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Color name
CMYK 50 / 0 / 66 / 25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 50 / 0 / 66 / 25 it is the complementary color CMYK 16 / 66 / 0 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 50 / 0 / 66 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 50 / 0 / 66 / 25 shade: CMYK 47 / 0 / 69 / 25, CMYK 44 / 0 / 62 / 18, CMYK 41 / 0 / 57 / 11, CMYK 38 / 0 / 52 / 4 and CMYK 34 / 0 / 47 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 50 / 0 / 66 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 50 / 0 / 66 / 25 shade: CMYK 50 / 0 / 66 / 25, CMYK 54 / 0 / 73 / 32, CMYK 60 / 0 / 83 / 39, CMYK 67 / 0 / 94 / 46 and CMYK 76 / 0 / 100 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 50 / 0 / 66 / 25 shade: CMYK 50 / 0 / 67 / 25, CMYK 32 / 0 / 67 / 25, CMYK 15 / 0 / 67 / 25, CMYK 0 / 4 / 67 / 25 and CMYK 0 / 22 / 67 / 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 50 / 0 / 66 / 25 shade: CMYK 50 / 0 / 67 / 25, CMYK 67 / 0 / 65 / 25, CMYK 67 / 0 / 47 / 25, CMYK 67 / 0 / 29 / 25 and CMYK 67 / 0 / 12 / 25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 50 / 0 / 66 / 25 shade matches the following richer shades: CMYK 50 / 0 / 67 / 25, CMYK 60 / 0 / 80 / 17, CMYK 68 / 0 / 91 / 9 and CMYK 75 / 0 / 100 / 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 50 / 0 / 66 / 25 shade: CMYK 50 / 0 / 67 / 25, CMYK 38 / 0 / 51 / 33, CMYK 22 / 0 / 30 / 42, CMYK 2 / 0 / 3 / 49 and CMYK 6 / 26 / 0 / 43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 50 / 0 / 66 / 25 shade: CMYK 15 / 0 / 67 / 25, CMYK 32 / 0 / 67 / 25, CMYK 50 / 0 / 67 / 25, CMYK 67 / 0 / 66 / 25 and CMYK 67 / 0 / 48 / 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 50 / 0 / 66 / 25 shade: CMYK 50 / 0 / 67 / 49, CMYK 51 / 0 / 67 / 37, CMYK 50 / 0 / 67 / 25, CMYK 40 / 0 / 53 / 21 and CMYK 31 / 0 / 41 / 17

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 50 / 0 / 66 / 25 shade: CMYK 50 / 0 / 66 / 25, CMYK 67 / 0 / 4 / 25 and CMYK 0 / 67 / 24 / 25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 50 / 0 / 66 / 25 shade: CMYK 50 / 0 / 66 / 25, CMYK 67 / 50 / 0 / 25 and CMYK 0 / 67 / 50 / 25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 50 / 0 / 66 / 25 shade: CMYK 50 / 0 / 66 / 25, CMYK 67 / 0 / 4 / 25, CMYK 17 / 67 / 0 / 25 and CMYK 0 / 67 / 63 / 25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 50 / 0 / 66 / 25 shade: CMYK 50 / 0 / 66 / 25, CMYK 67 / 17 / 0 / 25, CMYK 17 / 67 / 0 / 25 and CMYK 0 / 50 / 67 / 25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 66 / 25

HEX #60BF41

RGB 96 191 65

HSL 105.24, 0.5%, 0.5%

LAB 69.56, -50.99, 53.09

 

Complementary color

CMYK 16 / 66 / 0 / 25

HEX #9F40BE

RGB 159 64 190

HSL 285.24, 0.5%, 0.5%

LAB 45.3, 57.95, -48.84

 

CMYK 47 / 0 / 69 / 25

HEX #65BF3C

RGB 101 191 60

HSL 101.22, 0.52%, 0.49%

LAB 69.72, -49.93, 55.34

 

CMYK 44 / 0 / 62 / 18

HEX #76D14F

RGB 118 209 79

HSL 102, 0.59%, 0.56%

LAB 76.08, -50.21, 54.6

 

CMYK 41 / 0 / 57 / 11

HEX #87E362

RGB 135 227 98

HSL 102.79, 0.7%, 0.64%

LAB 82.36, -50.33, 53.61

 

CMYK 38 / 0 / 52 / 4

HEX #98F575

RGB 152 245 117

HSL 103.59, 0.86%, 0.71%

LAB 88.57, -50.34, 52.52

 

CMYK 34 / 0 / 47 / 0

HEX #A9FF88

RGB 169 255 136

HSL 103.36, 1%, 0.77%

LAB 92.46, -46.91, 48.59

 

CMYK 50 / 0 / 66 / 25

HEX #60BF41

RGB 96 191 65

HSL 105.24, 0.5%, 0.5%

LAB 69.56, -50.99, 53.09

 

