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Color name
CMYK 88 / 0 / 43 / 32

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 88 / 0 / 43 / 32 it is the complementary color CMYK 0 / 65 / 33 / 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 88 / 0 / 43 / 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 88 / 0 / 43 / 32 shade: CMYK 85 / 0 / 46 / 32, CMYK 77 / 0 / 41 / 25, CMYK 71 / 0 / 37 / 18, CMYK 66 / 0 / 33 / 11 and CMYK 62 / 0 / 31 / 4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 88 / 0 / 43 / 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 88 / 0 / 43 / 32 shade: CMYK 88 / 0 / 43 / 32, CMYK 97 / 0 / 48 / 39, CMYK 100 / 0 / 55 / 46, CMYK 100 / 0 / 65 / 53 and CMYK 100 / 0 / 77 / 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 88 / 0 / 43 / 32 shade: CMYK 88 / 0 / 43 / 33, CMYK 88 / 0 / 66 / 33, CMYK 85 / 0 / 88 / 33, CMYK 62 / 0 / 88 / 33 and CMYK 38 / 0 / 88 / 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 88 / 0 / 43 / 32 shade: CMYK 88 / 0 / 43 / 33, CMYK 88 / 0 / 19 / 33, CMYK 88 / 5 / 0 / 33, CMYK 88 / 28 / 0 / 33 and CMYK 88 / 52 / 0 / 33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 88 / 0 / 43 / 32 shade matches the following richer shades: CMYK 88 / 0 / 43 / 33 and CMYK 97 / 0 / 47 / 26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 88 / 0 / 43 / 32 shade: CMYK 88 / 0 / 43 / 33, CMYK 77 / 0 / 37 / 39, CMYK 63 / 0 / 30 / 45, CMYK 46 / 0 / 22 / 51 and CMYK 23 / 0 / 11 / 57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 88 / 0 / 43 / 32 shade: CMYK 85 / 0 / 88 / 33, CMYK 88 / 0 / 67 / 33, CMYK 88 / 0 / 44 / 33, CMYK 88 / 0 / 20 / 33 and CMYK 88 / 3 / 0 / 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 88 / 0 / 43 / 32 shade: CMYK 88 / 0 / 43 / 61, CMYK 88 / 0 / 43 / 47, CMYK 88 / 0 / 43 / 33, CMYK 88 / 0 / 43 / 18 and CMYK 79 / 0 / 39 / 10

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 88 / 0 / 43 / 32 shade: CMYK 88 / 0 / 43 / 32, CMYK 88 / 62 / 0 / 33 and CMYK 0 / 79 / 88 / 33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 88 / 0 / 43 / 32 shade: CMYK 88 / 0 / 43 / 32, CMYK 44 / 88 / 0 / 33 and CMYK 0 / 44 / 88 / 33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 88 / 0 / 43 / 32 shade: CMYK 88 / 0 / 43 / 32, CMYK 88 / 62 / 0 / 33, CMYK 0 / 88 / 44 / 33 and CMYK 0 / 26 / 88 / 33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 88 / 0 / 43 / 32 shade: CMYK 88 / 0 / 43 / 32, CMYK 88 / 88 / 0 / 33, CMYK 0 / 88 / 44 / 33 and CMYK 0 / 0 / 88 / 33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 43 / 32

HEX #15AD63

RGB 21 173 99

HSL 150.79, 0.78%, 0.38%

LAB 62.46, -53.73, 27.89

 

Complementary color

CMYK 0 / 65 / 33 / 8

HEX #EA529C

RGB 234 82 156

HSL 330.79, 0.78%, 0.62%

LAB 57.97, 64.86, -8.41

 

CMYK 85 / 0 / 46 / 32

HEX #1AAD5E

RGB 26 173 94

HSL 147.76, 0.74%, 0.39%

LAB 62.44, -54.23, 30.49

 

CMYK 77 / 0 / 41 / 25

HEX #2BBF71

RGB 43 191 113

HSL 148.38, 0.63%, 0.46%

LAB 68.73, -55.41, 28.81

 

CMYK 71 / 0 / 37 / 18

HEX #3CD184

RGB 60 209 132

HSL 148.99, 0.62%, 0.53%

LAB 74.97, -56.16, 27.25

 

CMYK 66 / 0 / 33 / 11

HEX #4DE397

RGB 77 227 151

HSL 149.6, 0.73%, 0.6%

LAB 81.15, -56.62, 25.82

 

CMYK 62 / 0 / 31 / 4

HEX #5EF5AA

RGB 94 245 170

HSL 150.2, 0.88%, 0.66%

LAB 87.28, -56.87, 24.49

 

