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Color name
CMYK 82 / 0 / 29 / 44

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 82 / 0 / 29 / 44 it is the complementary color CMYK 0 / 51 / 33 / 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 82 / 0 / 29 / 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 82 / 0 / 29 / 44 shade: CMYK 78 / 0 / 33 / 44, CMYK 70 / 0 / 29 / 37, CMYK 64 / 0 / 25 / 30, CMYK 58 / 0 / 22 / 23 and CMYK 54 / 0 / 20 / 16

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 82 / 0 / 29 / 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 82 / 0 / 29 / 44 shade: CMYK 82 / 0 / 29 / 44, CMYK 93 / 0 / 34 / 51, CMYK 100 / 0 / 41 / 58, CMYK 100 / 0 / 51 / 65 and CMYK 100 / 0 / 65 / 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 82 / 0 / 29 / 44 shade: CMYK 82 / 0 / 30 / 44, CMYK 82 / 0 / 51 / 44, CMYK 82 / 0 / 74 / 44, CMYK 68 / 0 / 82 / 44 and CMYK 46 / 0 / 82 / 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 82 / 0 / 29 / 44 shade: CMYK 82 / 0 / 30 / 44, CMYK 82 / 0 / 8 / 44, CMYK 82 / 15 / 0 / 44, CMYK 82 / 37 / 0 / 44 and CMYK 82 / 59 / 0 / 44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 82 / 0 / 29 / 44 shade matches the following richer shades: CMYK 82 / 0 / 30 / 44 and CMYK 92 / 0 / 33 / 39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 82 / 0 / 29 / 44 shade: CMYK 82 / 0 / 30 / 44, CMYK 70 / 0 / 25 / 50, CMYK 54 / 0 / 19 / 55, CMYK 35 / 0 / 12 / 60 and CMYK 8 / 0 / 2 / 66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 82 / 0 / 29 / 44 shade: CMYK 82 / 0 / 74 / 44, CMYK 82 / 0 / 52 / 44, CMYK 82 / 0 / 30 / 44, CMYK 82 / 0 / 8 / 44 and CMYK 82 / 14 / 0 / 44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 82 / 0 / 29 / 44 shade: CMYK 82 / 0 / 29 / 72, CMYK 82 / 0 / 30 / 58, CMYK 82 / 0 / 30 / 44, CMYK 82 / 0 / 29 / 31 and CMYK 82 / 0 / 29 / 17

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 82 / 0 / 29 / 44 shade: CMYK 82 / 0 / 29 / 44, CMYK 82 / 68 / 0 / 44 and CMYK 0 / 63 / 82 / 44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 82 / 0 / 29 / 44 shade: CMYK 82 / 0 / 29 / 44, CMYK 30 / 82 / 0 / 44 and CMYK 0 / 30 / 82 / 44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 82 / 0 / 29 / 44 shade: CMYK 82 / 0 / 29 / 44, CMYK 82 / 68 / 0 / 44, CMYK 0 / 82 / 52 / 44 and CMYK 0 / 14 / 82 / 44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 82 / 0 / 29 / 44 shade: CMYK 82 / 0 / 29 / 44, CMYK 71 / 82 / 0 / 44, CMYK 0 / 82 / 52 / 44 and CMYK 11 / 0 / 82 / 44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 29 / 44

HEX #1A8F65

RGB 26 143 101

HSL 158.46, 0.69%, 0.33%

LAB 52.73, -41.34, 13.71

 

Complementary color

CMYK 0 / 51 / 33 / 10

HEX #E5709A

RGB 229 112 154

HSL 338.46, 0.69%, 0.67%

LAB 62.15, 49.76, -1.15

 

CMYK 78 / 0 / 33 / 44

HEX #1F8F60

RGB 31 143 96

HSL 154.82, 0.64%, 0.34%

LAB 52.71, -41.9, 16.52

 

CMYK 70 / 0 / 29 / 37

HEX #30A173

RGB 48 161 115

HSL 155.58, 0.54%, 0.41%

LAB 59.3, -42.54, 15.01

 

CMYK 64 / 0 / 25 / 30

HEX #41B386

RGB 65 179 134

HSL 156.32, 0.47%, 0.48%

LAB 65.81, -42.88, 13.67

 

CMYK 58 / 0 / 22 / 23

HEX #52C599

RGB 82 197 153

HSL 157.04, 0.5%, 0.55%

LAB 72.25, -43.01, 12.46

 

CMYK 54 / 0 / 20 / 16

HEX #63D7AC

RGB 99 215 172

HSL 157.76, 0.59%, 0.62%

LAB 78.6, -43.02, 11.36

 

