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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4023BD it is the complementary color #BFDC42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4023BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4023BD shade: #4523B8, #5635CB, #6747DE, #7859F1 and #896BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4023BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4023BD shade: #4023BD, #2F11AA, #1E0097, #0D0084 and #000071

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4023BD shade: #3F22BD, #6922BD, #9322BD, #BD22BD and #BD2294

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4023BD shade: #3F22BD and #2222BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4023BD shade matches the following richer shades: #3F22BD and #3410CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4023BD shade: #3F22BD, #4B34AB, #564799, #615987 and #6D6B75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4023BD shade: #2258BD, #222FBD, #3F22BD, #6822BD and #9122BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4023BD shade: #281577, #341C9A, #3F22BD, #5030D9 and #6D53DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4023BD shade: #4023BD, #BD2282 and #44BD22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4023BD shade: #4023BD, #BD3F22 and #22BD3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4023BD shade: #4023BD, #BD2282, #A1BD22 and #22BD5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4023BD shade: #4023BD, #BD2253, #A1BD22 and #22BD8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 81 / 0 / 26

HEX #4023BD

RGB 64 35 189

HSL 251.3, 0.69%, 0.44%

LAB 29.33, 54.76, -74.77

 

Complementary color

CMYK 13 / 0 / 70 / 14

HEX #BFDC42

RGB 191 220 66

HSL 71.3, 0.69%, 0.56%

LAB 83.26, -29.5, 68.5

 

CMYK 63 / 81 / 0 / 28

HEX #4523B8

RGB 69 35 184

HSL 253.69, 0.68%, 0.43%

LAB 29.23, 53.82, -71.95

 

CMYK 58 / 74 / 0 / 20

HEX #5635CB

RGB 86 53 203

HSL 253.2, 0.59%, 0.5%

LAB 35.67, 52.74, -72.45

 

CMYK 54 / 68 / 0 / 13

HEX #6747DE

RGB 103 71 222

HSL 252.72, 0.7%, 0.57%

LAB 42.25, 51.33, -72.54

 

CMYK 50 / 63 / 0 / 5

HEX #7859F1

RGB 120 89 241

HSL 252.24, 0.84%, 0.65%

LAB 48.87, 49.86, -72.43

 

CMYK 46 / 58 / 0 / 0

HEX #896BFF

RGB 137 107 255

HSL 252.16, 1%, 0.71%

LAB 55.13, 47.04, -70

 

CMYK 66 / 81 / 0 / 26

HEX #4023BD

RGB 64 35 189

HSL 251.3, 0.69%, 0.44%

LAB 29.33, 54.76, -74.77

 

CMYK 72 / 90 / 0 / 33

HEX #2F11AA

RGB 47 17 170

HSL 251.76, 0.82%, 0.37%

LAB 23.36, 55.05, -73.35

 

CMYK 80 / 100 / 0 / 41

HEX #1E0097

RGB 30 0 151

HSL 251.92, 1%, 0.3%

LAB 17.97, 54.02, -70.77

 

CMYK 90 / 100 / 0 / 48

HEX #0D0084

RGB 13 0 132

HSL 245.91, 1%, 0.26%

LAB 14.13, 48.74, -65.31

 

CMYK 100 / 100 / 0 / 56

HEX #000071

RGB 0 0 113

HSL 240, 1%, 0.22%

LAB 10.5, 43.45, -59.18

 

CMYK 67 / 82 / 0 / 26

HEX #3F22BD

RGB 63 34 189

HSL 251.23, 0.7%, 0.44%

LAB 29.09, 55.11, -75.16

 

CMYK 44 / 82 / 0 / 26

HEX #6922BD

RGB 105 34 189

HSL 267.48, 0.7%, 0.44%

LAB 33.61, 59.83, -67.56

 

CMYK 22 / 82 / 0 / 26

HEX #9322BD

RGB 147 34 189

HSL 283.74, 0.7%, 0.44%

LAB 39.62, 66.29, -57.5

 

CMYK 0 / 82 / 0 / 26

HEX #BD22BD

RGB 189 34 189

HSL 300, 0.7%, 0.44%

LAB 46.49, 73.85, -46.08

 

CMYK 0 / 82 / 22 / 26

HEX #BD2294

RGB 189 34 148

HSL 315.87, 0.7%, 0.44%

LAB 44.38, 68.04, -25.05

 

CMYK 67 / 82 / 0 / 26

HEX #3F22BD

RGB 63 34 189

HSL 251.23, 0.7%, 0.44%

LAB 29.09, 55.11, -75.16

 

CMYK 82 / 82 / 0 / 26

HEX #2222BD

RGB 34 34 189

HSL 240, 0.7%, 0.44%

LAB 27.18, 53.15, -78.39

 

CMYK 67 / 82 / 0 / 26

HEX #3F22BD

RGB 63 34 189

HSL 251.23, 0.7%, 0.44%

LAB 29.09, 55.11, -75.16

 

CMYK 75 / 92 / 0 / 19

HEX #3410CF

RGB 52 16 207

HSL 251.31, 0.86%, 0.44%

LAB 28.39, 65.36, -86.91

 

CMYK 67 / 82 / 0 / 26

HEX #3F22BD

RGB 63 34 189

HSL 251.23, 0.7%, 0.44%

LAB 29.09, 55.11, -75.16

 

CMYK 56 / 70 / 0 / 33

HEX #4B34AB

RGB 75 52 171

HSL 251.6, 0.53%, 0.44%

LAB 31.56, 42.16, -60.34

 