CMYK 88 / 0 / 43 / 32

HEX #15AD63

RGB 21 173 99

HSL 150.79, 0.78%, 0.38%

LAB 62.46, -53.73, 27.89

 

CMYK 97 / 0 / 48 / 39

HEX #049B50

RGB 4 155 80

HSL 150.2, 0.95%, 0.31%

LAB 56.14, -51.87, 29.74

 

CMYK 100 / 0 / 55 / 46

HEX #00893D

RGB 0 137 61

HSL 146.72, 1%, 0.27%

LAB 49.77, -49.14, 31.72

 

CMYK 100 / 0 / 65 / 53

HEX #00772A

RGB 0 119 42

HSL 141.18, 1%, 0.23%

LAB 43.3, -45.88, 33.61

 

CMYK 100 / 0 / 77 / 60

HEX #006517

RGB 0 101 23

HSL 133.66, 1%, 0.2%

LAB 36.69, -42.17, 35.03

 

CMYK 88 / 0 / 43 / 33

HEX #15AC62

RGB 21 172 98

HSL 150.6, 0.78%, 0.38%

LAB 62.12, -53.56, 27.98

 

CMYK 88 / 0 / 66 / 33

HEX #15AC3A

RGB 21 172 58

HSL 134.7, 0.78%, 0.38%

LAB 61.63, -59.53, 46.87

 

CMYK 85 / 0 / 88 / 33

HEX #19AC15

RGB 25 172 21

HSL 118.41, 0.78%, 0.38%

LAB 61.45, -61.92, 58.94

 

CMYK 62 / 0 / 88 / 33

HEX #42AC15

RGB 66 172 21

HSL 102.12, 0.78%, 0.38%

LAB 62.27, -54.91, 59.97

 

CMYK 38 / 0 / 88 / 33

HEX #6AAC15

RGB 106 172 21

HSL 86.23, 0.78%, 0.38%

LAB 63.85, -42.74, 61.96

 

CMYK 88 / 0 / 43 / 33

HEX #15AC62

RGB 21 172 98

HSL 150.6, 0.78%, 0.38%

LAB 62.12, -53.56, 27.98

 

CMYK 88 / 0 / 19 / 33

HEX #15AC8B

RGB 21 172 139

HSL 166.89, 0.78%, 0.38%

LAB 62.95, -44.3, 6.75

 

CMYK 88 / 5 / 0 / 33

HEX #15A4AC

RGB 21 164 172

HSL 183.18, 0.78%, 0.38%

LAB 61.38, -31.13, -14.05

 

CMYK 88 / 28 / 0 / 33

HEX #157BAC

RGB 21 123 172

HSL 199.47, 0.78%, 0.38%

LAB 48.64, -9.39, -33.66

 

CMYK 88 / 52 / 0 / 33

HEX #1553AC

RGB 21 83 172

HSL 215.36, 0.78%, 0.38%

LAB 36.6, 15.81, -52.85

 

CMYK 88 / 0 / 43 / 33

HEX #15AC62

RGB 21 172 98

HSL 150.6, 0.78%, 0.38%

LAB 62.12, -53.56, 27.98

 

CMYK 97 / 0 / 47 / 26

HEX #05BC63

RGB 5 188 99

HSL 150.82, 0.95%, 0.38%

LAB 67.2, -59.76, 33.98

 

CMYK 88 / 0 / 43 / 33

HEX #15AC62

RGB 21 172 98

HSL 150.6, 0.78%, 0.38%

LAB 62.12, -53.56, 27.98

 

CMYK 77 / 0 / 37 / 39

HEX #249C62

RGB 36 156 98

HSL 151, 0.63%, 0.38%

LAB 57.11, -46, 21.38

 

CMYK 63 / 0 / 30 / 45

HEX #348D62

RGB 52 141 98

HSL 151.01, 0.46%, 0.38%

LAB 52.58, -37.02, 15.29

 

CMYK 46 / 0 / 22 / 51

HEX #447D61

RGB 68 125 97

HSL 150.53, 0.3%, 0.38%

LAB 47.96, -25.71, 9.52

 

CMYK 23 / 0 / 11 / 57

HEX #546D61

RGB 84 109 97

HSL 151.2, 0.13%, 0.38%

LAB 43.78, -11.93, 3.69

 

CMYK 85 / 0 / 88 / 33

HEX #1AAC15

RGB 26 172 21

HSL 118.01, 0.78%, 0.38%

LAB 61.46, -61.82, 58.96

 

CMYK 88 / 0 / 67 / 33

HEX #15AC38

RGB 21 172 56

HSL 133.91, 0.78%, 0.38%

LAB 61.61, -59.75, 47.7

 

