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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #404C4E it is the complementary color #BFB3B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #404C4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #404C4E shade: #454C49, #565E5C, #67706F, #788282 and #899495

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #404C4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #404C4E shade: #404C4E, #2F3A3B, #1E2828, #0D1615 and #000402

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #404C4E shade: #404C4E, #40484E, #40444E, #40404E and #43404E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #404C4E shade: #404C4E, #40484E, #40444E, #40404E and #40404E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #404C4E shade matches the following richer shades: #404C4E, #34545A, #295D65, #1D6571 and #126D7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #404C4E shade: #404C4E, #4B4442, #573B37, #62332B and #6E2B20

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #404C4E shade: #404E48, #404E4C, #404C4E, #40484E and #40454E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #404C4E shade: #1B2021, #2D3637, #404C4E, #526265 and #65787B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #404C4E shade: #404C4E, #45404E and #4E4A40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #404C4E shade: #404C4E, #4E404C and #4C4E40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #404C4E shade: #404C4E, #45404E, #4E4240 and #494E40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #404C4E shade: #404C4E, #49404E, #4E4240 and #454E40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 3 / 0 / 69

HEX #404C4E

RGB 64 76 78

HSL 188.57, 0.1%, 0.28%

LAB 31.37, -4.27, -2.8

 

Complementary color

CMYK 0 / 6 / 7 / 25

HEX #BFB3B1

RGB 191 179 177

HSL 8.57, 0.1%, 0.72%

LAB 73.86, 3.92, 2.54

 

CMYK 9 / 0 / 4 / 70

HEX #454C49

RGB 69 76 73

HSL 154.29, 0.05%, 0.28%

LAB 31.61, -3.51, 0.81

 

CMYK 9 / 0 / 2 / 63

HEX #565E5C

RGB 86 94 92

HSL 165, 0.04%, 0.35%

LAB 39.17, -3.55, 0.07

 

CMYK 8 / 0 / 1 / 56

HEX #67706F

RGB 103 112 111

HSL 173.33, 0.04%, 0.42%

LAB 46.47, -3.61, -0.62

 

CMYK 8 / 0 / 0 / 49

HEX #788282

RGB 120 130 130

HSL 180, 0.04%, 0.49%

LAB 53.57, -3.67, -1.27

 

CMYK 8 / 1 / 0 / 42

HEX #899495

RGB 137 148 149

HSL 185, 0.05%, 0.56%

LAB 60.49, -3.74, -1.89

 

CMYK 18 / 3 / 0 / 69

HEX #404C4E

RGB 64 76 78

HSL 188.57, 0.1%, 0.28%

LAB 31.37, -4.27, -2.8

 

CMYK 20 / 2 / 0 / 77

HEX #2F3A3B

RGB 47 58 59

HSL 185, 0.11%, 0.21%

LAB 23.49, -4.28, -2.15

 

CMYK 25 / 0 / 0 / 84

HEX #1E2828

RGB 30 40 40

HSL 180, 0.14%, 0.14%

LAB 15.21, -4.33, -1.44

 

CMYK 41 / 0 / 5 / 91

HEX #0D1615

RGB 13 22 21

HSL 173.33, 0.26%, 0.07%

LAB 6.45, -3.68, -0.56

 

CMYK 100 / 0 / 50 / 98

HEX #000402

RGB 0 4 2

HSL 150, 1%, 0.01%

LAB 0.82, -1.32, 0.39

 

CMYK 18 / 3 / 0 / 69

HEX #404C4E

RGB 64 76 78

HSL 188.57, 0.1%, 0.28%

LAB 31.37, -4.27, -2.8

 

CMYK 18 / 8 / 0 / 69

HEX #40484E

RGB 64 72 78

HSL 205.71, 0.1%, 0.28%

LAB 30.1, -1.76, -4.68

 

CMYK 18 / 13 / 0 / 69

HEX #40444E

RGB 64 68 78

HSL 222.86, 0.1%, 0.28%

LAB 28.84, 0.8, -6.57

 