CMYK 44 / 54 / 0 / 40

HEX #564799

RGB 86 71 153

HSL 250.98, 0.37%, 0.44%

LAB 35.57, 27.45, -42.96

 

CMYK 28 / 34 / 0 / 47

HEX #615987

RGB 97 89 135

HSL 250.43, 0.21%, 0.44%

LAB 40.3, 14.1, -24.49

 

CMYK 7 / 9 / 0 / 54

HEX #6D6B75

RGB 109 107 117

HSL 252, 0.04%, 0.44%

LAB 45.7, 2.88, -5.29

 

CMYK 82 / 53 / 0 / 26

HEX #2258BD

RGB 34 88 189

HSL 219.1, 0.7%, 0.44%

LAB 39.57, 20.28, -58.04

 

CMYK 82 / 75 / 0 / 26

HEX #222FBD

RGB 34 47 189

HSL 234.97, 0.7%, 0.44%

LAB 29.53, 46.38, -74.49

 

CMYK 67 / 82 / 0 / 26

HEX #3F22BD

RGB 63 34 189

HSL 251.23, 0.7%, 0.44%

LAB 29.09, 55.11, -75.16

 

CMYK 45 / 82 / 0 / 26

HEX #6822BD

RGB 104 34 189

HSL 267.1, 0.7%, 0.44%

LAB 33.48, 59.69, -67.77

 

CMYK 23 / 82 / 0 / 26

HEX #9122BD

RGB 145 34 189

HSL 282.97, 0.7%, 0.44%

LAB 39.31, 65.95, -58.02

 

CMYK 66 / 82 / 0 / 53

HEX #281577

RGB 40 21 119

HSL 251.63, 0.7%, 0.27%

LAB 17.08, 37.93, -52.04

 

CMYK 66 / 82 / 0 / 40

HEX #341C9A

RGB 52 28 154

HSL 251.43, 0.69%, 0.36%

LAB 23.32, 46.54, -63.67

 

CMYK 67 / 82 / 0 / 26

HEX #3F22BD

RGB 63 34 189

HSL 251.23, 0.7%, 0.44%

LAB 29.09, 55.11, -75.16

 

CMYK 63 / 78 / 0 / 15

HEX #5030D9

RGB 80 48 217

HSL 251.36, 0.69%, 0.52%

LAB 35.65, 58.46, -80.6

 

CMYK 51 / 63 / 0 / 13

HEX #6D53DF

RGB 109 83 223

HSL 251.14, 0.69%, 0.6%

LAB 45.31, 46.03, -68.1

 

CMYK 66 / 81 / 0 / 26

HEX #4023BD

RGB 64 35 189

HSL 251.3, 0.69%, 0.44%

LAB 29.33, 54.76, -74.77

 

CMYK 0 / 82 / 31 / 26

HEX #BD2282

RGB 189 34 130

HSL 322.84, 0.7%, 0.44%

LAB 43.62, 65.88, -15.26

 

CMYK 64 / 0 / 82 / 26

HEX #44BD22

RGB 68 189 34

HSL 106.84, 0.7%, 0.44%

LAB 67.83, -59.68, 61.83

 

CMYK 66 / 81 / 0 / 26

HEX #4023BD

RGB 64 35 189

HSL 251.3, 0.69%, 0.44%

LAB 29.33, 54.76, -74.77

 

CMYK 0 / 67 / 82 / 26

HEX #BD3F22

RGB 189 63 34

HSL 11.23, 0.7%, 0.44%

LAB 44.93, 49.2, 44.01

 

CMYK 82 / 0 / 67 / 26

HEX #22BD3F

RGB 34 189 63

HSL 131.23, 0.7%, 0.44%

LAB 67.35, -63.08, 51.06

 

CMYK 66 / 81 / 0 / 26

HEX #4023BD

RGB 64 35 189

HSL 251.3, 0.69%, 0.44%

LAB 29.33, 54.76, -74.77

 

CMYK 0 / 82 / 31 / 26

HEX #BD2282

RGB 189 34 130

HSL 322.84, 0.7%, 0.44%

LAB 43.62, 65.88, -15.26

 

CMYK 15 / 0 / 82 / 26

HEX #A1BD22

RGB 161 189 34

HSL 70.84, 0.7%, 0.44%

LAB 72.29, -28.47, 67.51

 

CMYK 82 / 0 / 50 / 26

HEX #22BD5E

RGB 34 189 94

HSL 143.23, 0.7%, 0.44%

LAB 67.68, -59.02, 37.15

 

CMYK 66 / 81 / 0 / 26

HEX #4023BD

RGB 64 35 189

HSL 251.3, 0.69%, 0.44%

LAB 29.33, 54.76, -74.77

 

CMYK 0 / 82 / 56 / 26

HEX #BD2253

RGB 189 34 83

HSL 341.03, 0.7%, 0.44%

LAB 42.13, 61.54, 11.86

 

CMYK 15 / 0 / 82 / 26

HEX #A1BD22

RGB 161 189 34

HSL 70.84, 0.7%, 0.44%

LAB 72.29, -28.47, 67.51

 

CMYK 82 / 0 / 26 / 26

HEX #22BD8C

RGB 34 189 140

HSL 161.03, 0.7%, 0.44%

LAB 68.48, -49.92, 14.05

 

Description

Color code: HEX #4023BD | qconv.com Color code: HEX #4023BD | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 35 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 35 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 81 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 81% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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