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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #405609 it is the complementary color #BFA9F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #405609. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #405609 shade: #455604, #566817, #677A2A, #788C3D and #899E50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #405609. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #405609 shade: #405609, #2F4400, #1E3200, #0D2000 and #000E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #405609 shade: #415709, #565709, #574309, #572E09 and #571909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #405609 shade: #415709, #2C5709, #165709, #095710 and #095725

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #405609 shade matches the following richer shades: #415709 and #445F01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #405609 shade: #415709, #3D4F11, #3A4818, #374020 and #333828

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #405609 shade: #574409, #565709, #415709, #2C5709 and #175709

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #405609 shade: #090D01, #253205, #415709, #5D7D0D and #78A211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #405609 shade: #405609, #09572F and #4E0957

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #405609 shade: #405609, #094157 and #570941

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #405609 shade: #405609, #09572F, #1F0957 and #570931

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #405609 shade: #405609, #095746, #1F0957 and #57091A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 90 / 66

HEX #405609

RGB 64 86 9

HSL 77.14, 0.81%, 0.19%

LAB 33.49, -20.02, 37.73

 

Complementary color

CMYK 22 / 31 / 0 / 4

HEX #BFA9F6

RGB 191 169 246

HSL 257.14, 0.81%, 0.81%

LAB 73.61, 23.48, -35.48

 

CMYK 20 / 0 / 95 / 66

HEX #455604

RGB 69 86 4

HSL 72.44, 0.91%, 0.18%

LAB 33.84, -17.92, 39.75

 

CMYK 17 / 0 / 78 / 59

HEX #566817

RGB 86 104 23

HSL 73.33, 0.64%, 0.25%

LAB 41.12, -18.8, 40.57

 

CMYK 16 / 0 / 66 / 52

HEX #677A2A

RGB 103 122 42

HSL 74.25, 0.49%, 0.32%

LAB 48.22, -19.4, 40.16

 

CMYK 14 / 0 / 56 / 45

HEX #788C3D

RGB 120 140 61

HSL 75.19, 0.39%, 0.39%

LAB 55.16, -19.78, 39.19

 

CMYK 13 / 0 / 49 / 38

HEX #899E50

RGB 137 158 80

HSL 76.15, 0.33%, 0.47%

LAB 61.96, -20.03, 38.03

 

CMYK 26 / 0 / 90 / 66

HEX #405609

RGB 64 86 9

HSL 77.14, 0.81%, 0.19%

LAB 33.49, -20.02, 37.73

 

CMYK 31 / 0 / 100 / 73

HEX #2F4400

RGB 47 68 0

HSL 78.53, 1%, 0.13%

LAB 25.98, -18.82, 34.15

 

CMYK 40 / 0 / 100 / 80

HEX #1E3200

RGB 30 50 0

HSL 84, 1%, 0.1%

LAB 18.18, -17.17, 25.54

 

CMYK 59 / 0 / 100 / 87

HEX #0D2000

RGB 13 32 0

HSL 95.63, 1%, 0.06%

LAB 9.94, -14.9, 14.57

 

CMYK 100 / 0 / 100 / 95

HEX #000E00

RGB 0 14 0

HSL 120, 1%, 0.03%

LAB 2.84, -5.8, 4.14

 

CMYK 25 / 0 / 90 / 66

HEX #415709

RGB 65 87 9

HSL 76.92, 0.81%, 0.19%

LAB 33.9, -20.09, 38.11

 

CMYK 1 / 0 / 90 / 66

HEX #565709

RGB 86 87 9

HSL 60.77, 0.81%, 0.19%

LAB 35.62, -10.03, 40.27

 

CMYK 0 / 23 / 90 / 66

HEX #574309

RGB 87 67 9

HSL 44.62, 0.81%, 0.19%

LAB 29.56, 2.54, 35.16

 

CMYK 0 / 47 / 90 / 66

HEX #572E09

RGB 87 46 9

HSL 28.46, 0.81%, 0.19%

LAB 23.67, 15.81, 29.81

 

CMYK 0 / 71 / 90 / 66

HEX #571909

RGB 87 25 9

HSL 12.31, 0.81%, 0.19%

LAB 18.98, 27.78, 24.72

 

CMYK 25 / 0 / 90 / 66

HEX #415709

RGB 65 87 9

HSL 76.92, 0.81%, 0.19%

LAB 33.9, -20.09, 38.11

 

CMYK 49 / 0 / 90 / 66

HEX #2C5709

RGB 44 87 9

HSL 93.08, 0.81%, 0.19%

LAB 32.64, -28.82, 36.52

 

CMYK 75 / 0 / 90 / 66

HEX #165709

RGB 22 87 9

HSL 110, 0.81%, 0.19%

LAB 31.82, -35.33, 35.47

 

CMYK 90 / 0 / 82 / 66

HEX #095710

RGB 9 87 16

HSL 125.38, 0.81%, 0.19%

LAB 31.61, -37.06, 32.75

 

CMYK 90 / 0 / 57 / 66

HEX #095725

RGB 9 87 37

HSL 141.54, 0.81%, 0.19%

LAB 31.83, -34.36, 22.73

 

CMYK 25 / 0 / 90 / 66

HEX #415709

RGB 65 87 9

HSL 76.92, 0.81%, 0.19%

LAB 33.9, -20.09, 38.11

 

CMYK 28 / 0 / 99 / 63

HEX #445F01

RGB 68 95 1

HSL 77.23, 0.98%, 0.19%

LAB 36.77, -23.19, 42.99

 

