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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #402D66 it is the complementary color #BFD299. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #402D66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #402D66 shade: #452D61, #563F74, #675187, #78639A and #8975AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #402D66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #402D66 shade: #402D66, #2F1B53, #1E0940, #0D002D and #00001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #402D66 shade: #402D66, #4F2D66, #5F2D66, #662D5E and #662D4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #402D66 shade: #402D66, #302D66 and #2D2D66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #402D66 shade matches the following richer shades: #402D66, #3C2172, #38157E and #34098A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #402D66 shade: #402D66, #44395A, #48454E, #4C5142 and #505C36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #402D66 shade: #2D3866, #302D66, #402D66, #4F2D66 and #5F2D66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #402D66 shade: #1C132D, #2E204A, #402D66, #523983 and #6446A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #402D66 shade: #402D66, #662D48 and #30662D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #402D66 shade: #402D66, #66402D and #2D6640

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #402D66 shade: #402D66, #662D48, #53662D and #2D664B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #402D66 shade: #402D66, #662D36, #53662D and #2D665D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 56 / 0 / 60

HEX #402D66

RGB 64 45 102

HSL 260, 0.39%, 0.29%

LAB 23.43, 22.88, -30.61

 

Complementary color

CMYK 9 / 0 / 27 / 18

HEX #BFD299

RGB 191 210 153

HSL 80, 0.39%, 0.71%

LAB 81.55, -16.08, 26.19

 

CMYK 29 / 54 / 0 / 62

HEX #452D61

RGB 69 45 97

HSL 267.69, 0.37%, 0.28%

LAB 23.69, 22.91, -26.9

 

CMYK 26 / 46 / 0 / 55

HEX #563F74

RGB 86 63 116

HSL 266.04, 0.3%, 0.35%

LAB 31.33, 21.89, -26.86

 

CMYK 24 / 40 / 0 / 47

HEX #675187

RGB 103 81 135

HSL 264.44, 0.25%, 0.42%

LAB 38.76, 21, -26.86

 

CMYK 22 / 36 / 0 / 40

HEX #78639A

RGB 120 99 154

HSL 262.91, 0.22%, 0.5%

LAB 45.97, 20.21, -26.9

 

CMYK 21 / 32 / 0 / 32

HEX #8975AD

RGB 137 117 173

HSL 261.43, 0.25%, 0.57%

LAB 53.01, 19.53, -26.97

 

CMYK 37 / 56 / 0 / 60

HEX #402D66

RGB 64 45 102

HSL 260, 0.39%, 0.29%

LAB 23.43, 22.88, -30.61

 

CMYK 43 / 67 / 0 / 67

HEX #2F1B53

RGB 47 27 83

HSL 261.43, 0.51%, 0.22%

LAB 15.55, 24.18, -30.76

 

CMYK 53 / 86 / 0 / 75

HEX #1E0940

RGB 30 9 64

HSL 262.91, 0.75%, 0.14%

LAB 7.6, 25.3, -30.6

 

CMYK 71 / 100 / 0 / 82

HEX #0D002D

RGB 13 0 45

HSL 257.33, 1%, 0.09%

LAB 2.48, 15.49, -24.99

 

CMYK 100 / 100 / 0 / 90

HEX #00001A

RGB 0 0 26

HSL 240, 1%, 0.05%

LAB 0.67, 4.73, -12.88

 

CMYK 37 / 56 / 0 / 60

HEX #402D66

RGB 64 45 102

HSL 260, 0.39%, 0.29%

LAB 23.43, 22.88, -30.61

 

CMYK 23 / 56 / 0 / 60

HEX #4F2D66

RGB 79 45 102

HSL 275.79, 0.39%, 0.29%

LAB 25.25, 27.29, -27.59

 

CMYK 7 / 56 / 0 / 60

HEX #5F2D66

RGB 95 45 102

HSL 292.63, 0.39%, 0.29%

LAB 27.49, 32.19, -23.91

 

CMYK 0 / 56 / 8 / 60

HEX #662D5E

RGB 102 45 94

HSL 308.42, 0.39%, 0.29%

LAB 28.14, 32.79, -17.63

 

CMYK 0 / 56 / 23 / 60

HEX #662D4F

RGB 102 45 79

HSL 324.21, 0.39%, 0.29%

LAB 27.48, 30.14, -8.81

 

CMYK 37 / 56 / 0 / 60

HEX #402D66

RGB 64 45 102

HSL 260, 0.39%, 0.29%

LAB 23.43, 22.88, -30.61

 

CMYK 53 / 56 / 0 / 60

HEX #302D66

RGB 48 45 102

HSL 243.16, 0.39%, 0.29%

LAB 21.82, 18.63, -33.28

 

CMYK 56 / 56 / 0 / 60

HEX #2D2D66

RGB 45 45 102

HSL 240, 0.39%, 0.29%

LAB 21.56, 17.9, -33.71

 

CMYK 37 / 56 / 0 / 60

HEX #402D66

RGB 64 45 102

HSL 260, 0.39%, 0.29%

LAB 23.43, 22.88, -30.61

 

CMYK 47 / 71 / 0 / 55

HEX #3C2172

RGB 60 33 114

HSL 260, 0.55%, 0.29%

LAB 21.07, 32.96, -42.2

 

CMYK 56 / 83 / 0 / 51

HEX #38157E

RGB 56 21 126

HSL 260, 0.71%, 0.29%

LAB 19.57, 41.99, -52.35

 

CMYK 62 / 93 / 0 / 46

HEX #34098A

RGB 52 9 138

HSL 260, 0.88%, 0.29%

LAB 19.06, 49.09, -60.8

 

