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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43AFC5 it is the complementary color #BC503A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43AFC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43AFC5 shade: #48AFC0, #59C1D3, #6AD3E6, #7BE5F9 and #8CF7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43AFC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43AFC5 shade: #43AFC5, #329DB2, #218B9F, #10798C and #006779

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43AFC5 shade: #43AFC5, #438CC5, #4369C5, #4346C5 and #6343C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43AFC5 shade: #43AFC5, #438CC5, #4369C5, #4346C5 and #4343C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43AFC5 shade matches the following richer shades: #43AFC5, #2FBCD9 and #1CC9ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43AFC5 shade: #43AFC5, #57A2B1, #6B959D, #7F888A and #927B76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43AFC5 shade: #43C595, #43C5B8, #43AFC5, #438DC5 and #436AC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43AFC5 shade: #2A7B8B, #3497AB, #43AFC5, #63BCCF and #82CAD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43AFC5 shade: #43AFC5, #7343C5 and #C5A743

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43AFC5 shade: #43AFC5, #C543AF and #AFC543

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43AFC5 shade: #43AFC5, #7343C5, #C55943 and #95C543

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43AFC5 shade: #43AFC5, #9A43C5, #C55943 and #6EC543

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 11 / 0 / 23

HEX #43AFC5

RGB 67 175 197

HSL 190.15, 0.53%, 0.52%

LAB 66.43, -23.72, -20.27

 

Complementary color

CMYK 0 / 57 / 69 / 26

HEX #BC503A

RGB 188 80 58

HSL 10.15, 0.53%, 0.48%

LAB 47.92, 42.12, 34.32

 

CMYK 63 / 9 / 0 / 25

HEX #48AFC0

RGB 72 175 192

HSL 188.5, 0.49%, 0.52%

LAB 66.4, -24.4, -17.54

 

CMYK 58 / 9 / 0 / 17

HEX #59C1D3

RGB 89 193 211

HSL 188.85, 0.58%, 0.59%

LAB 72.87, -24.86, -18.12

 

CMYK 54 / 8 / 0 / 10

HEX #6AD3E6

RGB 106 211 230

HSL 189.19, 0.71%, 0.66%

LAB 79.25, -25.19, -18.66

 

CMYK 51 / 8 / 0 / 2

HEX #7BE5F9

RGB 123 229 249

HSL 189.52, 0.91%, 0.73%

LAB 85.55, -25.43, -19.17

 

CMYK 45 / 3 / 0 / 0

HEX #8CF7FF

RGB 140 247 255

HSL 184.17, 1%, 0.77%

LAB 91.38, -28.91, -13.49

 

CMYK 66 / 11 / 0 / 23

HEX #43AFC5

RGB 67 175 197

HSL 190.15, 0.53%, 0.52%

LAB 66.43, -23.72, -20.27

 

CMYK 72 / 12 / 0 / 30

HEX #329DB2

RGB 50 157 178

HSL 189.84, 0.56%, 0.45%

LAB 59.89, -22.91, -19.65

 

CMYK 79 / 13 / 0 / 38

HEX #218B9F

RGB 33 139 159

HSL 189.52, 0.66%, 0.38%

LAB 53.27, -21.81, -18.95

 

CMYK 89 / 14 / 0 / 45

HEX #10798C

RGB 16 121 140

HSL 189.19, 0.79%, 0.31%

LAB 46.55, -20.29, -18.14

 

CMYK 100 / 15 / 0 / 53

HEX #006779

RGB 0 103 121

HSL 188.93, 1%, 0.24%

LAB 39.72, -18.32, -17.23

 

CMYK 66 / 11 / 0 / 23

HEX #43AFC5

RGB 67 175 197

HSL 190.15, 0.53%, 0.52%

LAB 66.43, -23.72, -20.27

 

CMYK 66 / 29 / 0 / 23

HEX #438CC5

RGB 67 140 197

HSL 206.31, 0.53%, 0.52%

LAB 56.07, -4.71, -36.27

 

