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Color name
CMYK 49 / 81 / 0 / 13

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 49 / 81 / 0 / 13 it is the complementary color CMYK 33 / 0 / 85 / 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 49 / 81 / 0 / 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 49 / 81 / 0 / 13 shade: CMYK 46 / 81 / 0 / 15, CMYK 43 / 75 / 0 / 7, CMYK 40 / 69 / 0 / 0, CMYK 34 / 62 / 0 / 0 and CMYK 27 / 55 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 49 / 81 / 0 / 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 49 / 81 / 0 / 13 shade: CMYK 49 / 81 / 0 / 13, CMYK 53 / 88 / 0 / 20, CMYK 57 / 97 / 0 / 28, CMYK 62 / 100 / 0 / 35 and CMYK 69 / 100 / 0 / 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 49 / 81 / 0 / 13 shade: CMYK 49 / 81 / 0 / 13, CMYK 27 / 81 / 0 / 13, CMYK 5 / 81 / 0 / 13, CMYK 0 / 81 / 16 / 13 and CMYK 0 / 81 / 38 / 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 49 / 81 / 0 / 13 shade: CMYK 49 / 81 / 0 / 13, CMYK 71 / 81 / 0 / 13 and CMYK 81 / 81 / 0 / 13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 49 / 81 / 0 / 13 shade matches the following richer shades: CMYK 49 / 81 / 0 / 13 and CMYK 55 / 90 / 0 / 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 49 / 81 / 0 / 13 shade: CMYK 49 / 81 / 0 / 13, CMYK 42 / 69 / 0 / 21, CMYK 33 / 55 / 0 / 29, CMYK 22 / 37 / 0 / 36 and CMYK 8 / 14 / 0 / 44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 49 / 81 / 0 / 13 shade: CMYK 81 / 68 / 0 / 13, CMYK 71 / 81 / 0 / 13, CMYK 50 / 81 / 0 / 13, CMYK 28 / 81 / 0 / 13 and CMYK 6 / 81 / 0 / 13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 49 / 81 / 0 / 13 shade: CMYK 51 / 85 / 0 / 38, CMYK 51 / 84 / 0 / 24, CMYK 49 / 81 / 0 / 13, CMYK 40 / 66 / 0 / 11 and CMYK 31 / 51 / 0 / 9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 49 / 81 / 0 / 13 shade: CMYK 49 / 81 / 0 / 13, CMYK 0 / 81 / 47 / 13 and CMYK 79 / 0 / 81 / 13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 49 / 81 / 0 / 13 shade: CMYK 49 / 81 / 0 / 13, CMYK 0 / 50 / 81 / 13 and CMYK 81 / 0 / 50 / 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 49 / 81 / 0 / 13 shade: CMYK 49 / 81 / 0 / 13, CMYK 0 / 81 / 47 / 13, CMYK 31 / 0 / 81 / 13 and CMYK 81 / 0 / 33 / 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 49 / 81 / 0 / 13 shade: CMYK 49 / 81 / 0 / 13, CMYK 0 / 81 / 71 / 13, CMYK 31 / 0 / 81 / 13 and CMYK 81 / 0 / 9 / 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 81 / 0 / 13

HEX #712ADE

RGB 113 42 222

HSL 263.67, 0.73%, 0.52%

LAB 38.62, 65.98, -78.46

 

Complementary color

CMYK 33 / 0 / 85 / 16

HEX #8ED521

RGB 142 213 33

HSL 83.67, 0.73%, 0.48%

LAB 78.14, -46.63, 72.38

 

CMYK 46 / 81 / 0 / 15

HEX #762AD9

RGB 118 42 217

HSL 266.06, 0.7%, 0.51%

LAB 38.76, 65.41, -75.35

 

CMYK 43 / 75 / 0 / 7

HEX #873CEC

RGB 135 60 236

HSL 265.57, 0.82%, 0.58%

LAB 44.86, 65.35, -76.1

 

CMYK 40 / 69 / 0 / 0

HEX #984EFF

RGB 152 78 255

HSL 265.08, 1%, 0.65%

LAB 51.09, 64.8, -76.49

 

CMYK 34 / 62 / 0 / 0

HEX #A960FF

RGB 169 96 255

HSL 267.55, 1%, 0.69%

LAB 56.11, 59.44, -68.26

 

CMYK 27 / 55 / 0 / 0

HEX #BA72FF

RGB 186 114 255

HSL 270.64, 1%, 0.72%

LAB 61.39, 54.14, -59.67

 

