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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #403B78 it is the complementary color #BFC487. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #403B78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #403B78 shade: #453B73, #564D86, #675F99, #7871AC and #8983BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #403B78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #403B78 shade: #403B78, #2F2965, #1E1752, #0D053F and #00002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #403B78 shade: #3F3A77, #503A77, #603A77, #703A77 and #773A6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #403B78 shade: #3F3A77 and #3A3A77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #403B78 shade matches the following richer shades: #3F3A77, #332C86, #271E94, #1B0FA2 and #0F01B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #403B78 shade: #3F3A77, #4B4969, #58575A, #64664C and #70743D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #403B78 shade: #3A5777, #3A4777, #3E3A77, #4F3A77 and #5F3A77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #403B78 shade: #221F40, #312D5B, #3F3A77, #4E4893 and #5F58AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #403B78 shade: #403B78, #773A67 and #4F773A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #403B78 shade: #403B78, #773E3A and #3A773E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #403B78 shade: #403B78, #773A67, #73773A and #3A774B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #403B78 shade: #403B78, #773A55, #73773A and #3A775D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 51 / 0 / 53

HEX #403B78

RGB 64 59 120

HSL 244.92, 0.34%, 0.35%

LAB 28.31, 19.27, -34.32

 

Complementary color

CMYK 3 / 0 / 31 / 23

HEX #BFC487

RGB 191 196 135

HSL 64.92, 0.34%, 0.65%

LAB 77.46, -11.44, 30.12

 

CMYK 40 / 49 / 0 / 55

HEX #453B73

RGB 69 59 115

HSL 250.71, 0.32%, 0.34%

LAB 28.46, 19.06, -30.89

 

CMYK 36 / 43 / 0 / 47

HEX #564D86

RGB 86 77 134

HSL 249.47, 0.27%, 0.41%

LAB 36, 18.01, -30.7

 

CMYK 33 / 38 / 0 / 40

HEX #675F99

RGB 103 95 153

HSL 248.28, 0.23%, 0.49%

LAB 43.31, 17.13, -30.58

 

CMYK 30 / 34 / 0 / 33

HEX #7871AC

RGB 120 113 172

HSL 247.12, 0.26%, 0.56%

LAB 50.43, 16.4, -30.52

 

CMYK 28 / 31 / 0 / 25

HEX #8983BF

RGB 137 131 191

HSL 246, 0.32%, 0.63%

LAB 57.38, 15.76, -30.52

 

CMYK 47 / 51 / 0 / 53

HEX #403B78

RGB 64 59 120

HSL 244.92, 0.34%, 0.35%

LAB 28.31, 19.27, -34.32

 

CMYK 53 / 59 / 0 / 60

HEX #2F2965

RGB 47 41 101

HSL 246, 0.42%, 0.28%

LAB 20.56, 20.79, -34.66

 

CMYK 63 / 72 / 0 / 68

HEX #1E1752

RGB 30 23 82

HSL 247.12, 0.56%, 0.21%

LAB 12.6, 22.71, -34.98

 

CMYK 79 / 92 / 0 / 75

HEX #0D053F

RGB 13 5 63

HSL 248.28, 0.85%, 0.13%

LAB 5, 23.2, -34.21

 

CMYK 100 / 100 / 0 / 83

HEX #00002C

RGB 0 0 44

HSL 240, 1%, 0.09%

LAB 1.64, 11.54, -25.61

 

CMYK 47 / 51 / 0 / 53

HEX #3F3A77

RGB 63 58 119

HSL 244.92, 0.34%, 0.35%

LAB 27.89, 19.35, -34.37

 

CMYK 33 / 51 / 0 / 53

HEX #503A77

RGB 80 58 119

HSL 261.64, 0.34%, 0.35%

LAB 29.57, 24.06, -31.59

 

CMYK 19 / 51 / 0 / 53

HEX #603A77

RGB 96 58 119

HSL 277.38, 0.34%, 0.35%

LAB 31.45, 28.86, -28.49

 

CMYK 6 / 51 / 0 / 53

HEX #703A77

RGB 112 58 119

HSL 293.11, 0.34%, 0.35%

LAB 33.57, 33.82, -25.01

 

CMYK 0 / 51 / 8 / 53

HEX #773A6D

RGB 119 58 109

HSL 309.84, 0.34%, 0.35%

LAB 34.09, 34.09, -17.83

 

CMYK 47 / 51 / 0 / 53

HEX #3F3A77

RGB 63 58 119

HSL 244.92, 0.34%, 0.35%

LAB 27.89, 19.35, -34.37

 

CMYK 51 / 51 / 0 / 53

HEX #3A3A77

RGB 58 58 119

HSL 240, 0.34%, 0.35%

LAB 27.46, 18.07, -35.09

 

CMYK 47 / 51 / 0 / 53

HEX #3F3A77

RGB 63 58 119

HSL 244.92, 0.34%, 0.35%

LAB 27.89, 19.35, -34.37

 

CMYK 62 / 67 / 0 / 47

HEX #332C86

RGB 51 44 134

HSL 244.67, 0.51%, 0.35%

LAB 24.41, 31.03, -49.49

 

CMYK 74 / 80 / 0 / 42

HEX #271E94

RGB 39 30 148

HSL 244.58, 0.66%, 0.35%

LAB 21.94, 42.47, -62.29

 

CMYK 83 / 91 / 0 / 36

HEX #1B0FA2

RGB 27 15 162

HSL 244.9, 0.83%, 0.35%

LAB 20.76, 52.55, -72.86

 

CMYK 92 / 99 / 0 / 31

HEX #0F01B1

RGB 15 1 177

HSL 244.77, 0.99%, 0.35%

LAB 21.2, 60.09, -81.22

 

