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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43CD37 it is the complementary color #BC32C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43CD37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43CD37 shade: #48CD32, #59DF45, #6AF158, #7BFF6B and #8CFF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43CD37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43CD37 shade: #43CD37, #32BB24, #21A911, #109700 and #008500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43CD37 shade: #43CD37, #6BCD37, #93CD37, #BCCD37 and #CDB537

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43CD37 shade: #43CD37, #37CD53, #37CD7B, #37CDA4 and #37CDCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43CD37 shade matches the following richer shades: #43CD37, #32E122 and #21F50E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43CD37 shade: #43CD37, #54B84B, #65A45F, #769073 and #877C87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43CD37 shade: #93CD37, #6BCD37, #43CD37, #37CD52 and #37CD7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43CD37 shade: #2C8E23, #36AF2B, #43CD37, #62D558 and #81DD79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43CD37 shade: #43CD37, #37BBCD and #CD377F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43CD37 shade: #43CD37, #3743CD and #CD3743

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43CD37 shade: #43CD37, #37BBCD, #C037CD and #CD4837

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43CD37 shade: #43CD37, #378ECD, #C037CD and #CD7537

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 73 / 20

HEX #43CD37

RGB 67 205 55

HSL 115.2, 0.6%, 0.51%

LAB 72.98, -63.87, 60.22

 

Complementary color

CMYK 6 / 75 / 0 / 22

HEX #BC32C8

RGB 188 50 200

HSL 295.2, 0.6%, 0.49%

LAB 48.44, 71.18, -49.38

 

CMYK 65 / 0 / 76 / 20

HEX #48CD32

RGB 72 205 50

HSL 111.48, 0.61%, 0.5%

LAB 73.07, -63.22, 62.05

 

CMYK 60 / 0 / 69 / 13

HEX #59DF45

RGB 89 223 69

HSL 112.21, 0.71%, 0.57%

LAB 79.23, -64.16, 61.72

 

CMYK 56 / 0 / 63 / 5

HEX #6AF158

RGB 106 241 88

HSL 112.94, 0.85%, 0.65%

LAB 85.34, -64.76, 60.96

 

CMYK 52 / 0 / 58 / 0

HEX #7BFF6B

RGB 123 255 107

HSL 113.51, 1%, 0.71%

LAB 90.23, -63.66, 58.63

 

CMYK 45 / 0 / 51 / 0

HEX #8CFF7E

RGB 140 255 126

HSL 113.49, 1%, 0.75%

LAB 91.05, -56.9, 51.25

 

CMYK 67 / 0 / 73 / 20

HEX #43CD37

RGB 67 205 55

HSL 115.2, 0.6%, 0.51%

LAB 72.98, -63.87, 60.22

 

CMYK 73 / 0 / 81 / 27

HEX #32BB24

RGB 50 187 36

HSL 114.44, 0.68%, 0.44%

LAB 66.78, -62.41, 60.16

 

CMYK 80 / 0 / 90 / 34

HEX #21A911

RGB 33 169 17

HSL 113.68, 0.82%, 0.36%

LAB 60.55, -60.26, 59

 

CMYK 89 / 0 / 100 / 41

HEX #109700

RGB 16 151 0

HSL 113.64, 1%, 0.3%

LAB 54.28, -57.24, 56.41

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 67 / 0 / 73 / 20

HEX #43CD37

RGB 67 205 55

HSL 115.2, 0.6%, 0.51%

LAB 72.98, -63.87, 60.22

 

CMYK 48 / 0 / 73 / 20

HEX #6BCD37

RGB 107 205 55

HSL 99.2, 0.6%, 0.51%

LAB 74.23, -53.94, 61.88

 

CMYK 28 / 0 / 73 / 20

HEX #93CD37

RGB 147 205 55

HSL 83.2, 0.6%, 0.51%

LAB 76.16, -40.37, 64.43

 