CMYK 49 / 81 / 0 / 13

HEX #712ADE

RGB 113 42 222

HSL 263.67, 0.73%, 0.52%

LAB 38.62, 65.98, -78.46

 

CMYK 53 / 88 / 0 / 20

HEX #6018CB

RGB 96 24 203

HSL 264.13, 0.79%, 0.45%

LAB 32.81, 65.27, -77.12

 

CMYK 57 / 97 / 0 / 28

HEX #4F06B8

RGB 79 6 184

HSL 264.61, 0.94%, 0.37%

LAB 27.44, 63.16, -74.87

 

CMYK 62 / 100 / 0 / 35

HEX #3E00A5

RGB 62 0 165

HSL 262.55, 1%, 0.32%

LAB 22.8, 58.79, -71.22

 

CMYK 69 / 100 / 0 / 43

HEX #2D0092

RGB 45 0 146

HSL 258.49, 1%, 0.29%

LAB 18.51, 53.28, -66.72

 

CMYK 49 / 81 / 0 / 13

HEX #712BDD

RGB 113 43 221

HSL 263.6, 0.72%, 0.52%

LAB 38.65, 65.37, -77.83

 

CMYK 27 / 81 / 0 / 13

HEX #A12BDD

RGB 161 43 221

HSL 279.78, 0.72%, 0.52%

LAB 44.98, 72.27, -67.24

 

CMYK 5 / 81 / 0 / 13

HEX #D22BDD

RGB 210 43 221

HSL 296.29, 0.72%, 0.52%

LAB 52.56, 80.69, -54.61

 

CMYK 0 / 81 / 16 / 13

HEX #DD2BB9

RGB 221 43 185

HSL 312.13, 0.72%, 0.52%

LAB 52.51, 77.63, -33.88

 

CMYK 0 / 81 / 38 / 13

HEX #DD2B89

RGB 221 43 137

HSL 328.31, 0.72%, 0.52%

LAB 50.58, 72.09, -8.43

 

CMYK 49 / 81 / 0 / 13

HEX #712BDD

RGB 113 43 221

HSL 263.6, 0.72%, 0.52%

LAB 38.65, 65.37, -77.83

 

CMYK 71 / 81 / 0 / 13

HEX #412BDD

RGB 65 43 221

HSL 247.42, 0.72%, 0.52%

LAB 34.13, 60.53, -85.45

 

CMYK 81 / 81 / 0 / 13

HEX #2B2BDD

RGB 43 43 221

HSL 240, 0.72%, 0.52%

LAB 32.84, 59.17, -87.64

 

CMYK 49 / 81 / 0 / 13

HEX #712BDD

RGB 113 43 221

HSL 263.6, 0.72%, 0.52%

LAB 38.65, 65.37, -77.83

 

CMYK 55 / 90 / 0 / 5

HEX #6D17F1

RGB 109 23 241

HSL 263.67, 0.89%, 0.52%

LAB 38.23, 75.53, -89.94

 

CMYK 49 / 81 / 0 / 13

HEX #712BDD

RGB 113 43 221

HSL 263.6, 0.72%, 0.52%

LAB 38.65, 65.37, -77.83

 

CMYK 42 / 69 / 0 / 21

HEX #753FCA

RGB 117 63 202

HSL 263.31, 0.57%, 0.52%

LAB 40.58, 52.41, -63.72

 

CMYK 33 / 55 / 0 / 29

HEX #7A52B6

RGB 122 82 182

HSL 264, 0.41%, 0.52%

LAB 43.58, 38.02, -47.18

 

CMYK 22 / 37 / 0 / 36

HEX #7E66A2

RGB 126 102 162

HSL 264, 0.24%, 0.52%

LAB 47.68, 22.28, -28.92

 

CMYK 8 / 14 / 0 / 44

HEX #827A8E

RGB 130 122 142

HSL 264, 0.08%, 0.52%

LAB 52.53, 7.12, -9.73

 

CMYK 81 / 68 / 0 / 13

HEX #2B46DD

RGB 43 70 221

HSL 230.9, 0.72%, 0.52%

LAB 38.05, 44.48, -79.02

 

CMYK 71 / 81 / 0 / 13

HEX #402BDD

RGB 64 43 221

HSL 247.08, 0.72%, 0.52%

LAB 34.06, 60.46, -85.57

 

CMYK 50 / 81 / 0 / 13

HEX #6F2BDD

RGB 111 43 221

HSL 262.92, 0.72%, 0.52%

LAB 38.42, 65.12, -78.22

 

