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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #405758 it is the complementary color #BFA8A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #405758. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #405758 shade: #455753, #566966, #677B79, #788D8C and #899F9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #405758. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #405758 shade: #405758, #2F4545, #1E3332, #0D211F and #000F0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #405758 shade: #405758, #405158, #404A58, #404358 and #434058

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #405758 shade: #405758, #405158, #404A58, #404358 and #404058

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #405758 shade matches the following richer shades: #405758, #336365, #276E71, #1B797D and #0E858A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #405758 shade: #405758, #4C4C4C, #59413F, #653533 and #712A27

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #405758 shade: #40584C, #405853, #405758, #405158 and #404A58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #405758 shade: #1D2828, #2E4040, #405758, #516F70 and #628788

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #405758 shade: #405758, #454058 and #584F40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #405758 shade: #405758, #584057 and #575840

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #405758 shade: #405758, #454058, #584140 and #535840

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #405758 shade: #405758, #4D4058, #584140 and #4B5840

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 1 / 0 / 65

HEX #405758

RGB 64 87 88

HSL 182.5, 0.16%, 0.3%

LAB 35.22, -8.41, -3.43

 

Complementary color

CMYK 0 / 12 / 13 / 25

HEX #BFA8A7

RGB 191 168 167

HSL 2.5, 0.16%, 0.7%

LAB 70.78, 8.17, 3.57

 

CMYK 21 / 0 / 5 / 66

HEX #455753

RGB 69 87 83

HSL 166.67, 0.12%, 0.31%

LAB 35.41, -7.87, 0.02

 

CMYK 18 / 0 / 3 / 59

HEX #566966

RGB 86 105 102

HSL 170.53, 0.1%, 0.37%

LAB 42.82, -7.79, -0.69

 

CMYK 16 / 0 / 2 / 52

HEX #677B79

RGB 103 123 121

HSL 174, 0.09%, 0.44%

LAB 50.01, -7.73, -1.36

 

CMYK 15 / 0 / 1 / 45

HEX #788D8C

RGB 120 141 140

HSL 177.14, 0.08%, 0.51%

LAB 57.01, -7.7, -2

 

CMYK 14 / 0 / 0 / 38

HEX #899F9F

RGB 137 159 159

HSL 180, 0.1%, 0.58%

LAB 63.85, -7.68, -2.61

 

CMYK 27 / 1 / 0 / 65

HEX #405758

RGB 64 87 88

HSL 182.5, 0.16%, 0.3%

LAB 35.22, -8.41, -3.43

 

CMYK 32 / 0 / 0 / 73

HEX #2F4545

RGB 47 69 69

HSL 180, 0.19%, 0.23%

LAB 27.55, -8.51, -2.77

 

CMYK 41 / 0 / 2 / 80

HEX #1E3332

RGB 30 51 50

HSL 177.14, 0.26%, 0.16%

LAB 19.53, -8.64, -2.03

 

CMYK 61 / 0 / 6 / 87

HEX #0D211F

RGB 13 33 31

HSL 174, 0.43%, 0.09%

LAB 11.08, -8.75, -1.16

 

CMYK 100 / 0 / 20 / 94

HEX #000F0C

RGB 0 15 12

HSL 168, 1%, 0.03%

LAB 3.33, -4.62, -0.08

 

CMYK 27 / 1 / 0 / 65

HEX #405758

RGB 64 87 88

HSL 182.5, 0.16%, 0.3%

LAB 35.22, -8.41, -3.43

 

CMYK 27 / 8 / 0 / 65

HEX #405158

RGB 64 81 88

HSL 197.5, 0.16%, 0.3%

LAB 33.31, -4.77, -6.28

 

CMYK 27 / 16 / 0 / 65

HEX #404A58

RGB 64 74 88

HSL 215, 0.16%, 0.3%

LAB 31.1, -0.38, -9.61

 

