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Color name
CMYK 69 / 0 / 69 / 24

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 69 / 0 / 69 / 24 it is the complementary color CMYK 0 / 69 / 0 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 69 / 0 / 69 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 69 / 0 / 69 / 24 shade: CMYK 66 / 0 / 72 / 24, CMYK 61 / 0 / 65 / 17, CMYK 57 / 0 / 60 / 10, CMYK 53 / 0 / 55 / 3 and CMYK 48 / 0 / 49 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 69 / 0 / 69 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 69 / 0 / 69 / 24 shade: CMYK 69 / 0 / 69 / 24, CMYK 76 / 0 / 77 / 31, CMYK 84 / 0 / 86 / 38, CMYK 94 / 0 / 98 / 45 and CMYK 100 / 0 / 100 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 69 / 0 / 69 / 24 shade: CMYK 70 / 0 / 70 / 24, CMYK 51 / 0 / 70 / 24, CMYK 32 / 0 / 70 / 24, CMYK 13 / 0 / 70 / 24 and CMYK 0 / 6 / 70 / 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 69 / 0 / 69 / 24 shade: CMYK 70 / 0 / 70 / 24, CMYK 70 / 0 / 51 / 24, CMYK 70 / 0 / 32 / 24, CMYK 70 / 0 / 13 / 24 and CMYK 70 / 6 / 0 / 24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 69 / 0 / 69 / 24 shade matches the following richer shades: CMYK 70 / 0 / 70 / 24, CMYK 82 / 0 / 82 / 16 and CMYK 92 / 0 / 92 / 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 69 / 0 / 69 / 24 shade: CMYK 70 / 0 / 70 / 24, CMYK 54 / 0 / 54 / 32, CMYK 34 / 0 / 34 / 40, CMYK 9 / 0 / 9 / 48 and CMYK 0 / 21 / 0 / 44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 69 / 0 / 69 / 24 shade: CMYK 32 / 0 / 70 / 24, CMYK 51 / 0 / 70 / 24, CMYK 70 / 0 / 70 / 24, CMYK 70 / 0 / 51 / 24 and CMYK 70 / 0 / 32 / 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 69 / 0 / 69 / 24 shade: CMYK 69 / 0 / 69 / 49, CMYK 69 / 0 / 69 / 36, CMYK 70 / 0 / 70 / 24, CMYK 55 / 0 / 55 / 20 and CMYK 43 / 0 / 43 / 16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 69 / 0 / 69 / 24 shade: CMYK 69 / 0 / 69 / 24, CMYK 70 / 14 / 0 / 24 and CMYK 0 / 70 / 42 / 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 69 / 0 / 69 / 24 shade: CMYK 69 / 0 / 69 / 24, CMYK 70 / 70 / 0 / 24 and CMYK 0 / 70 / 70 / 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 69 / 0 / 69 / 24 shade: CMYK 69 / 0 / 69 / 24, CMYK 70 / 14 / 0 / 24, CMYK 0 / 70 / 0 / 24 and CMYK 0 / 56 / 70 / 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 69 / 0 / 69 / 24 shade: CMYK 69 / 0 / 69 / 24, CMYK 70 / 35 / 0 / 24, CMYK 0 / 70 / 0 / 24 and CMYK 0 / 35 / 70 / 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 69 / 24

HEX #3CC23C

RGB 60 194 60

HSL 120, 0.53%, 0.5%

LAB 69.38, -61.15, 54.59

 

Complementary color

CMYK 0 / 69 / 0 / 24

HEX #C33DC3

RGB 195 61 195

HSL 300, 0.53%, 0.5%

LAB 50.55, 68.19, -43.07

 

CMYK 66 / 0 / 72 / 24

HEX #41C237

RGB 65 194 55

HSL 115.68, 0.56%, 0.49%

LAB 69.46, -60.61, 56.61

 

CMYK 61 / 0 / 65 / 17

HEX #52D44A

RGB 82 212 74

HSL 116.52, 0.62%, 0.56%

LAB 75.68, -61.47, 55.9

 

CMYK 57 / 0 / 60 / 10

HEX #63E65D

RGB 99 230 93

HSL 117.37, 0.73%, 0.63%

LAB 81.86, -62, 54.88

 

CMYK 53 / 0 / 55 / 3

HEX #74F870

RGB 116 248 112

HSL 118.24, 0.91%, 0.71%

LAB 87.98, -62.28, 53.73

 

CMYK 48 / 0 / 49 / 0

HEX #85FF83

RGB 133 255 131

HSL 119.03, 1%, 0.76%

LAB 90.85, -58.19, 48.6

 

