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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40585D it is the complementary color #BFA7A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40585D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40585D shade: #455858, #566A6B, #677C7E, #788E91 and #89A0A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40585D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40585D shade: #40585D, #2F464A, #1E3437, #0D2224 and #001011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40585D shade: #40585D, #40505D, #40495D, #40415D and #47405D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40585D shade: #40585D, #40505D, #40495D, #40415D and #40405D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40585D shade matches the following richer shades: #40585D, #34606A, #276976, #1A7183 and #0D7990

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40585D shade: #40585D, #4D4F50, #5A4743, #673F36 and #73362A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40585D shade: #405D52, #405D5A, #40585D, #40505D and #40495D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40585D shade: #1E2A2C, #2F4144, #40585D, #516F75 and #62868D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40585D shade: #40585D, #4B405D and #5D5640

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40585D shade: #40585D, #5D4058 and #585D40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40585D shade: #40585D, #4B405D, #5D4540 and #525D40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40585D shade: #40585D, #53405D, #5D4540 and #4A5D40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 5 / 0 / 64

HEX #40585D

RGB 64 88 93

HSL 190.34, 0.18%, 0.31%

LAB 35.71, -7.68, -5.83

 

Complementary color

CMYK 0 / 13 / 15 / 25

HEX #BFA7A2

RGB 191 167 162

HSL 10.34, 0.18%, 0.69%

LAB 70.4, 7.89, 5.78

 

CMYK 22 / 0 / 0 / 65

HEX #455858

RGB 69 88 88

HSL 180, 0.12%, 0.31%

LAB 35.89, -7.25, -2.41

 

CMYK 20 / 1 / 0 / 58

HEX #566A6B

RGB 86 106 107

HSL 182.86, 0.11%, 0.38%

LAB 43.28, -7.19, -3.05

 

CMYK 18 / 2 / 0 / 51

HEX #677C7E

RGB 103 124 126

HSL 185.22, 0.1%, 0.45%

LAB 50.46, -7.16, -3.65

 

CMYK 17 / 2 / 0 / 43

HEX #788E91

RGB 120 142 145

HSL 187.2, 0.1%, 0.52%

LAB 57.45, -7.14, -4.23

 

CMYK 16 / 2 / 0 / 36

HEX #89A0A4

RGB 137 160 164

HSL 188.89, 0.13%, 0.59%

LAB 64.27, -7.14, -4.79

 

CMYK 31 / 5 / 0 / 64

HEX #40585D

RGB 64 88 93

HSL 190.34, 0.18%, 0.31%

LAB 35.71, -7.68, -5.83

 

CMYK 36 / 5 / 0 / 71

HEX #2F464A

RGB 47 70 74

HSL 188.89, 0.22%, 0.24%

LAB 28.06, -7.71, -5.26

 

CMYK 45 / 5 / 0 / 78

HEX #1E3437

RGB 30 52 55

HSL 187.2, 0.29%, 0.17%

LAB 20.08, -7.74, -4.65

 

CMYK 64 / 6 / 0 / 86

HEX #0D2224

RGB 13 34 36

HSL 185.22, 0.47%, 0.1%

LAB 11.67, -7.68, -3.95

 

CMYK 100 / 6 / 0 / 93

HEX #001011

RGB 0 16 17

HSL 183.53, 1%, 0.03%

LAB 3.71, -4.27, -2.1

 

CMYK 31 / 5 / 0 / 64

HEX #40585D

RGB 64 88 93

HSL 190.34, 0.18%, 0.31%

LAB 35.71, -7.68, -5.83

 

CMYK 31 / 14 / 0 / 64

HEX #40505D

RGB 64 80 93

HSL 206.9, 0.18%, 0.31%

LAB 33.17, -2.78, -9.65

 

CMYK 31 / 22 / 0 / 64

HEX #40495D

RGB 64 73 93

HSL 221.38, 0.18%, 0.31%

LAB 30.99, 1.66, -12.97

 

