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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #402C76 it is the complementary color #BFD389. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #402C76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #402C76 shade: #452C71, #563E84, #675097, #7862AA and #8974BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #402C76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #402C76 shade: #402C76, #2F1A63, #1E0850, #0D003D and #00002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #402C76 shade: #402C77, #542C77, #682C77, #772C71 and #772C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #402C76 shade: #402C77, #2C2C77 and #2C2C77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #402C76 shade matches the following richer shades: #402C77, #3A1E84, #341191 and #2E049E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #402C76 shade: #402C77, #463969, #4C465C, #52534F and #586042

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #402C76 shade: #2C4077, #2C2C77, #402C77, #542C77 and #682C77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #402C76 shade: #1F153A, #302059, #402C77, #503795 and #6042B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #402C76 shade: #402C76, #772C54 and #36772C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #402C76 shade: #402C76, #77402C and #2C7740

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #402C76 shade: #402C76, #772C54, #63772C and #2C774F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #402C76 shade: #402C76, #772C3D, #63772C and #2C7765

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 63 / 0 / 54

HEX #402C76

RGB 64 44 118

HSL 256.22, 0.46%, 0.32%

LAB 24.32, 28.4, -39.47

 

Complementary color

CMYK 9 / 0 / 35 / 17

HEX #BFD389

RGB 191 211 137

HSL 76.22, 0.46%, 0.68%

LAB 81.55, -18.75, 34.46

 

CMYK 39 / 61 / 0 / 56

HEX #452C71

RGB 69 44 113

HSL 261.74, 0.44%, 0.31%

LAB 24.51, 28.12, -35.94

 

CMYK 35 / 53 / 0 / 48

HEX #563E84

RGB 86 62 132

HSL 260.57, 0.36%, 0.38%

LAB 32.01, 26.92, -35.79

 

CMYK 32 / 47 / 0 / 41

HEX #675097

RGB 103 80 151

HSL 259.44, 0.31%, 0.45%

LAB 39.34, 25.84, -35.64

 

CMYK 29 / 42 / 0 / 33

HEX #7862AA

RGB 120 98 170

HSL 258.33, 0.3%, 0.53%

LAB 46.49, 24.9, -35.54

 

CMYK 28 / 39 / 0 / 26

HEX #8974BD

RGB 137 116 189

HSL 257.26, 0.36%, 0.6%

LAB 53.47, 24.06, -35.47

 

CMYK 46 / 63 / 0 / 54

HEX #402C76

RGB 64 44 118

HSL 256.22, 0.46%, 0.32%

LAB 24.32, 28.4, -39.47

 

CMYK 53 / 74 / 0 / 61

HEX #2F1A63

RGB 47 26 99

HSL 257.26, 0.58%, 0.25%

LAB 16.72, 29.85, -39.58

 

CMYK 63 / 90 / 0 / 69

HEX #1E0850

RGB 30 8 80

HSL 258.33, 0.82%, 0.17%

LAB 9.23, 30.89, -39.13

 

CMYK 79 / 100 / 0 / 76

HEX #0D003D

RGB 13 0 61

HSL 252.79, 1%, 0.12%

LAB 3.82, 24.45, -34.69

 

CMYK 100 / 100 / 0 / 84

HEX #00002A

RGB 0 0 42

HSL 240, 1%, 0.08%

LAB 1.51, 10.61, -24.29

 

CMYK 46 / 63 / 0 / 53

HEX #402C77

RGB 64 44 119

HSL 256, 0.46%, 0.32%

LAB 24.4, 28.71, -39.98

 

CMYK 29 / 63 / 0 / 53

HEX #542C77

RGB 84 44 119

HSL 272, 0.46%, 0.32%

LAB 26.79, 33.66, -36.01

 

CMYK 13 / 63 / 0 / 53

HEX #682C77

RGB 104 44 119

HSL 288, 0.46%, 0.32%

LAB 29.6, 38.99, -31.34

 

CMYK 0 / 63 / 5 / 53

HEX #772C71

RGB 119 44 113

HSL 304.8, 0.46%, 0.32%

LAB 31.61, 41.99, -24.22

 

CMYK 0 / 63 / 23 / 53

HEX #772C5C

RGB 119 44 92

HSL 321.6, 0.46%, 0.32%

LAB 30.63, 38.46, -12.26

 

CMYK 46 / 63 / 0 / 53

HEX #402C77

RGB 64 44 119

HSL 256, 0.46%, 0.32%

LAB 24.4, 28.71, -39.98

 

CMYK 63 / 63 / 0 / 53

HEX #2C2C77

RGB 44 44 119

HSL 240, 0.46%, 0.32%

LAB 22.54, 24.51, -43.07

 

CMYK 63 / 63 / 0 / 53

HEX #2C2C77

RGB 44 44 119

HSL 240, 0.46%, 0.32%

LAB 22.54, 24.51, -43.07

 

CMYK 46 / 63 / 0 / 53

HEX #402C77

RGB 64 44 119

HSL 256, 0.46%, 0.32%

LAB 24.4, 28.71, -39.98

 

CMYK 56 / 77 / 0 / 48

HEX #3A1E84

RGB 58 30 132

HSL 256.47, 0.63%, 0.32%

LAB 21.92, 39.68, -52.27

 

CMYK 64 / 88 / 0 / 43

HEX #341191

RGB 52 17 145

HSL 256.41, 0.79%, 0.32%

LAB 20.73, 48.5, -62.39

 

CMYK 71 / 97 / 0 / 38

HEX #2E049E

RGB 46 4 158

HSL 256.36, 0.95%, 0.32%

LAB 20.58, 55.26, -70.68

 

