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Color name
CMYK 9 / 48 / 0 / 16

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 9 / 48 / 0 / 16 it is the complementary color CMYK 58 / 0 / 72 / 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 9 / 48 / 0 / 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 9 / 48 / 0 / 16 shade: CMYK 4 / 47 / 0 / 18, CMYK 5 / 43 / 0 / 11, CMYK 5 / 40 / 0 / 3, CMYK 2 / 35 / 0 / 0 and CMYK 0 / 28 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 9 / 48 / 0 / 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 9 / 48 / 0 / 16 shade: CMYK 9 / 48 / 0 / 16, CMYK 9 / 52 / 0 / 24, CMYK 9 / 57 / 0 / 31, CMYK 8 / 64 / 0 / 38 and CMYK 8 / 72 / 0 / 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 9 / 48 / 0 / 16 shade: CMYK 9 / 48 / 0 / 16, CMYK 0 / 48 / 4 / 16, CMYK 0 / 48 / 17 / 16, CMYK 0 / 48 / 30 / 16 and CMYK 0 / 48 / 43 / 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 9 / 48 / 0 / 16 shade: CMYK 9 / 48 / 0 / 16, CMYK 22 / 48 / 0 / 16, CMYK 35 / 48 / 0 / 16, CMYK 48 / 48 / 0 / 16 and CMYK 48 / 48 / 0 / 16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 9 / 48 / 0 / 16 shade matches the following richer shades: CMYK 9 / 48 / 0 / 16, CMYK 10 / 58 / 0 / 10 and CMYK 12 / 66 / 0 / 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 9 / 48 / 0 / 16 shade: CMYK 9 / 48 / 0 / 16, CMYK 7 / 37 / 0 / 22, CMYK 4 / 23 / 0 / 28, CMYK 2 / 8 / 0 / 33 and CMYK 8 / 0 / 9 / 33

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 9 / 48 / 0 / 16 shade: CMYK 35 / 48 / 0 / 16, CMYK 22 / 48 / 0 / 16, CMYK 9 / 48 / 0 / 16, CMYK 0 / 48 / 3 / 16 and CMYK 0 / 48 / 16 / 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 9 / 48 / 0 / 16 shade: CMYK 13 / 72 / 0 / 25, CMYK 11 / 61 / 0 / 20, CMYK 9 / 48 / 0 / 16, CMYK 7 / 36 / 0 / 13 and CMYK 4 / 24 / 0 / 9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 9 / 48 / 0 / 16 shade: CMYK 9 / 48 / 0 / 16, CMYK 0 / 48 / 48 / 16 and CMYK 48 / 0 / 29 / 16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 9 / 48 / 0 / 16 shade: CMYK 9 / 48 / 0 / 16, CMYK 0 / 9 / 48 / 16 and CMYK 48 / 0 / 9 / 16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 9 / 48 / 0 / 16 shade: CMYK 9 / 48 / 0 / 16, CMYK 0 / 48 / 48 / 16, CMYK 38 / 0 / 48 / 16 and CMYK 48 / 0 / 0 / 16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 9 / 48 / 0 / 16 shade: CMYK 9 / 48 / 0 / 16, CMYK 0 / 34 / 48 / 16, CMYK 38 / 0 / 48 / 16 and CMYK 48 / 14 / 0 / 16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 48 / 0 / 16

HEX #C36FD6

RGB 195 111 214

HSL 288.93, 0.56%, 0.64%

LAB 59.73, 49.29, -39.43

 

Complementary color

CMYK 58 / 0 / 72 / 44

HEX #3C9029

RGB 60 144 41

HSL 108.93, 0.56%, 0.36%

LAB 53.02, -45.04, 44.99

 

CMYK 4 / 47 / 0 / 18

HEX #C86FD1

RGB 200 111 209

HSL 294.49, 0.52%, 0.63%

LAB 60.12, 49.75, -35.96

 

CMYK 5 / 43 / 0 / 11

HEX #D981E4

RGB 217 129 228

HSL 293.33, 0.65%, 0.7%

LAB 66.56, 49.02, -36.38

 

CMYK 5 / 40 / 0 / 3

HEX #EA93F7

RGB 234 147 247

HSL 292.2, 0.86%, 0.77%

LAB 72.94, 48.28, -36.73

 

CMYK 2 / 35 / 0 / 0

HEX #FBA5FF

RGB 251 165 255

HSL 297.33, 1%, 0.82%

LAB 78.83, 45.52, -31.8

 

CMYK 0 / 28 / 0 / 0

HEX #FFB7FF

RGB 255 183 255

HSL 300, 1%, 0.86%

LAB 83.1, 37.39, -25.23

 