CMYK 18 / 18 / 0 / 69

HEX #40404E

RGB 64 64 78

HSL 240, 0.1%, 0.28%

LAB 27.59, 3.4, -8.44

 

CMYK 14 / 18 / 0 / 69

HEX #43404E

RGB 67 64 78

HSL 252.86, 0.1%, 0.28%

LAB 27.87, 4.56, -7.99

 

CMYK 18 / 3 / 0 / 69

HEX #404C4E

RGB 64 76 78

HSL 188.57, 0.1%, 0.28%

LAB 31.37, -4.27, -2.8

 

CMYK 18 / 8 / 0 / 69

HEX #40484E

RGB 64 72 78

HSL 205.71, 0.1%, 0.28%

LAB 30.1, -1.76, -4.68

 

CMYK 18 / 13 / 0 / 69

HEX #40444E

RGB 64 68 78

HSL 222.86, 0.1%, 0.28%

LAB 28.84, 0.8, -6.57

 

CMYK 18 / 18 / 0 / 69

HEX #40404E

RGB 64 64 78

HSL 240, 0.1%, 0.28%

LAB 27.59, 3.4, -8.44

 

CMYK 18 / 18 / 0 / 69

HEX #40404E

RGB 64 64 78

HSL 240, 0.1%, 0.28%

LAB 27.59, 3.4, -8.44

 

CMYK 18 / 3 / 0 / 69

HEX #404C4E

RGB 64 76 78

HSL 188.57, 0.1%, 0.28%

LAB 31.37, -4.27, -2.8

 

CMYK 42 / 7 / 0 / 65

HEX #34545A

RGB 52 84 90

HSL 189.47, 0.27%, 0.28%

LAB 33.58, -9.96, -7.21

 

CMYK 59 / 8 / 0 / 60

HEX #295D65

RGB 41 93 101

HSL 188, 0.42%, 0.28%

LAB 36.44, -14.7, -9.84

 

CMYK 74 / 11 / 0 / 56

HEX #1D6571

RGB 29 101 113

HSL 188.57, 0.59%, 0.28%

LAB 39.17, -17.42, -13.13

 

CMYK 85 / 12 / 0 / 51

HEX #126D7C

RGB 18 109 124

HSL 188.49, 0.75%, 0.28%

LAB 42.03, -19.28, -15.48

 

CMYK 18 / 3 / 0 / 69

HEX #404C4E

RGB 64 76 78

HSL 188.57, 0.1%, 0.28%

LAB 31.37, -4.27, -2.8

 

CMYK 0 / 9 / 12 / 71

HEX #4B4442

RGB 75 68 66

HSL 13.33, 0.06%, 0.28%

LAB 29.47, 2.56, 2.28

 

CMYK 0 / 32 / 37 / 66

HEX #573B37

RGB 87 59 55

HSL 7.5, 0.23%, 0.28%

LAB 27.93, 11.76, 7.43

 

CMYK 0 / 48 / 56 / 62

HEX #62332B

RGB 98 51 43

HSL 8.73, 0.39%, 0.28%

LAB 27.13, 20.21, 14.45

 

CMYK 0 / 61 / 71 / 57

HEX #6E2B20

RGB 110 43 32

HSL 8.46, 0.55%, 0.28%

LAB 27.15, 28.99, 21.96

 

CMYK 18 / 0 / 8 / 69

HEX #404E48

RGB 64 78 72

HSL 154.29, 0.1%, 0.28%

LAB 31.82, -6.95, 1.7

 

CMYK 18 / 0 / 3 / 69

HEX #404E4C

RGB 64 78 76

HSL 171.43, 0.1%, 0.28%

LAB 31.94, -6, -0.67

 

CMYK 18 / 3 / 0 / 69

HEX #404C4E

RGB 64 76 78

HSL 188.57, 0.1%, 0.28%

LAB 31.37, -4.27, -2.8

 

CMYK 18 / 8 / 0 / 69

HEX #40484E

RGB 64 72 78

HSL 205.71, 0.1%, 0.28%

LAB 30.1, -1.76, -4.68

 