CMYK 82 / 0 / 29 / 44

HEX #1A8F65

RGB 26 143 101

HSL 158.46, 0.69%, 0.33%

LAB 52.73, -41.34, 13.71

 

CMYK 93 / 0 / 34 / 51

HEX #097D52

RGB 9 125 82

HSL 157.76, 0.87%, 0.26%

LAB 46.09, -39.99, 15.42

 

CMYK 100 / 0 / 41 / 58

HEX #006B3F

RGB 0 107 63

HSL 155.33, 1%, 0.21%

LAB 39.37, -37.87, 17.39

 

CMYK 100 / 0 / 51 / 65

HEX #00592C

RGB 0 89 44

HSL 149.66, 1%, 0.17%

LAB 32.54, -34.91, 19.59

 

CMYK 100 / 0 / 65 / 72

HEX #004719

RGB 0 71 25

HSL 141.13, 1%, 0.14%

LAB 25.49, -31.58, 21.8

 

CMYK 82 / 0 / 30 / 44

HEX #1A8E64

RGB 26 142 100

HSL 158.28, 0.69%, 0.33%

LAB 52.38, -41.17, 13.79

 

CMYK 82 / 0 / 51 / 44

HEX #1A8E45

RGB 26 142 69

HSL 142.24, 0.69%, 0.33%

LAB 51.83, -47.44, 30.15

 

CMYK 82 / 0 / 74 / 44

HEX #1A8E25

RGB 26 142 37

HSL 125.69, 0.69%, 0.33%

LAB 51.5, -51.53, 44.74

 

CMYK 68 / 0 / 82 / 44

HEX #2D8E1A

RGB 45 142 26

HSL 110.17, 0.69%, 0.33%

LAB 51.81, -49.07, 49.04

 

CMYK 46 / 0 / 82 / 44

HEX #4C8E1A

RGB 76 142 26

HSL 94.14, 0.69%, 0.33%

LAB 52.9, -40.44, 50.45

 

CMYK 82 / 0 / 30 / 44

HEX #1A8E64

RGB 26 142 100

HSL 158.28, 0.69%, 0.33%

LAB 52.38, -41.17, 13.79

 

CMYK 82 / 0 / 8 / 44

HEX #1A8E83

RGB 26 142 131

HSL 174.31, 0.69%, 0.33%

LAB 53.17, -32.87, -2.91

 

CMYK 82 / 15 / 0 / 44

HEX #1A798E

RGB 26 121 142

HSL 190.86, 0.69%, 0.33%

LAB 46.77, -18.73, -18.97

 

CMYK 82 / 37 / 0 / 44

HEX #1A598E

RGB 26 89 142

HSL 207.41, 0.69%, 0.33%

LAB 36.59, 0.21, -34.86

 

CMYK 82 / 59 / 0 / 44

HEX #1A3A8E

RGB 26 58 142

HSL 223.45, 0.69%, 0.33%

LAB 27.29, 21.18, -49.81

 

CMYK 82 / 0 / 30 / 44

HEX #1A8E64

RGB 26 142 100

HSL 158.28, 0.69%, 0.33%

LAB 52.38, -41.17, 13.79

 

CMYK 92 / 0 / 33 / 39

HEX #0C9B68

RGB 12 155 104

HSL 158.6, 0.86%, 0.33%

LAB 56.61, -46.58, 17.33

 

CMYK 82 / 0 / 30 / 44

HEX #1A8E64

RGB 26 142 100

HSL 158.28, 0.69%, 0.33%

LAB 52.38, -41.17, 13.79

 

CMYK 70 / 0 / 25 / 50

HEX #278060

RGB 39 128 96

HSL 158.43, 0.53%, 0.33%

LAB 47.9, -34.24, 9.88

 

CMYK 54 / 0 / 19 / 55

HEX #35725C

RGB 53 114 92

HSL 158.36, 0.37%, 0.33%

LAB 43.6, -25.54, 6.22

 

CMYK 35 / 0 / 12 / 60

HEX #426559

RGB 66 101 89

HSL 159.43, 0.21%, 0.33%

LAB 39.89, -15.55, 2.79

 

CMYK 8 / 0 / 2 / 66

HEX #505755

RGB 80 87 85

HSL 162.86, 0.04%, 0.33%

LAB 36.32, -3.21, 0.2

 

CMYK 82 / 0 / 74 / 44

HEX #1A8E25

RGB 26 142 37

HSL 125.69, 0.69%, 0.33%

LAB 51.5, -51.53, 44.74

 

CMYK 82 / 0 / 52 / 44

HEX #1A8E44

RGB 26 142 68

HSL 141.72, 0.69%, 0.33%

LAB 51.82, -47.61, 30.66

 