CMYK 28 / 81 / 0 / 13

HEX #9F2BDD

RGB 159 43 221

HSL 279.1, 0.72%, 0.52%

LAB 44.69, 71.95, -67.72

 

CMYK 6 / 81 / 0 / 13

HEX #CF2BDD

RGB 207 43 221

HSL 295.28, 0.72%, 0.52%

LAB 52.08, 80.15, -55.42

 

CMYK 51 / 85 / 0 / 38

HEX #4D189E

RGB 77 24 158

HSL 263.73, 0.74%, 0.36%

LAB 25.86, 52.08, -61.83

 

CMYK 51 / 84 / 0 / 24

HEX #5E1EC1

RGB 94 30 193

HSL 263.56, 0.73%, 0.44%

LAB 32.17, 60.82, -72.34

 

CMYK 49 / 81 / 0 / 13

HEX #712BDD

RGB 113 43 221

HSL 263.6, 0.72%, 0.52%

LAB 38.65, 65.37, -77.83

 

CMYK 40 / 66 / 0 / 11

HEX #894EE3

RGB 137 78 227

HSL 263.76, 0.73%, 0.6%

LAB 47.38, 55.1, -66.88

 

CMYK 31 / 51 / 0 / 9

HEX #A172E9

RGB 161 114 233

HSL 263.7, 0.73%, 0.68%

LAB 57.55, 42.78, -53.76

 

CMYK 49 / 81 / 0 / 13

HEX #712ADE

RGB 113 42 222

HSL 263.67, 0.73%, 0.52%

LAB 38.62, 65.98, -78.46

 

CMYK 0 / 81 / 47 / 13

HEX #DD2B75

RGB 221 43 117

HSL 335.06, 0.72%, 0.52%

LAB 49.96, 70.26, 2.77

 

CMYK 79 / 0 / 81 / 13

HEX #2EDD2B

RGB 46 221 43

HSL 118.99, 0.72%, 0.52%

LAB 77.56, -72.9, 68.25

 

CMYK 49 / 81 / 0 / 13

HEX #712ADE

RGB 113 42 222

HSL 263.67, 0.73%, 0.52%

LAB 38.62, 65.98, -78.46

 

CMYK 0 / 50 / 81 / 13

HEX #DD6F2B

RGB 221 111 43

HSL 22.92, 0.72%, 0.52%

LAB 58.9, 38.73, 54.81

 

CMYK 81 / 0 / 50 / 13

HEX #2BDD6F

RGB 43 221 111

HSL 142.92, 0.72%, 0.52%

LAB 78.1, -66.21, 41.8

 

CMYK 49 / 81 / 0 / 13

HEX #712ADE

RGB 113 42 222

HSL 263.67, 0.73%, 0.52%

LAB 38.62, 65.98, -78.46

 

CMYK 0 / 81 / 47 / 13

HEX #DD2B75

RGB 221 43 117

HSL 335.06, 0.72%, 0.52%

LAB 49.96, 70.26, 2.77

 

CMYK 31 / 0 / 81 / 13

HEX #99DD2B

RGB 153 221 43

HSL 82.92, 0.72%, 0.52%

LAB 81.1, -45.65, 72.8

 

CMYK 81 / 0 / 33 / 13

HEX #2BDD93

RGB 43 221 147

HSL 155.06, 0.72%, 0.52%

LAB 78.66, -59.73, 24.39

 

CMYK 49 / 81 / 0 / 13

HEX #712ADE

RGB 113 42 222

HSL 263.67, 0.73%, 0.52%

LAB 38.62, 65.98, -78.46

 

CMYK 0 / 81 / 71 / 13

HEX #DD2B40

RGB 221 43 64

HSL 352.92, 0.72%, 0.52%

LAB 48.85, 66.9, 33.41

 

CMYK 31 / 0 / 81 / 13

HEX #99DD2B

RGB 153 221 43

HSL 82.92, 0.72%, 0.52%

LAB 81.1, -45.65, 72.8

 

CMYK 81 / 0 / 9 / 13

HEX #2BDDC9

RGB 43 221 201

HSL 173.26, 0.72%, 0.52%

LAB 79.87, -46.84, -2.41

 

Description

Color code: CMYK 49 / 81 / 0 / 13 | qconv.com Color code: CMYK 49 / 81 / 0 / 13 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 42 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 42 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 81 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 81% 0% 13% C M Y K

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