CMYK 46 / 63 / 0 / 53

HEX #402C77

RGB 64 44 119

HSL 256, 0.46%, 0.32%

LAB 24.4, 28.71, -39.98

 

CMYK 33 / 46 / 0 / 59

HEX #463969

RGB 70 57 105

HSL 256.25, 0.3%, 0.32%

LAB 27.43, 17.67, -26.14

 

CMYK 17 / 24 / 0 / 64

HEX #4C465C

RGB 76 70 92

HSL 256.36, 0.14%, 0.32%

LAB 31.09, 7.63, -12.08

 

CMYK 1 / 0 / 5 / 67

HEX #52534F

RGB 82 83 79

HSL 75, 0.02%, 0.32%

LAB 35.09, -1.25, 2.19

 

CMYK 8 / 0 / 31 / 62

HEX #586042

RGB 88 96 66

HSL 76, 0.19%, 0.32%

LAB 39.3, -8.86, 16.15

 

CMYK 63 / 46 / 0 / 53

HEX #2C4077

RGB 44 64 119

HSL 224, 0.46%, 0.32%

LAB 28.21, 10.75, -33.94

 

CMYK 63 / 63 / 0 / 53

HEX #2C2C77

RGB 44 44 119

HSL 240, 0.46%, 0.32%

LAB 22.54, 24.51, -43.07

 

CMYK 46 / 63 / 0 / 53

HEX #402C77

RGB 64 44 119

HSL 256, 0.46%, 0.32%

LAB 24.4, 28.71, -39.98

 

CMYK 29 / 63 / 0 / 53

HEX #542C77

RGB 84 44 119

HSL 272, 0.46%, 0.32%

LAB 26.79, 33.66, -36.01

 

CMYK 13 / 63 / 0 / 53

HEX #682C77

RGB 104 44 119

HSL 288, 0.46%, 0.32%

LAB 29.6, 38.99, -31.34

 

CMYK 47 / 64 / 0 / 77

HEX #1F153A

RGB 31 21 58

HSL 256.22, 0.47%, 0.15%

LAB 10.05, 15.76, -22.32

 

CMYK 46 / 64 / 0 / 65

HEX #302059

RGB 48 32 89

HSL 256.84, 0.47%, 0.24%

LAB 17.38, 23.08, -31.85

 

CMYK 46 / 63 / 0 / 53

HEX #402C77

RGB 64 44 119

HSL 256, 0.46%, 0.32%

LAB 24.4, 28.71, -39.98

 

CMYK 46 / 63 / 0 / 42

HEX #503795

RGB 80 55 149

HSL 255.96, 0.46%, 0.4%

LAB 30.9, 34.68, -48.08

 

CMYK 46 / 63 / 0 / 30

HEX #6042B3

RGB 96 66 179

HSL 255.93, 0.46%, 0.48%

LAB 37.18, 40.41, -55.85

 

CMYK 46 / 63 / 0 / 54

HEX #402C76

RGB 64 44 118

HSL 256.22, 0.46%, 0.32%

LAB 24.32, 28.4, -39.47

 

CMYK 0 / 63 / 29 / 53

HEX #772C54

RGB 119 44 84

HSL 328, 0.46%, 0.32%

LAB 30.31, 37.28, -7.54

 

CMYK 55 / 0 / 63 / 53

HEX #36772C

RGB 54 119 44

HSL 112, 0.46%, 0.32%

LAB 44.46, -36.38, 34.26

 

CMYK 46 / 63 / 0 / 54

HEX #402C76

RGB 64 44 118

HSL 256.22, 0.46%, 0.32%

LAB 24.32, 28.4, -39.47

 

CMYK 0 / 46 / 63 / 53

HEX #77402C

RGB 119 64 44

HSL 16, 0.46%, 0.32%

LAB 33.5, 21.86, 22.61

 

CMYK 63 / 0 / 46 / 53

HEX #2C7740

RGB 44 119 64

HSL 136, 0.46%, 0.32%

LAB 44.37, -36.11, 23.52

 

CMYK 46 / 63 / 0 / 54

HEX #402C76

RGB 64 44 118

HSL 256.22, 0.46%, 0.32%

LAB 24.32, 28.4, -39.47

 

CMYK 0 / 63 / 29 / 53

HEX #772C54

RGB 119 44 84

HSL 328, 0.46%, 0.32%

LAB 30.31, 37.28, -7.54

 

CMYK 17 / 0 / 63 / 53

HEX #63772C

RGB 99 119 44

HSL 76, 0.46%, 0.32%

LAB 47.01, -19.4, 37.82

 

CMYK 63 / 0 / 34 / 53

HEX #2C774F

RGB 44 119 79

HSL 148, 0.46%, 0.32%

LAB 44.65, -33.14, 15.31

 

CMYK 46 / 63 / 0 / 54

HEX #402C76

RGB 64 44 118

HSL 256.22, 0.46%, 0.32%

LAB 24.32, 28.4, -39.47

 

CMYK 0 / 63 / 49 / 53

HEX #772C3D

RGB 119 44 61

HSL 346.4, 0.46%, 0.32%

LAB 29.56, 34.42, 6.5

 

CMYK 17 / 0 / 63 / 53

HEX #63772C

RGB 99 119 44

HSL 76, 0.46%, 0.32%

LAB 47.01, -19.4, 37.82

 

CMYK 63 / 0 / 15 / 53

HEX #2C7765

RGB 44 119 101

HSL 165.6, 0.46%, 0.32%

LAB 45.18, -27.77, 3.07

 

Description

Color code: HEX #402C76 | qconv.com Color code: HEX #402C76 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 44 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 44 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 63 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 63% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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