CMYK 82 / 0 / 30 / 44

HEX #1A8E63

RGB 26 142 99

HSL 157.76, 0.69%, 0.33%

LAB 52.36, -41.4, 14.33

 

CMYK 82 / 0 / 8 / 44

HEX #1A8E82

RGB 26 142 130

HSL 173.79, 0.69%, 0.33%

LAB 53.14, -33.17, -2.37

 

CMYK 82 / 14 / 0 / 44

HEX #1A7A8E

RGB 26 122 142

HSL 190.34, 0.69%, 0.33%

LAB 47.09, -19.27, -18.48

 

CMYK 82 / 0 / 29 / 72

HEX #0D4833

RGB 13 72 51

HSL 158.64, 0.69%, 0.17%

LAB 26.62, -24.28, 7.4

 

CMYK 82 / 0 / 30 / 58

HEX #136B4B

RGB 19 107 75

HSL 158.18, 0.7%, 0.25%

LAB 39.85, -33.21, 10.98

 

CMYK 82 / 0 / 30 / 44

HEX #1A8E64

RGB 26 142 100

HSL 158.28, 0.69%, 0.33%

LAB 52.38, -41.17, 13.79

 

CMYK 82 / 0 / 29 / 31

HEX #20B17D

RGB 32 177 125

HSL 158.48, 0.69%, 0.41%

LAB 64.35, -48.84, 16.45

 

CMYK 82 / 0 / 29 / 17

HEX #26D395

RGB 38 211 149

HSL 158.5, 0.69%, 0.49%

LAB 75.56, -56.04, 19.09

 

CMYK 82 / 0 / 29 / 44

HEX #1A8F65

RGB 26 143 101

HSL 158.46, 0.69%, 0.33%

LAB 52.73, -41.34, 13.71

 

CMYK 82 / 68 / 0 / 44

HEX #1A2D8E

RGB 26 45 142

HSL 230.17, 0.69%, 0.33%

LAB 23.83, 30.08, -55.47

 

CMYK 0 / 63 / 82 / 44

HEX #8E351A

RGB 142 53 26

HSL 13.97, 0.69%, 0.33%

LAB 34.75, 36.32, 35.36

 

CMYK 82 / 0 / 29 / 44

HEX #1A8F65

RGB 26 143 101

HSL 158.46, 0.69%, 0.33%

LAB 52.73, -41.34, 13.71

 

CMYK 30 / 82 / 0 / 44

HEX #631A8E

RGB 99 26 142

HSL 277.76, 0.69%, 0.33%

LAB 27.69, 50.79, -48.86

 

CMYK 0 / 30 / 82 / 44

HEX #8E631A

RGB 142 99 26

HSL 37.76, 0.69%, 0.33%

LAB 45.29, 10.77, 45.32

 

CMYK 82 / 0 / 29 / 44

HEX #1A8F65

RGB 26 143 101

HSL 158.46, 0.69%, 0.33%

LAB 52.73, -41.34, 13.71

 

CMYK 82 / 68 / 0 / 44

HEX #1A2D8E

RGB 26 45 142

HSL 230.17, 0.69%, 0.33%

LAB 23.83, 30.08, -55.47

 

CMYK 0 / 82 / 52 / 44

HEX #8E1A44

RGB 142 26 68

HSL 338.28, 0.69%, 0.33%

LAB 31.59, 49.58, 5.37

 

CMYK 0 / 14 / 82 / 44

HEX #8E7A1A

RGB 142 122 26

HSL 49.66, 0.69%, 0.33%

LAB 51.55, -2.43, 50.97

 

CMYK 82 / 0 / 29 / 44

HEX #1A8F65

RGB 26 143 101

HSL 158.46, 0.69%, 0.33%

LAB 52.73, -41.34, 13.71

 

CMYK 71 / 82 / 0 / 44

HEX #291A8E

RGB 41 26 142

HSL 247.76, 0.69%, 0.33%

LAB 20.69, 42.78, -60.63

 

CMYK 0 / 82 / 52 / 44

HEX #8E1A44

RGB 142 26 68

HSL 338.28, 0.69%, 0.33%

LAB 31.59, 49.58, 5.37

 

CMYK 11 / 0 / 82 / 44

HEX #7E8E1A

RGB 126 142 26

HSL 68.28, 0.69%, 0.33%

LAB 55.94, -20.53, 54.34

 

Description

Color code: CMYK 82 / 0 / 29 / 44 | qconv.com Color code: CMYK 82 / 0 / 29 / 44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 143 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 143 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 29 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 29% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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