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Color name
CMYK 68 / 54 / 0 / 22

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 68 / 54 / 0 / 22 it is the complementary color CMYK 0 / 14 / 71 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 68 / 54 / 0 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 68 / 54 / 0 / 22 shade: CMYK 64 / 53 / 0 / 24, CMYK 60 / 49 / 0 / 16, CMYK 56 / 45 / 0 / 9, CMYK 52 / 42 / 0 / 2 and CMYK 46 / 36 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 68 / 54 / 0 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 68 / 54 / 0 / 22 shade: CMYK 68 / 54 / 0 / 22, CMYK 74 / 59 / 0 / 29, CMYK 81 / 66 / 0 / 37, CMYK 91 / 74 / 0 / 44 and CMYK 100 / 85 / 0 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 68 / 54 / 0 / 22 shade: CMYK 67 / 54 / 0 / 22, CMYK 63 / 67 / 0 / 22, CMYK 45 / 67 / 0 / 22, CMYK 26 / 67 / 0 / 22 and CMYK 8 / 67 / 0 / 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 68 / 54 / 0 / 22 shade: CMYK 67 / 54 / 0 / 22 and CMYK 67 / 67 / 0 / 22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 68 / 54 / 0 / 22 shade matches the following richer shades: CMYK 67 / 54 / 0 / 22, CMYK 79 / 63 / 0 / 14 and CMYK 90 / 72 / 0 / 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 68 / 54 / 0 / 22 shade: CMYK 67 / 54 / 0 / 22, CMYK 53 / 42 / 0 / 29, CMYK 35 / 28 / 0 / 37, CMYK 11 / 9 / 0 / 45 and CMYK 0 / 3 / 17 / 44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 68 / 54 / 0 / 22 shade: CMYK 67 / 18 / 0 / 22, CMYK 67 / 36 / 0 / 22, CMYK 67 / 54 / 0 / 22, CMYK 63 / 67 / 0 / 22 and CMYK 45 / 67 / 0 / 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 68 / 54 / 0 / 22 shade: CMYK 71 / 57 / 0 / 45, CMYK 71 / 57 / 0 / 32, CMYK 67 / 54 / 0 / 22, CMYK 54 / 43 / 0 / 18 and CMYK 41 / 33 / 0 / 15

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 68 / 54 / 0 / 22 shade: CMYK 68 / 54 / 0 / 22, CMYK 0 / 67 / 0 / 22 and CMYK 27 / 0 / 67 / 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 68 / 54 / 0 / 22 shade: CMYK 68 / 54 / 0 / 22, CMYK 0 / 67 / 54 / 22 and CMYK 54 / 0 / 67 / 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 68 / 54 / 0 / 22 shade: CMYK 68 / 54 / 0 / 22, CMYK 0 / 67 / 0 / 22, CMYK 0 / 14 / 67 / 22 and CMYK 67 / 0 / 67 / 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 68 / 54 / 0 / 22 shade: CMYK 68 / 54 / 0 / 22, CMYK 0 / 67 / 20 / 22, CMYK 0 / 14 / 67 / 22 and CMYK 67 / 0 / 47 / 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 54 / 0 / 22

HEX #405BC7

RGB 64 91 199

HSL 228, 0.55%, 0.52%

LAB 42.3, 25.72, -59.37

 

Complementary color

CMYK 0 / 14 / 71 / 25

HEX #BFA438

RGB 191 164 56

HSL 48, 0.55%, 0.48%

LAB 67.96, -1.88, 57.02

 

CMYK 64 / 53 / 0 / 24

HEX #455BC2

RGB 69 91 194

HSL 229.44, 0.51%, 0.52%

LAB 42.22, 24.75, -56.59

 

CMYK 60 / 49 / 0 / 16

HEX #566DD5

RGB 86 109 213

HSL 229.13, 0.6%, 0.59%

LAB 49.15, 22.94, -56.28

 

CMYK 56 / 45 / 0 / 9

HEX #677FE8

RGB 103 127 232

HSL 228.84, 0.74%, 0.66%

LAB 55.98, 21.45, -55.99

 

CMYK 52 / 42 / 0 / 2

HEX #7891FB

RGB 120 145 251

HSL 228.55, 0.94%, 0.73%

LAB 62.68, 20.19, -55.74

 

CMYK 46 / 36 / 0 / 0

HEX #89A3FF

RGB 137 163 255

HSL 226.78, 1%, 0.77%

LAB 68.56, 14.74, -48.55

 

