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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #405850 it is the complementary color #BFA7AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #405850. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #405850 shade: #45584B, #566A5E, #677C71, #788E84 and #89A097

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #405850. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #405850 shade: #405850, #2F463D, #1E342A, #0D2217 and #001004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #405850 shade: #405850, #405849, #405843, #435840 and #4A5840

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #405850 shade: #405850, #405857, #405358, #404D58 and #404658

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #405850 shade matches the following richer shades: #405850, #336554, #277158, #1B7D5C and #0E8A61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #405850 shade: #405850, #4C4C4C, #593F48, #653344 and #712740

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #405850 shade: #405843, #40584A, #405850, #405857 and #405358

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #405850 shade: #1D2825, #2E403A, #405850, #517066 and #62887C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #405850 shade: #405850, #404358 and #584640

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #405850 shade: #405850, #504058 and #585040

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #405850 shade: #405850, #404358, #584048 and #585540

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #405850 shade: #405850, #444058, #584048 and #545840

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 9 / 65

HEX #405850

RGB 64 88 80

HSL 160, 0.16%, 0.3%

LAB 35.3, -11.01, 1.69

 

Complementary color

CMYK 0 / 13 / 8 / 25

HEX #BFA7AF

RGB 191 167 175

HSL 340, 0.16%, 0.7%

LAB 70.74, 10.09, -0.91

 

CMYK 22 / 0 / 15 / 65

HEX #45584B

RGB 69 88 75

HSL 138.95, 0.12%, 0.31%

LAB 35.5, -10.3, 5.15

 

CMYK 19 / 0 / 11 / 58

HEX #566A5E

RGB 86 106 94

HSL 144, 0.1%, 0.38%

LAB 42.91, -10.15, 4.26

 

CMYK 17 / 0 / 9 / 51

HEX #677C71

RGB 103 124 113

HSL 148.57, 0.09%, 0.45%

LAB 50.09, -10.04, 3.45

 

CMYK 15 / 0 / 7 / 44

HEX #788E84

RGB 120 142 132

HSL 152.73, 0.09%, 0.51%

LAB 57.08, -9.96, 2.69

 

CMYK 14 / 0 / 6 / 37

HEX #89A097

RGB 137 160 151

HSL 156.52, 0.11%, 0.58%

LAB 63.91, -9.89, 1.98

 

CMYK 27 / 0 / 9 / 65

HEX #405850

RGB 64 88 80

HSL 160, 0.16%, 0.3%

LAB 35.3, -11.01, 1.69

 

CMYK 33 / 0 / 13 / 73

HEX #2F463D

RGB 47 70 61

HSL 156.52, 0.2%, 0.23%

LAB 27.63, -11.23, 2.57

 

CMYK 42 / 0 / 19 / 80

HEX #1E342A

RGB 30 52 42

HSL 152.73, 0.27%, 0.16%

LAB 19.64, -11.51, 3.59

 

CMYK 62 / 0 / 32 / 87

HEX #0D2217

RGB 13 34 23

HSL 148.57, 0.45%, 0.09%

LAB 11.22, -11.82, 4.86

 

CMYK 100 / 0 / 75 / 94

HEX #001004

RGB 0 16 4

HSL 135, 1%, 0.03%

LAB 3.43, -6.28, 3.37

 

CMYK 27 / 0 / 9 / 65

HEX #405850

RGB 64 88 80

HSL 160, 0.16%, 0.3%

LAB 35.3, -11.01, 1.69

 

CMYK 27 / 0 / 17 / 65

HEX #405849

RGB 64 88 73

HSL 142.5, 0.16%, 0.3%

LAB 35.1, -12.64, 5.78

 

CMYK 27 / 0 / 24 / 65

HEX #405843

RGB 64 88 67

HSL 127.5, 0.16%, 0.3%

LAB 34.95, -13.93, 9.3

 

