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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43DB86 it is the complementary color #BC2479. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43DB86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43DB86 shade: #48DB81, #59ED94, #6AFFA7, #7BFFBA and #8CFFCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43DB86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43DB86 shade: #43DB86, #32C973, #21B760, #10A54D and #00933A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43DB86 shade: #42DB85, #42DB5C, #51DB42, #7ADB42 and #A3DB42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43DB86 shade: #42DB85, #42DBAE, #42DBD8, #42B4DB and #428BDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43DB86 shade matches the following richer shades: #42DB85 and #30ED83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43DB86 shade: #42DB85, #54C887, #66B68A, #78A48C and #8B928E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43DB86 shade: #51DB42, #42DB5B, #42DB84, #42DBAD and #42DBD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43DB86 shade: #20AA5D, #27CD70, #42DB85, #65E19C and #87E8B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43DB86 shade: #43DB86, #427ADB and #DB4742

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43DB86 shade: #43DB86, #8442DB and #DB8442

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43DB86 shade: #43DB86, #427ADB, #DB4298 and #DBA342

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43DB86 shade: #43DB86, #424CDB, #DB4298 and #DBD042

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 39 / 14

HEX #43DB86

RGB 67 219 134

HSL 146.45, 0.68%, 0.56%

LAB 78.21, -58.45, 30.57

 

Complementary color

CMYK 0 / 81 / 36 / 26

HEX #BC2479

RGB 188 36 121

HSL 326.45, 0.68%, 0.44%

LAB 43.26, 64.16, -10.28

 

CMYK 67 / 0 / 41 / 14

HEX #48DB81

RGB 72 219 129

HSL 143.27, 0.67%, 0.57%

LAB 78.24, -58.51, 33.17

 

CMYK 62 / 0 / 38 / 7

HEX #59ED94

RGB 89 237 148

HSL 143.92, 0.8%, 0.64%

LAB 84.4, -58.83, 31.75

 

CMYK 58 / 0 / 35 / 0

HEX #6AFFA7

RGB 106 255 167

HSL 144.56, 1%, 0.71%

LAB 90.49, -58.98, 30.42

 

CMYK 52 / 0 / 27 / 0

HEX #7BFFBA

RGB 123 255 186

HSL 148.64, 1%, 0.74%

LAB 91.36, -51.75, 22.07

 

CMYK 45 / 0 / 20 / 0

HEX #8CFFCD

RGB 140 255 205

HSL 153.91, 1%, 0.77%

LAB 92.36, -43.94, 13.83

 

CMYK 69 / 0 / 39 / 14

HEX #43DB86

RGB 67 219 134

HSL 146.45, 0.68%, 0.56%

LAB 78.21, -58.45, 30.57

 

CMYK 75 / 0 / 43 / 21

HEX #32C973

RGB 50 201 115

HSL 145.83, 0.6%, 0.49%

LAB 72.02, -57.78, 32.1

 

CMYK 82 / 0 / 48 / 28

HEX #21B760

RGB 33 183 96

HSL 145.2, 0.69%, 0.42%

LAB 65.78, -56.72, 33.74

 

CMYK 90 / 0 / 53 / 35

HEX #10A54D

RGB 16 165 77

HSL 144.56, 0.82%, 0.35%

LAB 59.49, -55.12, 35.47

 

CMYK 100 / 0 / 61 / 42

HEX #00933A

RGB 0 147 58

HSL 143.67, 1%, 0.29%

LAB 53.14, -52.9, 37.22

 

CMYK 70 / 0 / 39 / 14

HEX #42DB85

RGB 66 219 133

HSL 146.27, 0.68%, 0.56%

LAB 78.18, -58.79, 31.03

 

CMYK 70 / 0 / 58 / 14

HEX #42DB5C

RGB 66 219 92

HSL 130.2, 0.68%, 0.56%

LAB 77.63, -65.03, 50.23

 

