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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #404771 it is the complementary color #BFB88E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #404771. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #404771 shade: #45476C, #56597F, #676B92, #787DA5 and #898FB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #404771. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #404771 shade: #404771, #2F355E, #1E234B, #0D1138 and #000025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #404771 shade: #404772, #464072, #544072, #614072 and #6F4072

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #404771 shade: #404772 and #404072

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #404771 shade matches the following richer shades: #404772, #313D80, #23328F, #14289D and #061EAC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #404771 shade: #404772, #4E5163, #5D5C55, #6B6646 and #7A7038

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #404771 shade: #406272, #405572, #404772, #464072 and #534072

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #404771 shade: #22263D, #313657, #404772, #4F578C and #5F69A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #404771 shade: #404771, #72406F and #5B7240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #404771 shade: #404771, #724047 and #477240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #404771 shade: #404771, #72406F, #726A40 and #407242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #404771 shade: #404771, #724060, #726A40 and #407251

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 37 / 0 / 56

HEX #404771

RGB 64 71 113

HSL 231.43, 0.28%, 0.35%

LAB 31.32, 9.03, -25.14

 

Complementary color

CMYK 0 / 4 / 26 / 25

HEX #BFB88E

RGB 191 184 142

HSL 51.43, 0.28%, 0.65%

LAB 74.39, -4.26, 22.28

 

CMYK 36 / 34 / 0 / 58

HEX #45476C

RGB 69 71 108

HSL 236.92, 0.22%, 0.35%

LAB 31.47, 9.01, -21.72

 

CMYK 32 / 30 / 0 / 50

HEX #56597F

RGB 86 89 127

HSL 235.61, 0.19%, 0.42%

LAB 38.99, 8.38, -21.72

 

CMYK 29 / 27 / 0 / 43

HEX #676B92

RGB 103 107 146

HSL 234.42, 0.17%, 0.49%

LAB 46.28, 7.87, -21.8

 

CMYK 27 / 24 / 0 / 35

HEX #787DA5

RGB 120 125 165

HSL 233.33, 0.2%, 0.56%

LAB 53.36, 7.43, -21.93

 

CMYK 26 / 22 / 0 / 28

HEX #898FB8

RGB 137 143 184

HSL 232.34, 0.25%, 0.63%

LAB 60.27, 7.05, -22.09

 

CMYK 43 / 37 / 0 / 56

HEX #404771

RGB 64 71 113

HSL 231.43, 0.28%, 0.35%

LAB 31.32, 9.03, -25.14

 

CMYK 50 / 44 / 0 / 63

HEX #2F355E

RGB 47 53 94

HSL 232.34, 0.33%, 0.28%

LAB 23.53, 10.01, -25.32

 

CMYK 60 / 53 / 0 / 71

HEX #1E234B

RGB 30 35 75

HSL 233.33, 0.43%, 0.21%

LAB 15.41, 11.41, -25.63

 

CMYK 77 / 70 / 0 / 78

HEX #0D1138

RGB 13 17 56

HSL 234.42, 0.62%, 0.14%

LAB 6.97, 13.39, -25.94

 

CMYK 100 / 100 / 0 / 85

HEX #000025

RGB 0 0 37

HSL 240, 1%, 0.07%

LAB 1.21, 8.48, -20.89

 

CMYK 44 / 38 / 0 / 55

HEX #404772

RGB 64 71 114

HSL 231.6, 0.28%, 0.35%

LAB 31.37, 9.35, -25.69

 

CMYK 39 / 44 / 0 / 55

HEX #464072

RGB 70 64 114

HSL 247.2, 0.28%, 0.35%

LAB 29.87, 15.75, -28.02

 

CMYK 26 / 44 / 0 / 55

HEX #544072

RGB 84 64 114

HSL 264, 0.28%, 0.35%

LAB 31.27, 20.08, -25.72

 

CMYK 15 / 44 / 0 / 55

HEX #614072

RGB 97 64 114

HSL 279.6, 0.28%, 0.35%

LAB 32.75, 24.33, -23.29

 

CMYK 3 / 44 / 0 / 55

HEX #6F4072

RGB 111 64 114

HSL 296.4, 0.28%, 0.35%

LAB 34.52, 29.01, -20.4

 

CMYK 44 / 38 / 0 / 55

HEX #404772

RGB 64 71 114

HSL 231.6, 0.28%, 0.35%

LAB 31.37, 9.35, -25.69

 

CMYK 44 / 44 / 0 / 55

HEX #404072

RGB 64 64 114

HSL 240, 0.28%, 0.35%

LAB 29.34, 14, -28.89

 

CMYK 44 / 38 / 0 / 55

HEX #404772

RGB 64 71 114

HSL 231.6, 0.28%, 0.35%

LAB 31.37, 9.35, -25.69

 

CMYK 62 / 52 / 0 / 50

HEX #313D80

RGB 49 61 128

HSL 230.89, 0.45%, 0.35%

LAB 28.24, 17.18, -39.51

 

CMYK 76 / 65 / 0 / 44

HEX #23328F

RGB 35 50 143

HSL 231.67, 0.61%, 0.35%

LAB 25.63, 28.05, -53.13

 

CMYK 87 / 75 / 0 / 38

HEX #14289D

RGB 20 40 157

HSL 231.24, 0.77%, 0.35%

LAB 24, 38.48, -64.44

 

CMYK 97 / 83 / 0 / 33

HEX #061EAC

RGB 6 30 172

HSL 231.33, 0.93%, 0.35%

LAB 23.49, 48.77, -74.4

 

