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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 64 / 0 / 65 / 12 it is the complementary color CMYK 1 / 82 / 0 / 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 64 / 0 / 65 / 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 64 / 0 / 65 / 12 shade: CMYK 62 / 0 / 67 / 12, CMYK 57 / 0 / 62 / 5, CMYK 53 / 0 / 56 / 0, CMYK 46 / 0 / 49 / 0 and CMYK 40 / 0 / 41 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 64 / 0 / 65 / 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 64 / 0 / 65 / 12 shade: CMYK 64 / 0 / 65 / 12, CMYK 69 / 0 / 71 / 19, CMYK 75 / 0 / 78 / 26, CMYK 82 / 0 / 87 / 33 and CMYK 91 / 0 / 98 / 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 64 / 0 / 65 / 12 shade: CMYK 65 / 0 / 65 / 13, CMYK 47 / 0 / 65 / 13, CMYK 29 / 0 / 65 / 13, CMYK 12 / 0 / 65 / 13 and CMYK 0 / 6 / 65 / 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 64 / 0 / 65 / 12 shade: CMYK 65 / 0 / 65 / 13, CMYK 65 / 0 / 49 / 13, CMYK 65 / 0 / 31 / 13, CMYK 65 / 0 / 13 / 13 and CMYK 65 / 4 / 0 / 13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 64 / 0 / 65 / 12 shade matches the following richer shades: CMYK 65 / 0 / 65 / 13 and CMYK 74 / 0 / 75 / 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 64 / 0 / 65 / 12 shade: CMYK 65 / 0 / 65 / 13, CMYK 54 / 0 / 54 / 19, CMYK 41 / 0 / 41 / 26, CMYK 26 / 0 / 26 / 33 and CMYK 6 / 0 / 7 / 39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 64 / 0 / 65 / 12 shade: CMYK 30 / 0 / 65 / 13, CMYK 47 / 0 / 65 / 13, CMYK 65 / 0 / 65 / 13, CMYK 65 / 0 / 49 / 13 and CMYK 65 / 0 / 32 / 13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 64 / 0 / 65 / 12 shade: CMYK 82 / 0 / 83 / 27, CMYK 80 / 0 / 81 / 15, CMYK 65 / 0 / 65 / 13, CMYK 51 / 0 / 51 / 10 and CMYK 37 / 0 / 38 / 7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 64 / 0 / 65 / 12 shade: CMYK 64 / 0 / 65 / 12, CMYK 65 / 12 / 0 / 13 and CMYK 0 / 65 / 38 / 13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 64 / 0 / 65 / 12 shade: CMYK 64 / 0 / 65 / 12, CMYK 65 / 65 / 0 / 13 and CMYK 0 / 65 / 65 / 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 64 / 0 / 65 / 12 shade: CMYK 64 / 0 / 65 / 12, CMYK 65 / 12 / 0 / 13, CMYK 1 / 65 / 0 / 13 and CMYK 0 / 53 / 65 / 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 64 / 0 / 65 / 12 shade: CMYK 64 / 0 / 65 / 12, CMYK 65 / 32 / 0 / 13, CMYK 1 / 65 / 0 / 13 and CMYK 0 / 34 / 65 / 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 65 / 12

HEX #51E04F

RGB 81 224 79

HSL 119.17, 0.7%, 0.59%

LAB 79.4, -65.34, 57.91

 

Complementary color

CMYK 1 / 82 / 0 / 31

HEX #AE1FB0

RGB 174 31 176

HSL 299.17, 0.7%, 0.41%

LAB 42.93, 69.64, -44.26

 

CMYK 62 / 0 / 67 / 12

HEX #56E04A

RGB 86 224 74

HSL 115.2, 0.71%, 0.58%

LAB 79.49, -64.75, 60.05

 

CMYK 57 / 0 / 62 / 5

HEX #67F25D

RGB 103 242 93

HSL 115.97, 0.85%, 0.66%

LAB 85.59, -65.34, 59.15

 

CMYK 53 / 0 / 56 / 0

HEX #78FF70

RGB 120 255 112

HSL 116.64, 1%, 0.72%

LAB 90.18, -63.87, 56.36

 

CMYK 46 / 0 / 49 / 0

HEX #89FF83

RGB 137 255 131

HSL 117.1, 1%, 0.76%

LAB 91, -57.1, 48.82

 

CMYK 40 / 0 / 41 / 0

HEX #9AFF96

RGB 154 255 150

HSL 117.71, 1%, 0.79%

LAB 91.95, -49.68, 41.07

 