CMYK 47 / 51 / 0 / 53

HEX #3F3A77

RGB 63 58 119

HSL 244.92, 0.34%, 0.35%

LAB 27.89, 19.35, -34.37

 

CMYK 29 / 30 / 0 / 59

HEX #4B4969

RGB 75 73 105

HSL 243.75, 0.18%, 0.35%

LAB 32.44, 8.81, -18.28

 

CMYK 2 / 3 / 0 / 65

HEX #58575A

RGB 88 87 90

HSL 260, 0.02%, 0.35%

LAB 37.17, 1.05, -1.6

 

CMYK 2 / 0 / 25 / 60

HEX #64664C

RGB 100 102 76

HSL 64.62, 0.15%, 0.35%

LAB 42.36, -5.61, 14.48

 

CMYK 3 / 0 / 47 / 55

HEX #70743D

RGB 112 116 61

HSL 64.36, 0.31%, 0.35%

LAB 47.33, -10.37, 29.72

 

CMYK 51 / 27 / 0 / 53

HEX #3A5777

RGB 58 87 119

HSL 211.48, 0.34%, 0.35%

LAB 36.08, -1.02, -21.49

 

CMYK 51 / 40 / 0 / 53

HEX #3A4777

RGB 58 71 119

HSL 227.21, 0.34%, 0.35%

LAB 31.2, 9.35, -29.12

 

CMYK 48 / 51 / 0 / 53

HEX #3E3A77

RGB 62 58 119

HSL 243.93, 0.34%, 0.35%

LAB 27.8, 19.09, -34.52

 

CMYK 34 / 51 / 0 / 53

HEX #4F3A77

RGB 79 58 119

HSL 260.66, 0.34%, 0.35%

LAB 29.46, 23.77, -31.76

 

CMYK 20 / 51 / 0 / 53

HEX #5F3A77

RGB 95 58 119

HSL 276.39, 0.34%, 0.35%

LAB 31.33, 28.55, -28.69

 

CMYK 47 / 52 / 0 / 75

HEX #221F40

RGB 34 31 64

HSL 245.45, 0.35%, 0.19%

LAB 13.77, 11.43, -20.61

 

CMYK 46 / 51 / 0 / 64

HEX #312D5B

RGB 49 45 91

HSL 245.22, 0.34%, 0.27%

LAB 21.15, 15.13, -27.12

 

CMYK 47 / 51 / 0 / 53

HEX #3F3A77

RGB 63 58 119

HSL 244.92, 0.34%, 0.35%

LAB 27.89, 19.35, -34.37

 

CMYK 47 / 51 / 0 / 42

HEX #4E4893

RGB 78 72 147

HSL 244.8, 0.34%, 0.43%

LAB 34.72, 22.98, -40.71

 

CMYK 45 / 49 / 0 / 33

HEX #5F58AC

RGB 95 88 172

HSL 245, 0.34%, 0.51%

LAB 41.83, 24.81, -44.24

 

CMYK 47 / 51 / 0 / 53

HEX #403B78

RGB 64 59 120

HSL 244.92, 0.34%, 0.35%

LAB 28.31, 19.27, -34.32

 

CMYK 0 / 51 / 13 / 53

HEX #773A67

RGB 119 58 103

HSL 315.74, 0.34%, 0.35%

LAB 33.83, 33, -14.43

 

CMYK 34 / 0 / 51 / 53

HEX #4F773A

RGB 79 119 58

HSL 99.34, 0.34%, 0.35%

LAB 45.85, -26.06, 29

 

CMYK 47 / 51 / 0 / 53

HEX #403B78

RGB 64 59 120

HSL 244.92, 0.34%, 0.35%

LAB 28.31, 19.27, -34.32

 

CMYK 0 / 48 / 51 / 53

HEX #773E3A

RGB 119 62 58

HSL 3.93, 0.34%, 0.35%

LAB 33.29, 24.32, 13.6

 

CMYK 51 / 0 / 48 / 53

HEX #3A773E

RGB 58 119 62

HSL 123.93, 0.34%, 0.35%

LAB 44.86, -32.66, 25.35

 

CMYK 47 / 51 / 0 / 53

HEX #403B78

RGB 64 59 120

HSL 244.92, 0.34%, 0.35%

LAB 28.31, 19.27, -34.32

 

CMYK 0 / 51 / 13 / 53

HEX #773A67

RGB 119 58 103

HSL 315.74, 0.34%, 0.35%

LAB 33.83, 33, -14.43

 

CMYK 3 / 0 / 51 / 53

HEX #73773A

RGB 115 119 58

HSL 63.93, 0.34%, 0.35%

LAB 48.44, -11.02, 32.73

 

CMYK 51 / 0 / 37 / 53

HEX #3A774B

RGB 58 119 75

HSL 136.72, 0.34%, 0.35%

LAB 45.08, -30.34, 18.3

 

CMYK 47 / 51 / 0 / 53

HEX #403B78

RGB 64 59 120

HSL 244.92, 0.34%, 0.35%

LAB 28.31, 19.27, -34.32

 

CMYK 0 / 51 / 29 / 53

HEX #773A55

RGB 119 58 85

HSL 333.44, 0.34%, 0.35%

LAB 33.14, 30.05, -3.96

 

CMYK 3 / 0 / 51 / 53

HEX #73773A

RGB 115 119 58

HSL 63.93, 0.34%, 0.35%

LAB 48.44, -11.02, 32.73

 

CMYK 51 / 0 / 22 / 53

HEX #3A775D

RGB 58 119 93

HSL 154.43, 0.34%, 0.35%

LAB 45.47, -26.46, 8.31

 

Description

Color code: HEX #403B78 | qconv.com Color code: HEX #403B78 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 59 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 59 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 51 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 51% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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