CMYK 44 / 38 / 0 / 55

HEX #404772

RGB 64 71 114

HSL 231.6, 0.28%, 0.35%

LAB 31.37, 9.35, -25.69

 

CMYK 21 / 18 / 0 / 61

HEX #4E5163

RGB 78 81 99

HSL 231.43, 0.12%, 0.35%

LAB 34.81, 3.13, -10.84

 

CMYK 0 / 1 / 9 / 64

HEX #5D5C55

RGB 93 92 85

HSL 52.5, 0.04%, 0.35%

LAB 38.96, -1.02, 4.16

 

CMYK 0 / 5 / 35 / 58

HEX #6B6646

RGB 107 102 70

HSL 51.89, 0.21%, 0.35%

LAB 42.87, -3.47, 18.83

 

CMYK 0 / 8 / 54 / 52

HEX #7A7038

RGB 122 112 56

HSL 50.91, 0.37%, 0.35%

LAB 46.99, -4.13, 32.22

 

CMYK 44 / 14 / 0 / 55

HEX #406272

RGB 64 98 114

HSL 199.2, 0.28%, 0.35%

LAB 39.65, -7.66, -12.9

 

CMYK 44 / 25 / 0 / 55

HEX #405572

RGB 64 85 114

HSL 214.8, 0.28%, 0.35%

LAB 35.6, 0.3, -19.1

 

CMYK 44 / 38 / 0 / 55

HEX #404772

RGB 64 71 114

HSL 231.6, 0.28%, 0.35%

LAB 31.37, 9.35, -25.69

 

CMYK 39 / 44 / 0 / 55

HEX #464072

RGB 70 64 114

HSL 247.2, 0.28%, 0.35%

LAB 29.87, 15.75, -28.02

 

CMYK 27 / 44 / 0 / 55

HEX #534072

RGB 83 64 114

HSL 262.8, 0.28%, 0.35%

LAB 31.16, 19.76, -25.9

 

CMYK 44 / 38 / 0 / 76

HEX #22263D

RGB 34 38 61

HSL 231.11, 0.28%, 0.19%

LAB 15.82, 5.25, -15.29

 

CMYK 44 / 38 / 0 / 66

HEX #313657

RGB 49 54 87

HSL 232.11, 0.28%, 0.27%

LAB 23.6, 7.54, -20.6

 

CMYK 44 / 38 / 0 / 55

HEX #404772

RGB 64 71 114

HSL 231.6, 0.28%, 0.35%

LAB 31.37, 9.35, -25.69

 

CMYK 44 / 38 / 0 / 45

HEX #4F578C

RGB 79 87 140

HSL 232.13, 0.28%, 0.43%

LAB 38.5, 11.41, -30.45

 

CMYK 42 / 36 / 0 / 35

HEX #5F69A5

RGB 95 105 165

HSL 231.43, 0.28%, 0.51%

LAB 45.98, 12.13, -33.54

 

CMYK 43 / 37 / 0 / 56

HEX #404771

RGB 64 71 113

HSL 231.43, 0.28%, 0.35%

LAB 31.32, 9.03, -25.14

 

CMYK 0 / 44 / 3 / 55

HEX #72406F

RGB 114 64 111

HSL 303.6, 0.28%, 0.35%

LAB 34.79, 29.41, -18.08

 

CMYK 20 / 0 / 44 / 55

HEX #5B7240

RGB 91 114 64

HSL 87.6, 0.28%, 0.35%

LAB 45.12, -17.91, 24.95

 

CMYK 43 / 37 / 0 / 56

HEX #404771

RGB 64 71 113

HSL 231.43, 0.28%, 0.35%

LAB 31.32, 9.03, -25.14

 

CMYK 0 / 44 / 38 / 55

HEX #724047

RGB 114 64 71

HSL 351.6, 0.28%, 0.35%

LAB 33.35, 22.63, 5.25

 

CMYK 38 / 0 / 44 / 55

HEX #477240

RGB 71 114 64

HSL 111.6, 0.28%, 0.35%

LAB 43.86, -25.66, 23.09

 

CMYK 43 / 37 / 0 / 56

HEX #404771

RGB 64 71 113

HSL 231.43, 0.28%, 0.35%

LAB 31.32, 9.03, -25.14

 

CMYK 0 / 44 / 3 / 55

HEX #72406F

RGB 114 64 111

HSL 303.6, 0.28%, 0.35%

LAB 34.79, 29.41, -18.08

 

CMYK 0 / 7 / 44 / 55

HEX #726A40

RGB 114 106 64

HSL 50.4, 0.28%, 0.35%

LAB 44.6, -3.46, 24.68

 

CMYK 44 / 0 / 42 / 55

HEX #407242

RGB 64 114 66

HSL 122.4, 0.28%, 0.35%

LAB 43.53, -27.75, 21.46

 

CMYK 43 / 37 / 0 / 56

HEX #404771

RGB 64 71 113

HSL 231.43, 0.28%, 0.35%

LAB 31.32, 9.03, -25.14

 

CMYK 0 / 44 / 16 / 55

HEX #724060

RGB 114 64 96

HSL 321.6, 0.28%, 0.35%

LAB 34.17, 26.57, -9.54

 

CMYK 0 / 7 / 44 / 55

HEX #726A40

RGB 114 106 64

HSL 50.4, 0.28%, 0.35%

LAB 44.6, -3.46, 24.68

 

CMYK 44 / 0 / 29 / 55

HEX #407251

RGB 64 114 81

HSL 140.4, 0.28%, 0.35%

LAB 43.83, -24.89, 13.14

 

Description

Color code: HEX #404771 | qconv.com Color code: HEX #404771 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 71 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 71 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 37 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 37% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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