CMYK 9 / 48 / 0 / 16

HEX #C36FD6

RGB 195 111 214

HSL 288.93, 0.56%, 0.64%

LAB 59.73, 49.29, -39.43

 

CMYK 9 / 52 / 0 / 24

HEX #B25DC3

RGB 178 93 195

HSL 290, 0.46%, 0.56%

LAB 53.2, 49.99, -39.03

 

CMYK 9 / 57 / 0 / 31

HEX #A14BB0

RGB 161 75 176

HSL 291.09, 0.4%, 0.49%

LAB 46.64, 50.59, -38.5

 

CMYK 8 / 64 / 0 / 38

HEX #90399D

RGB 144 57 157

HSL 292.2, 0.47%, 0.42%

LAB 40.06, 50.96, -37.78

 

CMYK 8 / 72 / 0 / 46

HEX #7F278A

RGB 127 39 138

HSL 293.33, 0.56%, 0.35%

LAB 33.56, 50.85, -36.71

 

CMYK 9 / 48 / 0 / 16

HEX #C36FD6

RGB 195 111 214

HSL 288.93, 0.56%, 0.64%

LAB 59.73, 49.29, -39.43

 

CMYK 0 / 48 / 4 / 16

HEX #D66FCD

RGB 214 111 205

HSL 305.24, 0.56%, 0.64%

LAB 61.72, 53.07, -31.08

 

CMYK 0 / 48 / 17 / 16

HEX #D66FB2

RGB 214 111 178

HSL 320.97, 0.56%, 0.64%

LAB 60.68, 48.68, -17.34

 

CMYK 0 / 48 / 30 / 16

HEX #D66F96

RGB 214 111 150

HSL 337.28, 0.56%, 0.64%

LAB 59.77, 44.71, -2.59

 

CMYK 0 / 48 / 43 / 16

HEX #D66F7A

RGB 214 111 122

HSL 353.59, 0.56%, 0.64%

LAB 59.04, 41.4, 12.57

 

CMYK 9 / 48 / 0 / 16

HEX #C36FD6

RGB 195 111 214

HSL 288.93, 0.56%, 0.64%

LAB 59.73, 49.29, -39.43

 

CMYK 22 / 48 / 0 / 16

HEX #A76FD6

RGB 167 111 214

HSL 272.62, 0.56%, 0.64%

LAB 56.53, 41.49, -44.69

 

CMYK 35 / 48 / 0 / 16

HEX #8C6FD6

RGB 140 111 214

HSL 256.89, 0.56%, 0.64%

LAB 53.81, 34.28, -49.16

 

CMYK 48 / 48 / 0 / 16

HEX #706FD6

RGB 112 111 214

HSL 240.58, 0.56%, 0.64%

LAB 51.46, 27.45, -53.06

 

CMYK 48 / 48 / 0 / 16

HEX #6F6FD6

RGB 111 111 214

HSL 240, 0.56%, 0.64%

LAB 51.39, 27.22, -53.18

 

CMYK 9 / 48 / 0 / 16

HEX #C36FD6

RGB 195 111 214

HSL 288.93, 0.56%, 0.64%

LAB 59.73, 49.29, -39.43

 

CMYK 10 / 58 / 0 / 10

HEX #CD60E5

RGB 205 96 229

HSL 289.17, 0.72%, 0.64%

LAB 58.98, 62.15, -48.95

 

CMYK 12 / 66 / 0 / 4

HEX #D652F4

RGB 214 82 244

HSL 288.89, 0.88%, 0.64%

LAB 58.85, 72.99, -57.46

 

CMYK 9 / 48 / 0 / 16

HEX #C36FD6

RGB 195 111 214

HSL 288.93, 0.56%, 0.64%

LAB 59.73, 49.29, -39.43

 

CMYK 7 / 37 / 0 / 22

HEX #BA7EC7

RGB 186 126 199

HSL 289.32, 0.39%, 0.64%

LAB 61.21, 35.62, -28.75

 

CMYK 4 / 23 / 0 / 28

HEX #B08DB8

RGB 176 141 184

HSL 288.84, 0.23%, 0.64%

LAB 63.13, 20.97, -17.43

 

CMYK 2 / 8 / 0 / 33

HEX #A79CAA

RGB 167 156 170

HSL 287.14, 0.08%, 0.64%

LAB 65.67, 6.65, -5.84

 

CMYK 8 / 0 / 9 / 33

HEX #9EAB9B

RGB 158 171 155

HSL 108.75, 0.09%, 0.64%

LAB 68.58, -7.62, 6.68

 

CMYK 35 / 48 / 0 / 16

HEX #8B6FD6

RGB 139 111 214

HSL 256.31, 0.56%, 0.64%

LAB 53.72, 34.02, -49.32

 

