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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43F48C it is the complementary color #BC0B73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43F48C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43F48C shade: #48F487, #59FF9A, #6AFFAD, #7BFFC0 and #8CFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43F48C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43F48C shade: #43F48C, #32E279, #21D066, #10BE53 and #00AC40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43F48C shade: #43F48C, #43F45C, #59F443, #89F443 and #B8F443

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43F48C shade: #43F48C, #43F4BB, #43F4EB, #43CCF4 and #439DF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43F48C shade matches the following richer shades: #43F48C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43F48C shade: #43F48C, #53E38E, #63D391, #73C394 and #83B397

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43F48C shade: #5AF443, #43F45A, #43F489, #43F4B9 and #43F4E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43F48C shade: #0CD860, #1CF174, #43F48C, #6AF6A3 and #91F8BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43F48C shade: #43F48C, #4389F4 and #F44343

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43F48C shade: #43F48C, #8943F4 and #F48943

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43F48C shade: #43F48C, #4389F4, #F443AD and #F4AD43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43F48C shade: #43F48C, #4354F4, #F443AD and #F4E243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 43 / 4

HEX #43F48C

RGB 67 244 140

HSL 144.75, 0.89%, 0.61%

LAB 85.9, -66.42, 37.63

 

Complementary color

CMYK 0 / 94 / 39 / 26

HEX #BC0B73

RGB 188 11 115

HSL 324.75, 0.89%, 0.39%

LAB 41.48, 68.05, -9.23

 

CMYK 70 / 0 / 45 / 4

HEX #48F487

RGB 72 244 135

HSL 141.98, 0.89%, 0.62%

LAB 85.92, -66.51, 40.12

 

CMYK 65 / 0 / 40 / 0

HEX #59FF9A

RGB 89 255 154

HSL 143.49, 1%, 0.67%

LAB 89.85, -64.5, 35.96

 

CMYK 58 / 0 / 32 / 0

HEX #6AFFAD

RGB 106 255 173

HSL 146.98, 1%, 0.71%

LAB 90.6, -57.88, 27.54

 

CMYK 52 / 0 / 25 / 0

HEX #7BFFC0

RGB 123 255 192

HSL 151.36, 1%, 0.74%

LAB 91.48, -50.57, 19.17

 

CMYK 45 / 0 / 17 / 0

HEX #8CFFD3

RGB 140 255 211

HSL 157.04, 1%, 0.77%

LAB 92.49, -42.7, 10.93

 

CMYK 73 / 0 / 43 / 4

HEX #43F48C

RGB 67 244 140

HSL 144.75, 0.89%, 0.61%

LAB 85.9, -66.42, 37.63

 

CMYK 78 / 0 / 46 / 11

HEX #32E279

RGB 50 226 121

HSL 144.2, 0.75%, 0.54%

LAB 79.87, -65.53, 39.18

 

CMYK 84 / 0 / 51 / 18

HEX #21D066

RGB 33 208 102

HSL 143.66, 0.73%, 0.47%

LAB 73.8, -64.25, 40.8

 

CMYK 92 / 0 / 56 / 25

HEX #10BE53

RGB 16 190 83

HSL 143.1, 0.84%, 0.4%

LAB 67.7, -62.43, 42.48

 

CMYK 100 / 0 / 63 / 33

HEX #00AC40

RGB 0 172 64

HSL 142.33, 1%, 0.34%

LAB 61.55, -60.04, 44.1

 

CMYK 73 / 0 / 43 / 4

HEX #43F48C

RGB 67 244 140

HSL 144.75, 0.89%, 0.61%

LAB 85.9, -66.42, 37.63

 

CMYK 73 / 0 / 62 / 4

HEX #43F45C

RGB 67 244 92

HSL 128.47, 0.89%, 0.61%

LAB 85.34, -73.04, 59.05

 

CMYK 64 / 0 / 73 / 4

HEX #59F443

RGB 89 244 67

HSL 112.54, 0.89%, 0.61%

LAB 85.62, -71.35, 68.99

 

CMYK 44 / 0 / 73 / 4

HEX #89F443

RGB 137 244 67

HSL 96.27, 0.89%, 0.61%

LAB 87.2, -59, 71.09

 

CMYK 25 / 0 / 73 / 4

HEX #B8F443

RGB 184 244 67

HSL 80.34, 0.89%, 0.61%

LAB 89.53, -43, 74.17

 

CMYK 73 / 0 / 43 / 4

HEX #43F48C

RGB 67 244 140

HSL 144.75, 0.89%, 0.61%

LAB 85.9, -66.42, 37.63

 

CMYK 73 / 0 / 23 / 4

HEX #43F4BB

RGB 67 244 187

HSL 160.68, 0.89%, 0.61%

LAB 86.74, -57.14, 14.9

 

CMYK 73 / 0 / 4 / 4

HEX #43F4EB

RGB 67 244 235

HSL 176.95, 0.89%, 0.61%

LAB 87.92, -45.21, -8.43

 

CMYK 73 / 16 / 0 / 4

HEX #43CCF4

RGB 67 204 244

HSL 193.56, 0.89%, 0.61%

LAB 76.62, -23.81, -30.26

 

CMYK 73 / 36 / 0 / 4

HEX #439DF4

RGB 67 157 244

HSL 209.49, 0.89%, 0.61%

LAB 63.21, 1.64, -51.21

 

CMYK 73 / 0 / 43 / 4

HEX #43F48C

RGB 67 244 140

HSL 144.75, 0.89%, 0.61%

LAB 85.9, -66.42, 37.63

 

CMYK 73 / 0 / 43 / 4

HEX #43F48C

RGB 67 244 140

HSL 144.75, 0.89%, 0.61%

LAB 85.9, -66.42, 37.63

 

