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Color name
CMYK 62 / 21 / 0 / 8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 62 / 21 / 0 / 8 it is the complementary color CMYK 0 / 58 / 88 / 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 62 / 21 / 0 / 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 62 / 21 / 0 / 8 shade: CMYK 59 / 20 / 0 / 10, CMYK 55 / 18 / 0 / 2, CMYK 50 / 13 / 0 / 0, CMYK 43 / 6 / 0 / 0 and CMYK 36 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 62 / 21 / 0 / 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 62 / 21 / 0 / 8 shade: CMYK 62 / 21 / 0 / 8, CMYK 67 / 23 / 0 / 15, CMYK 72 / 24 / 0 / 23, CMYK 79 / 26 / 0 / 30 and CMYK 87 / 29 / 0 / 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 62 / 21 / 0 / 8 shade: CMYK 61 / 21 / 0 / 8, CMYK 61 / 37 / 0 / 8, CMYK 61 / 54 / 0 / 8, CMYK 52 / 61 / 0 / 8 and CMYK 35 / 61 / 0 / 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 62 / 21 / 0 / 8 shade: CMYK 61 / 21 / 0 / 8, CMYK 61 / 37 / 0 / 8, CMYK 61 / 54 / 0 / 8 and CMYK 61 / 61 / 0 / 8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 62 / 21 / 0 / 8 shade matches the following richer shades: CMYK 61 / 21 / 0 / 8 and CMYK 69 / 24 / 0 / 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 62 / 21 / 0 / 8 shade: CMYK 61 / 21 / 0 / 8, CMYK 52 / 17 / 0 / 14, CMYK 41 / 14 / 0 / 20, CMYK 28 / 10 / 0 / 25 and CMYK 14 / 5 / 0 / 31

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 62 / 21 / 0 / 8 shade: CMYK 61 / 0 / 12 / 8, CMYK 61 / 4 / 0 / 8, CMYK 61 / 20 / 0 / 8, CMYK 61 / 37 / 0 / 8 and CMYK 61 / 53 / 0 / 8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 62 / 21 / 0 / 8 shade: CMYK 88 / 30 / 0 / 15, CMYK 77 / 26 / 0 / 10, CMYK 61 / 21 / 0 / 8, CMYK 46 / 16 / 0 / 6 and CMYK 32 / 11 / 0 / 5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 62 / 21 / 0 / 8 shade: CMYK 62 / 21 / 0 / 8, CMYK 29 / 61 / 0 / 8 and CMYK 0 / 4 / 61 / 8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 62 / 21 / 0 / 8 shade: CMYK 62 / 21 / 0 / 8, CMYK 0 / 61 / 20 / 8 and CMYK 20 / 0 / 61 / 8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 62 / 21 / 0 / 8 shade: CMYK 62 / 21 / 0 / 8, CMYK 29 / 61 / 0 / 8, CMYK 0 / 41 / 61 / 8 and CMYK 32 / 0 / 61 / 8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 62 / 21 / 0 / 8 shade: CMYK 62 / 21 / 0 / 8, CMYK 10 / 61 / 0 / 8, CMYK 0 / 41 / 61 / 8 and CMYK 51 / 0 / 61 / 8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 21 / 0 / 8

HEX #59B9EB

RGB 89 185 235

HSL 200.55, 0.78%, 0.64%

LAB 71.43, -13.55, -33.37

 

Complementary color

CMYK 0 / 58 / 88 / 35

HEX #A64614

RGB 166 70 20

HSL 20.55, 0.78%, 0.36%

LAB 42.06, 37.1, 46.2

 

CMYK 59 / 20 / 0 / 10

HEX #5EB9E6

RGB 94 185 230

HSL 199.85, 0.73%, 0.64%

LAB 71.41, -14.19, -30.67

 

CMYK 55 / 18 / 0 / 2

HEX #6FCBF9

RGB 111 203 249

HSL 200, 0.92%, 0.71%

LAB 77.83, -14.73, -30.97

 

CMYK 50 / 13 / 0 / 0

HEX #80DDFF

RGB 128 221 255

HSL 196.06, 1%, 0.75%

LAB 83.72, -18.76, -25.09

 

CMYK 43 / 6 / 0 / 0

HEX #91EFFF

RGB 145 239 255

HSL 188.73, 1%, 0.78%

LAB 89.38, -23.9, -16.46

 

CMYK 36 / 0 / 0 / 0

HEX #A2FFFF

RGB 162 255 255

HSL 180, 1%, 0.82%

LAB 94.49, -27.52, -8.75

 