CMYK 63 / 0 / 70 / 14

HEX #51DB42

RGB 81 219 66

HSL 114.12, 0.68%, 0.56%

LAB 77.76, -64.81, 61.24

 

CMYK 44 / 0 / 70 / 14

HEX #7ADB42

RGB 122 219 66

HSL 98.04, 0.68%, 0.56%

LAB 79.15, -54.02, 63.12

 

CMYK 26 / 0 / 70 / 14

HEX #A3DB42

RGB 163 219 66

HSL 81.96, 0.68%, 0.56%

LAB 81.21, -39.91, 65.87

 

CMYK 70 / 0 / 39 / 14

HEX #42DB85

RGB 66 219 133

HSL 146.27, 0.68%, 0.56%

LAB 78.18, -58.79, 31.03

 

CMYK 70 / 0 / 21 / 14

HEX #42DBAE

RGB 66 219 174

HSL 162.35, 0.68%, 0.56%

LAB 78.97, -50.23, 10.71

 

CMYK 70 / 0 / 1 / 14

HEX #42DBD8

RGB 66 219 216

HSL 178.82, 0.68%, 0.56%

LAB 80.06, -39.42, -10.08

 

CMYK 70 / 18 / 0 / 14

HEX #42B4DB

RGB 66 180 219

HSL 195.29, 0.68%, 0.56%

LAB 68.69, -19.56, -28.93

 

CMYK 70 / 37 / 0 / 14

HEX #428BDB

RGB 66 139 219

HSL 211.37, 0.68%, 0.56%

LAB 56.82, 3.31, -47.48

 

CMYK 70 / 0 / 39 / 14

HEX #42DB85

RGB 66 219 133

HSL 146.27, 0.68%, 0.56%

LAB 78.18, -58.79, 31.03

 

CMYK 80 / 0 / 45 / 7

HEX #30ED83

RGB 48 237 131

HSL 146.35, 0.84%, 0.56%

LAB 83.36, -67.84, 38.71

 

CMYK 70 / 0 / 39 / 14

HEX #42DB85

RGB 66 219 133

HSL 146.27, 0.68%, 0.56%

LAB 78.18, -58.79, 31.03

 

CMYK 58 / 0 / 33 / 22

HEX #54C887

RGB 84 200 135

HSL 146.38, 0.51%, 0.56%

LAB 72.85, -47.61, 22.93

 

CMYK 44 / 0 / 24 / 29

HEX #66B68A

RGB 102 182 138

HSL 147, 0.35%, 0.56%

LAB 68.11, -34.68, 14.88

 

CMYK 27 / 0 / 15 / 36

HEX #78A48C

RGB 120 164 140

HSL 147.27, 0.19%, 0.56%

LAB 63.7, -20, 7.69

 

CMYK 5 / 0 / 3 / 43

HEX #8B928E

RGB 139 146 142

HSL 145.71, 0.03%, 0.56%

LAB 59.89, -3.33, 1.23

 

CMYK 63 / 0 / 70 / 14

HEX #51DB42

RGB 81 219 66

HSL 114.12, 0.68%, 0.56%

LAB 77.76, -64.81, 61.24

 

CMYK 70 / 0 / 58 / 14

HEX #42DB5B

RGB 66 219 91

HSL 129.8, 0.68%, 0.56%

LAB 77.62, -65.15, 50.66

 

CMYK 70 / 0 / 40 / 14

HEX #42DB84

RGB 66 219 132

HSL 145.88, 0.68%, 0.56%

LAB 78.16, -58.97, 31.51

 

CMYK 70 / 0 / 21 / 14

HEX #42DBAD

RGB 66 219 173

HSL 161.96, 0.68%, 0.56%

LAB 78.95, -50.46, 11.2

 

CMYK 70 / 0 / 2 / 14

HEX #42DBD6

RGB 66 219 214

HSL 178.04, 0.68%, 0.56%

LAB 80, -39.98, -9.1

 