CMYK 88 / 0 / 44 / 33

HEX #15AC60

RGB 21 172 96

HSL 149.8, 0.78%, 0.38%

LAB 62.09, -53.93, 28.99

 

CMYK 88 / 0 / 20 / 33

HEX #15AC89

RGB 21 172 137

HSL 166.09, 0.78%, 0.38%

LAB 62.9, -44.81, 7.79

 

CMYK 88 / 3 / 0 / 33

HEX #15A7AC

RGB 21 167 172

HSL 181.99, 0.78%, 0.38%

LAB 62.32, -32.57, -12.65

 

CMYK 88 / 0 / 43 / 61

HEX #0C6338

RGB 12 99 56

HSL 150.34, 0.78%, 0.22%

LAB 36.53, -35.08, 17.76

 

CMYK 88 / 0 / 43 / 47

HEX #10874D

RGB 16 135 77

HSL 150.76, 0.79%, 0.3%

LAB 49.46, -44.43, 22.78

 

CMYK 88 / 0 / 43 / 33

HEX #15AC62

RGB 21 172 98

HSL 150.6, 0.78%, 0.38%

LAB 62.12, -53.56, 27.98

 

CMYK 88 / 0 / 43 / 18

HEX #19D177

RGB 25 209 119

HSL 150.65, 0.79%, 0.46%

LAB 74.28, -62.36, 32.94

 

CMYK 79 / 0 / 39 / 10

HEX #2FE58C

RGB 47 229 140

HSL 150.66, 0.78%, 0.54%

LAB 81.04, -63.58, 31.19

 

CMYK 88 / 0 / 43 / 32

HEX #15AD63

RGB 21 173 99

HSL 150.79, 0.78%, 0.38%

LAB 62.46, -53.73, 27.89

 

CMYK 88 / 62 / 0 / 33

HEX #1542AC

RGB 21 66 172

HSL 222.12, 0.78%, 0.38%

LAB 31.89, 27.29, -60.53

 

CMYK 0 / 79 / 88 / 33

HEX #AC2415

RGB 172 36 21

HSL 5.96, 0.78%, 0.38%

LAB 38, 53.21, 42.92

 

CMYK 88 / 0 / 43 / 32

HEX #15AD63

RGB 21 173 99

HSL 150.79, 0.78%, 0.38%

LAB 62.46, -53.73, 27.89

 

CMYK 44 / 88 / 0 / 33

HEX #6015AC

RGB 96 21 172

HSL 269.8, 0.78%, 0.38%

LAB 29.42, 58.77, -64.37

 

CMYK 0 / 44 / 88 / 33

HEX #AC6015

RGB 172 96 21

HSL 29.8, 0.78%, 0.38%

LAB 48.5, 25.84, 51.46

 

CMYK 88 / 0 / 43 / 32

HEX #15AD63

RGB 21 173 99

HSL 150.79, 0.78%, 0.38%

LAB 62.46, -53.73, 27.89

 

CMYK 88 / 62 / 0 / 33

HEX #1542AC

RGB 21 66 172

HSL 222.12, 0.78%, 0.38%

LAB 31.89, 27.29, -60.53

 

CMYK 0 / 88 / 44 / 33

HEX #AC1560

RGB 172 21 96

HSL 330.2, 0.78%, 0.38%

LAB 38.11, 61.11, -2.6

 

CMYK 0 / 26 / 88 / 33

HEX #AC7F15

RGB 172 127 21

HSL 42.12, 0.78%, 0.38%

LAB 56.09, 8.5, 57.6

 

CMYK 88 / 0 / 43 / 32

HEX #15AD63

RGB 21 173 99

HSL 150.79, 0.78%, 0.38%

LAB 62.46, -53.73, 27.89

 

CMYK 88 / 88 / 0 / 33

HEX #1515AC

RGB 21 21 172

HSL 240, 0.78%, 0.38%

LAB 22.56, 53.12, -75.93

 

CMYK 0 / 88 / 44 / 33

HEX #AC1560

RGB 172 21 96

HSL 330.2, 0.78%, 0.38%

LAB 38.11, 61.11, -2.6

 

CMYK 0 / 0 / 88 / 33

HEX #ACAC15

RGB 172 172 21

HSL 60, 0.78%, 0.38%

LAB 68.26, -15.73, 67.41

 

Description

Color code: CMYK 88 / 0 / 43 / 32 | qconv.com Color code: CMYK 88 / 0 / 43 / 32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 173 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 173 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 43 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 43% 32% C M Y K

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Provide designers and agencies with accurate color values.

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