CMYK 54 / 0 / 73 / 32

HEX #4FAD2E

RGB 79 173 46

HSL 104.41, 0.58%, 0.43%

LAB 63.13, -50.49, 53.63

 

CMYK 60 / 0 / 83 / 39

HEX #3E9B1B

RGB 62 155 27

HSL 103.59, 0.7%, 0.36%

LAB 56.63, -49.6, 53.41

 

CMYK 67 / 0 / 94 / 46

HEX #2D8908

RGB 45 137 8

HSL 102.79, 0.89%, 0.28%

LAB 50.06, -48.12, 51.77

 

CMYK 76 / 0 / 100 / 53

HEX #1C7700

RGB 28 119 0

HSL 105.88, 1%, 0.23%

LAB 43.42, -45.78, 47.8

 

CMYK 50 / 0 / 67 / 25

HEX #5FBF3F

RGB 95 191 63

HSL 105, 0.5%, 0.5%

LAB 69.51, -51.46, 53.84

 

CMYK 32 / 0 / 67 / 25

HEX #81BF3F

RGB 129 191 63

HSL 89.06, 0.5%, 0.5%

LAB 71.07, -40.32, 55.97

 

CMYK 15 / 0 / 67 / 25

HEX #A3BF3F

RGB 163 191 63

HSL 73.13, 0.5%, 0.5%

LAB 73.16, -27.18, 58.8

 

CMYK 0 / 4 / 67 / 25

HEX #BFB83F

RGB 191 184 63

HSL 56.72, 0.5%, 0.5%

LAB 73.36, -11.98, 59.69

 

CMYK 0 / 22 / 67 / 25

HEX #BF953F

RGB 191 149 63

HSL 40.31, 0.5%, 0.5%

LAB 64.1, 6.61, 49.99

 

CMYK 50 / 0 / 67 / 25

HEX #5FBF3F

RGB 95 191 63

HSL 105, 0.5%, 0.5%

LAB 69.51, -51.46, 53.84

 

CMYK 67 / 0 / 65 / 25

HEX #3FBF42

RGB 63 191 66

HSL 121.41, 0.5%, 0.5%

LAB 68.54, -58.98, 51.27

 

CMYK 67 / 0 / 47 / 25

HEX #3FBF65

RGB 63 191 101

HSL 137.81, 0.5%, 0.5%

LAB 68.94, -54.4, 35.32

 

CMYK 67 / 0 / 29 / 25

HEX #3FBF87

RGB 63 191 135

HSL 153.75, 0.5%, 0.5%

LAB 69.52, -48.02, 18.27

 

CMYK 67 / 0 / 12 / 25

HEX #3FBFA9

RGB 63 191 169

HSL 169.69, 0.5%, 0.5%

LAB 70.3, -39.93, 0.92

 

CMYK 50 / 0 / 67 / 25

HEX #5FBF3F

RGB 95 191 63

HSL 105, 0.5%, 0.5%

LAB 69.51, -51.46, 53.84

 

CMYK 60 / 0 / 80 / 17

HEX #54D32B

RGB 84 211 43

HSL 105.36, 0.66%, 0.5%

LAB 75.23, -63, 66.37

 

CMYK 68 / 0 / 91 / 9

HEX #4AE816

RGB 74 232 22

HSL 105.14, 0.83%, 0.5%

LAB 81.42, -72.7, 76.2

 

CMYK 75 / 0 / 100 / 1

HEX #3FFD01

RGB 63 253 1

HSL 105.24, 0.99%, 0.5%

LAB 87.64, -81.03, 83.24

 

CMYK 50 / 0 / 67 / 25

HEX #5FBF3F

RGB 95 191 63

HSL 105, 0.5%, 0.5%

LAB 69.51, -51.46, 53.84

 

CMYK 38 / 0 / 51 / 33

HEX #69AA54

RGB 105 170 84

HSL 105.35, 0.34%, 0.5%

LAB 63.67, -37.32, 37.65

 

CMYK 22 / 0 / 30 / 42

HEX #749569

RGB 116 149 105

HSL 105, 0.17%, 0.5%

LAB 58.25, -20.2, 19.6

 

CMYK 2 / 0 / 3 / 49

HEX #7E817D

RGB 126 129 125

HSL 105, 0.02%, 0.5%

LAB 53.62, -1.91, 1.77

 

CMYK 6 / 26 / 0 / 43

HEX #896C92

RGB 137 108 146

HSL 285.79, 0.15%, 0.5%

LAB 49.64, 18.7, -16.38

 

CMYK 15 / 0 / 67 / 25

HEX #A3BF3F

RGB 163 191 63

HSL 73.13, 0.5%, 0.5%

LAB 73.16, -27.18, 58.8

 