CMYK 64 / 0 / 65 / 12

HEX #51E04F

RGB 81 224 79

HSL 119.17, 0.7%, 0.59%

LAB 79.4, -65.34, 57.91

 

CMYK 69 / 0 / 71 / 19

HEX #40CE3C

RGB 64 206 60

HSL 118.36, 0.6%, 0.52%

LAB 73.26, -64.37, 58.67

 

CMYK 75 / 0 / 78 / 26

HEX #2FBC29

RGB 47 188 41

HSL 117.55, 0.64%, 0.45%

LAB 67.07, -62.9, 58.92

 

CMYK 82 / 0 / 87 / 33

HEX #1EAA16

RGB 30 170 22

HSL 116.76, 0.77%, 0.38%

LAB 60.86, -60.74, 58.22

 

CMYK 91 / 0 / 98 / 40

HEX #0D9803

RGB 13 152 3

HSL 115.97, 0.96%, 0.3%

LAB 54.6, -57.67, 56.16

 

CMYK 65 / 0 / 65 / 13

HEX #4FDF4D

RGB 79 223 77

HSL 119.18, 0.7%, 0.59%

LAB 79.03, -65.6, 58.3

 

CMYK 47 / 0 / 65 / 13

HEX #76DF4D

RGB 118 223 77

HSL 103.15, 0.7%, 0.59%

LAB 80.27, -55.9, 60.01

 

CMYK 29 / 0 / 65 / 13

HEX #9EDF4D

RGB 158 223 77

HSL 86.71, 0.7%, 0.59%

LAB 82.15, -42.75, 62.58

 

CMYK 12 / 0 / 65 / 13

HEX #C5DF4D

RGB 197 223 77

HSL 70.68, 0.7%, 0.59%

LAB 84.58, -27.88, 65.87

 

CMYK 0 / 6 / 65 / 13

HEX #DFD24D

RGB 223 210 77

HSL 54.66, 0.7%, 0.59%

LAB 83.08, -10.88, 64.94

 

CMYK 65 / 0 / 65 / 13

HEX #4FDF4D

RGB 79 223 77

HSL 119.18, 0.7%, 0.59%

LAB 79.03, -65.6, 58.3

 

CMYK 65 / 0 / 49 / 13

HEX #4DDF72

RGB 77 223 114

HSL 135.21, 0.7%, 0.59%

LAB 79.37, -61.48, 42.07

 

CMYK 65 / 0 / 31 / 13

HEX #4DDF9A

RGB 77 223 154

HSL 151.64, 0.7%, 0.59%

LAB 80, -54.47, 22.7

 

CMYK 65 / 0 / 13 / 13

HEX #4DDFC1

RGB 77 223 193

HSL 167.67, 0.7%, 0.59%

LAB 80.85, -45.68, 3.36

 

CMYK 65 / 4 / 0 / 13

HEX #4DD6DF

RGB 77 214 223

HSL 183.7, 0.7%, 0.59%

LAB 79.04, -33.64, -15.32

 

CMYK 65 / 0 / 65 / 13

HEX #4FDF4D

RGB 79 223 77

HSL 119.18, 0.7%, 0.59%

LAB 79.03, -65.6, 58.3

 

CMYK 74 / 0 / 75 / 6

HEX #3EF03C

RGB 62 240 60

HSL 119.33, 0.86%, 0.59%

LAB 83.79, -75.34, 69.28

 

CMYK 65 / 0 / 65 / 13

HEX #4FDF4D

RGB 79 223 77

HSL 119.18, 0.7%, 0.59%

LAB 79.03, -65.6, 58.3

 

CMYK 54 / 0 / 54 / 19

HEX #5FCE5E

RGB 95 206 94

HSL 119.46, 0.53%, 0.59%

LAB 74.43, -53.93, 45.72

 

CMYK 41 / 0 / 41 / 26

HEX #70BD6F

RGB 112 189 111

HSL 119.23, 0.37%, 0.59%

LAB 70.17, -39.72, 32.12

 

CMYK 26 / 0 / 26 / 33

HEX #80AC80

RGB 128 172 128

HSL 120, 0.21%, 0.59%

LAB 66.25, -23.64, 17.97

 

CMYK 6 / 0 / 7 / 39

HEX #919B90

RGB 145 155 144

HSL 114.55, 0.05%, 0.59%

LAB 62.91, -5.72, 4.53

 

CMYK 30 / 0 / 65 / 13

HEX #9DDF4D

RGB 157 223 77

HSL 87.12, 0.7%, 0.59%

LAB 82.1, -43.11, 62.51

 

CMYK 47 / 0 / 65 / 13

HEX #76DF4D

RGB 118 223 77

HSL 103.15, 0.7%, 0.59%

LAB 80.27, -55.9, 60.01

 

