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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 72 / 0 / 26 / 26 it is the complementary color CMYK 0 / 67 / 43 / 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 72 / 0 / 26 / 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 72 / 0 / 26 / 26 shade: CMYK 69 / 0 / 29 / 26, CMYK 64 / 0 / 26 / 19, CMYK 59 / 0 / 23 / 12, CMYK 55 / 0 / 21 / 5 and CMYK 51 / 0 / 17 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 72 / 0 / 26 / 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 72 / 0 / 26 / 26 shade: CMYK 72 / 0 / 26 / 26, CMYK 79 / 0 / 29 / 33, CMYK 88 / 0 / 33 / 40, CMYK 99 / 0 / 39 / 47 and CMYK 100 / 0 / 45 / 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 72 / 0 / 26 / 26 shade: CMYK 72 / 0 / 26 / 27, CMYK 72 / 0 / 45 / 27, CMYK 72 / 0 / 65 / 27, CMYK 60 / 0 / 72 / 27 and CMYK 40 / 0 / 72 / 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 72 / 0 / 26 / 26 shade: CMYK 72 / 0 / 26 / 27, CMYK 72 / 0 / 6 / 27, CMYK 72 / 13 / 0 / 27, CMYK 72 / 32 / 0 / 27 and CMYK 72 / 52 / 0 / 27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 72 / 0 / 26 / 26 shade matches the following richer shades: CMYK 72 / 0 / 26 / 27, CMYK 84 / 0 / 30 / 19 and CMYK 94 / 0 / 34 / 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 72 / 0 / 26 / 26 shade: CMYK 72 / 0 / 26 / 27, CMYK 57 / 0 / 20 / 35, CMYK 39 / 0 / 14 / 42, CMYK 14 / 0 / 5 / 50 and CMYK 0 / 16 / 11 / 49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 72 / 0 / 26 / 26 shade: CMYK 72 / 0 / 65 / 27, CMYK 72 / 0 / 46 / 27, CMYK 72 / 0 / 26 / 27, CMYK 72 / 0 / 7 / 27 and CMYK 72 / 12 / 0 / 27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 72 / 0 / 26 / 26 shade: CMYK 72 / 0 / 26 / 52, CMYK 72 / 0 / 26 / 40, CMYK 72 / 0 / 26 / 27, CMYK 63 / 0 / 23 / 20 and CMYK 49 / 0 / 18 / 16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 72 / 0 / 26 / 26 shade: CMYK 72 / 0 / 26 / 26, CMYK 72 / 60 / 0 / 27 and CMYK 0 / 55 / 72 / 27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 72 / 0 / 26 / 26 shade: CMYK 72 / 0 / 26 / 26, CMYK 26 / 72 / 0 / 27 and CMYK 0 / 26 / 72 / 27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 72 / 0 / 26 / 26 shade: CMYK 72 / 0 / 26 / 26, CMYK 72 / 60 / 0 / 27, CMYK 0 / 72 / 46 / 27 and CMYK 0 / 12 / 72 / 27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 72 / 0 / 26 / 26 shade: CMYK 72 / 0 / 26 / 26, CMYK 62 / 72 / 0 / 27, CMYK 0 / 72 / 46 / 27 and CMYK 9 / 0 / 72 / 27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 26 / 26

HEX #35BD8C

RGB 53 189 140

HSL 158.38, 0.56%, 0.47%

LAB 68.78, -47.68, 14.52

 

Complementary color

CMYK 0 / 67 / 43 / 21

HEX #CA4273

RGB 202 66 115

HSL 338.38, 0.56%, 0.53%

LAB 49.12, 57.46, 2.34

 

CMYK 69 / 0 / 29 / 26

HEX #3ABD87

RGB 58 189 135

HSL 155.27, 0.53%, 0.48%

LAB 68.78, -48.04, 17.24

 

CMYK 64 / 0 / 26 / 19

HEX #4BCF9A

RGB 75 207 154

HSL 155.91, 0.58%, 0.55%

LAB 75.11, -48.37, 15.92

 

CMYK 59 / 0 / 23 / 12

HEX #5CE1AD

RGB 92 225 173

HSL 156.54, 0.69%, 0.62%

LAB 81.37, -48.53, 14.72

 

CMYK 55 / 0 / 21 / 5

HEX #6DF3C0

RGB 109 243 192

HSL 157.16, 0.85%, 0.69%

LAB 87.56, -48.57, 13.61

 

CMYK 51 / 0 / 17 / 0

HEX #7EFFD3

RGB 126 255 211

HSL 159.53, 1%, 0.75%

LAB 91.98, -45.96, 10.14

 