CMYK 69 / 0 / 69 / 24

HEX #3CC23C

RGB 60 194 60

HSL 120, 0.53%, 0.5%

LAB 69.38, -61.15, 54.59

 

CMYK 76 / 0 / 77 / 31

HEX #2BB029

RGB 43 176 41

HSL 119.11, 0.62%, 0.43%

LAB 63.11, -59.73, 55.05

 

CMYK 84 / 0 / 86 / 38

HEX #1A9E16

RGB 26 158 22

HSL 118.24, 0.76%, 0.35%

LAB 56.81, -57.58, 54.6

 

CMYK 94 / 0 / 98 / 45

HEX #098C03

RGB 9 140 3

HSL 117.37, 0.96%, 0.28%

LAB 50.48, -54.44, 52.78

 

CMYK 100 / 0 / 100 / 52

HEX #007A00

RGB 0 122 0

HSL 120, 1%, 0.24%

LAB 44.12, -49.94, 48.2

 

CMYK 70 / 0 / 70 / 24

HEX #3BC33B

RGB 59 195 59

HSL 120, 0.54%, 0.5%

LAB 69.67, -61.75, 55.27

 

CMYK 51 / 0 / 70 / 24

HEX #60C33B

RGB 96 195 59

HSL 103.68, 0.54%, 0.5%

LAB 70.76, -53.04, 56.75

 

CMYK 32 / 0 / 70 / 24

HEX #84C33B

RGB 132 195 59

HSL 87.79, 0.54%, 0.5%

LAB 72.4, -41.27, 58.96

 

CMYK 13 / 0 / 70 / 24

HEX #A9C33B

RGB 169 195 59

HSL 71.47, 0.54%, 0.5%

LAB 74.69, -26.91, 62.02

 

CMYK 0 / 6 / 70 / 24

HEX #C3B83B

RGB 195 184 59

HSL 55.15, 0.54%, 0.5%

LAB 73.67, -10.48, 61.68

 

CMYK 70 / 0 / 70 / 24

HEX #3BC33B

RGB 59 195 59

HSL 120, 0.54%, 0.5%

LAB 69.67, -61.75, 55.27

 

CMYK 70 / 0 / 51 / 24

HEX #3BC360

RGB 59 195 96

HSL 136.32, 0.54%, 0.5%

LAB 70.04, -57.35, 39.17

 

CMYK 70 / 0 / 32 / 24

HEX #3BC384

RGB 59 195 132

HSL 152.21, 0.54%, 0.5%

LAB 70.61, -50.92, 21.36

 

CMYK 70 / 0 / 13 / 24

HEX #3BC3A9

RGB 59 195 169

HSL 168.53, 0.54%, 0.5%

LAB 71.44, -42.29, 2.55

 

CMYK 70 / 6 / 0 / 24

HEX #3BB8C3

RGB 59 184 195

HSL 184.85, 0.54%, 0.5%

LAB 68.86, -29.97, -15.51

 

CMYK 70 / 0 / 70 / 24

HEX #3BC33B

RGB 59 195 59

HSL 120, 0.54%, 0.5%

LAB 69.67, -61.75, 55.27

 

CMYK 82 / 0 / 82 / 16

HEX #27D727

RGB 39 215 39

HSL 120, 0.69%, 0.5%

LAB 75.56, -72.17, 67.43

 

CMYK 92 / 0 / 92 / 7

HEX #12EC12

RGB 18 236 18

HSL 120, 0.86%, 0.5%

LAB 81.93, -80.33, 76.88

 

CMYK 70 / 0 / 70 / 24

HEX #3BC33B

RGB 59 195 59

HSL 120, 0.54%, 0.5%

LAB 69.67, -61.75, 55.27

 

CMYK 54 / 0 / 54 / 32

HEX #50AE50

RGB 80 174 80

HSL 120, 0.37%, 0.5%

LAB 63.8, -47.11, 39.55

 

CMYK 34 / 0 / 34 / 40

HEX #659965

RGB 101 153 101

HSL 120, 0.2%, 0.5%

LAB 58.5, -28.21, 21.99

 

CMYK 9 / 0 / 9 / 48

HEX #798579

RGB 121 133 121

HSL 120, 0.05%, 0.5%

LAB 54.26, -6.83, 4.97

 

CMYK 0 / 21 / 0 / 44

HEX #8E708E

RGB 142 112 142

HSL 300, 0.12%, 0.5%

LAB 51.03, 17.3, -11.87

 

CMYK 32 / 0 / 70 / 24

HEX #84C33B

RGB 132 195 59

HSL 87.79, 0.54%, 0.5%

LAB 72.4, -41.27, 58.96

 

