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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 75 / 0 / 34 / 40 it is the complementary color CMYK 0 / 53 / 29 / 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 75 / 0 / 34 / 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 75 / 0 / 34 / 40 shade: CMYK 72 / 0 / 37 / 40, CMYK 65 / 0 / 33 / 33, CMYK 59 / 0 / 29 / 26, CMYK 55 / 0 / 26 / 19 and CMYK 51 / 0 / 24 / 12

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 75 / 0 / 34 / 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 75 / 0 / 34 / 40 shade: CMYK 75 / 0 / 34 / 40, CMYK 84 / 0 / 39 / 47, CMYK 97 / 0 / 46 / 54, CMYK 100 / 0 / 56 / 61 and CMYK 100 / 0 / 69 / 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 75 / 0 / 34 / 40 shade: CMYK 75 / 0 / 34 / 41, CMYK 75 / 0 / 54 / 41, CMYK 75 / 0 / 75 / 41, CMYK 55 / 0 / 75 / 41 and CMYK 35 / 0 / 75 / 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 75 / 0 / 34 / 40 shade: CMYK 75 / 0 / 34 / 41, CMYK 75 / 0 / 13 / 41, CMYK 75 / 6 / 0 / 41, CMYK 75 / 27 / 0 / 41 and CMYK 75 / 47 / 0 / 41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 75 / 0 / 34 / 40 shade matches the following richer shades: CMYK 75 / 0 / 34 / 41, CMYK 87 / 0 / 39 / 35 and CMYK 96 / 0 / 44 / 29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 75 / 0 / 34 / 40 shade: CMYK 75 / 0 / 34 / 41, CMYK 61 / 0 / 27 / 47, CMYK 43 / 0 / 20 / 53, CMYK 21 / 0 / 10 / 59 and CMYK 0 / 9 / 5 / 62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 75 / 0 / 34 / 40 shade: CMYK 75 / 0 / 75 / 41, CMYK 75 / 0 / 55 / 41, CMYK 75 / 0 / 35 / 41, CMYK 75 / 0 / 15 / 41 and CMYK 75 / 5 / 0 / 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 75 / 0 / 34 / 40 shade: CMYK 75 / 0 / 33 / 67, CMYK 75 / 0 / 34 / 54, CMYK 75 / 0 / 34 / 41, CMYK 75 / 0 / 34 / 28 and CMYK 70 / 0 / 31 / 19

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 75 / 0 / 34 / 40 shade: CMYK 75 / 0 / 34 / 40, CMYK 75 / 55 / 0 / 41 and CMYK 0 / 65 / 75 / 41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 75 / 0 / 34 / 40 shade: CMYK 75 / 0 / 34 / 40, CMYK 35 / 75 / 0 / 41 and CMYK 0 / 35 / 75 / 41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 75 / 0 / 34 / 40 shade: CMYK 75 / 0 / 34 / 40, CMYK 75 / 55 / 0 / 41, CMYK 0 / 75 / 40 / 41 and CMYK 0 / 20 / 75 / 41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 75 / 0 / 34 / 40 shade: CMYK 75 / 0 / 34 / 40, CMYK 73 / 75 / 0 / 41, CMYK 0 / 75 / 40 / 41 and CMYK 2 / 0 / 75 / 41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 34 / 40

HEX #269965

RGB 38 153 101

HSL 152.87, 0.6%, 0.37%

LAB 56.22, -43.89, 18.53

 

Complementary color

CMYK 0 / 53 / 29 / 15

HEX #D9669A

RGB 217 102 154

HSL 332.87, 0.6%, 0.63%

LAB 58.59, 50.67, -6.6

 

CMYK 72 / 0 / 37 / 40

HEX #2B9960

RGB 43 153 96

HSL 148.91, 0.56%, 0.38%

LAB 56.23, -44.17, 21.33

 

CMYK 65 / 0 / 33 / 33

HEX #3CAB73

RGB 60 171 115

HSL 149.73, 0.48%, 0.45%

LAB 62.78, -44.57, 19.84

 

CMYK 59 / 0 / 29 / 26

HEX #4DBD86

RGB 77 189 134

HSL 150.54, 0.46%, 0.52%

LAB 69.25, -44.72, 18.5

 

CMYK 55 / 0 / 26 / 19

HEX #5ECF99

RGB 94 207 153

HSL 151.33, 0.54%, 0.59%

LAB 75.64, -44.73, 17.27

 

CMYK 51 / 0 / 24 / 12

HEX #6FE1AC

RGB 111 225 172

HSL 152.11, 0.66%, 0.66%

LAB 81.95, -44.64, 16.15

 