CMYK 25 / 0 / 90 / 66

HEX #415709

RGB 65 87 9

HSL 76.92, 0.81%, 0.19%

LAB 33.9, -20.09, 38.11

 

CMYK 23 / 0 / 78 / 69

HEX #3D4F11

RGB 61 79 17

HSL 77.42, 0.65%, 0.19%

LAB 30.94, -17.22, 32.4

 

CMYK 19 / 0 / 67 / 72

HEX #3A4818

RGB 58 72 24

HSL 77.5, 0.5%, 0.19%

LAB 28.38, -14.15, 26.31

 

CMYK 14 / 0 / 50 / 75

HEX #374020

RGB 55 64 32

HSL 76.88, 0.33%, 0.19%

LAB 25.51, -9.94, 18.3

 

CMYK 9 / 0 / 29 / 78

HEX #333828

RGB 51 56 40

HSL 78.75, 0.17%, 0.19%

LAB 22.6, -5.57, 9.32

 

CMYK 0 / 22 / 90 / 66

HEX #574409

RGB 87 68 9

HSL 45.38, 0.81%, 0.19%

LAB 29.86, 1.92, 35.41

 

CMYK 1 / 0 / 90 / 66

HEX #565709

RGB 86 87 9

HSL 60.77, 0.81%, 0.19%

LAB 35.62, -10.03, 40.27

 

CMYK 25 / 0 / 90 / 66

HEX #415709

RGB 65 87 9

HSL 76.92, 0.81%, 0.19%

LAB 33.9, -20.09, 38.11

 

CMYK 49 / 0 / 90 / 66

HEX #2C5709

RGB 44 87 9

HSL 93.08, 0.81%, 0.19%

LAB 32.64, -28.82, 36.52

 

CMYK 74 / 0 / 90 / 66

HEX #175709

RGB 23 87 9

HSL 109.23, 0.81%, 0.19%

LAB 31.85, -35.11, 35.51

 

CMYK 31 / 0 / 92 / 95

HEX #090D01

RGB 9 13 1

HSL 80, 0.86%, 0.03%

LAB 3.14, -2.82, 4.25

 

CMYK 26 / 0 / 90 / 80

HEX #253205

RGB 37 50 5

HSL 77.33, 0.82%, 0.11%

LAB 18.74, -13.3, 24.29

 

CMYK 25 / 0 / 90 / 66

HEX #415709

RGB 65 87 9

HSL 76.92, 0.81%, 0.19%

LAB 33.9, -20.09, 38.11

 

CMYK 26 / 0 / 90 / 51

HEX #5D7D0D

RGB 93 125 13

HSL 77.14, 0.81%, 0.27%

LAB 48.29, -26.83, 50.18

 

CMYK 26 / 0 / 90 / 36

HEX #78A211

RGB 120 162 17

HSL 77.38, 0.81%, 0.35%

LAB 61.55, -33.1, 61.13

 

CMYK 26 / 0 / 90 / 66

HEX #405609

RGB 64 86 9

HSL 77.14, 0.81%, 0.19%

LAB 33.49, -20.02, 37.73

 

CMYK 90 / 0 / 46 / 66

HEX #09572F

RGB 9 87 47

HSL 149.23, 0.81%, 0.19%

LAB 31.99, -32.44, 17.13

 

CMYK 10 / 90 / 0 / 66

HEX #4E0957

RGB 78 9 87

HSL 293.08, 0.81%, 0.19%

LAB 17.93, 40.58, -29.38

 

CMYK 26 / 0 / 90 / 66

HEX #405609

RGB 64 86 9

HSL 77.14, 0.81%, 0.19%

LAB 33.49, -20.02, 37.73

 

CMYK 90 / 25 / 0 / 66

HEX #094157

RGB 9 65 87

HSL 196.92, 0.81%, 0.19%

LAB 25.34, -8.39, -18.03

 

CMYK 0 / 90 / 25 / 66

HEX #570941

RGB 87 9 65

HSL 316.92, 0.81%, 0.19%

LAB 18.38, 38.94, -13.48

 

CMYK 26 / 0 / 90 / 66

HEX #405609

RGB 64 86 9

HSL 77.14, 0.81%, 0.19%

LAB 33.49, -20.02, 37.73

 

CMYK 90 / 0 / 46 / 66

HEX #09572F

RGB 9 87 47

HSL 149.23, 0.81%, 0.19%

LAB 31.99, -32.44, 17.13

 

CMYK 64 / 90 / 0 / 66

HEX #1F0957

RGB 31 9 87

HSL 256.92, 0.81%, 0.19%

LAB 10.37, 32.68, -42.03

 

CMYK 0 / 90 / 44 / 66

HEX #570931

RGB 87 9 49

HSL 329.23, 0.81%, 0.19%

LAB 17.66, 36.89, -3.27

 

CMYK 26 / 0 / 90 / 66

HEX #405609

RGB 64 86 9

HSL 77.14, 0.81%, 0.19%

LAB 33.49, -20.02, 37.73

 

CMYK 90 / 0 / 20 / 66

HEX #095746

RGB 9 87 70

HSL 166.92, 0.81%, 0.19%

LAB 32.52, -26.57, 3.67

 

CMYK 64 / 90 / 0 / 66

HEX #1F0957

RGB 31 9 87

HSL 256.92, 0.81%, 0.19%

LAB 10.37, 32.68, -42.03

 

CMYK 0 / 90 / 70 / 66

HEX #57091A

RGB 87 9 26

HSL 346.92, 0.81%, 0.19%

LAB 16.97, 34.86, 12.36

 

Description

Color code: HEX #405609 | qconv.com Color code: HEX #405609 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 86 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 86 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 90 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 90% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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