CMYK 37 / 56 / 0 / 60

HEX #402D66

RGB 64 45 102

HSL 260, 0.39%, 0.29%

LAB 23.43, 22.88, -30.61

 

CMYK 24 / 37 / 0 / 65

HEX #44395A

RGB 68 57 90

HSL 260, 0.22%, 0.29%

LAB 26.43, 12.74, -18.03

 

CMYK 8 / 12 / 0 / 69

HEX #48454E

RGB 72 69 78

HSL 260, 0.06%, 0.29%

LAB 29.87, 3.29, -4.94

 

CMYK 6 / 0 / 19 / 68

HEX #4C5142

RGB 76 81 66

HSL 80, 0.1%, 0.29%

LAB 33.59, -5.12, 8.16

 

CMYK 13 / 0 / 41 / 64

HEX #505C36

RGB 80 92 54

HSL 78.95, 0.26%, 0.29%

LAB 37.16, -11.86, 20.34

 

CMYK 56 / 45 / 0 / 60

HEX #2D3866

RGB 45 56 102

HSL 228.42, 0.39%, 0.29%

LAB 24.78, 10.24, -28.55

 

CMYK 53 / 56 / 0 / 60

HEX #302D66

RGB 48 45 102

HSL 243.16, 0.39%, 0.29%

LAB 21.82, 18.63, -33.28

 

CMYK 37 / 56 / 0 / 60

HEX #402D66

RGB 64 45 102

HSL 260, 0.39%, 0.29%

LAB 23.43, 22.88, -30.61

 

CMYK 23 / 56 / 0 / 60

HEX #4F2D66

RGB 79 45 102

HSL 275.79, 0.39%, 0.29%

LAB 25.25, 27.29, -27.59

 

CMYK 7 / 56 / 0 / 60

HEX #5F2D66

RGB 95 45 102

HSL 292.63, 0.39%, 0.29%

LAB 27.49, 32.19, -23.91

 

CMYK 38 / 58 / 0 / 82

HEX #1C132D

RGB 28 19 45

HSL 260.77, 0.41%, 0.13%

LAB 8.15, 11.87, -15.92

 

CMYK 38 / 57 / 0 / 71

HEX #2E204A

RGB 46 32 74

HSL 260, 0.4%, 0.21%

LAB 16.05, 17.74, -23.84

 

CMYK 37 / 56 / 0 / 60

HEX #402D66

RGB 64 45 102

HSL 260, 0.39%, 0.29%

LAB 23.43, 22.88, -30.61

 

CMYK 37 / 56 / 0 / 49

HEX #523983

RGB 82 57 131

HSL 260.27, 0.39%, 0.37%

LAB 30.3, 28.66, -37.93

 

CMYK 38 / 56 / 0 / 37

HEX #6446A0

RGB 100 70 160

HSL 260, 0.39%, 0.45%

LAB 37.17, 33.57, -44.54

 

CMYK 37 / 56 / 0 / 60

HEX #402D66

RGB 64 45 102

HSL 260, 0.39%, 0.29%

LAB 23.43, 22.88, -30.61

 

CMYK 0 / 56 / 29 / 60

HEX #662D48

RGB 102 45 72

HSL 331.58, 0.39%, 0.29%

LAB 27.21, 29.03, -4.57

 

CMYK 53 / 0 / 56 / 60

HEX #30662D

RGB 48 102 45

HSL 116.84, 0.39%, 0.29%

LAB 38.41, -30.65, 26.59

 

CMYK 37 / 56 / 0 / 60

HEX #402D66

RGB 64 45 102

HSL 260, 0.39%, 0.29%

LAB 23.43, 22.88, -30.61

 

CMYK 0 / 37 / 56 / 60

HEX #66402D

RGB 102 64 45

HSL 20, 0.39%, 0.29%

LAB 31.07, 14.27, 18.41

 

CMYK 56 / 0 / 37 / 60

HEX #2D6640

RGB 45 102 64

HSL 140, 0.39%, 0.29%

LAB 38.6, -28.22, 15.95

 

CMYK 37 / 56 / 0 / 60

HEX #402D66

RGB 64 45 102

HSL 260, 0.39%, 0.29%

LAB 23.43, 22.88, -30.61

 

CMYK 0 / 56 / 29 / 60

HEX #662D48

RGB 102 45 72

HSL 331.58, 0.39%, 0.29%

LAB 27.21, 29.03, -4.57

 

CMYK 19 / 0 / 56 / 60

HEX #53662D

RGB 83 102 45

HSL 80, 0.39%, 0.29%

LAB 40.46, -17.24, 29.53

 

CMYK 56 / 0 / 26 / 60

HEX #2D664B

RGB 45 102 75

HSL 151.58, 0.39%, 0.29%

LAB 38.84, -25.79, 9.68

 

CMYK 37 / 56 / 0 / 60

HEX #402D66

RGB 64 45 102

HSL 260, 0.39%, 0.29%

LAB 23.43, 22.88, -30.61

 

CMYK 0 / 56 / 47 / 60

HEX #662D36

RGB 102 45 54

HSL 350.53, 0.39%, 0.29%

LAB 26.64, 26.61, 6.62

 

CMYK 19 / 0 / 56 / 60

HEX #53662D

RGB 83 102 45

HSL 80, 0.39%, 0.29%

LAB 40.46, -17.24, 29.53

 

CMYK 56 / 0 / 9 / 60

HEX #2D665D

RGB 45 102 93

HSL 170.53, 0.39%, 0.29%

LAB 39.33, -21.12, -0.6

 

Description

Color code: HEX #402D66 | qconv.com Color code: HEX #402D66 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 45 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 45 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 56 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 56% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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