CMYK 24 / 0 / 27 / 65

HEX #435840

RGB 67 88 64

HSL 112.5, 0.16%, 0.3%

LAB 35.09, -13.36, 11.37

 

CMYK 16 / 0 / 27 / 65

HEX #4A5840

RGB 74 88 64

HSL 95, 0.16%, 0.3%

LAB 35.61, -10.5, 12.16

 

CMYK 27 / 0 / 9 / 65

HEX #405850

RGB 64 88 80

HSL 160, 0.16%, 0.3%

LAB 35.3, -11.01, 1.69

 

CMYK 27 / 0 / 1 / 65

HEX #405857

RGB 64 88 87

HSL 177.5, 0.16%, 0.3%

LAB 35.51, -9.27, -2.38

 

CMYK 27 / 6 / 0 / 65

HEX #405358

RGB 64 83 88

HSL 192.5, 0.16%, 0.3%

LAB 33.94, -6, -5.33

 

CMYK 27 / 13 / 0 / 65

HEX #404D58

RGB 64 77 88

HSL 207.5, 0.16%, 0.3%

LAB 32.04, -2.28, -8.18

 

CMYK 27 / 20 / 0 / 65

HEX #404658

RGB 64 70 88

HSL 225, 0.16%, 0.3%

LAB 29.85, 2.19, -11.5

 

CMYK 27 / 0 / 9 / 65

HEX #405850

RGB 64 88 80

HSL 160, 0.16%, 0.3%

LAB 35.3, -11.01, 1.69

 

CMYK 50 / 0 / 17 / 60

HEX #336554

RGB 51 101 84

HSL 159.6, 0.33%, 0.3%

LAB 38.99, -21.42, 4.44

 

CMYK 65 / 0 / 22 / 56

HEX #277158

RGB 39 113 88

HSL 159.73, 0.49%, 0.3%

LAB 42.68, -29.32, 7.24

 

CMYK 78 / 0 / 26 / 51

HEX #1B7D5C

RGB 27 125 92

HSL 159.8, 0.64%, 0.3%

LAB 46.54, -35.78, 10.27

 

CMYK 90 / 0 / 30 / 46

HEX #0E8A61

RGB 14 138 97

HSL 160.16, 0.82%, 0.3%

LAB 50.84, -41.34, 13.35

 

CMYK 27 / 0 / 9 / 65

HEX #405850

RGB 64 88 80

HSL 160, 0.16%, 0.3%

LAB 35.3, -11.01, 1.69

 

CMYK 0 / 0 / 0 / 70

HEX #4C4C4C

RGB 76 76 76

HSL 0, 0%, 0.3%

LAB 32.32, 0, -0

 

CMYK 0 / 29 / 19 / 65

HEX #593F48

RGB 89 63 72

HSL 339.23, 0.17%, 0.3%

LAB 29.78, 12.92, -0.98

 

CMYK 0 / 50 / 33 / 60

HEX #653344

RGB 101 51 68

HSL 339.6, 0.33%, 0.3%

LAB 28.25, 24.61, -0.4

 

CMYK 0 / 65 / 43 / 56

HEX #712740

RGB 113 39 64

HSL 339.73, 0.49%, 0.3%

LAB 27.66, 35.06, 1.64

 

CMYK 27 / 0 / 24 / 65

HEX #405843

RGB 64 88 67

HSL 127.5, 0.16%, 0.3%

LAB 34.95, -13.93, 9.3

 

CMYK 27 / 0 / 16 / 65

HEX #40584A

RGB 64 88 74

HSL 145, 0.16%, 0.3%

LAB 35.13, -12.42, 5.2

 

CMYK 27 / 0 / 9 / 65

HEX #405850

RGB 64 88 80

HSL 160, 0.16%, 0.3%

LAB 35.3, -11.01, 1.69

 

CMYK 27 / 0 / 1 / 65

HEX #405857

RGB 64 88 87

HSL 177.5, 0.16%, 0.3%

LAB 35.51, -9.27, -2.38

 