CMYK 8 / 0 / 73 / 20

HEX #BCCD37

RGB 188 205 55

HSL 66.8, 0.6%, 0.51%

LAB 78.83, -24.13, 67.93

 

CMYK 0 / 12 / 73 / 20

HEX #CDB537

RGB 205 181 55

HSL 50.4, 0.6%, 0.51%

LAB 73.74, -4.8, 63.55

 

CMYK 67 / 0 / 73 / 20

HEX #43CD37

RGB 67 205 55

HSL 115.2, 0.6%, 0.51%

LAB 72.98, -63.87, 60.22

 

CMYK 73 / 0 / 60 / 20

HEX #37CD53

RGB 55 205 83

HSL 131.2, 0.6%, 0.51%

LAB 72.96, -63.21, 48.78

 

CMYK 73 / 0 / 40 / 20

HEX #37CD7B

RGB 55 205 123

HSL 147.2, 0.6%, 0.51%

LAB 73.48, -57.1, 29.92

 

CMYK 73 / 0 / 20 / 20

HEX #37CDA4

RGB 55 205 164

HSL 163.6, 0.6%, 0.51%

LAB 74.29, -48.34, 9.35

 

CMYK 73 / 0 / 0 / 20

HEX #37CDCC

RGB 55 205 204

HSL 179.6, 0.6%, 0.51%

LAB 75.35, -37.74, -10.68

 

CMYK 67 / 0 / 73 / 20

HEX #43CD37

RGB 67 205 55

HSL 115.2, 0.6%, 0.51%

LAB 72.98, -63.87, 60.22

 

CMYK 78 / 0 / 85 / 12

HEX #32E122

RGB 50 225 34

HSL 114.97, 0.76%, 0.51%

LAB 78.84, -74, 71.63

 

CMYK 87 / 0 / 94 / 4

HEX #21F50E

RGB 33 245 14

HSL 115.06, 0.92%, 0.51%

LAB 84.82, -81.89, 79.76

 

CMYK 67 / 0 / 73 / 20

HEX #43CD37

RGB 67 205 55

HSL 115.2, 0.6%, 0.51%

LAB 72.98, -63.87, 60.22

 

CMYK 54 / 0 / 59 / 28

HEX #54B84B

RGB 84 184 75

HSL 115.05, 0.43%, 0.51%

LAB 67.03, -50.59, 45.77

 

CMYK 38 / 0 / 42 / 36

HEX #65A45F

RGB 101 164 95

HSL 114.78, 0.27%, 0.51%

LAB 61.78, -34.39, 29.55

 

CMYK 18 / 0 / 20 / 44

HEX #769073

RGB 118 144 115

HSL 113.79, 0.12%, 0.51%

LAB 57.11, -15.09, 12.42

 

CMYK 0 / 8 / 0 / 47

HEX #877C87

RGB 135 124 135

HSL 300, 0.04%, 0.51%

LAB 53.29, 6.32, -4.45

 

CMYK 28 / 0 / 73 / 20

HEX #93CD37

RGB 147 205 55

HSL 83.2, 0.6%, 0.51%

LAB 76.16, -40.37, 64.43

 

CMYK 48 / 0 / 73 / 20

HEX #6BCD37

RGB 107 205 55

HSL 99.2, 0.6%, 0.51%

LAB 74.23, -53.94, 61.88

 

CMYK 67 / 0 / 73 / 20

HEX #43CD37

RGB 67 205 55

HSL 115.2, 0.6%, 0.51%

LAB 72.98, -63.87, 60.22

 

CMYK 73 / 0 / 60 / 20

HEX #37CD52

RGB 55 205 82

HSL 130.8, 0.6%, 0.51%

LAB 72.95, -63.33, 49.22

 

CMYK 73 / 0 / 40 / 20

HEX #37CD7A

RGB 55 205 122

HSL 146.8, 0.6%, 0.51%

LAB 73.47, -57.28, 30.41

 