CMYK 75 / 0 / 34 / 40

HEX #269965

RGB 38 153 101

HSL 152.87, 0.6%, 0.37%

LAB 56.22, -43.89, 18.53

 

CMYK 84 / 0 / 39 / 47

HEX #158752

RGB 21 135 82

HSL 152.11, 0.73%, 0.31%

LAB 49.61, -42.93, 20.2

 

CMYK 97 / 0 / 46 / 54

HEX #04753F

RGB 4 117 63

HSL 151.33, 0.93%, 0.24%

LAB 42.92, -41.37, 22.06

 

CMYK 100 / 0 / 56 / 61

HEX #00632C

RGB 0 99 44

HSL 146.67, 1%, 0.19%

LAB 36.19, -38.64, 24.16

 

CMYK 100 / 0 / 69 / 68

HEX #005119

RGB 0 81 25

HSL 138.52, 1%, 0.16%

LAB 29.3, -35.2, 26.18

 

CMYK 75 / 0 / 34 / 41

HEX #259663

RGB 37 150 99

HSL 152.92, 0.6%, 0.37%

LAB 55.18, -43.26, 18.23

 

CMYK 75 / 0 / 54 / 41

HEX #259645

RGB 37 150 69

HSL 136.99, 0.6%, 0.37%

LAB 54.7, -48.81, 33.72

 

CMYK 75 / 0 / 75 / 41

HEX #259626

RGB 37 150 38

HSL 120.53, 0.6%, 0.37%

LAB 54.39, -52.45, 47.37

 

CMYK 55 / 0 / 75 / 41

HEX #439625

RGB 67 150 37

HSL 104.07, 0.6%, 0.37%

LAB 55.22, -45.73, 48.84

 

CMYK 35 / 0 / 75 / 41

HEX #619625

RGB 97 150 37

HSL 88.14, 0.6%, 0.37%

LAB 56.57, -35.76, 50.64

 

CMYK 75 / 0 / 34 / 41

HEX #259663

RGB 37 150 99

HSL 152.92, 0.6%, 0.37%

LAB 55.18, -43.26, 18.23

 

CMYK 75 / 0 / 13 / 41

HEX #259682

RGB 37 150 130

HSL 169.38, 0.6%, 0.37%

LAB 55.9, -35.6, 1.69

 

CMYK 75 / 6 / 0 / 41

HEX #258D96

RGB 37 141 150

HSL 184.78, 0.6%, 0.37%

LAB 53.65, -25.33, -13.16

 

CMYK 75 / 27 / 0 / 41

HEX #256E96

RGB 37 110 150

HSL 201.24, 0.6%, 0.37%

LAB 43.87, -8.31, -28.19

 

CMYK 75 / 47 / 0 / 41

HEX #255096

RGB 37 80 150

HSL 217.17, 0.6%, 0.37%

LAB 34.67, 10.66, -42.76

 

CMYK 75 / 0 / 34 / 41

HEX #259663

RGB 37 150 99

HSL 152.92, 0.6%, 0.37%

LAB 55.18, -43.26, 18.23

 

CMYK 87 / 0 / 39 / 35

HEX #16A665

RGB 22 166 101

HSL 152.92, 0.77%, 0.37%

LAB 60.23, -50.71, 23.89

 

CMYK 96 / 0 / 44 / 29

HEX #07B566

RGB 7 181 102

HSL 152.76, 0.93%, 0.37%

LAB 65, -56.75, 29.61

 

CMYK 75 / 0 / 34 / 41

HEX #259663

RGB 37 150 99

HSL 152.92, 0.6%, 0.37%

LAB 55.18, -43.26, 18.23

 

CMYK 61 / 0 / 27 / 47

HEX #358762

RGB 53 135 98

HSL 152.93, 0.44%, 0.37%

LAB 50.65, -34.12, 12.62

 

CMYK 43 / 0 / 20 / 53

HEX #447860

RGB 68 120 96

HSL 152.31, 0.28%, 0.37%

LAB 46.32, -23.41, 7.8

 

CMYK 21 / 0 / 10 / 59

HEX #53695F

RGB 83 105 95

HSL 152.73, 0.12%, 0.37%

LAB 42.41, -10.47, 2.92

 

CMYK 0 / 9 / 5 / 62

HEX #62595D

RGB 98 89 93

HSL 333.33, 0.05%, 0.37%

LAB 38.78, 4.44, -0.99

 

CMYK 75 / 0 / 75 / 41

HEX #259625

RGB 37 150 37

HSL 120, 0.6%, 0.37%

LAB 54.39, -52.53, 47.74

 