CMYK 66 / 47 / 0 / 23

HEX #4369C5

RGB 67 105 197

HSL 222.46, 0.53%, 0.52%

LAB 46.08, 16.56, -52.11

 

CMYK 66 / 64 / 0 / 23

HEX #4346C5

RGB 67 70 197

HSL 238.62, 0.53%, 0.52%

LAB 37.12, 38.69, -66.63

 

CMYK 50 / 66 / 0 / 23

HEX #6343C5

RGB 99 67 197

HSL 254.77, 0.53%, 0.52%

LAB 39.07, 45.62, -63.35

 

CMYK 66 / 11 / 0 / 23

HEX #43AFC5

RGB 67 175 197

HSL 190.15, 0.53%, 0.52%

LAB 66.43, -23.72, -20.27

 

CMYK 66 / 29 / 0 / 23

HEX #438CC5

RGB 67 140 197

HSL 206.31, 0.53%, 0.52%

LAB 56.07, -4.71, -36.27

 

CMYK 66 / 47 / 0 / 23

HEX #4369C5

RGB 67 105 197

HSL 222.46, 0.53%, 0.52%

LAB 46.08, 16.56, -52.11

 

CMYK 66 / 64 / 0 / 23

HEX #4346C5

RGB 67 70 197

HSL 238.62, 0.53%, 0.52%

LAB 37.12, 38.69, -66.63

 

CMYK 66 / 66 / 0 / 23

HEX #4343C5

RGB 67 67 197

HSL 240, 0.53%, 0.52%

LAB 36.44, 40.51, -67.75

 

CMYK 66 / 11 / 0 / 23

HEX #43AFC5

RGB 67 175 197

HSL 190.15, 0.53%, 0.52%

LAB 66.43, -23.72, -20.27

 

CMYK 78 / 13 / 0 / 15

HEX #2FBCD9

RGB 47 188 217

HSL 190.24, 0.69%, 0.52%

LAB 70.58, -26.52, -24.97

 

CMYK 88 / 15 / 0 / 7

HEX #1CC9ED

RGB 28 201 237

HSL 190.33, 0.85%, 0.52%

LAB 74.91, -27.92, -29.19

 

CMYK 66 / 11 / 0 / 23

HEX #43AFC5

RGB 67 175 197

HSL 190.15, 0.53%, 0.52%

LAB 66.43, -23.72, -20.27

 

CMYK 51 / 8 / 0 / 31

HEX #57A2B1

RGB 87 162 177

HSL 190, 0.37%, 0.52%

LAB 62.54, -19.1, -14.96

 

CMYK 32 / 5 / 0 / 38

HEX #6B959D

RGB 107 149 157

HSL 189.6, 0.2%, 0.52%

LAB 59.03, -12.27, -8.83

 

CMYK 8 / 1 / 0 / 46

HEX #7F888A

RGB 127 136 138

HSL 190.91, 0.04%, 0.52%

LAB 56.04, -2.87, -2.21

 

CMYK 0 / 16 / 19 / 43

HEX #927B76

RGB 146 123 118

HSL 10.71, 0.11%, 0.52%

LAB 53.58, 8.02, 6.03

 

CMYK 66 / 0 / 24 / 23

HEX #43C595

RGB 67 197 149

HSL 157.85, 0.53%, 0.52%

LAB 71.76, -46.73, 13.87

 

CMYK 66 / 0 / 7 / 23

HEX #43C5B8

RGB 67 197 184

HSL 174, 0.53%, 0.52%

LAB 72.62, -38.05, -3.86

 

CMYK 66 / 11 / 0 / 23

HEX #43AFC5

RGB 67 175 197

HSL 190.15, 0.53%, 0.52%

LAB 66.43, -23.72, -20.27

 

CMYK 66 / 28 / 0 / 23

HEX #438DC5

RGB 67 141 197

HSL 205.85, 0.53%, 0.52%

LAB 56.36, -5.29, -35.82

 