CMYK 31 / 30 / 0 / 64

HEX #40415D

RGB 64 65 93

HSL 237.93, 0.18%, 0.31%

LAB 28.54, 6.89, -16.73

 

CMYK 24 / 31 / 0 / 64

HEX #47405D

RGB 71 64 93

HSL 254.48, 0.18%, 0.31%

LAB 28.89, 9.99, -16.13

 

CMYK 31 / 5 / 0 / 64

HEX #40585D

RGB 64 88 93

HSL 190.34, 0.18%, 0.31%

LAB 35.71, -7.68, -5.83

 

CMYK 31 / 14 / 0 / 64

HEX #40505D

RGB 64 80 93

HSL 206.9, 0.18%, 0.31%

LAB 33.17, -2.78, -9.65

 

CMYK 31 / 22 / 0 / 64

HEX #40495D

RGB 64 73 93

HSL 221.38, 0.18%, 0.31%

LAB 30.99, 1.66, -12.97

 

CMYK 31 / 30 / 0 / 64

HEX #40415D

RGB 64 65 93

HSL 237.93, 0.18%, 0.31%

LAB 28.54, 6.89, -16.73

 

CMYK 31 / 31 / 0 / 64

HEX #40405D

RGB 64 64 93

HSL 240, 0.18%, 0.31%

LAB 28.24, 7.55, -17.19

 

CMYK 31 / 5 / 0 / 64

HEX #40585D

RGB 64 88 93

HSL 190.34, 0.18%, 0.31%

LAB 35.71, -7.68, -5.83

 

CMYK 51 / 9 / 0 / 58

HEX #34606A

RGB 52 96 106

HSL 191.11, 0.34%, 0.31%

LAB 38.09, -12.19, -10.41

 

CMYK 67 / 11 / 0 / 54

HEX #276976

RGB 39 105 118

HSL 189.87, 0.5%, 0.31%

LAB 40.96, -16.31, -13.43

 

CMYK 80 / 14 / 0 / 49

HEX #1A7183

RGB 26 113 131

HSL 190.29, 0.67%, 0.31%

LAB 43.75, -18.2, -17.05

 

CMYK 91 / 16 / 0 / 44

HEX #0D7990

RGB 13 121 144

HSL 190.53, 0.83%, 0.31%

LAB 46.68, -19.06, -20.31

 

CMYK 31 / 5 / 0 / 64

HEX #40585D

RGB 64 88 93

HSL 190.34, 0.18%, 0.31%

LAB 35.71, -7.68, -5.83

 

CMYK 4 / 1 / 0 / 69

HEX #4D4F50

RGB 77 79 80

HSL 200, 0.02%, 0.31%

LAB 33.45, -0.59, -0.88

 

CMYK 0 / 21 / 26 / 65

HEX #5A4743

RGB 90 71 67

HSL 10.43, 0.15%, 0.31%

LAB 32, 7.4, 5.47

 

CMYK 0 / 39 / 48 / 60

HEX #673F36

RGB 103 63 54

HSL 11.02, 0.31%, 0.31%

LAB 31.13, 16.33, 12.82

 

CMYK 0 / 53 / 63 / 55

HEX #73362A

RGB 115 54 42

HSL 9.86, 0.46%, 0.31%

LAB 30.52, 25.74, 20

 

CMYK 31 / 0 / 12 / 64

HEX #405D52

RGB 64 93 82

HSL 157.24, 0.18%, 0.31%

LAB 36.98, -13.42, 2.88

 

CMYK 31 / 0 / 3 / 64

HEX #405D5A

RGB 64 93 90

HSL 173.79, 0.18%, 0.31%

LAB 37.22, -11.43, -1.73

 

CMYK 31 / 5 / 0 / 64

HEX #40585D

RGB 64 88 93

HSL 190.34, 0.18%, 0.31%

LAB 35.71, -7.68, -5.83

 

CMYK 31 / 14 / 0 / 64

HEX #40505D

RGB 64 80 93

HSL 206.9, 0.18%, 0.31%

LAB 33.17, -2.78, -9.65

 