CMYK 27 / 6 / 0 / 65

HEX #405358

RGB 64 83 88

HSL 192.5, 0.16%, 0.3%

LAB 33.94, -6, -5.33

 

CMYK 28 / 0 / 7 / 84

HEX #1D2825

RGB 29 40 37

HSL 163.64, 0.16%, 0.14%

LAB 15.02, -5.58, 0.41

 

CMYK 28 / 0 / 9 / 75

HEX #2E403A

RGB 46 64 58

HSL 160, 0.16%, 0.22%

LAB 25.42, -8.72, 1.33

 

CMYK 27 / 0 / 9 / 65

HEX #405850

RGB 64 88 80

HSL 160, 0.16%, 0.3%

LAB 35.3, -11.01, 1.69

 

CMYK 28 / 0 / 9 / 56

HEX #517066

RGB 81 112 102

HSL 160.65, 0.16%, 0.38%

LAB 44.66, -13.53, 1.93

 

CMYK 28 / 0 / 9 / 47

HEX #62887C

RGB 98 136 124

HSL 161.05, 0.16%, 0.46%

LAB 53.66, -15.94, 2.17

 

CMYK 27 / 0 / 9 / 65

HEX #405850

RGB 64 88 80

HSL 160, 0.16%, 0.3%

LAB 35.3, -11.01, 1.69

 

CMYK 27 / 24 / 0 / 65

HEX #404358

RGB 64 67 88

HSL 232.5, 0.16%, 0.3%

LAB 28.93, 4.14, -12.91

 

CMYK 0 / 20 / 27 / 65

HEX #584640

RGB 88 70 64

HSL 15, 0.16%, 0.3%

LAB 31.41, 6.64, 6.52

 

CMYK 27 / 0 / 9 / 65

HEX #405850

RGB 64 88 80

HSL 160, 0.16%, 0.3%

LAB 35.3, -11.01, 1.69

 

CMYK 9 / 27 / 0 / 65

HEX #504058

RGB 80 64 88

HSL 280, 0.16%, 0.3%

LAB 29.61, 12.04, -11.73

 

CMYK 0 / 9 / 27 / 65

HEX #585040

RGB 88 80 64

HSL 40, 0.16%, 0.3%

LAB 34.36, 0.39, 10.64

 

CMYK 27 / 0 / 9 / 65

HEX #405850

RGB 64 88 80

HSL 160, 0.16%, 0.3%

LAB 35.3, -11.01, 1.69

 

CMYK 27 / 24 / 0 / 65

HEX #404358

RGB 64 67 88

HSL 232.5, 0.16%, 0.3%

LAB 28.93, 4.14, -12.91

 

CMYK 0 / 27 / 18 / 65

HEX #584048

RGB 88 64 72

HSL 340, 0.16%, 0.3%

LAB 29.93, 11.86, -0.77

 

CMYK 0 / 3 / 27 / 65

HEX #585540

RGB 88 85 64

HSL 52.5, 0.16%, 0.3%

LAB 35.87, -2.67, 12.72

 

CMYK 27 / 0 / 9 / 65

HEX #405850

RGB 64 88 80

HSL 160, 0.16%, 0.3%

LAB 35.3, -11.01, 1.69

 

CMYK 23 / 27 / 0 / 65

HEX #444058

RGB 68 64 88

HSL 250, 0.16%, 0.3%

LAB 28.38, 7.55, -13.71

 

CMYK 0 / 27 / 18 / 65

HEX #584048

RGB 88 64 72

HSL 340, 0.16%, 0.3%

LAB 29.93, 11.86, -0.77

 

CMYK 5 / 0 / 27 / 65

HEX #545840

RGB 84 88 64

HSL 70, 0.16%, 0.3%

LAB 36.43, -6.23, 13.42

 

Description

Color code: HEX #405850 | qconv.com Color code: HEX #405850 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 88 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 88 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 9 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 9% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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