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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40556C it is the complementary color #BFAA93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40556C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40556C shade: #455567, #56677A, #67798D, #788BA0 and #899DB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40556C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40556C shade: #40556C, #2F4359, #1E3146, #0D1F33 and #000D20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40556C shade: #40556D, #40496D, #42406D, #4F406D and #5B406D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40556C shade: #40556D, #40496D and #40406D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40556C shade matches the following richer shades: #40556D, #32557B, #245489, #165397 and #0853A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40556C shade: #40556D, #4E565F, #5C5651, #6A5743 and #785835

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40556C shade: #406D6C, #40616D, #40556D, #40496D and #42406D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40556C shade: #212C39, #304153, #40556D, #4F6A87 and #5E7EA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40556C shade: #40556C, #60406D and #676D40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40556C shade: #40556C, #6D4055 and #556D40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40556C shade: #40556C, #60406D, #6D5740 and #4C6D40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40556C shade: #40556C, #6D406C, #6D5740 and #406D40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 21 / 0 / 58

HEX #40556C

RGB 64 85 108

HSL 211.36, 0.26%, 0.34%

LAB 35.34, -1.54, -15.77

 

Complementary color

CMYK 0 / 11 / 23 / 25

HEX #BFAA93

RGB 191 170 147

HSL 31.36, 0.26%, 0.66%

LAB 70.82, 3.94, 14.64

 

CMYK 33 / 17 / 0 / 60

HEX #455567

RGB 69 85 103

HSL 211.76, 0.2%, 0.34%

LAB 35.48, -1.41, -12.4

 

CMYK 30 / 16 / 0 / 52

HEX #56677A

RGB 86 103 122

HSL 211.67, 0.17%, 0.41%

LAB 42.89, -1.61, -12.71

 

CMYK 27 / 14 / 0 / 45

HEX #67798D

RGB 103 121 141

HSL 211.58, 0.16%, 0.48%

LAB 50.07, -1.78, -13.05

 

CMYK 25 / 13 / 0 / 37

HEX #788BA0

RGB 120 139 160

HSL 211.5, 0.17%, 0.55%

LAB 57.07, -1.93, -13.39

 

CMYK 23 / 12 / 0 / 30

HEX #899DB3

RGB 137 157 179

HSL 211.43, 0.22%, 0.62%

LAB 63.91, -2.07, -13.75

 

CMYK 41 / 21 / 0 / 58

HEX #40556C

RGB 64 85 108

HSL 211.36, 0.26%, 0.34%

LAB 35.34, -1.54, -15.77

 

CMYK 47 / 25 / 0 / 65

HEX #2F4359

RGB 47 67 89

HSL 211.43, 0.31%, 0.27%

LAB 27.68, -1.15, -15.58

 

CMYK 57 / 30 / 0 / 73

HEX #1E3146

RGB 30 49 70

HSL 211.5, 0.4%, 0.2%

LAB 19.7, -0.58, -15.44

 

CMYK 75 / 39 / 0 / 80

HEX #0D1F33

RGB 13 31 51

HSL 211.58, 0.59%, 0.13%

LAB 11.31, 0.43, -15.39

 

CMYK 100 / 59 / 0 / 87

HEX #000D20

RGB 0 13 32

HSL 215.63, 1%, 0.06%

LAB 3.54, 1.31, -13.39

 

CMYK 41 / 22 / 0 / 57

HEX #40556D

RGB 64 85 109

HSL 212, 0.26%, 0.34%

LAB 35.38, -1.24, -16.32

 

CMYK 41 / 33 / 0 / 57

HEX #40496D

RGB 64 73 109

HSL 228, 0.26%, 0.34%

LAB 31.71, 6.46, -22

 

CMYK 39 / 41 / 0 / 57

HEX #42406D

RGB 66 64 109

HSL 242.67, 0.26%, 0.34%

LAB 29.23, 13.01, -25.88

 