CMYK 75 / 0 / 55 / 41

HEX #259643

RGB 37 150 67

HSL 135.93, 0.6%, 0.37%

LAB 54.67, -49.11, 34.7

 

CMYK 75 / 0 / 35 / 41

HEX #259662

RGB 37 150 98

HSL 152.39, 0.6%, 0.37%

LAB 55.16, -43.47, 18.76

 

CMYK 75 / 0 / 15 / 41

HEX #259680

RGB 37 150 128

HSL 168.32, 0.6%, 0.37%

LAB 55.85, -36.15, 2.75

 

CMYK 75 / 5 / 0 / 41

HEX #258F96

RGB 37 143 150

HSL 183.72, 0.6%, 0.37%

LAB 54.28, -26.34, -12.21

 

CMYK 75 / 0 / 33 / 67

HEX #155438

RGB 21 84 56

HSL 153.33, 0.6%, 0.21%

LAB 31.31, -27.26, 10.78

 

CMYK 75 / 0 / 34 / 54

HEX #1D754D

RGB 29 117 77

HSL 152.73, 0.6%, 0.29%

LAB 43.54, -35.62, 14.89

 

CMYK 75 / 0 / 34 / 41

HEX #259663

RGB 37 150 99

HSL 152.92, 0.6%, 0.37%

LAB 55.18, -43.26, 18.23

 

CMYK 75 / 0 / 34 / 28

HEX #2DB779

RGB 45 183 121

HSL 153.04, 0.61%, 0.45%

LAB 66.37, -50.55, 21.43

 

CMYK 70 / 0 / 31 / 19

HEX #3FCF8E

RGB 63 207 142

HSL 152.92, 0.6%, 0.53%

LAB 74.59, -52.94, 21.52

 

CMYK 75 / 0 / 34 / 40

HEX #269965

RGB 38 153 101

HSL 152.87, 0.6%, 0.37%

LAB 56.22, -43.89, 18.53

 

CMYK 75 / 55 / 0 / 41

HEX #254396

RGB 37 67 150

HSL 224.07, 0.6%, 0.37%

LAB 30.9, 19.45, -48.83

 

CMYK 0 / 65 / 75 / 41

HEX #963425

RGB 150 52 37

HSL 7.96, 0.6%, 0.37%

LAB 36.13, 40.25, 31.15

 

CMYK 75 / 0 / 34 / 40

HEX #269965

RGB 38 153 101

HSL 152.87, 0.6%, 0.37%

LAB 56.22, -43.89, 18.53

 

CMYK 35 / 75 / 0 / 41

HEX #622596

RGB 98 37 150

HSL 272.39, 0.6%, 0.37%

LAB 29.72, 48.1, -50.51

 

CMYK 0 / 35 / 75 / 41

HEX #966225

RGB 150 98 37

HSL 32.39, 0.6%, 0.37%

LAB 46.11, 15.52, 41.72

 

CMYK 75 / 0 / 34 / 40

HEX #269965

RGB 38 153 101

HSL 152.87, 0.6%, 0.37%

LAB 56.22, -43.89, 18.53

 

CMYK 75 / 55 / 0 / 41

HEX #254396

RGB 37 67 150

HSL 224.07, 0.6%, 0.37%

LAB 30.9, 19.45, -48.83

 

CMYK 0 / 75 / 40 / 41

HEX #96255A

RGB 150 37 90

HSL 331.86, 0.6%, 0.37%

LAB 35.09, 50.48, -3.7

 

CMYK 0 / 20 / 75 / 41

HEX #967825

RGB 150 120 37

HSL 44.07, 0.6%, 0.37%

LAB 51.89, 2.89, 47.47

 

CMYK 75 / 0 / 34 / 40

HEX #269965

RGB 38 153 101

HSL 152.87, 0.6%, 0.37%

LAB 56.22, -43.89, 18.53

 

CMYK 73 / 75 / 0 / 41

HEX #292596

RGB 41 37 150

HSL 242.12, 0.6%, 0.37%

LAB 23.66, 39.44, -60.67

 

CMYK 0 / 75 / 40 / 41

HEX #96255A

RGB 150 37 90

HSL 331.86, 0.6%, 0.37%

LAB 35.09, 50.48, -3.7

 

CMYK 2 / 0 / 75 / 41

HEX #939625

RGB 147 150 37

HSL 61.59, 0.6%, 0.37%

LAB 60.02, -14.88, 55.15

 

Description

Color code: CMYK 75 / 0 / 34 / 40 | qconv.com Color code: CMYK 75 / 0 / 34 / 40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 153 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 153 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 34 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 34% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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