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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #404BCB it is the complementary color #BFB434. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #404BCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #404BCB shade: #454BC6, #565DD9, #676FEC, #7881FF and #8993FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #404BCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #404BCB shade: #404BCB, #2F39B8, #1E27A5, #0D1592 and #00037F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #404BCB shade: #3E49CA, #593ECA, #7F3ECA, #A43ECA and #CA3ECA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #404BCB shade: #3E49CA and #3E3ECA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #404BCB shade matches the following richer shades: #3E49CA, #2B39DE and #1728F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #404BCB shade: #3E49CA, #525AB6, #666BA2, #7A7B8E and #8E8C7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #404BCB shade: #3E94CA, #3E6FCA, #3E4ACA, #583ECA and #7D3ECA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #404BCB shade: #272F8F, #303AAF, #3E49CA, #5F68D3 and #7F86DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #404BCB shade: #404BCB, #CA3EBA and #82CA3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #404BCB shade: #404BCB, #CA3E4A and #4ACA3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #404BCB shade: #404BCB, #CA3EBA, #CABE3E and #3ECA4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #404BCB shade: #404BCB, #CA3E90, #CABE3E and #3ECA78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 63 / 0 / 20

HEX #404BCB

RGB 64 75 203

HSL 235.25, 0.57%, 0.52%

LAB 38.61, 37.25, -67.69

 

Complementary color

CMYK 0 / 6 / 73 / 25

HEX #BFB434

RGB 191 180 52

HSL 55.25, 0.57%, 0.48%

LAB 72.21, -10.48, 62.73

 

CMYK 65 / 62 / 0 / 22

HEX #454BC6

RGB 69 75 198

HSL 237.21, 0.53%, 0.52%

LAB 38.51, 36.24, -64.95

 

CMYK 60 / 57 / 0 / 15

HEX #565DD9

RGB 86 93 217

HSL 236.79, 0.63%, 0.59%

LAB 45.38, 34.18, -64.65

 

CMYK 56 / 53 / 0 / 7

HEX #676FEC

RGB 103 111 236

HSL 236.39, 0.78%, 0.66%

LAB 52.18, 32.41, -64.32

 

CMYK 53 / 49 / 0 / 0

HEX #7881FF

RGB 120 129 255

HSL 236, 1%, 0.74%

LAB 58.89, 30.88, -63.99

 

CMYK 46 / 42 / 0 / 0

HEX #8993FF

RGB 137 147 255

HSL 234.92, 1%, 0.77%

LAB 64.49, 23.98, -54.99

 

CMYK 68 / 63 / 0 / 20

HEX #404BCB

RGB 64 75 203

HSL 235.25, 0.57%, 0.52%

LAB 38.61, 37.25, -67.69

 

CMYK 74 / 69 / 0 / 28

HEX #2F39B8

RGB 47 57 184

HSL 235.62, 0.59%, 0.45%

LAB 31.79, 39.79, -67.79

 

CMYK 82 / 76 / 0 / 35

HEX #1E27A5

RGB 30 39 165

HSL 236, 0.69%, 0.38%

LAB 25.09, 42.5, -67.5

 

CMYK 91 / 86 / 0 / 43

HEX #0D1592

RGB 13 21 146

HSL 236.39, 0.84%, 0.31%

LAB 18.79, 44.87, -66.32

 

CMYK 100 / 98 / 0 / 50

HEX #00037F

RGB 0 3 127

HSL 238.58, 1%, 0.25%

LAB 13.21, 45.99, -63.67

 

CMYK 69 / 64 / 0 / 21

HEX #3E49CA

RGB 62 73 202

HSL 235.29, 0.57%, 0.52%

LAB 37.94, 37.89, -68.22

 

CMYK 56 / 69 / 0 / 21

HEX #593ECA

RGB 89 62 202

HSL 251.57, 0.57%, 0.52%

LAB 37.54, 48.16, -68.79

 

CMYK 37 / 69 / 0 / 21

HEX #7F3ECA

RGB 127 62 202

HSL 267.86, 0.57%, 0.52%

LAB 41.57, 54.79, -62.05

 

CMYK 19 / 69 / 0 / 21

HEX #A43ECA

RGB 164 62 202

HSL 283.71, 0.57%, 0.52%

LAB 46.45, 62.3, -53.92

 

CMYK 0 / 69 / 0 / 21

HEX #CA3ECA

RGB 202 62 202

HSL 300, 0.57%, 0.52%

LAB 52.14, 70.53, -44.51

 

CMYK 69 / 64 / 0 / 21

HEX #3E49CA

RGB 62 73 202

HSL 235.29, 0.57%, 0.52%

LAB 37.94, 37.89, -68.22

 

CMYK 69 / 69 / 0 / 21

HEX #3E3ECA

RGB 62 62 202

HSL 240, 0.57%, 0.52%

LAB 35.47, 44.53, -72.27

 

CMYK 69 / 64 / 0 / 21

HEX #3E49CA

RGB 62 73 202

HSL 235.29, 0.57%, 0.52%

LAB 37.94, 37.89, -68.22

 

CMYK 81 / 74 / 0 / 13

HEX #2B39DE

RGB 43 57 222

HSL 235.31, 0.73%, 0.52%

LAB 35.43, 52.35, -83.92

 

CMYK 90 / 83 / 0 / 5

HEX #1728F1

RGB 23 40 241

HSL 235.32, 0.89%, 0.52%

LAB 34.09, 65.76, -96.98

 

CMYK 69 / 64 / 0 / 21

HEX #3E49CA

RGB 62 73 202

HSL 235.29, 0.57%, 0.52%

LAB 37.94, 37.89, -68.22

 