CMYK 51 / 0 / 70 / 24

HEX #5FC33B

RGB 95 195 59

HSL 104.12, 0.54%, 0.5%

LAB 70.72, -53.32, 56.7

 

CMYK 70 / 0 / 70 / 24

HEX #3BC33B

RGB 59 195 59

HSL 120, 0.54%, 0.5%

LAB 69.67, -61.75, 55.27

 

CMYK 70 / 0 / 51 / 24

HEX #3BC35F

RGB 59 195 95

HSL 135.88, 0.54%, 0.5%

LAB 70.03, -57.5, 39.65

 

CMYK 70 / 0 / 32 / 24

HEX #3BC384

RGB 59 195 132

HSL 152.21, 0.54%, 0.5%

LAB 70.61, -50.92, 21.36

 

CMYK 69 / 0 / 69 / 49

HEX #288328

RGB 40 131 40

HSL 120, 0.53%, 0.34%

LAB 48.05, -45.08, 39.97

 

CMYK 69 / 0 / 69 / 36

HEX #32A332

RGB 50 163 50

HSL 120, 0.53%, 0.42%

LAB 59.07, -53.44, 47.6

 

CMYK 70 / 0 / 70 / 24

HEX #3BC33B

RGB 59 195 59

HSL 120, 0.54%, 0.5%

LAB 69.67, -61.75, 55.27

 

CMYK 55 / 0 / 55 / 20

HEX #5BCC5B

RGB 91 204 91

HSL 120, 0.53%, 0.58%

LAB 73.65, -54.55, 46.16

 

CMYK 43 / 0 / 43 / 16

HEX #7BD67B

RGB 123 214 123

HSL 120, 0.53%, 0.66%

LAB 78.31, -45.43, 36.6

 

CMYK 69 / 0 / 69 / 24

HEX #3CC23C

RGB 60 194 60

HSL 120, 0.53%, 0.5%

LAB 69.38, -61.15, 54.59

 

CMYK 70 / 14 / 0 / 24

HEX #3BA8C3

RGB 59 168 195

HSL 191.91, 0.54%, 0.5%

LAB 64.06, -21.95, -22.8

 

CMYK 0 / 70 / 42 / 24

HEX #C33B71

RGB 195 59 113

HSL 336.18, 0.54%, 0.5%

LAB 46.87, 57.89, 0.14

 

CMYK 69 / 0 / 69 / 24

HEX #3CC23C

RGB 60 194 60

HSL 120, 0.53%, 0.5%

LAB 69.38, -61.15, 54.59

 

CMYK 70 / 70 / 0 / 24

HEX #3B3BC3

RGB 59 59 195

HSL 240, 0.54%, 0.5%

LAB 33.98, 43.62, -70.64

 

CMYK 0 / 70 / 70 / 24

HEX #C33B3B

RGB 195 59 59

HSL 0, 0.54%, 0.5%

LAB 45.7, 53.82, 31.42

 

CMYK 69 / 0 / 69 / 24

HEX #3CC23C

RGB 60 194 60

HSL 120, 0.53%, 0.5%

LAB 69.38, -61.15, 54.59

 

CMYK 70 / 14 / 0 / 24

HEX #3BA8C3

RGB 59 168 195

HSL 191.91, 0.54%, 0.5%

LAB 64.06, -21.95, -22.8

 

CMYK 0 / 70 / 0 / 24

HEX #C33BC3

RGB 195 59 195

HSL 300, 0.54%, 0.5%

LAB 50.3, 68.89, -43.46

 

CMYK 0 / 56 / 70 / 24

HEX #C3563B

RGB 195 86 59

HSL 11.91, 0.54%, 0.5%

LAB 50.18, 41.87, 36.68

 

CMYK 69 / 0 / 69 / 24

HEX #3CC23C

RGB 60 194 60

HSL 120, 0.53%, 0.5%

LAB 69.38, -61.15, 54.59

 

CMYK 70 / 35 / 0 / 24

HEX #3B7FC3

RGB 59 127 195

HSL 210, 0.54%, 0.5%

LAB 51.89, 0.96, -41.73

 

CMYK 0 / 70 / 0 / 24

HEX #C33BC3

RGB 195 59 195

HSL 300, 0.54%, 0.5%

LAB 50.3, 68.89, -43.46

 

CMYK 0 / 35 / 70 / 24

HEX #C37F3B

RGB 195 127 59

HSL 30, 0.54%, 0.5%

LAB 59.06, 20.2, 46.57

 

Description

Color code: CMYK 69 / 0 / 69 / 24 | qconv.com Color code: CMYK 69 / 0 / 69 / 24 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 194 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 194 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 69 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 69% 24% C M Y K

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