CMYK 63 / 0 / 37 / 11

HEX #53E38E

RGB 83 227 142

HSL 144.58, 0.72%, 0.61%

LAB 81.14, -57.23, 30.44

 

CMYK 53 / 0 / 31 / 17

HEX #63D391

RGB 99 211 145

HSL 144.64, 0.56%, 0.61%

LAB 76.85, -46.86, 23.19

 

CMYK 41 / 0 / 24 / 24

HEX #73C394

RGB 115 195 148

HSL 144.75, 0.4%, 0.61%

LAB 72.77, -35.04, 16.07

 

CMYK 27 / 0 / 16 / 30

HEX #83B397

RGB 131 179 151

HSL 145, 0.24%, 0.61%

LAB 68.97, -21.82, 9.2

 

CMYK 63 / 0 / 73 / 4

HEX #5AF443

RGB 90 244 67

HSL 112.2, 0.89%, 0.61%

LAB 85.65, -71.15, 69.02

 

CMYK 73 / 0 / 63 / 4

HEX #43F45A

RGB 67 244 90

HSL 127.8, 0.89%, 0.61%

LAB 85.32, -73.25, 59.85

 

CMYK 73 / 0 / 44 / 4

HEX #43F489

RGB 67 244 137

HSL 143.73, 0.89%, 0.61%

LAB 85.86, -66.92, 39.04

 

CMYK 73 / 0 / 24 / 4

HEX #43F4B9

RGB 67 244 185

HSL 160, 0.89%, 0.61%

LAB 86.7, -57.58, 15.88

 

CMYK 73 / 0 / 5 / 4

HEX #43F4E8

RGB 67 244 232

HSL 175.93, 0.89%, 0.61%

LAB 87.83, -46.01, -6.98

 

CMYK 94 / 0 / 56 / 15

HEX #0CD860

RGB 12 216 96

HSL 144.71, 0.89%, 0.45%

LAB 76.09, -68.99, 46.41

 

CMYK 88 / 0 / 52 / 5

HEX #1CF174

RGB 28 241 116

HSL 144.79, 0.88%, 0.53%

LAB 84.18, -73.15, 46.91

 

CMYK 73 / 0 / 43 / 4

HEX #43F48C

RGB 67 244 140

HSL 144.75, 0.89%, 0.61%

LAB 85.9, -66.42, 37.63

 

CMYK 57 / 0 / 34 / 4

HEX #6AF6A3

RGB 106 246 163

HSL 144.43, 0.89%, 0.69%

LAB 87.79, -56.18, 28.79

 

CMYK 42 / 0 / 25 / 3

HEX #91F8BB

RGB 145 248 187

HSL 144.47, 0.88%, 0.77%

LAB 90.2, -43.11, 20.08

 

CMYK 73 / 0 / 43 / 4

HEX #43F48C

RGB 67 244 140

HSL 144.75, 0.89%, 0.61%

LAB 85.9, -66.42, 37.63

 

CMYK 73 / 44 / 0 / 4

HEX #4389F4

RGB 67 137 244

HSL 216.27, 0.89%, 0.61%

LAB 57.67, 13.51, -60.04

 

CMYK 0 / 73 / 73 / 4

HEX #F44343

RGB 244 67 67

HSL 0, 0.89%, 0.61%

LAB 55.74, 66.5, 40.8

 

CMYK 73 / 0 / 43 / 4

HEX #43F48C

RGB 67 244 140

HSL 144.75, 0.89%, 0.61%

LAB 85.9, -66.42, 37.63

 

CMYK 44 / 73 / 0 / 4

HEX #8943F4

RGB 137 67 244

HSL 263.73, 0.89%, 0.61%

LAB 46.8, 64.59, -77.42

 

CMYK 0 / 44 / 73 / 4

HEX #F48943

RGB 244 137 67

HSL 23.73, 0.89%, 0.61%

LAB 67.67, 35.48, 53.84

 

CMYK 73 / 0 / 43 / 4

HEX #43F48C

RGB 67 244 140

HSL 144.75, 0.89%, 0.61%

LAB 85.9, -66.42, 37.63

 

CMYK 73 / 44 / 0 / 4

HEX #4389F4

RGB 67 137 244

HSL 216.27, 0.89%, 0.61%

LAB 57.67, 13.51, -60.04

 

CMYK 0 / 73 / 29 / 4

HEX #F443AD

RGB 244 67 173

HSL 324.07, 0.89%, 0.61%

LAB 58.29, 74.79, -17.66

 

CMYK 0 / 29 / 73 / 4

HEX #F4AD43

RGB 244 173 67

HSL 35.93, 0.89%, 0.61%

LAB 75.78, 16.64, 62.18

 

CMYK 73 / 0 / 43 / 4

HEX #43F48C

RGB 67 244 140

HSL 144.75, 0.89%, 0.61%

LAB 85.9, -66.42, 37.63

 

CMYK 73 / 66 / 0 / 4

HEX #4354F4

RGB 67 84 244

HSL 234.24, 0.89%, 0.61%

LAB 44.33, 46.1, -81.68

 

CMYK 0 / 73 / 29 / 4

HEX #F443AD

RGB 244 67 173

HSL 324.07, 0.89%, 0.61%

LAB 58.29, 74.79, -17.66

 

CMYK 0 / 7 / 73 / 4

HEX #F4E243

RGB 244 226 67

HSL 53.9, 0.89%, 0.61%

LAB 88.94, -10.63, 75.07

 

Description

Color code: HEX #43F48C | qconv.com Color code: HEX #43F48C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 244 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 244 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 43 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 43% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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