CMYK 28 / 41 / 0 / 57

HEX #4F406D

RGB 79 64 109

HSL 260, 0.26%, 0.34%

LAB 30.48, 17.1, -23.83

 

CMYK 17 / 41 / 0 / 57

HEX #5B406D

RGB 91 64 109

HSL 276, 0.26%, 0.34%

LAB 31.8, 21.1, -21.68

 

CMYK 41 / 22 / 0 / 57

HEX #40556D

RGB 64 85 109

HSL 212, 0.26%, 0.34%

LAB 35.38, -1.24, -16.32

 

CMYK 41 / 33 / 0 / 57

HEX #40496D

RGB 64 73 109

HSL 228, 0.26%, 0.34%

LAB 31.71, 6.46, -22

 

CMYK 41 / 41 / 0 / 57

HEX #40406D

RGB 64 64 109

HSL 240, 0.26%, 0.34%

LAB 29.06, 12.41, -26.17

 

CMYK 41 / 22 / 0 / 57

HEX #40556D

RGB 64 85 109

HSL 212, 0.26%, 0.34%

LAB 35.38, -1.24, -16.32

 

CMYK 59 / 31 / 0 / 52

HEX #32557B

RGB 50 85 123

HSL 211.23, 0.42%, 0.34%

LAB 35.21, -0.36, -25.34

 

CMYK 74 / 39 / 0 / 46

HEX #245489

RGB 36 84 137

HSL 211.49, 0.58%, 0.34%

LAB 35.05, 2.8, -34.24

 

CMYK 85 / 45 / 0 / 41

HEX #165397

RGB 22 83 151

HSL 211.63, 0.75%, 0.34%

LAB 35.19, 7.35, -42.56

 

CMYK 95 / 50 / 0 / 35

HEX #0853A5

RGB 8 83 165

HSL 211.34, 0.91%, 0.34%

LAB 35.9, 12.23, -49.84

 

CMYK 41 / 22 / 0 / 57

HEX #40556D

RGB 64 85 109

HSL 212, 0.26%, 0.34%

LAB 35.38, -1.24, -16.32

 

CMYK 18 / 9 / 0 / 63

HEX #4E565F

RGB 78 86 95

HSL 211.76, 0.1%, 0.34%

LAB 36.18, -1.01, -6.28

 

CMYK 0 / 7 / 12 / 64

HEX #5C5651

RGB 92 86 81

HSL 27.27, 0.06%, 0.34%

LAB 36.98, 1.45, 3.78

 

CMYK 0 / 18 / 37 / 58

HEX #6A5743

RGB 106 87 67

HSL 30.77, 0.23%, 0.34%

LAB 38.35, 4.61, 14.56

 

CMYK 0 / 27 / 56 / 53

HEX #785835

RGB 120 88 53

HSL 31.34, 0.39%, 0.34%

LAB 39.96, 8.75, 25.3

 

CMYK 41 / 0 / 1 / 57

HEX #406D6C

RGB 64 109 108

HSL 178.67, 0.26%, 0.34%

LAB 42.93, -15.7, -4.32

 

CMYK 41 / 11 / 0 / 57

HEX #40616D

RGB 64 97 109

HSL 196, 0.26%, 0.34%

LAB 39.15, -8.54, -10.59

 

CMYK 41 / 22 / 0 / 57

HEX #40556D

RGB 64 85 109

HSL 212, 0.26%, 0.34%

LAB 35.38, -1.24, -16.32

 

CMYK 41 / 33 / 0 / 57

HEX #40496D

RGB 64 73 109

HSL 228, 0.26%, 0.34%

LAB 31.71, 6.46, -22

 

CMYK 39 / 41 / 0 / 57

HEX #42406D

RGB 66 64 109

HSL 242.67, 0.26%, 0.34%

LAB 29.23, 13.01, -25.88

 

