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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #404325 it is the complementary color #BFBCDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #404325. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #404325 shade: #454320, #565533, #676746, #787959 and #898B6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #404325. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #404325 shade: #404325, #2F3112, #1E1F00 and #0D0D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #404325 shade: #3E4124, #413C24, #413424, #412C24 and #412424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #404325 shade: #3E4124, #364124, #2E4124, #264124 and #244129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #404325 shade matches the following richer shades: #3E4124, #454A1B, #4C5213, #525A0B and #596203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #404325 shade: #3E4124, #38392C, #313134, #2B293C and #242045

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #404325 shade: #413424, #413C24, #3E4124, #364124 and #2F4124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #404325 shade: #0C0C06, #252715, #3E4124, #585C32 and #717741

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #404325 shade: #404325, #24412D and #382441

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #404325 shade: #404325, #243E41 and #41243E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #404325 shade: #404325, #24412D, #272441 and #412438

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #404325 shade: #404325, #244135, #272441 and #412430

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 45 / 74

HEX #404325

RGB 64 67 37

HSL 66, 0.29%, 0.2%

LAB 27.4, -6.79, 17.79

 

Complementary color

CMYK 12 / 14 / 0 / 15

HEX #BFBCDA

RGB 191 188 218

HSL 246, 0.29%, 0.8%

LAB 77.34, 6.92, -14.62

 

CMYK 0 / 3 / 54 / 73

HEX #454320

RGB 69 67 32

HSL 56.76, 0.37%, 0.2%

LAB 27.8, -4.99, 21.41

 

CMYK 0 / 1 / 41 / 66

HEX #565533

RGB 86 85 51

HSL 58.29, 0.26%, 0.27%

LAB 35.43, -5.48, 19.99

 

CMYK 0 / 0 / 32 / 60

HEX #676746

RGB 103 103 70

HSL 60, 0.19%, 0.34%

LAB 42.8, -5.81, 18.68

 

CMYK 1 / 0 / 26 / 53

HEX #787959

RGB 120 121 89

HSL 61.88, 0.15%, 0.41%

LAB 49.96, -6.05, 17.48

 

CMYK 1 / 0 / 22 / 45

HEX #898B6C

RGB 137 139 108

HSL 63.87, 0.13%, 0.48%

LAB 56.94, -6.24, 16.38

 

CMYK 4 / 0 / 45 / 74

HEX #404325

RGB 64 67 37

HSL 66, 0.29%, 0.2%

LAB 27.4, -6.79, 17.79

 

CMYK 4 / 0 / 63 / 81

HEX #2F3112

RGB 47 49 18

HSL 63.87, 0.46%, 0.13%

LAB 19.41, -6.36, 19.23

 

CMYK 3 / 0 / 100 / 88

HEX #1E1F00

RGB 30 31 0

HSL 61.94, 1%, 0.06%

LAB 10.96, -5.74, 16.21

 

CMYK 0 / 0 / 100 / 95

HEX #0D0D00

RGB 13 13 0

HSL 60, 1%, 0.03%

LAB 3.37, -1.84, 5.02

 

CMYK 5 / 0 / 45 / 75

HEX #3E4124

RGB 62 65 36

HSL 66.21, 0.29%, 0.2%

LAB 26.54, -6.66, 17.27

 

CMYK 0 / 8 / 45 / 75

HEX #413C24

RGB 65 60 36

HSL 49.66, 0.29%, 0.2%

LAB 25.21, -2.06, 15.62

 

CMYK 0 / 20 / 45 / 75

HEX #413424

RGB 65 52 36

HSL 33.1, 0.29%, 0.2%

LAB 22.68, 3.14, 12.31

 

CMYK 0 / 32 / 45 / 75

HEX #412C24

RGB 65 44 36

HSL 16.55, 0.29%, 0.2%

LAB 20.25, 8.47, 9.05

 