CMYK 62 / 21 / 0 / 8

HEX #59B9EB

RGB 89 185 235

HSL 200.55, 0.78%, 0.64%

LAB 71.43, -13.55, -33.37

 

CMYK 67 / 23 / 0 / 15

HEX #48A7D8

RGB 72 167 216

HSL 200.42, 0.65%, 0.56%

LAB 64.94, -12.72, -33.06

 

CMYK 72 / 24 / 0 / 23

HEX #3795C5

RGB 55 149 197

HSL 200.28, 0.56%, 0.49%

LAB 58.36, -11.65, -32.73

 

CMYK 79 / 26 / 0 / 30

HEX #2683B2

RGB 38 131 178

HSL 200.14, 0.65%, 0.42%

LAB 51.68, -10.27, -32.36

 

CMYK 87 / 29 / 0 / 38

HEX #15719F

RGB 21 113 159

HSL 200, 0.77%, 0.35%

LAB 44.9, -8.43, -31.92

 

CMYK 61 / 21 / 0 / 8

HEX #5BB9EA

RGB 91 185 234

HSL 200.56, 0.77%, 0.64%

LAB 71.46, -13.51, -32.77

 

CMYK 61 / 37 / 0 / 8

HEX #5B93EA

RGB 91 147 234

HSL 216.5, 0.77%, 0.64%

LAB 60.81, 7.83, -49.45

 

CMYK 61 / 54 / 0 / 8

HEX #5B6CEA

RGB 91 108 234

HSL 232.87, 0.77%, 0.64%

LAB 50.56, 31.44, -65.86

 

CMYK 52 / 61 / 0 / 8

HEX #715BEA

RGB 113 91 234

HSL 249.23, 0.77%, 0.64%

LAB 48.18, 45.45, -69.65

 

CMYK 35 / 61 / 0 / 8

HEX #975BEA

RGB 151 91 234

HSL 265.17, 0.77%, 0.64%

LAB 51.84, 53.07, -63.54

 

CMYK 61 / 21 / 0 / 8

HEX #5BB9EA

RGB 91 185 234

HSL 200.56, 0.77%, 0.64%

LAB 71.46, -13.51, -32.77

 

CMYK 61 / 37 / 0 / 8

HEX #5B93EA

RGB 91 147 234

HSL 216.5, 0.77%, 0.64%

LAB 60.81, 7.83, -49.45

 

CMYK 61 / 54 / 0 / 8

HEX #5B6CEA

RGB 91 108 234

HSL 232.87, 0.77%, 0.64%

LAB 50.56, 31.44, -65.86

 

CMYK 61 / 61 / 0 / 8

HEX #5B5BEA

RGB 91 91 234

HSL 240, 0.77%, 0.64%

LAB 46.51, 41.73, -72.44

 

CMYK 61 / 21 / 0 / 8

HEX #5BB9EA

RGB 91 185 234

HSL 200.56, 0.77%, 0.64%

LAB 71.46, -13.51, -32.77

 

CMYK 69 / 24 / 0 / 2

HEX #4CBEF9

RGB 76 190 249

HSL 200.46, 0.94%, 0.64%

LAB 73.03, -13.8, -38.5

 

CMYK 61 / 21 / 0 / 8

HEX #5BB9EA

RGB 91 185 234

HSL 200.56, 0.77%, 0.64%

LAB 71.46, -13.51, -32.77

 

CMYK 52 / 17 / 0 / 14

HEX #6AB5DB

RGB 106 181 219

HSL 200.18, 0.61%, 0.64%

LAB 70.33, -12.88, -26.29

 

CMYK 41 / 14 / 0 / 20

HEX #79B0CD

RGB 121 176 205

HSL 200.71, 0.46%, 0.64%

LAB 69.13, -10.51, -20.39

 

CMYK 28 / 10 / 0 / 25

HEX #88ABBE

RGB 136 171 190

HSL 201.11, 0.29%, 0.64%

LAB 68.08, -7.43, -13.61

 

CMYK 14 / 5 / 0 / 31

HEX #97A7AF

RGB 151 167 175

HSL 200, 0.13%, 0.64%

LAB 67.51, -3.92, -6.03

 

CMYK 61 / 0 / 12 / 8

HEX #5BEACE

RGB 91 234 206

HSL 168.25, 0.77%, 0.64%

LAB 84.75, -44.94, 2.2

 

CMYK 61 / 4 / 0 / 8

HEX #5BE1EA

RGB 91 225 234

HSL 183.78, 0.77%, 0.64%

LAB 82.92, -33.56, -15.31

 