CMYK 68 / 54 / 0 / 22

HEX #405BC7

RGB 64 91 199

HSL 228, 0.55%, 0.52%

LAB 42.3, 25.72, -59.37

 

CMYK 74 / 59 / 0 / 29

HEX #2F49B4

RGB 47 73 180

HSL 228.27, 0.59%, 0.45%

LAB 35.33, 28.13, -59.62

 

CMYK 81 / 66 / 0 / 37

HEX #1E37A1

RGB 30 55 161

HSL 228.55, 0.69%, 0.37%

LAB 28.33, 31.05, -59.73

 

CMYK 91 / 74 / 0 / 44

HEX #0D258E

RGB 13 37 142

HSL 228.84, 0.83%, 0.3%

LAB 21.44, 34.46, -59.43

 

CMYK 100 / 85 / 0 / 52

HEX #00137B

RGB 0 19 123

HSL 230.73, 1%, 0.24%

LAB 14.93, 37.77, -58.25

 

CMYK 67 / 54 / 0 / 22

HEX #415CC7

RGB 65 92 199

HSL 227.91, 0.54%, 0.52%

LAB 42.61, 25.23, -58.86

 

CMYK 63 / 67 / 0 / 22

HEX #4A41C7

RGB 74 65 199

HSL 244.03, 0.54%, 0.52%

LAB 36.67, 43.32, -68.52

 

CMYK 45 / 67 / 0 / 22

HEX #6E41C7

RGB 110 65 199

HSL 260.15, 0.54%, 0.52%

LAB 39.95, 49.29, -63.03

 

CMYK 26 / 67 / 0 / 22

HEX #9341C7

RGB 147 65 199

HSL 276.72, 0.54%, 0.52%

LAB 44.39, 56.76, -55.63

 

CMYK 8 / 67 / 0 / 22

HEX #B741C7

RGB 183 65 199

HSL 292.84, 0.54%, 0.52%

LAB 49.46, 64.68, -47.21

 

CMYK 67 / 54 / 0 / 22

HEX #415CC7

RGB 65 92 199

HSL 227.91, 0.54%, 0.52%

LAB 42.61, 25.23, -58.86

 

CMYK 67 / 67 / 0 / 22

HEX #4141C7

RGB 65 65 199

HSL 240, 0.54%, 0.52%

LAB 36.04, 42.12, -69.58

 

CMYK 67 / 54 / 0 / 22

HEX #415CC7

RGB 65 92 199

HSL 227.91, 0.54%, 0.52%

LAB 42.61, 25.23, -58.86

 

CMYK 79 / 63 / 0 / 14

HEX #2D50DB

RGB 45 80 219

HSL 227.93, 0.71%, 0.52%

LAB 40.26, 37.74, -74.23

 

CMYK 90 / 72 / 0 / 6

HEX #1944EF

RGB 25 68 239

HSL 227.94, 0.87%, 0.52%

LAB 38.85, 50.96, -87.94

 

CMYK 67 / 54 / 0 / 22

HEX #415CC7

RGB 65 92 199

HSL 227.91, 0.54%, 0.52%

LAB 42.61, 25.23, -58.86

 

CMYK 53 / 42 / 0 / 29

HEX #5568B4

RGB 85 104 180

HSL 228, 0.39%, 0.52%

LAB 45.81, 14.94, -42.64

 

CMYK 35 / 28 / 0 / 37

HEX #6873A0

RGB 104 115 160

HSL 228.21, 0.23%, 0.52%

LAB 49.18, 7.15, -25.56

 

CMYK 11 / 9 / 0 / 45

HEX #7C7F8C

RGB 124 127 140

HSL 228.75, 0.07%, 0.52%

LAB 53.34, 1.64, -7.4

 

CMYK 0 / 3 / 17 / 44

HEX #908B78

RGB 144 139 120

HSL 47.5, 0.1%, 0.52%

LAB 57.8, -1.53, 10.83

 

CMYK 67 / 18 / 0 / 22

HEX #41A4C7

RGB 65 164 199

HSL 195.67, 0.54%, 0.52%

LAB 63.18, -17.68, -26.37

 

CMYK 67 / 36 / 0 / 22

HEX #4180C7

RGB 65 128 199

HSL 211.79, 0.54%, 0.52%

LAB 52.6, 2.72, -42.87

 

