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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #405690 it is the complementary color #BFA96F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #405690. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #405690 shade: #45568B, #56689E, #677AB1, #788CC4 and #899ED7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #405690. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #405690 shade: #405690, #2F447D, #1E326A, #0D2057 and #000E44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #405690 shade: #405690, #404190, #554090, #6B4090 and #804090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #405690 shade: #405690, #404190 and #404090

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #405690 shade matches the following richer shades: #405690, #2F4FA1, #1E47B2 and #0E3FC3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #405690 shade: #405690, #515E7F, #62656E, #736D5D and #84754C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #405690 shade: #408190, #406C90, #405790, #404290 and #544090

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #405690 shade: #273457, #344573, #405690, #4D67AC and #687FBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #405690 shade: #405690, #894090 and #779040

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #405690 shade: #405690, #904057 and #579040

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #405690 shade: #405690, #894090, #907940 and #479040

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #405690 shade: #405690, #90407F, #907940 and #409052

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 40 / 0 / 44

HEX #405690

RGB 64 86 144

HSL 223.5, 0.38%, 0.41%

LAB 37.41, 9.53, -34.67

 

Complementary color

CMYK 0 / 12 / 42 / 25

HEX #BFA96F

RGB 191 169 111

HSL 43.5, 0.38%, 0.59%

LAB 69.89, -0.15, 32.83

 

CMYK 50 / 38 / 0 / 45

HEX #45568B

RGB 69 86 139

HSL 225.43, 0.34%, 0.41%

LAB 37.45, 9.07, -31.54

 

CMYK 46 / 34 / 0 / 38

HEX #56689E

RGB 86 104 158

HSL 225, 0.3%, 0.48%

LAB 44.73, 8.2, -31.42

 

CMYK 42 / 31 / 0 / 31

HEX #677AB1

RGB 103 122 177

HSL 224.59, 0.32%, 0.55%

LAB 51.81, 7.51, -31.36

 

CMYK 39 / 29 / 0 / 23

HEX #788CC4

RGB 120 140 196

HSL 224.21, 0.39%, 0.62%

LAB 58.73, 6.94, -31.36

 

CMYK 36 / 27 / 0 / 16

HEX #899ED7

RGB 137 158 215

HSL 223.85, 0.49%, 0.69%

LAB 65.5, 6.45, -31.4

 

CMYK 56 / 40 / 0 / 44

HEX #405690

RGB 64 86 144

HSL 223.5, 0.38%, 0.41%

LAB 37.41, 9.53, -34.67

 

CMYK 62 / 46 / 0 / 51

HEX #2F447D

RGB 47 68 125

HSL 223.85, 0.45%, 0.34%

LAB 29.96, 10.89, -34.9

 

CMYK 72 / 53 / 0 / 58

HEX #1E326A

RGB 30 50 106

HSL 224.21, 0.56%, 0.27%

LAB 22.29, 12.79, -35.17

 

CMYK 85 / 63 / 0 / 66

HEX #0D2057

RGB 13 32 87

HSL 224.59, 0.74%, 0.2%

LAB 14.44, 15.55, -35.41

 

CMYK 100 / 79 / 0 / 73

HEX #000E44

RGB 0 14 68

HSL 227.65, 1%, 0.13%

LAB 6.61, 19, -35.16

 

CMYK 56 / 40 / 0 / 44

HEX #405690

RGB 64 86 144

HSL 223.5, 0.38%, 0.41%

LAB 37.41, 9.53, -34.67

 

CMYK 56 / 55 / 0 / 44

HEX #404190

RGB 64 65 144

HSL 239.25, 0.38%, 0.41%

LAB 31.54, 23.3, -44.05

 

CMYK 41 / 56 / 0 / 44

HEX #554090

RGB 85 64 144

HSL 255.75, 0.38%, 0.41%

LAB 33.16, 28.88, -41.35

 

CMYK 26 / 56 / 0 / 44

HEX #6B4090

RGB 107 64 144

HSL 272.25, 0.38%, 0.41%

LAB 35.61, 34.71, -37.29

 

CMYK 11 / 56 / 0 / 44

HEX #804090

RGB 128 64 144

HSL 288, 0.38%, 0.41%

LAB 38.32, 40.6, -32.82

 

CMYK 56 / 40 / 0 / 44

HEX #405690

RGB 64 86 144

HSL 223.5, 0.38%, 0.41%

LAB 37.41, 9.53, -34.67

 

CMYK 56 / 55 / 0 / 44

HEX #404190

RGB 64 65 144

HSL 239.25, 0.38%, 0.41%

LAB 31.54, 23.3, -44.05

 

CMYK 56 / 56 / 0 / 44

HEX #404090

RGB 64 64 144

HSL 240, 0.38%, 0.41%

LAB 31.28, 23.96, -44.47

 

CMYK 56 / 40 / 0 / 44

HEX #405690

RGB 64 86 144

HSL 223.5, 0.38%, 0.41%

LAB 37.41, 9.53, -34.67

 

CMYK 71 / 51 / 0 / 37

HEX #2F4FA1

RGB 47 79 161

HSL 223.16, 0.55%, 0.41%

LAB 35.54, 17.02, -47.97

 

CMYK 83 / 60 / 0 / 30

HEX #1E47B2

RGB 30 71 178

HSL 223.38, 0.71%, 0.41%

LAB 33.98, 26.94, -60.67

 

CMYK 93 / 68 / 0 / 24

HEX #0E3FC3

RGB 14 63 195

HSL 223.76, 0.87%, 0.41%

LAB 33.11, 37.81, -72.13

 

CMYK 56 / 40 / 0 / 44

HEX #405690

RGB 64 86 144

HSL 223.5, 0.38%, 0.41%

LAB 37.41, 9.53, -34.67

 