CMYK 18 / 12 / 0 / 69

HEX #40454E

RGB 64 69 78

HSL 218.57, 0.1%, 0.28%

LAB 29.15, 0.15, -6.1

 

CMYK 18 / 3 / 0 / 87

HEX #1B2021

RGB 27 32 33

HSL 190, 0.1%, 0.12%

LAB 11.8, -2.01, -1.46

 

CMYK 18 / 2 / 0 / 78

HEX #2D3637

RGB 45 54 55

HSL 186, 0.1%, 0.2%

LAB 21.84, -3.52, -1.91

 

CMYK 18 / 3 / 0 / 69

HEX #404C4E

RGB 64 76 78

HSL 188.57, 0.1%, 0.28%

LAB 31.37, -4.27, -2.8

 

CMYK 19 / 3 / 0 / 60

HEX #526265

RGB 82 98 101

HSL 189.47, 0.1%, 0.36%

LAB 40.36, -5.35, -3.75

 

CMYK 18 / 2 / 0 / 52

HEX #65787B

RGB 101 120 123

HSL 188.18, 0.1%, 0.44%

LAB 49.04, -6.26, -3.99

 

CMYK 18 / 3 / 0 / 69

HEX #404C4E

RGB 64 76 78

HSL 188.57, 0.1%, 0.28%

LAB 31.37, -4.27, -2.8

 

CMYK 12 / 18 / 0 / 69

HEX #45404E

RGB 69 64 78

HSL 261.43, 0.1%, 0.28%

LAB 28.07, 5.34, -7.68

 

CMYK 0 / 5 / 18 / 69

HEX #4E4A40

RGB 78 74 64

HSL 42.86, 0.1%, 0.28%

LAB 31.55, -0.32, 6.57

 

CMYK 18 / 3 / 0 / 69

HEX #404C4E

RGB 64 76 78

HSL 188.57, 0.1%, 0.28%

LAB 31.37, -4.27, -2.8

 

CMYK 0 / 18 / 3 / 69

HEX #4E404C

RGB 78 64 76

HSL 308.57, 0.1%, 0.28%

LAB 28.92, 8.5, -4.99

 

CMYK 3 / 0 / 18 / 69

HEX #4C4E40

RGB 76 78 64

HSL 68.57, 0.1%, 0.28%

LAB 32.6, -3.67, 8.03

 

CMYK 18 / 3 / 0 / 69

HEX #404C4E

RGB 64 76 78

HSL 188.57, 0.1%, 0.28%

LAB 31.37, -4.27, -2.8

 

CMYK 12 / 18 / 0 / 69

HEX #45404E

RGB 69 64 78

HSL 261.43, 0.1%, 0.28%

LAB 28.07, 5.34, -7.68

 

CMYK 0 / 15 / 18 / 69

HEX #4E4240

RGB 78 66 64

HSL 8.57, 0.1%, 0.28%

LAB 29.12, 4.76, 3.12

 

CMYK 6 / 0 / 18 / 69

HEX #494E40

RGB 73 78 64

HSL 81.43, 0.1%, 0.28%

LAB 32.34, -4.96, 7.62

 

CMYK 18 / 3 / 0 / 69

HEX #404C4E

RGB 64 76 78

HSL 188.57, 0.1%, 0.28%

LAB 31.37, -4.27, -2.8

 

CMYK 6 / 18 / 0 / 69

HEX #49404E

RGB 73 64 78

HSL 278.57, 0.1%, 0.28%

LAB 28.47, 6.93, -7.03

 

CMYK 0 / 15 / 18 / 69

HEX #4E4240

RGB 78 66 64

HSL 8.57, 0.1%, 0.28%

LAB 29.12, 4.76, 3.12

 

CMYK 12 / 0 / 18 / 69

HEX #454E40

RGB 69 78 64

HSL 98.57, 0.1%, 0.28%

LAB 32, -6.66, 7.09

 

Description

Color code: HEX #404C4E | qconv.com Color code: HEX #404C4E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 76 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 76 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 3 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 3% 0% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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