CMYK 69 / 0 / 75 / 44

HEX #2C8E23

RGB 44 142 35

HSL 114.95, 0.6%, 0.35%

LAB 51.84, -48.64, 45.97

 

CMYK 69 / 0 / 75 / 31

HEX #36AF2B

RGB 54 175 43

HSL 115, 0.61%, 0.43%

LAB 63.03, -57.34, 54.35

 

CMYK 67 / 0 / 73 / 20

HEX #43CD37

RGB 67 205 55

HSL 115.2, 0.6%, 0.51%

LAB 72.98, -63.87, 60.22

 

CMYK 54 / 0 / 59 / 16

HEX #62D558

RGB 98 213 88

HSL 115.2, 0.6%, 0.59%

LAB 76.61, -56.53, 51.05

 

CMYK 42 / 0 / 45 / 13

HEX #81DD79

RGB 129 221 121

HSL 115.2, 0.6%, 0.67%

LAB 80.61, -46.9, 40.58

 

CMYK 67 / 0 / 73 / 20

HEX #43CD37

RGB 67 205 55

HSL 115.2, 0.6%, 0.51%

LAB 72.98, -63.87, 60.22

 

CMYK 73 / 9 / 0 / 20

HEX #37BBCD

RGB 55 187 205

HSL 187.2, 0.6%, 0.51%

LAB 70.01, -28.91, -19.27

 

CMYK 0 / 73 / 38 / 20

HEX #CD377F

RGB 205 55 127

HSL 331.2, 0.6%, 0.51%

LAB 48.57, 63.54, -5.69

 

CMYK 67 / 0 / 73 / 20

HEX #43CD37

RGB 67 205 55

HSL 115.2, 0.6%, 0.51%

LAB 72.98, -63.87, 60.22

 

CMYK 73 / 67 / 0 / 20

HEX #3743CD

RGB 55 67 205

HSL 235.2, 0.6%, 0.51%

LAB 36.43, 41.79, -72.44

 

CMYK 0 / 73 / 67 / 20

HEX #CD3743

RGB 205 55 67

HSL 355.2, 0.6%, 0.51%

LAB 47.13, 58.82, 28.84

 

CMYK 67 / 0 / 73 / 20

HEX #43CD37

RGB 67 205 55

HSL 115.2, 0.6%, 0.51%

LAB 72.98, -63.87, 60.22

 

CMYK 73 / 9 / 0 / 20

HEX #37BBCD

RGB 55 187 205

HSL 187.2, 0.6%, 0.51%

LAB 70.01, -28.91, -19.27

 

CMYK 6 / 73 / 0 / 20

HEX #C037CD

RGB 192 55 205

HSL 294.8, 0.6%, 0.51%

LAB 49.91, 71.26, -49.87

 

CMYK 0 / 65 / 73 / 20

HEX #CD4837

RGB 205 72 55

HSL 6.8, 0.6%, 0.51%

LAB 49.36, 51.69, 38.4

 

CMYK 67 / 0 / 73 / 20

HEX #43CD37

RGB 67 205 55

HSL 115.2, 0.6%, 0.51%

LAB 72.98, -63.87, 60.22

 

CMYK 73 / 31 / 0 / 20

HEX #378ECD

RGB 55 142 205

HSL 205.2, 0.6%, 0.51%

LAB 56.65, -4.91, -39.91

 

CMYK 6 / 73 / 0 / 20

HEX #C037CD

RGB 192 55 205

HSL 294.8, 0.6%, 0.51%

LAB 49.91, 71.26, -49.87

 

CMYK 0 / 43 / 73 / 20

HEX #CD7537

RGB 205 117 55

HSL 24.8, 0.6%, 0.51%

LAB 58.02, 29.63, 47.76

 

Description

Color code: HEX #43CD37 | qconv.com Color code: HEX #43CD37 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 205 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 205 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 73 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 73% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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