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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43ACE9 it is the complementary color #BC5316. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43ACE9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43ACE9 shade: #48ACE4, #59BEF7, #6AD0FF, #7BE2FF and #8CF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43ACE9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43ACE9 shade: #43ACE9, #329AD6, #2188C3, #1076B0 and #00649D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43ACE9 shade: #43ACE9, #437FE9, #4353E9, #6143E9 and #8D43E9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43ACE9 shade: #43ACE9, #437FE9, #4353E9 and #4343E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43ACE9 shade matches the following richer shades: #43ACE9 and #32B0F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43ACE9 shade: #43ACE9, #54A7D8, #65A3C7, #769EB6 and #879AA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43ACE9 shade: #43E9CD, #43D8E9, #43ACE9, #4380E9 and #4354E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43ACE9 shade: #1684C3, #1E9CE4, #43ACE9, #68BCED and #8DCCF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43ACE9 shade: #43ACE9, #A143E9 and #E9E343

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43ACE9 shade: #43ACE9, #E943AC and #ACE943

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43ACE9 shade: #43ACE9, #A143E9, #E98043 and #8BE943

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43ACE9 shade: #43ACE9, #D343E9, #E98043 and #59E943

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 26 / 0 / 9

HEX #43ACE9

RGB 67 172 233

HSL 202.05, 0.79%, 0.59%

LAB 66.96, -10.58, -39.28

 

Complementary color

CMYK 0 / 56 / 88 / 26

HEX #BC5316

RGB 188 83 22

HSL 22.05, 0.79%, 0.41%

LAB 48.18, 39.3, 51.87

 

CMYK 68 / 25 / 0 / 11

HEX #48ACE4

RGB 72 172 228

HSL 201.54, 0.74%, 0.59%

LAB 66.89, -11.52, -36.64

 

CMYK 64 / 23 / 0 / 3

HEX #59BEF7

RGB 89 190 247

HSL 201.65, 0.91%, 0.66%

LAB 73.33, -12.47, -36.92

 

CMYK 58 / 18 / 0 / 0

HEX #6AD0FF

RGB 106 208 255

HSL 198.93, 1%, 0.71%

LAB 79.27, -16.52, -31.98

 

CMYK 52 / 11 / 0 / 0

HEX #7BE2FF

RGB 123 226 255

HSL 193.18, 1%, 0.74%

LAB 84.91, -22.33, -23.3

 

CMYK 45 / 4 / 0 / 0

HEX #8CF4FF

RGB 140 244 255

HSL 185.74, 1%, 0.77%

LAB 90.55, -27.47, -14.72

 

CMYK 71 / 26 / 0 / 9

HEX #43ACE9

RGB 67 172 233

HSL 202.05, 0.79%, 0.59%

LAB 66.96, -10.58, -39.28

 

CMYK 77 / 28 / 0 / 16

HEX #329AD6

RGB 50 154 214

HSL 201.95, 0.67%, 0.52%

LAB 60.47, -9.2, -38.97

 

CMYK 83 / 30 / 0 / 24

HEX #2188C3

RGB 33 136 195

HSL 201.85, 0.71%, 0.45%

LAB 53.89, -7.46, -38.62

 

CMYK 91 / 33 / 0 / 31

HEX #1076B0

RGB 16 118 176

HSL 201.75, 0.83%, 0.38%

LAB 47.24, -5.24, -38.2

 

CMYK 100 / 36 / 0 / 38

HEX #00649D

RGB 0 100 157

HSL 201.78, 1%, 0.31%

LAB 40.49, -2.49, -37.71

 

CMYK 71 / 26 / 0 / 9

HEX #43ACE9

RGB 67 172 233

HSL 202.05, 0.79%, 0.59%

LAB 66.96, -10.58, -39.28

 

CMYK 71 / 45 / 0 / 9

HEX #437FE9

RGB 67 127 233

HSL 218.31, 0.79%, 0.59%

LAB 54.3, 15.69, -59.34

 