CMYK 72 / 0 / 26 / 26

HEX #35BD8C

RGB 53 189 140

HSL 158.38, 0.56%, 0.47%

LAB 68.78, -47.68, 14.52

 

CMYK 79 / 0 / 29 / 33

HEX #24AB79

RGB 36 171 121

HSL 157.78, 0.65%, 0.41%

LAB 62.41, -46.94, 15.97

 

CMYK 88 / 0 / 33 / 40

HEX #139966

RGB 19 153 102

HSL 157.16, 0.78%, 0.34%

LAB 55.97, -45.78, 17.59

 

CMYK 99 / 0 / 39 / 47

HEX #028753

RGB 2 135 83

HSL 156.54, 0.97%, 0.27%

LAB 49.45, -44.13, 19.39

 

CMYK 100 / 0 / 45 / 54

HEX #007540

RGB 0 117 64

HSL 152.82, 1%, 0.23%

LAB 42.9, -41.48, 21.46

 

CMYK 72 / 0 / 26 / 27

HEX #34BA8A

RGB 52 186 138

HSL 158.51, 0.56%, 0.47%

LAB 67.79, -47.05, 14.21

 

CMYK 72 / 0 / 45 / 27

HEX #34BA66

RGB 52 186 102

HSL 142.39, 0.56%, 0.47%

LAB 67.13, -54.28, 32.46

 

CMYK 72 / 0 / 65 / 27

HEX #34BA42

RGB 52 186 66

HSL 126.27, 0.56%, 0.47%

LAB 66.7, -59.29, 49.17

 

CMYK 60 / 0 / 72 / 27

HEX #4BBA34

RGB 75 186 52

HSL 109.7, 0.56%, 0.47%

LAB 67.17, -55.85, 55.47

 

CMYK 40 / 0 / 72 / 27

HEX #6FBA34

RGB 111 186 52

HSL 93.58, 0.56%, 0.47%

LAB 68.57, -45.29, 57.34

 

CMYK 72 / 0 / 26 / 27

HEX #34BA8A

RGB 52 186 138

HSL 158.51, 0.56%, 0.47%

LAB 67.79, -47.05, 14.21

 

CMYK 72 / 0 / 6 / 27

HEX #34BAAE

RGB 52 186 174

HSL 174.63, 0.56%, 0.47%

LAB 68.68, -37.89, -4.23

 

CMYK 72 / 13 / 0 / 27

HEX #34A2BA

RGB 52 162 186

HSL 190.75, 0.56%, 0.47%

LAB 61.75, -22.67, -21.31

 

CMYK 72 / 32 / 0 / 27

HEX #347EBA

RGB 52 126 186

HSL 206.87, 0.56%, 0.47%

LAB 50.92, -2.69, -38.12

 

CMYK 72 / 52 / 0 / 27

HEX #345ABA

RGB 52 90 186

HSL 222.99, 0.56%, 0.47%

LAB 40.55, 19.89, -54.66

 

CMYK 72 / 0 / 26 / 27

HEX #34BA8A

RGB 52 186 138

HSL 158.51, 0.56%, 0.47%

LAB 67.79, -47.05, 14.21

 

CMYK 84 / 0 / 30 / 19

HEX #21CE90

RGB 33 206 144

HSL 158.5, 0.72%, 0.47%

LAB 73.86, -55.68, 19.38

 

CMYK 94 / 0 / 34 / 12

HEX #0DE195

RGB 13 225 149

HSL 158.49, 0.89%, 0.47%

LAB 79.67, -62.69, 24.7

 

CMYK 72 / 0 / 26 / 27

HEX #34BA8A

RGB 52 186 138

HSL 158.51, 0.56%, 0.47%

LAB 67.79, -47.05, 14.21

 

CMYK 57 / 0 / 20 / 35

HEX #48A785

RGB 72 167 133

HSL 158.53, 0.4%, 0.47%

LAB 62.26, -36.39, 9.24

 

CMYK 39 / 0 / 14 / 42

HEX #5B947F

RGB 91 148 127

HSL 157.89, 0.24%, 0.47%

LAB 57.01, -23.72, 5.23

 

CMYK 14 / 0 / 5 / 50

HEX #6E807A

RGB 110 128 122

HSL 160, 0.08%, 0.47%

LAB 52.02, -7.85, 1.04

 

CMYK 0 / 16 / 11 / 49

HEX #826D74

RGB 130 109 116

HSL 340, 0.09%, 0.47%

LAB 48.19, 9.53, -0.8

 

CMYK 72 / 0 / 65 / 27

HEX #34BA42

RGB 52 186 66

HSL 126.27, 0.56%, 0.47%

LAB 66.7, -59.29, 49.17

 

