYK 33 / 0 / 60 / 16

HEX #90D656

RGB 144 214 86

HSL 92.81, 0.61%, 0.59%

LAB 78.86, -43.07, 55.03

 

CMYK 49 / 0 / 60 / 16

HEX #6ED656

RGB 110 214 86

HSL 108.75, 0.61%, 0.59%

LAB 77.33, -53.88, 52.88

 

CMYK 60 / 0 / 55 / 16

HEX #56D661

RGB 86 214 97

HSL 125.16, 0.61%, 0.59%

LAB 76.64, -58.72, 46.88

 

CMYK 60 / 0 / 39 / 16

HEX #56D683

RGB 86 214 131

HSL 141.09, 0.61%, 0.59%

LAB 77.11, -53.56, 30.72

 

CMYK 62 / 0 / 76 / 31

HEX #42AF2A

RGB 66 175 42

HSL 109.17, 0.61%, 0.43%

LAB 63.33, -54.84, 55.1

 

CMYK 61 / 0 / 74 / 19

HEX #51CE35

RGB 81 206 53

HSL 109.02, 0.61%, 0.51%

LAB 73.64, -61.37, 61.69

 

CMYK 49 / 0 / 60 / 16

HEX #6DD656

RGB 109 214 86

HSL 109.22, 0.61%, 0.59%

LAB 77.29, -54.16, 52.82

 

CMYK 38 / 0 / 46 / 13

HEX #8ADE77

RGB 138 222 119

HSL 108.93, 0.61%, 0.67%

LAB 81.28, -44.82, 42.49

 

CMYK 27 / 0 / 33 / 10

HEX #A7E699

RGB 167 230 153

HSL 109.09, 0.61%, 0.75%

LAB 85.56, -34.17, 31.32

 

CMYK 48 / 0 / 59 / 16

HEX #6FD658

RGB 111 214 88

HSL 109.05, 0.61%, 0.59%

LAB 77.39, -53.38, 52.07

 

CMYK 60 / 1 / 0 / 16

HEX #56D4D6

RGB 86 212 214

HSL 180.94, 0.61%, 0.59%

LAB 78.42, -33.78, -11.41

 

CMYK 0 / 60 / 25 / 16

HEX #D656A1

RGB 214 86 161

HSL 324.84, 0.61%, 0.59%

LAB 55.61, 58.04, -15.19

 

CMYK 48 / 0 / 59 / 16

HEX #6FD658

RGB 111 214 88

HSL 109.05, 0.61%, 0.59%

LAB 77.39, -53.38, 52.07

 

CMYK 60 / 49 / 0 / 16

HEX #566ED6

RGB 86 110 214

HSL 228.75, 0.61%, 0.59%

LAB 49.48, 22.66, -56.33

 

CMYK 0 / 60 / 49 / 16

HEX #D6566E

RGB 214 86 110

HSL 348.75, 0.61%, 0.59%

LAB 54.11, 52.3, 12.7

 

CMYK 48 / 0 / 59 / 16

HEX #6FD658

RGB 111 214 88

HSL 109.05, 0.61%, 0.59%

LAB 77.39, -53.38, 52.07

 

CMYK 60 / 1 / 0 / 16

HEX #56D4D6

RGB 86 212 214

HSL 180.94, 0.61%, 0.59%

LAB 78.42, -33.78, -11.41

 

CMYK 11 / 60 / 0 / 16

HEX #BE56D6

RGB 190 86 214

HSL 288.75, 0.61%, 0.59%

LAB 54.51, 60.18, -47.71

 

CMYK 0 / 59 / 60 / 16

HEX #D65856

RGB 214 88 86

HSL 0.94, 0.61%, 0.59%

LAB 53.97, 49.47, 26.64

 

CMYK 48 / 0 / 59 / 16

HEX #6FD658

RGB 111 214 88

HSL 109.05, 0.61%, 0.59%

LAB 77.39, -53.38, 52.07

 

CMYK 60 / 19 / 0 / 16

HEX #56ADD6

RGB 86 173 214

HSL 199.22, 0.61%, 0.59%

LAB 67.07, -14.17, -28.63

 

CMYK 11 / 60 / 0 / 16

HEX #BE56D6

RGB 190 86 214

HSL 288.75, 0.61%, 0.59%

LAB 54.51, 60.18, -47.71

 

CMYK 0 / 41 / 60 / 16

HEX #D67F56

RGB 214 127 86

HSL 19.22, 0.61%, 0.59%

LAB 61.78, 29.82, 36.46

 

Description

Color code: CMYK 48 / 0 / 59 / 16 | qconv.com Color code: CMYK 48 / 0 / 59 / 16 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 214 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 214 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 59 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 59% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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