CMYK 66 / 46 / 0 / 23

HEX #436AC5

RGB 67 106 197

HSL 222, 0.53%, 0.52%

LAB 46.36, 15.93, -51.67

 

CMYK 70 / 12 / 0 / 45

HEX #2A7B8B

RGB 42 123 139

HSL 189.9, 0.54%, 0.35%

LAB 47.65, -18.76, -15.82

 

CMYK 70 / 12 / 0 / 33

HEX #3497AB

RGB 52 151 171

HSL 190.08, 0.53%, 0.44%

LAB 57.85, -21.75, -18.79

 

CMYK 66 / 11 / 0 / 23

HEX #43AFC5

RGB 67 175 197

HSL 190.15, 0.53%, 0.52%

LAB 66.43, -23.72, -20.27

 

CMYK 52 / 9 / 0 / 19

HEX #63BCCF

RGB 99 188 207

HSL 190.56, 0.53%, 0.6%

LAB 71.64, -21.46, -17.77

 

CMYK 40 / 6 / 0 / 15

HEX #82CAD8

RGB 130 202 216

HSL 189.77, 0.52%, 0.68%

LAB 77.25, -18.92, -14.07

 

CMYK 66 / 11 / 0 / 23

HEX #43AFC5

RGB 67 175 197

HSL 190.15, 0.53%, 0.52%

LAB 66.43, -23.72, -20.27

 

CMYK 42 / 66 / 0 / 23

HEX #7343C5

RGB 115 67 197

HSL 262.15, 0.53%, 0.52%

LAB 40.72, 48.67, -60.59

 

CMYK 0 / 15 / 66 / 23

HEX #C5A743

RGB 197 167 67

HSL 46.15, 0.53%, 0.52%

LAB 69.41, -0.25, 54.05

 

CMYK 66 / 11 / 0 / 23

HEX #43AFC5

RGB 67 175 197

HSL 190.15, 0.53%, 0.52%

LAB 66.43, -23.72, -20.27

 

CMYK 0 / 66 / 11 / 23

HEX #C543AF

RGB 197 67 175

HSL 310.15, 0.53%, 0.52%

LAB 50.66, 63.26, -31.22

 

CMYK 11 / 0 / 66 / 23

HEX #AFC543

RGB 175 197 67

HSL 70.15, 0.53%, 0.52%

LAB 75.73, -24.94, 60.14

 

CMYK 66 / 11 / 0 / 23

HEX #43AFC5

RGB 67 175 197

HSL 190.15, 0.53%, 0.52%

LAB 66.43, -23.72, -20.27

 

CMYK 42 / 66 / 0 / 23

HEX #7343C5

RGB 115 67 197

HSL 262.15, 0.53%, 0.52%

LAB 40.72, 48.67, -60.59

 

CMYK 0 / 55 / 66 / 23

HEX #C55943

RGB 197 89 67

HSL 10.15, 0.53%, 0.52%

LAB 51.18, 41.6, 33.46

 

CMYK 24 / 0 / 66 / 23

HEX #95C543

RGB 149 197 67

HSL 82.15, 0.53%, 0.52%

LAB 74.02, -35.25, 57.81

 

CMYK 66 / 11 / 0 / 23

HEX #43AFC5

RGB 67 175 197

HSL 190.15, 0.53%, 0.52%

LAB 66.43, -23.72, -20.27

 

CMYK 22 / 66 / 0 / 23

HEX #9A43C5

RGB 154 67 197

HSL 280.15, 0.53%, 0.52%

LAB 45.52, 56.94, -52.6

 

CMYK 0 / 55 / 66 / 23

HEX #C55943

RGB 197 89 67

HSL 10.15, 0.53%, 0.52%

LAB 51.18, 41.6, 33.46

 

CMYK 44 / 0 / 66 / 23

HEX #6EC543

RGB 110 197 67

HSL 100.15, 0.53%, 0.52%

LAB 72, -48.95, 55.06

 

Description

Color code: HEX #43AFC5 | qconv.com Color code: HEX #43AFC5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 175 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 175 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 11 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 11% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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