CMYK 42 / 23 / 0 / 78

HEX #212C39

RGB 33 44 57

HSL 212.5, 0.27%, 0.18%

LAB 17.55, -0.71, -9.82

 

CMYK 42 / 22 / 0 / 67

HEX #304153

RGB 48 65 83

HSL 210.86, 0.27%, 0.26%

LAB 26.83, -1.47, -12.98

 

CMYK 41 / 22 / 0 / 57

HEX #40556D

RGB 64 85 109

HSL 212, 0.26%, 0.34%

LAB 35.38, -1.24, -16.32

 

CMYK 41 / 21 / 0 / 47

HEX #4F6A87

RGB 79 106 135

HSL 211.07, 0.26%, 0.42%

LAB 43.83, -1.92, -19.15

 

CMYK 41 / 21 / 0 / 37

HEX #5E7EA0

RGB 94 126 160

HSL 210.91, 0.26%, 0.5%

LAB 51.66, -2.26, -21.8

 

CMYK 41 / 21 / 0 / 58

HEX #40556C

RGB 64 85 108

HSL 211.36, 0.26%, 0.34%

LAB 35.34, -1.54, -15.77

 

CMYK 12 / 41 / 0 / 57

HEX #60406D

RGB 96 64 109

HSL 282.67, 0.26%, 0.34%

LAB 32.39, 22.81, -20.72

 

CMYK 6 / 0 / 41 / 57

HEX #676D40

RGB 103 109 64

HSL 68, 0.26%, 0.34%

LAB 44.51, -10.05, 24.36

 

CMYK 41 / 21 / 0 / 58

HEX #40556C

RGB 64 85 108

HSL 211.36, 0.26%, 0.34%

LAB 35.34, -1.54, -15.77

 

CMYK 0 / 41 / 22 / 57

HEX #6D4055

RGB 109 64 85

HSL 332, 0.26%, 0.34%

LAB 33.08, 22.75, -4.21

 

CMYK 22 / 0 / 41 / 57

HEX #556D40

RGB 85 109 64

HSL 92, 0.26%, 0.34%

LAB 43.12, -17.69, 22.31

 

CMYK 41 / 21 / 0 / 58

HEX #40556C

RGB 64 85 108

HSL 211.36, 0.26%, 0.34%

LAB 35.34, -1.54, -15.77

 

CMYK 12 / 41 / 0 / 57

HEX #60406D

RGB 96 64 109

HSL 282.67, 0.26%, 0.34%

LAB 32.39, 22.81, -20.72

 

CMYK 0 / 20 / 41 / 57

HEX #6D5740

RGB 109 87 64

HSL 30.67, 0.26%, 0.34%

LAB 38.62, 5.56, 16.79

 

CMYK 30 / 0 / 41 / 57

HEX #4C6D40

RGB 76 109 64

HSL 104, 0.26%, 0.34%

LAB 42.53, -21.26, 21.42

 

CMYK 41 / 21 / 0 / 58

HEX #40556C

RGB 64 85 108

HSL 211.36, 0.26%, 0.34%

LAB 35.34, -1.54, -15.77

 

CMYK 0 / 41 / 1 / 57

HEX #6D406C

RGB 109 64 108

HSL 301.33, 0.26%, 0.34%

LAB 33.98, 27.08, -17.48

 

CMYK 0 / 20 / 41 / 57

HEX #6D5740

RGB 109 87 64

HSL 30.67, 0.26%, 0.34%

LAB 38.62, 5.56, 16.79

 

CMYK 41 / 0 / 41 / 57

HEX #406D40

RGB 64 109 64

HSL 120, 0.26%, 0.34%

LAB 41.84, -25.64, 20.4

 

Description

Color code: HEX #40556C | qconv.com Color code: HEX #40556C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 85 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 85 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 21 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 21% 0% 58% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - 93085626d47bcfe69992...
Link: http://static-images.app-liv.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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