CMYK 81 / 0 / 45 / 33

HEX #20AA5D

RGB 32 170 93

HSL 146.52, 0.68%, 0.4%

LAB 61.52, -52.73, 29.85

 

CMYK 81 / 0 / 45 / 20

HEX #27CD70

RGB 39 205 112

HSL 146.39, 0.68%, 0.48%

LAB 73.07, -61.03, 34.94

 

CMYK 70 / 0 / 39 / 14

HEX #42DB85

RGB 66 219 133

HSL 146.27, 0.68%, 0.56%

LAB 78.18, -58.79, 31.03

 

CMYK 55 / 0 / 31 / 12

HEX #65E19C

RGB 101 225 156

HSL 146.61, 0.67%, 0.64%

LAB 81.3, -50.12, 23.54

 

CMYK 42 / 0 / 23 / 9

HEX #87E8B2

RGB 135 232 178

HSL 146.6, 0.68%, 0.72%

LAB 85.04, -40.44, 17.47

 

CMYK 69 / 0 / 39 / 14

HEX #43DB86

RGB 67 219 134

HSL 146.45, 0.68%, 0.56%

LAB 78.21, -58.45, 30.57

 

CMYK 70 / 44 / 0 / 14

HEX #427ADB

RGB 66 122 219

HSL 218.04, 0.68%, 0.56%

LAB 52.05, 13.63, -55.08

 

CMYK 0 / 68 / 70 / 14

HEX #DB4742

RGB 219 71 66

HSL 1.96, 0.68%, 0.56%

LAB 51.79, 57.25, 35.65

 

CMYK 69 / 0 / 39 / 14

HEX #43DB86

RGB 67 219 134

HSL 146.45, 0.68%, 0.56%

LAB 78.21, -58.45, 30.57

 

CMYK 40 / 70 / 0 / 14

HEX #8442DB

RGB 132 66 219

HSL 265.88, 0.68%, 0.56%

LAB 44.11, 58.02, -67.67

 

CMYK 0 / 40 / 70 / 14

HEX #DB8442

RGB 219 132 66

HSL 25.88, 0.68%, 0.56%

LAB 63.31, 27.95, 48.67

 

CMYK 69 / 0 / 39 / 14

HEX #43DB86

RGB 67 219 134

HSL 146.45, 0.68%, 0.56%

LAB 78.21, -58.45, 30.57

 

CMYK 70 / 44 / 0 / 14

HEX #427ADB

RGB 66 122 219

HSL 218.04, 0.68%, 0.56%

LAB 52.05, 13.63, -55.08

 

CMYK 0 / 70 / 31 / 14

HEX #DB4298

RGB 219 66 152

HSL 326.27, 0.68%, 0.56%

LAB 53.19, 66.27, -13.48

 

CMYK 0 / 26 / 70 / 14

HEX #DBA342

RGB 219 163 66

HSL 38.04, 0.68%, 0.56%

LAB 70.63, 11.32, 56.46

 

CMYK 69 / 0 / 39 / 14

HEX #43DB86

RGB 67 219 134

HSL 146.45, 0.68%, 0.56%

LAB 78.21, -58.45, 30.57

 

CMYK 70 / 65 / 0 / 14

HEX #424CDB

RGB 66 76 219

HSL 236.08, 0.68%, 0.56%

LAB 40.31, 42.35, -74.11

 

CMYK 0 / 70 / 31 / 14

HEX #DB4298

RGB 219 66 152

HSL 326.27, 0.68%, 0.56%

LAB 53.19, 66.27, -13.48

 

CMYK 0 / 5 / 70 / 14

HEX #DBD042

RGB 219 208 66

HSL 55.69, 0.68%, 0.56%

LAB 82.14, -12.13, 68.12

 

Description

Color code: HEX #43DB86 | qconv.com Color code: HEX #43DB86 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 219 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 219 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 39 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 39% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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