CMYK 55 / 51 / 0 / 29

HEX #525AB6

RGB 82 90 182

HSL 235.2, 0.41%, 0.52%

LAB 41.97, 23.75, -49.95

 

CMYK 37 / 34 / 0 / 36

HEX #666BA2

RGB 102 107 162

HSL 235, 0.24%, 0.52%

LAB 46.91, 11.98, -30.28

 

CMYK 14 / 13 / 0 / 44

HEX #7A7B8E

RGB 122 123 142

HSL 237, 0.08%, 0.52%

LAB 52.13, 3.71, -10.4

 

CMYK 0 / 1 / 13 / 44

HEX #8E8C7B

RGB 142 140 123

HSL 53.68, 0.08%, 0.52%

LAB 57.98, -2.36, 9.35

 

CMYK 69 / 27 / 0 / 21

HEX #3E94CA

RGB 62 148 202

HSL 203.14, 0.57%, 0.52%

LAB 58.48, -8.38, -35.34

 

CMYK 69 / 45 / 0 / 21

HEX #3E6FCA

RGB 62 111 202

HSL 219, 0.57%, 0.52%

LAB 47.83, 13.78, -52.2

 

CMYK 69 / 63 / 0 / 21

HEX #3E4ACA

RGB 62 74 202

HSL 234.86, 0.57%, 0.52%

LAB 38.17, 37.27, -67.83

 

CMYK 56 / 69 / 0 / 21

HEX #583ECA

RGB 88 62 202

HSL 251.14, 0.57%, 0.52%

LAB 37.45, 48, -68.94

 

CMYK 38 / 69 / 0 / 21

HEX #7D3ECA

RGB 125 62 202

HSL 267, 0.57%, 0.52%

LAB 41.33, 54.41, -62.45

 

CMYK 73 / 67 / 0 / 44

HEX #272F8F

RGB 39 47 143

HSL 235.38, 0.57%, 0.36%

LAB 25.1, 30.53, -53.99

 

CMYK 73 / 67 / 0 / 31

HEX #303AAF

RGB 48 58 175

HSL 235.28, 0.57%, 0.44%

LAB 31.23, 36.11, -63.35

 

CMYK 69 / 64 / 0 / 21

HEX #3E49CA

RGB 62 73 202

HSL 235.29, 0.57%, 0.52%

LAB 37.94, 37.89, -68.22

 

CMYK 55 / 51 / 0 / 17

HEX #5F68D3

RGB 95 104 211

HSL 235.34, 0.57%, 0.6%

LAB 48.31, 27.13, -56.48

 

CMYK 42 / 39 / 0 / 14

HEX #7F86DC

RGB 127 134 220

HSL 235.48, 0.57%, 0.68%

LAB 58.72, 19.09, -44.83

 

CMYK 68 / 63 / 0 / 20

HEX #404BCB

RGB 64 75 203

HSL 235.25, 0.57%, 0.52%

LAB 38.61, 37.25, -67.69

 

CMYK 0 / 69 / 8 / 21

HEX #CA3EBA

RGB 202 62 186

HSL 306.86, 0.57%, 0.52%

LAB 51.32, 68.01, -36.55

 

CMYK 36 / 0 / 69 / 21

HEX #82CA3E

RGB 130 202 62

HSL 90.86, 0.57%, 0.52%

LAB 74.4, -44.77, 59.85

 

CMYK 68 / 63 / 0 / 20

HEX #404BCB

RGB 64 75 203

HSL 235.25, 0.57%, 0.52%

LAB 38.61, 37.25, -67.69

 

CMYK 0 / 69 / 63 / 21

HEX #CA3E4A

RGB 202 62 74

HSL 354.86, 0.57%, 0.52%

LAB 47.62, 55.74, 25.15

 

CMYK 63 / 0 / 69 / 21

HEX #4ACA3E

RGB 74 202 62

HSL 114.86, 0.57%, 0.52%

LAB 72.26, -60.86, 56.95

 

CMYK 68 / 63 / 0 / 20

HEX #404BCB

RGB 64 75 203

HSL 235.25, 0.57%, 0.52%

LAB 38.61, 37.25, -67.69

 

CMYK 0 / 69 / 8 / 21

HEX #CA3EBA

RGB 202 62 186

HSL 306.86, 0.57%, 0.52%

LAB 51.32, 68.01, -36.55

 

CMYK 0 / 6 / 69 / 21

HEX #CABE3E

RGB 202 190 62

HSL 54.86, 0.57%, 0.52%

LAB 75.9, -10.41, 62.95

 

CMYK 69 / 0 / 61 / 21

HEX #3ECA4F

RGB 62 202 79

HSL 127.29, 0.57%, 0.52%

LAB 72.11, -61.52, 49.64

 

CMYK 68 / 63 / 0 / 20

HEX #404BCB

RGB 64 75 203

HSL 235.25, 0.57%, 0.52%

LAB 38.61, 37.25, -67.69

 

CMYK 0 / 69 / 29 / 21

HEX #CA3E90

RGB 202 62 144

HSL 324.86, 0.57%, 0.52%

LAB 49.51, 62.2, -14.56

 

CMYK 0 / 6 / 69 / 21

HEX #CABE3E

RGB 202 190 62

HSL 54.86, 0.57%, 0.52%

LAB 75.9, -10.41, 62.95

 

CMYK 69 / 0 / 41 / 21

HEX #3ECA78

RGB 62 202 120

HSL 144.86, 0.57%, 0.52%

LAB 72.64, -55.45, 30.39

 

Description

Color code: HEX #404BCB | qconv.com Color code: HEX #404BCB | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 75 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 75 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 63 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 63% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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