CMYK 31 / 22 / 0 / 64

HEX #40495D

RGB 64 73 93

HSL 221.38, 0.18%, 0.31%

LAB 30.99, 1.66, -12.97

 

CMYK 32 / 5 / 0 / 83

HEX #1E2A2C

RGB 30 42 44

HSL 188.57, 0.19%, 0.15%

LAB 16.07, -4.53, -2.99

 

CMYK 31 / 4 / 0 / 73

HEX #2F4144

RGB 47 65 68

HSL 188.57, 0.18%, 0.23%

LAB 26.16, -6.3, -4.16

 

CMYK 31 / 5 / 0 / 64

HEX #40585D

RGB 64 88 93

HSL 190.34, 0.18%, 0.31%

LAB 35.71, -7.68, -5.83

 

CMYK 31 / 5 / 0 / 54

HEX #516F75

RGB 81 111 117

HSL 190, 0.18%, 0.39%

LAB 44.8, -9.26, -6.85

 

CMYK 30 / 5 / 0 / 45

HEX #62868D

RGB 98 134 141

HSL 189.77, 0.18%, 0.47%

LAB 53.57, -10.78, -7.83

 

CMYK 31 / 5 / 0 / 64

HEX #40585D

RGB 64 88 93

HSL 190.34, 0.18%, 0.31%

LAB 35.71, -7.68, -5.83

 

CMYK 19 / 31 / 0 / 64

HEX #4B405D

RGB 75 64 93

HSL 262.76, 0.18%, 0.31%

LAB 29.29, 11.43, -15.48

 

CMYK 0 / 8 / 31 / 64

HEX #5D5640

RGB 93 86 64

HSL 45.52, 0.18%, 0.31%

LAB 36.66, -1.05, 13.87

 

CMYK 31 / 5 / 0 / 64

HEX #40585D

RGB 64 88 93

HSL 190.34, 0.18%, 0.31%

LAB 35.71, -7.68, -5.83

 

CMYK 0 / 31 / 5 / 64

HEX #5D4058

RGB 93 64 88

HSL 310.34, 0.18%, 0.31%

LAB 31.11, 17.05, -9.3

 

CMYK 5 / 0 / 31 / 64

HEX #585D40

RGB 88 93 64

HSL 70.34, 0.18%, 0.31%

LAB 38.33, -7.43, 16.05

 

CMYK 31 / 5 / 0 / 64

HEX #40585D

RGB 64 88 93

HSL 190.34, 0.18%, 0.31%

LAB 35.71, -7.68, -5.83

 

CMYK 19 / 31 / 0 / 64

HEX #4B405D

RGB 75 64 93

HSL 262.76, 0.18%, 0.31%

LAB 29.29, 11.43, -15.48

 

CMYK 0 / 26 / 31 / 64

HEX #5D4540

RGB 93 69 64

HSL 10.34, 0.18%, 0.31%

LAB 31.7, 9.5, 7.02

 

CMYK 12 / 0 / 31 / 64

HEX #525D40

RGB 82 93 64

HSL 82.76, 0.18%, 0.31%

LAB 37.83, -10.02, 15.29

 

CMYK 31 / 5 / 0 / 64

HEX #40585D

RGB 64 88 93

HSL 190.34, 0.18%, 0.31%

LAB 35.71, -7.68, -5.83

 

CMYK 11 / 31 / 0 / 64

HEX #53405D

RGB 83 64 93

HSL 279.31, 0.18%, 0.31%

LAB 30.15, 14.36, -14.1

 

CMYK 0 / 26 / 31 / 64

HEX #5D4540

RGB 93 69 64

HSL 10.34, 0.18%, 0.31%

LAB 31.7, 9.5, 7.02

 

CMYK 20 / 0 / 31 / 64

HEX #4A5D40

RGB 74 93 64

HSL 99.31, 0.18%, 0.31%

LAB 37.22, -13.37, 14.35

 

Description

Color code: HEX #40585D | qconv.com Color code: HEX #40585D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 88 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 88 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 5 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 5% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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