CMYK 65 / 0 / 65 / 13

HEX #4FDF4D

RGB 79 223 77

HSL 119.18, 0.7%, 0.59%

LAB 79.03, -65.6, 58.3

 

CMYK 65 / 0 / 49 / 13

HEX #4DDF71

RGB 77 223 113

HSL 134.79, 0.7%, 0.59%

LAB 79.35, -61.63, 42.53

 

CMYK 65 / 0 / 32 / 13

HEX #4DDF98

RGB 77 223 152

HSL 150.82, 0.7%, 0.59%

LAB 79.97, -54.87, 23.68

 

CMYK 82 / 0 / 83 / 27

HEX #22B920

RGB 34 185 32

HSL 119.22, 0.71%, 0.43%

LAB 65.86, -64.28, 60.31

 

CMYK 80 / 0 / 81 / 15

HEX #2CD92A

RGB 44 217 42

HSL 119.31, 0.7%, 0.51%

LAB 76.27, -72.02, 67.31

 

CMYK 65 / 0 / 65 / 13

HEX #4FDF4D

RGB 79 223 77

HSL 119.18, 0.7%, 0.59%

LAB 79.03, -65.6, 58.3

 

CMYK 51 / 0 / 51 / 10

HEX #71E570

RGB 113 229 112

HSL 119.49, 0.69%, 0.67%

LAB 82.23, -55.85, 46.79

 

CMYK 37 / 0 / 38 / 7

HEX #94EC93

RGB 148 236 147

HSL 119.33, 0.7%, 0.75%

LAB 86.2, -43.81, 35.03

 

CMYK 64 / 0 / 65 / 12

HEX #51E04F

RGB 81 224 79

HSL 119.17, 0.7%, 0.59%

LAB 79.4, -65.34, 57.91

 

CMYK 65 / 12 / 0 / 13

HEX #4DC4DF

RGB 77 196 223

HSL 191.1, 0.7%, 0.59%

LAB 73.79, -24.88, -23.26

 

CMYK 0 / 65 / 38 / 13

HEX #DF4D8A

RGB 223 77 138

HSL 334.93, 0.7%, 0.59%

LAB 54.9, 61.69, -2.58

 

CMYK 64 / 0 / 65 / 12

HEX #51E04F

RGB 81 224 79

HSL 119.17, 0.7%, 0.59%

LAB 79.4, -65.34, 57.91

 

CMYK 65 / 65 / 0 / 13

HEX #4D4FDF

RGB 77 79 223

HSL 239.18, 0.7%, 0.59%

LAB 42, 43.27, -73.61

 

CMYK 0 / 65 / 65 / 13

HEX #DF4D4F

RGB 223 77 79

HSL 359.18, 0.7%, 0.59%

LAB 53.56, 56.84, 30.48

 

CMYK 64 / 0 / 65 / 12

HEX #51E04F

RGB 81 224 79

HSL 119.17, 0.7%, 0.59%

LAB 79.4, -65.34, 57.91

 

CMYK 65 / 12 / 0 / 13

HEX #4DC4DF

RGB 77 196 223

HSL 191.1, 0.7%, 0.59%

LAB 73.79, -24.88, -23.26

 

CMYK 1 / 65 / 0 / 13

HEX #DD4DDF

RGB 221 77 223

HSL 299.18, 0.7%, 0.59%

LAB 58.04, 72.81, -46.92

 

CMYK 0 / 53 / 65 / 13

HEX #DF684D

RGB 223 104 77

HSL 11.1, 0.7%, 0.59%

LAB 58.15, 44.53, 37.23

 

CMYK 64 / 0 / 65 / 12

HEX #51E04F

RGB 81 224 79

HSL 119.17, 0.7%, 0.59%

LAB 79.4, -65.34, 57.91

 

CMYK 65 / 32 / 0 / 13

HEX #4D98DF

RGB 77 152 223

HSL 209.18, 0.7%, 0.59%

LAB 61.1, -1.19, -42.93

 

CMYK 1 / 65 / 0 / 13

HEX #DD4DDF

RGB 221 77 223

HSL 299.18, 0.7%, 0.59%

LAB 58.04, 72.81, -46.92

 

CMYK 0 / 34 / 65 / 13

HEX #DF944D

RGB 223 148 77

HSL 29.18, 0.7%, 0.59%

LAB 67.58, 21.67, 48.19

 

Description

Color code: CMYK 64 / 0 / 65 / 12 | qconv.com Color code: CMYK 64 / 0 / 65 / 12 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 224 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 224 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 65 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 65% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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