CMYK 71 / 64 / 0 / 9

HEX #4353E9

RGB 67 83 233

HSL 234.22, 0.79%, 0.59%

LAB 43.16, 42.98, -77.41

 

CMYK 58 / 71 / 0 / 9

HEX #6143E9

RGB 97 67 233

HSL 250.84, 0.79%, 0.59%

LAB 41.91, 55.74, -79.39

 

CMYK 39 / 71 / 0 / 9

HEX #8D43E9

RGB 141 67 233

HSL 266.75, 0.79%, 0.59%

LAB 46.39, 62.57, -71.87

 

CMYK 71 / 26 / 0 / 9

HEX #43ACE9

RGB 67 172 233

HSL 202.05, 0.79%, 0.59%

LAB 66.96, -10.58, -39.28

 

CMYK 71 / 45 / 0 / 9

HEX #437FE9

RGB 67 127 233

HSL 218.31, 0.79%, 0.59%

LAB 54.3, 15.69, -59.34

 

CMYK 71 / 64 / 0 / 9

HEX #4353E9

RGB 67 83 233

HSL 234.22, 0.79%, 0.59%

LAB 43.16, 42.98, -77.41

 

CMYK 71 / 71 / 0 / 9

HEX #4343E9

RGB 67 67 233

HSL 240, 0.79%, 0.59%

LAB 39.73, 52.28, -83.04

 

CMYK 71 / 26 / 0 / 9

HEX #43ACE9

RGB 67 172 233

HSL 202.05, 0.79%, 0.59%

LAB 66.96, -10.58, -39.28

 

CMYK 80 / 29 / 0 / 2

HEX #32B0F9

RGB 50 176 249

HSL 202.01, 0.94%, 0.59%

LAB 68.44, -9.23, -45.72

 

CMYK 71 / 26 / 0 / 9

HEX #43ACE9

RGB 67 172 233

HSL 202.05, 0.79%, 0.59%

LAB 66.96, -10.58, -39.28

 

CMYK 61 / 23 / 0 / 15

HEX #54A7D8

RGB 84 167 216

HSL 202.27, 0.63%, 0.59%

LAB 65.34, -10.67, -32.41

 

CMYK 49 / 18 / 0 / 22

HEX #65A3C7

RGB 101 163 199

HSL 202.04, 0.47%, 0.59%

LAB 64.23, -10.09, -24.64

 

CMYK 35 / 13 / 0 / 29

HEX #769EB6

RGB 118 158 182

HSL 202.5, 0.3%, 0.59%

LAB 63.08, -7.61, -16.8

 

CMYK 18 / 7 / 0 / 35

HEX #879AA5

RGB 135 154 165

HSL 202, 0.14%, 0.59%

LAB 62.49, -4.29, -8.01

 

CMYK 71 / 0 / 12 / 9

HEX #43E9CD

RGB 67 233 205

HSL 169.88, 0.79%, 0.59%

LAB 83.9, -48.35, 1.42

 

CMYK 71 / 7 / 0 / 9

HEX #43D8E9

RGB 67 216 233

HSL 186.14, 0.79%, 0.59%

LAB 79.72, -33.03, -19.66

 

CMYK 71 / 26 / 0 / 9

HEX #43ACE9

RGB 67 172 233

HSL 202.05, 0.79%, 0.59%

LAB 66.96, -10.58, -39.28

 

CMYK 71 / 45 / 0 / 9

HEX #4380E9

RGB 67 128 233

HSL 217.95, 0.79%, 0.59%

LAB 54.57, 15.08, -58.9

 

CMYK 71 / 64 / 0 / 9

HEX #4354E9

RGB 67 84 233

HSL 233.86, 0.79%, 0.59%

LAB 43.39, 42.38, -77.04

 

CMYK 89 / 32 / 0 / 24

HEX #1684C3

RGB 22 132 195

HSL 201.85, 0.8%, 0.43%

LAB 52.52, -5.95, -40.79

 