CMYK 0 / 45 / 45 / 75

HEX #412424

RGB 65 36 36

HSL 0, 0.29%, 0.2%

LAB 17.98, 13.8, 5.91

 

CMYK 5 / 0 / 45 / 75

HEX #3E4124

RGB 62 65 36

HSL 66.21, 0.29%, 0.2%

LAB 26.54, -6.66, 17.27

 

CMYK 17 / 0 / 45 / 75

HEX #364124

RGB 54 65 36

HSL 82.76, 0.29%, 0.2%

LAB 25.84, -10.43, 16.23

 

CMYK 29 / 0 / 45 / 75

HEX #2E4124

RGB 46 65 36

HSL 99.31, 0.29%, 0.2%

LAB 25.23, -14, 15.32

 

CMYK 42 / 0 / 45 / 75

HEX #264124

RGB 38 65 36

HSL 115.86, 0.29%, 0.2%

LAB 24.7, -17.29, 14.54

 

CMYK 45 / 0 / 37 / 75

HEX #244129

RGB 36 65 41

HSL 130.34, 0.29%, 0.2%

LAB 24.69, -17.05, 11.32

 

CMYK 5 / 0 / 45 / 75

HEX #3E4124

RGB 62 65 36

HSL 66.21, 0.29%, 0.2%

LAB 26.54, -6.66, 17.27

 

CMYK 7 / 0 / 64 / 71

HEX #454A1B

RGB 69 74 27

HSL 66.38, 0.47%, 0.2%

LAB 30.01, -9.74, 26.81

 

CMYK 7 / 0 / 77 / 68

HEX #4C5213

RGB 76 82 19

HSL 65.71, 0.62%, 0.2%

LAB 33.17, -11.61, 34.17

 

CMYK 9 / 0 / 88 / 65

HEX #525A0B

RGB 82 90 11

HSL 66.08, 0.78%, 0.2%

LAB 36.23, -13.62, 40.07

 

CMYK 9 / 0 / 97 / 62

HEX #596203

RGB 89 98 3

HSL 65.68, 0.94%, 0.2%

LAB 39.35, -14.96, 45.11

 

CMYK 5 / 0 / 45 / 75

HEX #3E4124

RGB 62 65 36

HSL 66.21, 0.29%, 0.2%

LAB 26.54, -6.66, 17.27

 

CMYK 2 / 0 / 23 / 78

HEX #38392C

RGB 56 57 44

HSL 64.62, 0.13%, 0.2%

LAB 23.5, -3.15, 7.98

 

CMYK 6 / 6 / 0 / 80

HEX #313134

RGB 49 49 52

HSL 240, 0.03%, 0.2%

LAB 20.43, 0.72, -1.91

 

CMYK 28 / 32 / 0 / 76

HEX #2B293C

RGB 43 41 60

HSL 246.32, 0.19%, 0.2%

LAB 17.58, 6.01, -11.79

 

CMYK 48 / 54 / 0 / 73

HEX #242045

RGB 36 32 69

HSL 246.49, 0.37%, 0.2%

LAB 14.61, 13.06, -22.74

 

CMYK 0 / 20 / 45 / 75

HEX #413424

RGB 65 52 36

HSL 33.1, 0.29%, 0.2%

LAB 22.68, 3.14, 12.31

 

CMYK 0 / 8 / 45 / 75

HEX #413C24

RGB 65 60 36

HSL 49.66, 0.29%, 0.2%

LAB 25.21, -2.06, 15.62

 

CMYK 5 / 0 / 45 / 75

HEX #3E4124

RGB 62 65 36

HSL 66.21, 0.29%, 0.2%

LAB 26.54, -6.66, 17.27

 

CMYK 17 / 0 / 45 / 75

HEX #364124

RGB 54 65 36

HSL 82.76, 0.29%, 0.2%

LAB 25.84, -10.43, 16.23

 