CMYK 32 / 0 / 67 / 25

HEX #81BF3F

RGB 129 191 63

HSL 89.06, 0.5%, 0.5%

LAB 71.07, -40.32, 55.97

 

CMYK 50 / 0 / 67 / 25

HEX #5FBF3F

RGB 95 191 63

HSL 105, 0.5%, 0.5%

LAB 69.51, -51.46, 53.84

 

CMYK 67 / 0 / 66 / 25

HEX #3FBF41

RGB 63 191 65

HSL 120.94, 0.5%, 0.5%

LAB 68.53, -59.08, 51.68

 

CMYK 67 / 0 / 48 / 25

HEX #3FBF63

RGB 63 191 99

HSL 136.88, 0.5%, 0.5%

LAB 68.91, -54.72, 36.29

 

CMYK 50 / 0 / 67 / 49

HEX #40812B

RGB 64 129 43

HSL 105.35, 0.5%, 0.34%

LAB 48.22, -37.64, 39.04

 

CMYK 51 / 0 / 67 / 37

HEX #4FA035

RGB 79 160 53

HSL 105.42, 0.5%, 0.42%

LAB 59.03, -44.84, 46.57

 

CMYK 50 / 0 / 67 / 25

HEX #5FBF3F

RGB 95 191 63

HSL 105, 0.5%, 0.5%

LAB 69.51, -51.46, 53.84

 

CMYK 40 / 0 / 53 / 21

HEX #78C95E

RGB 120 201 94

HSL 105.42, 0.5%, 0.58%

LAB 73.92, -44.69, 45.34

 

CMYK 31 / 0 / 41 / 17

HEX #92D37D

RGB 146 211 125

HSL 105.35, 0.49%, 0.66%

LAB 78.57, -36.55, 36.15

 

CMYK 50 / 0 / 66 / 25

HEX #60BF41

RGB 96 191 65

HSL 105.24, 0.5%, 0.5%

LAB 69.56, -50.99, 53.09

 

CMYK 67 / 0 / 4 / 25

HEX #3FBFB8

RGB 63 191 184

HSL 176.72, 0.5%, 0.5%

LAB 70.72, -35.9, -6.68

 

CMYK 0 / 67 / 24 / 25

HEX #BF3F92

RGB 191 63 146

HSL 321.09, 0.5%, 0.5%

LAB 47.89, 59.09, -18.41

 

CMYK 50 / 0 / 66 / 25

HEX #60BF41

RGB 96 191 65

HSL 105.24, 0.5%, 0.5%

LAB 69.56, -50.99, 53.09

 

CMYK 67 / 50 / 0 / 25

HEX #3F5FBF

RGB 63 95 191

HSL 225, 0.5%, 0.5%

LAB 42.77, 20.13, -53.98

 

CMYK 0 / 67 / 50 / 25

HEX #BF3F5F

RGB 191 63 95

HSL 345, 0.5%, 0.5%

LAB 46.25, 53.42, 10.2

 

CMYK 50 / 0 / 66 / 25

HEX #60BF41

RGB 96 191 65

HSL 105.24, 0.5%, 0.5%

LAB 69.56, -50.99, 53.09

 

CMYK 67 / 0 / 4 / 25

HEX #3FBFB8

RGB 63 191 184

HSL 176.72, 0.5%, 0.5%

LAB 70.72, -35.9, -6.68

 

CMYK 17 / 67 / 0 / 25

HEX #9F3FBF

RGB 159 63 191

HSL 285, 0.5%, 0.5%

LAB 45.2, 58.59, -49.58

 

CMYK 0 / 67 / 63 / 25

HEX #BF3F46

RGB 191 63 70

HSL 356.72, 0.5%, 0.5%

LAB 45.73, 51.54, 24.75

 

CMYK 50 / 0 / 66 / 25

HEX #60BF41

RGB 96 191 65

HSL 105.24, 0.5%, 0.5%

LAB 69.56, -50.99, 53.09

 

CMYK 67 / 17 / 0 / 25

HEX #3F9FBF

RGB 63 159 191

HSL 195, 0.5%, 0.5%

LAB 61.32, -17.9, -24.75

 

CMYK 17 / 67 / 0 / 25

HEX #9F3FBF

RGB 159 63 191

HSL 285, 0.5%, 0.5%

LAB 45.2, 58.59, -49.58

 

CMYK 0 / 50 / 67 / 25

HEX #BF5F3F

RGB 191 95 63

HSL 15, 0.5%, 0.5%

LAB 51.4, 36, 35.74

 

Description

Color code: CMYK 50 / 0 / 66 / 25 | qconv.com Color code: CMYK 50 / 0 / 66 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 191 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 191 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 66 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 66% 25% C M Y K

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Provide designers and agencies with accurate color values.

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