CMYK 36 / 26 / 0 / 50

HEX #515E7F

RGB 81 94 127

HSL 223.04, 0.22%, 0.41%

LAB 40.06, 3.69, -20.11

 

CMYK 11 / 8 / 0 / 57

HEX #62656E

RGB 98 101 110

HSL 225, 0.06%, 0.41%

LAB 42.81, 0.82, -5.47

 

CMYK 0 / 5 / 19 / 55

HEX #736D5D

RGB 115 109 93

HSL 43.64, 0.11%, 0.41%

LAB 46.14, -0.59, 9.78

 

CMYK 0 / 11 / 42 / 48

HEX #84754C

RGB 132 117 76

HSL 43.93, 0.27%, 0.41%

LAB 49.68, -0.38, 24.73

 

CMYK 56 / 10 / 0 / 44

HEX #408190

RGB 64 129 144

HSL 191.25, 0.38%, 0.41%

LAB 50.46, -16.26, -14.43

 

CMYK 56 / 25 / 0 / 44

HEX #406C90

RGB 64 108 144

HSL 207, 0.38%, 0.41%

LAB 43.99, -4.22, -24.35

 

CMYK 56 / 40 / 0 / 44

HEX #405790

RGB 64 87 144

HSL 222.75, 0.38%, 0.41%

LAB 37.7, 8.88, -34.21

 

CMYK 56 / 54 / 0 / 44

HEX #404290

RGB 64 66 144

HSL 238.5, 0.38%, 0.41%

LAB 31.81, 22.64, -43.62

 

CMYK 42 / 56 / 0 / 44

HEX #544090

RGB 84 64 144

HSL 255, 0.38%, 0.41%

LAB 33.06, 28.62, -41.51

 

CMYK 55 / 40 / 0 / 66

HEX #273457

RGB 39 52 87

HSL 223.75, 0.38%, 0.25%

LAB 22.22, 6.02, -22.84

 

CMYK 55 / 40 / 0 / 55

HEX #344573

RGB 52 69 115

HSL 223.81, 0.38%, 0.33%

LAB 29.97, 7.76, -28.58

 

CMYK 56 / 40 / 0 / 44

HEX #405690

RGB 64 86 144

HSL 223.5, 0.38%, 0.41%

LAB 37.41, 9.53, -34.67

 

CMYK 55 / 40 / 0 / 33

HEX #4D67AC

RGB 77 103 172

HSL 223.58, 0.38%, 0.49%

LAB 44.6, 11.13, -39.91

 

CMYK 44 / 32 / 0 / 27

HEX #687FBB

RGB 104 127 187

HSL 223.37, 0.38%, 0.57%

LAB 53.72, 7.73, -34.13

 

CMYK 56 / 40 / 0 / 44

HEX #405690

RGB 64 86 144

HSL 223.5, 0.38%, 0.41%

LAB 37.41, 9.53, -34.67

 

CMYK 5 / 56 / 0 / 44

HEX #894090

RGB 137 64 144

HSL 294.75, 0.38%, 0.41%

LAB 39.58, 43.16, -30.75

 

CMYK 17 / 0 / 56 / 44

HEX #779040

RGB 119 144 64

HSL 78.75, 0.38%, 0.41%

LAB 56.33, -21.95, 39.04

 

CMYK 56 / 40 / 0 / 44

HEX #405690

RGB 64 86 144

HSL 223.5, 0.38%, 0.41%

LAB 37.41, 9.53, -34.67

 

CMYK 0 / 56 / 40 / 44

HEX #904057

RGB 144 64 87

HSL 342.75, 0.38%, 0.41%

LAB 38.35, 36.28, 2.85

 

CMYK 40 / 0 / 56 / 44

HEX #579040

RGB 87 144 64

HSL 102.75, 0.38%, 0.41%

LAB 54.39, -34.23, 36.28

 

CMYK 56 / 40 / 0 / 44

HEX #405690

RGB 64 86 144

HSL 223.5, 0.38%, 0.41%

LAB 37.41, 9.53, -34.67

 

CMYK 5 / 56 / 0 / 44

HEX #894090

RGB 137 64 144

HSL 294.75, 0.38%, 0.41%

LAB 39.58, 43.16, -30.75

 

CMYK 0 / 16 / 56 / 44

HEX #907940

RGB 144 121 64

HSL 42.75, 0.38%, 0.41%

LAB 51.81, 1.43, 34.24

 

CMYK 51 / 0 / 56 / 44

HEX #479040

RGB 71 144 64

HSL 114.75, 0.38%, 0.41%

LAB 53.66, -39.4, 35.24

 

CMYK 56 / 40 / 0 / 44

HEX #405690

RGB 64 86 144

HSL 223.5, 0.38%, 0.41%

LAB 37.41, 9.53, -34.67

 

CMYK 0 / 56 / 12 / 44

HEX #90407F

RGB 144 64 127

HSL 312.75, 0.38%, 0.41%

LAB 39.8, 42.13, -19.94

 

CMYK 0 / 16 / 56 / 44

HEX #907940

RGB 144 121 64

HSL 42.75, 0.38%, 0.41%

LAB 51.81, 1.43, 34.24

 

CMYK 56 / 0 / 43 / 44

HEX #409052

RGB 64 144 82

HSL 133.5, 0.38%, 0.41%

LAB 53.65, -38.62, 25.7

 

Description

Color code: HEX #405690 | qconv.com Color code: HEX #405690 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 86 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 86 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 40 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 40% 0% 44% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

34% - ACTUS(アクタス)|インテリア・家具...
Link: http://www.actus-interior.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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