CMYK 27 / 24 / 0 / 65

HEX #404358

RGB 64 67 88

HSL 232.5, 0.16%, 0.3%

LAB 28.93, 4.14, -12.91

 

CMYK 24 / 27 / 0 / 65

HEX #434058

RGB 67 64 88

HSL 247.5, 0.16%, 0.3%

LAB 28.29, 7.19, -13.86

 

CMYK 27 / 1 / 0 / 65

HEX #405758

RGB 64 87 88

HSL 182.5, 0.16%, 0.3%

LAB 35.22, -8.41, -3.43

 

CMYK 27 / 8 / 0 / 65

HEX #405158

RGB 64 81 88

HSL 197.5, 0.16%, 0.3%

LAB 33.31, -4.77, -6.28

 

CMYK 27 / 16 / 0 / 65

HEX #404A58

RGB 64 74 88

HSL 215, 0.16%, 0.3%

LAB 31.1, -0.38, -9.61

 

CMYK 27 / 24 / 0 / 65

HEX #404358

RGB 64 67 88

HSL 232.5, 0.16%, 0.3%

LAB 28.93, 4.14, -12.91

 

CMYK 27 / 27 / 0 / 65

HEX #404058

RGB 64 64 88

HSL 240, 0.16%, 0.3%

LAB 28.01, 6.12, -14.31

 

CMYK 27 / 1 / 0 / 65

HEX #405758

RGB 64 87 88

HSL 182.5, 0.16%, 0.3%

LAB 35.22, -8.41, -3.43

 

CMYK 50 / 2 / 0 / 60

HEX #336365

RGB 51 99 101

HSL 182.4, 0.33%, 0.3%

LAB 38.84, -15.67, -6.2

 

CMYK 65 / 3 / 0 / 56

HEX #276E71

RGB 39 110 113

HSL 182.43, 0.49%, 0.3%

LAB 42.42, -20.65, -8.2

 

CMYK 78 / 3 / 0 / 51

HEX #1B797D

RGB 27 121 125

HSL 182.45, 0.64%, 0.3%

LAB 46.16, -24.34, -9.81

 

CMYK 90 / 4 / 0 / 46

HEX #0E858A

RGB 14 133 138

HSL 182.42, 0.82%, 0.3%

LAB 50.34, -27.3, -11.21

 

CMYK 27 / 1 / 0 / 65

HEX #405758

RGB 64 87 88

HSL 182.5, 0.16%, 0.3%

LAB 35.22, -8.41, -3.43

 

CMYK 0 / 0 / 0 / 70

HEX #4C4C4C

RGB 76 76 76

HSL 0, 0%, 0.3%

LAB 32.32, 0, -0

 

CMYK 0 / 27 / 29 / 65

HEX #59413F

RGB 89 65 63

HSL 4.62, 0.17%, 0.3%

LAB 30.07, 10.09, 5.28

 

CMYK 0 / 48 / 50 / 60

HEX #653533

RGB 101 53 51

HSL 2.4, 0.33%, 0.3%

LAB 28.25, 21.18, 10.81

 

CMYK 0 / 63 / 65 / 56

HEX #712A27

RGB 113 42 39

HSL 2.43, 0.49%, 0.3%

LAB 27.61, 31.19, 18.17

 

CMYK 27 / 0 / 14 / 65

HEX #40584C

RGB 64 88 76

HSL 150, 0.16%, 0.3%

LAB 35.19, -11.96, 4.03

 

CMYK 27 / 0 / 6 / 65

HEX #405853

RGB 64 88 83

HSL 167.5, 0.16%, 0.3%

LAB 35.39, -10.28, -0.06

 

CMYK 27 / 1 / 0 / 65

HEX #405758

RGB 64 87 88

HSL 182.5, 0.16%, 0.3%

LAB 35.22, -8.41, -3.43

 

CMYK 27 / 8 / 0 / 65

HEX #405158

RGB 64 81 88

HSL 197.5, 0.16%, 0.3%

LAB 33.31, -4.77, -6.28

 