CMYK 22 / 48 / 0 / 16

HEX #A66FD6

RGB 166 111 214

HSL 272.04, 0.56%, 0.64%

LAB 56.42, 41.21, -44.87

 

CMYK 9 / 48 / 0 / 16

HEX #C26FD6

RGB 194 111 214

HSL 288.35, 0.56%, 0.64%

LAB 59.61, 49.01, -39.62

 

CMYK 0 / 48 / 3 / 16

HEX #D66FCF

RGB 214 111 207

HSL 304.08, 0.56%, 0.64%

LAB 61.8, 53.42, -32.08

 

CMYK 0 / 48 / 16 / 16

HEX #D66FB4

RGB 214 111 180

HSL 319.81, 0.56%, 0.64%

LAB 60.75, 48.99, -18.37

 

CMYK 13 / 72 / 0 / 25

HEX #A535BE

RGB 165 53 190

HSL 289.05, 0.56%, 0.48%

LAB 44.61, 63.68, -49.9

 

CMYK 11 / 61 / 0 / 20

HEX #B64FCD

RGB 182 79 205

HSL 289.05, 0.56%, 0.56%

LAB 51.77, 59.67, -46.99

 

CMYK 9 / 48 / 0 / 16

HEX #C36FD6

RGB 195 111 214

HSL 288.93, 0.56%, 0.64%

LAB 59.73, 49.29, -39.43

 

CMYK 7 / 36 / 0 / 13

HEX #D08FDF

RGB 208 143 223

HSL 288.75, 0.56%, 0.72%

LAB 68.3, 37.97, -30.99

 

CMYK 4 / 24 / 0 / 9

HEX #DEB0E8

RGB 222 176 232

HSL 289.29, 0.55%, 0.8%

LAB 77.52, 26.31, -21.66

 

CMYK 9 / 48 / 0 / 16

HEX #C36FD6

RGB 195 111 214

HSL 288.93, 0.56%, 0.64%

LAB 59.73, 49.29, -39.43

 

CMYK 0 / 48 / 48 / 16

HEX #D66F6F

RGB 214 111 111

HSL 0, 0.56%, 0.64%

LAB 58.8, 40.3, 18.59

 

CMYK 48 / 0 / 29 / 16

HEX #6FD698

RGB 111 214 152

HSL 143.88, 0.56%, 0.64%

LAB 78.31, -43.84, 21.59

 

CMYK 9 / 48 / 0 / 16

HEX #C36FD6

RGB 195 111 214

HSL 288.93, 0.56%, 0.64%

LAB 59.73, 49.29, -39.43

 

CMYK 0 / 9 / 48 / 16

HEX #D6C26F

RGB 214 194 111

HSL 48.35, 0.56%, 0.64%

LAB 78.48, -3.89, 44.06

 

CMYK 48 / 0 / 9 / 16

HEX #6FD6C2

RGB 111 214 194

HSL 168.35, 0.56%, 0.64%

LAB 79.25, -34.82, 0.63

 

CMYK 9 / 48 / 0 / 16

HEX #C36FD6

RGB 195 111 214

HSL 288.93, 0.56%, 0.64%

LAB 59.73, 49.29, -39.43

 

CMYK 0 / 48 / 48 / 16

HEX #D66F6F

RGB 214 111 111

HSL 0, 0.56%, 0.64%

LAB 58.8, 40.3, 18.59

 

CMYK 38 / 0 / 48 / 16

HEX #84D66F

RGB 132 214 111

HSL 107.77, 0.56%, 0.64%

LAB 78.55, -44.33, 42.92

 

CMYK 48 / 0 / 0 / 16

HEX #6FD6D6

RGB 111 214 214

HSL 180, 0.56%, 0.64%

LAB 79.8, -29.87, -9.26

 

CMYK 9 / 48 / 0 / 16

HEX #C36FD6

RGB 195 111 214

HSL 288.93, 0.56%, 0.64%

LAB 59.73, 49.29, -39.43

 

CMYK 0 / 34 / 48 / 16

HEX #D68E6F

RGB 214 142 111

HSL 18.06, 0.56%, 0.64%

LAB 65.58, 23.89, 27.68

 

CMYK 38 / 0 / 48 / 16

HEX #84D66F

RGB 132 214 111

HSL 107.77, 0.56%, 0.64%

LAB 78.55, -44.33, 42.92

 

CMYK 48 / 14 / 0 / 16

HEX #6FB7D6

RGB 111 183 214

HSL 198.06, 0.56%, 0.64%

LAB 70.94, -14.24, -22.61

 

Description

Color code: CMYK 9 / 48 / 0 / 16 | qconv.com Color code: CMYK 9 / 48 / 0 / 16 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 111 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 111 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 48 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 48% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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