CMYK 28 / 0 / 45 / 75

HEX #2F4124

RGB 47 65 36

HSL 97.24, 0.29%, 0.2%

LAB 25.3, -13.57, 15.43

 

CMYK 0 / 0 / 50 / 95

HEX #0C0C06

RGB 12 12 6

HSL 60, 0.33%, 0.04%

LAB 3.2, -0.85, 2.31

 

CMYK 5 / 0 / 46 / 85

HEX #252715

RGB 37 39 21

HSL 66.67, 0.3%, 0.12%

LAB 14.95, -4.61, 11.61

 

CMYK 5 / 0 / 45 / 75

HEX #3E4124

RGB 62 65 36

HSL 66.21, 0.29%, 0.2%

LAB 26.54, -6.66, 17.27

 

CMYK 4 / 0 / 46 / 64

HEX #585C32

RGB 88 92 50

HSL 65.71, 0.3%, 0.28%

LAB 37.77, -8.81, 23.58

 

CMYK 5 / 0 / 45 / 53

HEX #717741

RGB 113 119 65

HSL 66.67, 0.29%, 0.36%

LAB 48.37, -11.14, 28.84

 

CMYK 4 / 0 / 45 / 74

HEX #404325

RGB 64 67 37

HSL 66, 0.29%, 0.2%

LAB 27.4, -6.79, 17.79

 

CMYK 45 / 0 / 31 / 75

HEX #24412D

RGB 36 65 45

HSL 138.62, 0.29%, 0.2%

LAB 24.78, -16.18, 8.86

 

CMYK 14 / 45 / 0 / 75

HEX #382441

RGB 56 36 65

HSL 281.38, 0.29%, 0.2%

LAB 17.85, 15.83, -14.72

 

CMYK 4 / 0 / 45 / 74

HEX #404325

RGB 64 67 37

HSL 66, 0.29%, 0.2%

LAB 27.4, -6.79, 17.79

 

CMYK 45 / 5 / 0 / 75

HEX #243E41

RGB 36 62 65

HSL 186.21, 0.29%, 0.2%

LAB 24.33, -9.01, -4.99

 

CMYK 0 / 45 / 5 / 75

HEX #41243E

RGB 65 36 62

HSL 306.21, 0.29%, 0.2%

LAB 18.94, 18.54, -10.85

 

CMYK 4 / 0 / 45 / 74

HEX #404325

RGB 64 67 37

HSL 66, 0.29%, 0.2%

LAB 27.4, -6.79, 17.79

 

CMYK 45 / 0 / 31 / 75

HEX #24412D

RGB 36 65 45

HSL 138.62, 0.29%, 0.2%

LAB 24.78, -16.18, 8.86

 

CMYK 40 / 45 / 0 / 75

HEX #272441

RGB 39 36 65

HSL 246.21, 0.29%, 0.2%

LAB 15.87, 9.74, -17.95

 

CMYK 0 / 45 / 14 / 75

HEX #412438

RGB 65 36 56

HSL 318.62, 0.29%, 0.2%

LAB 18.68, 17.27, -7.09

 

CMYK 4 / 0 / 45 / 74

HEX #404325

RGB 64 67 37

HSL 66, 0.29%, 0.2%

LAB 27.4, -6.79, 17.79

 

CMYK 45 / 0 / 18 / 75

HEX #244135

RGB 36 65 53

HSL 155.17, 0.29%, 0.2%

LAB 24.99, -14.23, 3.92

 

CMYK 40 / 45 / 0 / 75

HEX #272441

RGB 39 36 65

HSL 246.21, 0.29%, 0.2%

LAB 15.87, 9.74, -17.95

 

CMYK 0 / 45 / 26 / 75

HEX #412430

RGB 65 36 48

HSL 335.17, 0.29%, 0.2%

LAB 18.36, 15.74, -1.97

 

Description

Color code: HEX #404325 | qconv.com Color code: HEX #404325 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 67 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 67 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 45 yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 45% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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