CMYK 27 / 16 / 0 / 65

HEX #404A58

RGB 64 74 88

HSL 215, 0.16%, 0.3%

LAB 31.1, -0.38, -9.61

 

CMYK 28 / 0 / 0 / 84

HEX #1D2828

RGB 29 40 40

HSL 180, 0.16%, 0.14%

LAB 15.13, -4.74, -1.57

 

CMYK 28 / 0 / 0 / 75

HEX #2E4040

RGB 46 64 64

HSL 180, 0.16%, 0.22%

LAB 25.62, -7.14, -2.34

 

CMYK 27 / 1 / 0 / 65

HEX #405758

RGB 64 87 88

HSL 182.5, 0.16%, 0.3%

LAB 35.22, -8.41, -3.43

 

CMYK 28 / 1 / 0 / 56

HEX #516F70

RGB 81 111 112

HSL 181.94, 0.16%, 0.38%

LAB 44.64, -10.54, -4.09

 

CMYK 28 / 1 / 0 / 47

HEX #628788

RGB 98 135 136

HSL 181.58, 0.16%, 0.46%

LAB 53.71, -12.57, -4.72

 

CMYK 27 / 1 / 0 / 65

HEX #405758

RGB 64 87 88

HSL 182.5, 0.16%, 0.3%

LAB 35.22, -8.41, -3.43

 

CMYK 22 / 27 / 0 / 65

HEX #454058

RGB 69 64 88

HSL 252.5, 0.16%, 0.3%

LAB 28.48, 7.92, -13.56

 

CMYK 0 / 10 / 27 / 65

HEX #584F40

RGB 88 79 64

HSL 37.5, 0.16%, 0.3%

LAB 34.06, 1, 10.23

 

CMYK 27 / 1 / 0 / 65

HEX #405758

RGB 64 87 88

HSL 182.5, 0.16%, 0.3%

LAB 35.22, -8.41, -3.43

 

CMYK 0 / 27 / 1 / 65

HEX #584057

RGB 88 64 87

HSL 302.5, 0.16%, 0.3%

LAB 30.47, 14.89, -9.68

 

CMYK 1 / 0 / 27 / 65

HEX #575840

RGB 87 88 64

HSL 62.5, 0.16%, 0.3%

LAB 36.7, -4.91, 13.83

 

CMYK 27 / 1 / 0 / 65

HEX #405758

RGB 64 87 88

HSL 182.5, 0.16%, 0.3%

LAB 35.22, -8.41, -3.43

 

CMYK 22 / 27 / 0 / 65

HEX #454058

RGB 69 64 88

HSL 252.5, 0.16%, 0.3%

LAB 28.48, 7.92, -13.56

 

CMYK 0 / 26 / 27 / 65

HEX #584140

RGB 88 65 64

HSL 2.5, 0.16%, 0.3%

LAB 29.97, 9.81, 4.49

 

CMYK 6 / 0 / 27 / 65

HEX #535840

RGB 83 88 64

HSL 72.5, 0.16%, 0.3%

LAB 36.34, -6.66, 13.29

 

CMYK 27 / 1 / 0 / 65

HEX #405758

RGB 64 87 88

HSL 182.5, 0.16%, 0.3%

LAB 35.22, -8.41, -3.43

 

CMYK 13 / 27 / 0 / 65

HEX #4D4058

RGB 77 64 88

HSL 272.5, 0.16%, 0.3%

LAB 29.28, 10.9, -12.25

 

CMYK 0 / 26 / 27 / 65

HEX #584140

RGB 88 65 64

HSL 2.5, 0.16%, 0.3%

LAB 29.97, 9.81, 4.49

 

CMYK 15 / 0 / 27 / 65

HEX #4B5840

RGB 75 88 64

HSL 92.5, 0.16%, 0.3%

LAB 35.69, -10.08, 12.28

 

Description

Color code: HEX #405758 | qconv.com Color code: HEX #405758 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 87 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 87 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 1 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 1% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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