CMYK 61 / 20 / 0 / 8

HEX #5BBBEA

RGB 91 187 234

HSL 199.72, 0.77%, 0.64%

LAB 72.03, -14.57, -31.89

 

CMYK 61 / 37 / 0 / 8

HEX #5B94EA

RGB 91 148 234

HSL 216.08, 0.77%, 0.64%

LAB 61.08, 7.24, -49.01

 

CMYK 61 / 53 / 0 / 8

HEX #5B6EEA

RGB 91 110 234

HSL 232.03, 0.77%, 0.64%

LAB 51.06, 30.22, -65.06

 

CMYK 88 / 30 / 0 / 15

HEX #1A97D9

RGB 26 151 217

HSL 200.73, 0.79%, 0.48%

LAB 59.31, -8.5, -42.49

 

CMYK 77 / 26 / 0 / 10

HEX #36AAE6

RGB 54 170 230

HSL 200.45, 0.78%, 0.56%

LAB 65.94, -12.08, -39.25

 

CMYK 61 / 21 / 0 / 8

HEX #5BB9EA

RGB 91 185 234

HSL 200.56, 0.77%, 0.64%

LAB 71.46, -13.51, -32.77

 

CMYK 46 / 16 / 0 / 6

HEX #80C9EF

RGB 128 201 239

HSL 200.54, 0.78%, 0.72%

LAB 77.63, -12.84, -25.85

 

CMYK 32 / 11 / 0 / 5

HEX #A5D8F3

RGB 165 216 243

HSL 200.77, 0.76%, 0.8%

LAB 83.75, -10.16, -18.53

 

CMYK 62 / 21 / 0 / 8

HEX #59B9EB

RGB 89 185 235

HSL 200.55, 0.78%, 0.64%

LAB 71.43, -13.55, -33.37

 

CMYK 29 / 61 / 0 / 8

HEX #A75BEA

RGB 167 91 234

HSL 271.89, 0.77%, 0.64%

LAB 53.64, 56.59, -60.55

 

CMYK 0 / 4 / 61 / 8

HEX #EAE15B

RGB 234 225 91

HSL 56.22, 0.77%, 0.64%

LAB 88.02, -12.98, 64.7

 

CMYK 62 / 21 / 0 / 8

HEX #59B9EB

RGB 89 185 235

HSL 200.55, 0.78%, 0.64%

LAB 71.43, -13.55, -33.37

 

CMYK 0 / 61 / 20 / 8

HEX #EA5BBB

RGB 234 91 187

HSL 319.72, 0.77%, 0.64%

LAB 60.39, 65.1, -22.66

 

CMYK 20 / 0 / 61 / 8

HEX #BBEA5B

RGB 187 234 91

HSL 79.72, 0.77%, 0.64%

LAB 87.08, -35.88, 62.7

 

CMYK 62 / 21 / 0 / 8

HEX #59B9EB

RGB 89 185 235

HSL 200.55, 0.78%, 0.64%

LAB 71.43, -13.55, -33.37

 

CMYK 29 / 61 / 0 / 8

HEX #A75BEA

RGB 167 91 234

HSL 271.89, 0.77%, 0.64%

LAB 53.64, 56.59, -60.55

 

CMYK 0 / 41 / 61 / 8

HEX #EA8B5B

RGB 234 139 91

HSL 20.14, 0.77%, 0.64%

LAB 67.06, 31.83, 40.82

 

CMYK 32 / 0 / 61 / 8

HEX #9EEA5B

RGB 158 234 91

HSL 91.89, 0.77%, 0.64%

LAB 85.44, -46.35, 60.43

 

CMYK 62 / 21 / 0 / 8

HEX #59B9EB

RGB 89 185 235

HSL 200.55, 0.78%, 0.64%

LAB 71.43, -13.55, -33.37

 

CMYK 10 / 61 / 0 / 8

HEX #D25BEA

RGB 210 91 234

HSL 289.93, 0.77%, 0.64%

LAB 59.09, 66.53, -51.53

 

CMYK 0 / 41 / 61 / 8

HEX #EA8B5B

RGB 234 139 91

HSL 20.14, 0.77%, 0.64%

LAB 67.06, 31.83, 40.82

 

CMYK 51 / 0 / 61 / 8

HEX #73EA5B

RGB 115 234 91

HSL 109.93, 0.77%, 0.64%

LAB 83.57, -59.62, 57.83

 

Description

Color code: CMYK 62 / 21 / 0 / 8 | qconv.com Color code: CMYK 62 / 21 / 0 / 8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 185 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 185 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 21 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 21% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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