CMYK 72 / 0 / 46 / 27

HEX #34BA65

RGB 52 186 101

HSL 141.94, 0.56%, 0.47%

LAB 67.12, -54.45, 32.96

 

CMYK 72 / 0 / 26 / 27

HEX #34BA89

RGB 52 186 137

HSL 158.06, 0.56%, 0.47%

LAB 67.76, -47.28, 14.72

 

CMYK 72 / 0 / 7 / 27

HEX #34BAAD

RGB 52 186 173

HSL 174.18, 0.56%, 0.47%

LAB 68.65, -38.17, -3.72

 

CMYK 72 / 12 / 0 / 27

HEX #34A4BA

RGB 52 164 186

HSL 189.85, 0.56%, 0.47%

LAB 62.36, -23.7, -20.38

 

CMYK 72 / 0 / 26 / 52

HEX #227A5A

RGB 34 122 90

HSL 158.18, 0.56%, 0.31%

LAB 45.63, -33.9, 10.19

 

CMYK 72 / 0 / 26 / 40

HEX #2B9A72

RGB 43 154 114

HSL 158.38, 0.56%, 0.39%

LAB 56.92, -40.61, 12.24

 

CMYK 72 / 0 / 26 / 27

HEX #34BA8A

RGB 52 186 138

HSL 158.51, 0.56%, 0.47%

LAB 67.79, -47.05, 14.21

 

CMYK 63 / 0 / 23 / 20

HEX #4CCC9E

RGB 76 204 158

HSL 158.44, 0.56%, 0.55%

LAB 74.31, -46.05, 12.67

 

CMYK 49 / 0 / 18 / 16

HEX #6CD5AF

RGB 108 213 175

HSL 158.29, 0.56%, 0.63%

LAB 78.39, -39.42, 9.5

 

CMYK 72 / 0 / 26 / 26

HEX #35BD8C

RGB 53 189 140

HSL 158.38, 0.56%, 0.47%

LAB 68.78, -47.68, 14.52

 

CMYK 72 / 60 / 0 / 27

HEX #344BBA

RGB 52 75 186

HSL 229.7, 0.56%, 0.47%

LAB 36.57, 29.66, -61.13

 

CMYK 0 / 55 / 72 / 27

HEX #BA5434

RGB 186 84 52

HSL 14.33, 0.56%, 0.47%

LAB 48.29, 39.07, 37.97

 

CMYK 72 / 0 / 26 / 26

HEX #35BD8C

RGB 53 189 140

HSL 158.38, 0.56%, 0.47%

LAB 68.78, -47.68, 14.52

 

CMYK 26 / 72 / 0 / 27

HEX #8934BA

RGB 137 52 186

HSL 278.06, 0.56%, 0.47%

LAB 40.11, 57.53, -55

 

CMYK 0 / 26 / 72 / 27

HEX #BA8934

RGB 186 137 52

HSL 38.06, 0.56%, 0.47%

LAB 60.41, 10.39, 50.89

 

CMYK 72 / 0 / 26 / 26

HEX #35BD8C

RGB 53 189 140

HSL 158.38, 0.56%, 0.47%

LAB 68.78, -47.68, 14.52

 

CMYK 72 / 60 / 0 / 27

HEX #344BBA

RGB 52 75 186

HSL 229.7, 0.56%, 0.47%

LAB 36.57, 29.66, -61.13

 

CMYK 0 / 72 / 46 / 27

HEX #BA3465

RGB 186 52 101

HSL 338.06, 0.56%, 0.47%

LAB 43.99, 56.67, 3.16

 

CMYK 0 / 12 / 72 / 27

HEX #BAA434

RGB 186 164 52

HSL 50.15, 0.56%, 0.47%

LAB 67.46, -4.28, 57.95

 

CMYK 72 / 0 / 26 / 26

HEX #35BD8C

RGB 53 189 140

HSL 158.38, 0.56%, 0.47%

LAB 68.78, -47.68, 14.52

 

CMYK 62 / 72 / 0 / 27

HEX #4634BA

RGB 70 52 186

HSL 248.06, 0.56%, 0.47%

LAB 32.49, 46.06, -67.76

 

CMYK 0 / 72 / 46 / 27

HEX #BA3465

RGB 186 52 101

HSL 338.06, 0.56%, 0.47%

LAB 43.99, 56.67, 3.16

 

CMYK 9 / 0 / 72 / 27

HEX #A9BA34

RGB 169 186 52

HSL 67.61, 0.56%, 0.47%

LAB 72.1, -22.91, 62.01

 

Description

Color code: CMYK 72 / 0 / 26 / 26 | qconv.com Color code: CMYK 72 / 0 / 26 / 26 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 189 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 189 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 26 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 26% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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