CMYK 67 / 54 / 0 / 22

HEX #415CC7

RGB 65 92 199

HSL 227.91, 0.54%, 0.52%

LAB 42.61, 25.23, -58.86

 

CMYK 63 / 67 / 0 / 22

HEX #4A41C7

RGB 74 65 199

HSL 244.03, 0.54%, 0.52%

LAB 36.67, 43.32, -68.52

 

CMYK 45 / 67 / 0 / 22

HEX #6E41C7

RGB 110 65 199

HSL 260.15, 0.54%, 0.52%

LAB 39.95, 49.29, -63.03

 

CMYK 71 / 57 / 0 / 45

HEX #293D8D

RGB 41 61 141

HSL 228, 0.55%, 0.36%

LAB 28.73, 20.63, -46.83

 

CMYK 71 / 57 / 0 / 32

HEX #324BAD

RGB 50 75 173

HSL 227.8, 0.55%, 0.44%

LAB 35.45, 24.61, -55.26

 

CMYK 67 / 54 / 0 / 22

HEX #415CC7

RGB 65 92 199

HSL 227.91, 0.54%, 0.52%

LAB 42.61, 25.23, -58.86

 

CMYK 54 / 43 / 0 / 18

HEX #6177D1

RGB 97 119 209

HSL 228.21, 0.55%, 0.6%

LAB 52.22, 17.69, -49.07

 

CMYK 41 / 33 / 0 / 15

HEX #8193DA

RGB 129 147 218

HSL 227.87, 0.55%, 0.68%

LAB 62.17, 11.43, -38.29

 

CMYK 68 / 54 / 0 / 22

HEX #405BC7

RGB 64 91 199

HSL 228, 0.55%, 0.52%

LAB 42.3, 25.72, -59.37

 

CMYK 0 / 67 / 0 / 22

HEX #C741C7

RGB 199 65 199

HSL 300, 0.54%, 0.52%

LAB 51.89, 68.3, -43.21

 

CMYK 27 / 0 / 67 / 22

HEX #92C741

RGB 146 199 65

HSL 83.73, 0.54%, 0.52%

LAB 74.41, -37.44, 58.96

 

CMYK 68 / 54 / 0 / 22

HEX #405BC7

RGB 64 91 199

HSL 228, 0.55%, 0.52%

LAB 42.3, 25.72, -59.37

 

CMYK 0 / 67 / 54 / 22

HEX #C7415C

RGB 199 65 92

HSL 347.91, 0.54%, 0.52%

LAB 47.87, 54.88, 14.49

 

CMYK 54 / 0 / 67 / 22

HEX #5CC741

RGB 92 199 65

HSL 107.91, 0.54%, 0.52%

LAB 71.9, -55.16, 55.55

 

CMYK 68 / 54 / 0 / 22

HEX #405BC7

RGB 64 91 199

HSL 228, 0.55%, 0.52%

LAB 42.3, 25.72, -59.37

 

CMYK 0 / 67 / 0 / 22

HEX #C741C7

RGB 199 65 199

HSL 300, 0.54%, 0.52%

LAB 51.89, 68.3, -43.21

 

CMYK 0 / 14 / 67 / 22

HEX #C7AC41

RGB 199 172 65

HSL 47.91, 0.54%, 0.52%

LAB 70.89, -2.16, 56.54

 

CMYK 67 / 0 / 67 / 22

HEX #41C741

RGB 65 199 65

HSL 120, 0.54%, 0.52%

LAB 71.11, -61.41, 54.48

 

CMYK 68 / 54 / 0 / 22

HEX #405BC7

RGB 64 91 199

HSL 228, 0.55%, 0.52%

LAB 42.3, 25.72, -59.37

 

CMYK 0 / 67 / 20 / 22

HEX #C7419F

RGB 199 65 159

HSL 317.91, 0.54%, 0.52%

LAB 50.01, 62.23, -22.79

 

CMYK 0 / 14 / 67 / 22

HEX #C7AC41

RGB 199 172 65

HSL 47.91, 0.54%, 0.52%

LAB 70.89, -2.16, 56.54

 

CMYK 67 / 0 / 47 / 22

HEX #41C769

RGB 65 199 105

HSL 137.91, 0.54%, 0.52%

LAB 71.55, -56.35, 36.62

 

Description

Color code: CMYK 68 / 54 / 0 / 22 | qconv.com Color code: CMYK 68 / 54 / 0 / 22 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 91 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 91 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 54 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 54% 0% 22% C M Y K

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Provide designers and agencies with accurate color values.

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