CMYK 87 / 32 / 0 / 11

HEX #1E9CE4

RGB 30 156 228

HSL 201.82, 0.79%, 0.51%

LAB 61.35, -7.08, -45.38

 

CMYK 71 / 26 / 0 / 9

HEX #43ACE9

RGB 67 172 233

HSL 202.05, 0.79%, 0.59%

LAB 66.96, -10.58, -39.28

 

CMYK 56 / 21 / 0 / 7

HEX #68BCED

RGB 104 188 237

HSL 202.11, 0.79%, 0.67%

LAB 72.91, -11.75, -32.13

 

CMYK 41 / 15 / 0 / 5

HEX #8DCCF1

RGB 141 204 241

HSL 202.2, 0.78%, 0.75%

LAB 79.16, -10.73, -24.55

 

CMYK 71 / 26 / 0 / 9

HEX #43ACE9

RGB 67 172 233

HSL 202.05, 0.79%, 0.59%

LAB 66.96, -10.58, -39.28

 

CMYK 31 / 71 / 0 / 9

HEX #A143E9

RGB 161 67 233

HSL 273.98, 0.79%, 0.59%

LAB 48.85, 66.16, -67.76

 

CMYK 0 / 3 / 71 / 9

HEX #E9E343

RGB 233 227 67

HSL 57.83, 0.79%, 0.59%

LAB 88.29, -15.69, 74.13

 

CMYK 71 / 26 / 0 / 9

HEX #43ACE9

RGB 67 172 233

HSL 202.05, 0.79%, 0.59%

LAB 66.96, -10.58, -39.28

 

CMYK 0 / 71 / 26 / 9

HEX #E943AC

RGB 233 67 172

HSL 322.05, 0.79%, 0.59%

LAB 56.4, 71.93, -20.12

 

CMYK 26 / 0 / 71 / 9

HEX #ACE943

RGB 172 233 67

HSL 82.05, 0.79%, 0.59%

LAB 85.73, -42.65, 70.2

 

CMYK 71 / 26 / 0 / 9

HEX #43ACE9

RGB 67 172 233

HSL 202.05, 0.79%, 0.59%

LAB 66.96, -10.58, -39.28

 

CMYK 31 / 71 / 0 / 9

HEX #A143E9

RGB 161 67 233

HSL 273.98, 0.79%, 0.59%

LAB 48.85, 66.16, -67.76

 

CMYK 0 / 45 / 71 / 9

HEX #E98043

RGB 233 128 67

HSL 22.05, 0.79%, 0.59%

LAB 64.3, 35.75, 49.8

 

CMYK 40 / 0 / 71 / 9

HEX #8BE943

RGB 139 233 67

HSL 93.98, 0.79%, 0.59%

LAB 84.06, -54.1, 67.98

 

CMYK 71 / 26 / 0 / 9

HEX #43ACE9

RGB 67 172 233

HSL 202.05, 0.79%, 0.59%

LAB 66.96, -10.58, -39.28

 

CMYK 9 / 71 / 0 / 9

HEX #D343E9

RGB 211 67 233

HSL 292.05, 0.79%, 0.59%

LAB 55.83, 75.93, -56.15

 

CMYK 0 / 45 / 71 / 9

HEX #E98043

RGB 233 128 67

HSL 22.05, 0.79%, 0.59%

LAB 64.3, 35.75, 49.8

 

CMYK 62 / 0 / 71 / 9

HEX #59E943

RGB 89 233 67

HSL 112.05, 0.79%, 0.59%

LAB 82.27, -67.72, 65.6

 

Description

Color code: HEX #43ACE9 | qconv.com Color code: HEX #43ACE9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 172 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 172 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 26 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 26% 0% 9% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

13% - سامانه ارزیابی موسسا...
Link: http://eo.research.gov.ir

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Provide designers and agencies with accurate color values.

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